HAPPY MONDAYS Squirrel and G-Man
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Happy Mondays Kinky Afro Mp3, Flac, Wma
Happy Mondays Kinky Afro mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Kinky Afro Country: UK Released: 1990 Style: Leftfield, Indie Rock MP3 version RAR size: 1652 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1528 mb Rating: 4.1 Votes: 430 Other Formats: WAV DMF AU VQF DXD AUD ASF Tracklist Hide Credits Kinky Afro A Engineer [Assistant, Recording] – Cam Engineer [Recording] – Ray BlairProducer, Arranged By, Mixed By – Paul Oakenfold And Steve Osborne* Kinky Afro (Live) B Mixed By, Recorded By – Simon Machan Companies, etc. Recorded At – Sound Factory, New York Credits Artwork [Kinky Artwork] – Central Station Design Written-By, Performer – Happy Mondays Notes Published By London Music ℗ + © 1990 Factory Communications Ltd. Track B recorded live at the 'Sound Factory' N.Y.C. July 18th 1990. Initial copies came in a 12 x 12" package . Containing a T-shirt with the band's logo on the front. There was also a information sticker attached. Barcode and Other Identifiers Barcode: 9 399601 025675 Other versions Category Artist Title (Format) Label Category Country Year Happy Kinky Afro (7", Single, FAC 302/7 Factory FAC 302/7 UK 1990 Mondays Pap) Happy Kinky Afro (VHS, FAC 302 Factory FAC 302 UK 1990 Mondays Promo, PAL) London Happy Kinky Groovy Afro Records, 869 353-2 869 353-2 France 1990 Mondays Remix (CD, Single) Barclay, Factory London Happy Kinky Groovy Afro KINKR 1 Records, KINKR 1 UK 1990 Mondays (Remix) (12", Promo) Factory Happy Kinky Afro Remix Festival DMX 76737/8 DMX 76737/8 Australia 1990 Mondays (12", Promo, W/Lbl) Records Related Music albums to Kinky Afro by Happy Mondays Happy Mondays - Hallelujah Happy Mondays - W.F.L. -
Happy Mondays ...Yes Please! Mp3, Flac, Wma
Happy Mondays ...Yes Please! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: ...Yes Please! Country: US Released: 1992 Style: House, Breaks, Synth-pop, Alternative Rock, Indie Rock MP3 version RAR size: 1187 mb FLAC version RAR size: 1601 mb WMA version RAR size: 1153 mb Rating: 4.6 Votes: 856 Other Formats: MOD DXD AHX MIDI AC3 WMA MPC Tracklist Hide Credits 1 Stinkin' Thinkin' 4:18 2 Monkey In The Family 4:41 3 Sunshine And Love 4:46 4 Dustman 3:44 5 Angel 5:51 Cut 'em Loose Bruce 6 4:26 Vocals – Kermit 7 Theme From Netto 4:13 8 Love Child 5:12 9 Total Ringo 3:38 10 Cowboy Dave 5:06 Companies, etc. Phonographic Copyright (p) – Factory Communications Ltd. Copyright (c) – Factory Communications Ltd. Published By – FFRR Music Ltd. Published By – London Music Ltd. Recorded At – Blue Wave Recording Studios Mixed At – Axis Studios Mixed At – Comforts Place Mastered At – Masterdisk Pressed By – PRS Hannover Credits Artwork – Central Station Design Backing Vocals – Rowetta Bass – Paul Ryder Drums – Gary Whelan Edited By, Arranged By [Assembled] – Scott Hull Guitar – Mark Day Keyboards – Paul Davis Lead Vocals – Shaun Ryder Mastered By – Bob Ludwig Mixed By – Steven Stanley Mixed By [Assistant] – John Parthum Percussion – Bruce Martin Performer [Bez] – Bez Producer – Chris Frantz, Tina Weymouth Programmed By [Additional Programs], Sampler [Additional Samples] – Bruce Martin Programmed By, Sampler – Simon Machan Recorded By – Mark Roule Recorded By [Assistant] – Bryon Europe*, Ray Mascarenas Songwriter – Happy Mondays Notes Recorded at Blue Wave Studio, St. Philip, Barbados. Assisted at Comfort's Place Studio, Lingfield, Surrey, U.K. -
9 SONGS-B+W-TOR
9 SONGS AFILMBYMICHAEL WINTERBOTTOM One summer, two people, eight bands, 9 Songs. Featuring exclusive live footage of Black Rebel Motorcycle Club The Von Bondies Elbow Primal Scream The Dandy Warhols Super Furry Animals Franz Ferdinand Michael Nyman “9 Songs” takes place in London in the autumn of 2003. Lisa, an American student in London for a year, meets Matt at a Black Rebel Motorcycle Club concert in Brixton. They fall in love. Explicit and intimate, 9 SONGS follows the course of their intense, passionate, highly sexual affair, as they make love, talk, go to concerts. And then part forever, when Lisa leaves to return to America. CAST Margo STILLEY AS LISA Kieran O’BRIEN AS MATT CREW DIRECTOR Michael WINTERBOTTOM DP Marcel ZYSKIND SOUND Stuart WILSON EDITORS Mat WHITECROSS / Michael WINTERBOTTOM SOUND EDITOR Joakim SUNDSTROM PRODUCERS Andrew EATON / Michael WINTERBOTTOM EXECUTIVE PRODUCER Andrew EATON ASSOCIATE PRODUCER Melissa PARMENTER PRODUCTION REVOLUTION FILMS ABOUT THE PRODUCTION IDEAS AND INSPIRATION Michael Winterbottom was initially inspired by acclaimed and controversial French author Michel Houellebecq’s sexually explicit novel “Platform” – “It’s a great book, full of explicit sex, and again I was thinking, how come books can do this but film, which is far better disposed to it, can’t?” The film is told in flashback. Matt, who is fascinated by Antarctica, is visiting the white continent and recalling his love affair with Lisa. In voice-over, he compares being in Antarctica to being ‘two people in a bed - claustrophobia and agoraphobia in the same place’. Images of ice and the never-ending Antarctic landscape are effectively cut in to shots of the crowded concerts. -
Nibbler by Ken Urban
NIBBLER BY KEN URBAN DRAMATISTS PLAY SERVICE INC. NIBBLER Copyright © 2017, Ken Urban All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of NIB- BLER is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation profes- sional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, elec- tronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for NIBBLER are controlled exclusively by Dra- matists Play Service, Inc., 440 Park Avenue South, New York, NY 10016. No profes- sional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of Dramatists Play Service, Inc., and paying the requi- site fee. Inquiries concerning all other rights should be addressed to Abrams Artists Agency, 275 Seventh Avenue, 26th Floor, New York, NY 10001. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Interview with Tim Vigon, Creator of World Famous Made of Paper Fanzine (15/08/2014)! !
Interview with Tim Vigon, creator of world famous Made Of Paper fanzine (15/08/2014)! ! ! ! ! ! First things first how are you?! ! All good my friend. Thanks for asking!! ! ! Can you talk us through your up bringing?! ! My upbringing was pretty normal, I was brought up in Macclesfield which is about 20 miles South of Manchester, my parents were teachers and I went to a normal comprehensive school in Macc, when I was 16 I went to 6th form college in Moss Side, Manchester and that kind of opened up the world to me in a big way. Macclesfield is a small town , even though it’s close to Manchester people couldn’t be more different. It was totally different for me when I started hanging around with people who lived in a real City, it was 1987 when I started going to college in Manchester, so an amazing time to be there! ! ! ! ! What was the first music you got into?! ! Like most people it was just through whatever I could find of my mum and dads. They had a BASF 90 cassette (yep i’m that old) of the Beatles live at Hollywood Bowl with Sgt Peppers and Let It Be on the same tape. I played that tape to death. I’m still obsessed with the Beatles. I have a little doll of one of the Beatles on every door handle in my house and lots of bits and pieces of Beatles memorabilia. I just went to see Paul McCartney this weekend in LA. That was the first music I listened to and I’ve never got bored of it. -
How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City
Journal of Popular Music Studies, Volume 25, Issue 1, Pages 56–76 How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City Leonard Nevarez Vassar College Manchester, England, is among the most well-known cities today for the creation and celebration of popular music, thanks in no small part to the group Joy Division. Among the first bands to be associated with a postpunk aesthetic, Joy Division eschewed punk’syouthful rage and unrelenting din for an expansive, anthemic sound distinguished by its dynamic scope, machinic pulses, and by singer Ian Curtis’ssonorous baritone and existential lyrics. As the first significant band to sustain a career in Manchester, thus bypassing the music industry headquartered in London, Joy Division is also recognized as pioneering the DIY tradition that has famously characterized Manchester’s musical economy over the last four decades. The group didn’t achieve this alone; the role of Manchester label Factory Records is well documented, as, increasingly, is the foundation laid by the city’s networks of musicians, scene participants, and cultural institutions (see Crossley; Botta).´ Yet these local facts don’t quite explain the contemporary resonance of Joy Division’s Manchester roots for music fans and city boosters today. Perhaps more than any other Mancunian band, Joy Division are claimed to sound like Manchester, at least the Manchester of a certain era. That is, the group did not just originate from the late 1970s Manchester of deindustrialization, carceral housing estates, Thatcherism, and punk’s youthful refusal; nor do they simply illustrate a recurring Mancunian ethos of creative pluck and insouciant disregard for London’s cultural hegemony (Haslam, Manchester, England). -
Tom Bloxham MBE Is Chairman, Majority Shareholder and Founder of Award-Winning Tom Regeneration Company Urban Splash
Tom Bloxham MBE is Chairman, majority shareholder and founder of award-winning Tom regeneration company Urban Splash. The business has won over 440 awards for architecture, regeneration, design Bloxham MBE and business success. Chairman It was in 1993, aged 29, that Tom founded Urban Splash with Jonathan Falkingham MBE; together literally two men in a shed they redeveloped an unloved building in Liverpool into the successful Concert Square mixed-use scheme. Since then, Urban Splash has undertaken more than 60 developments, creating thousands of new homes and jobs and investing nearly a billion pounds into successful regeneration projects across the country including; Manchester, Liverpool, Birmingham, Leeds, Bradford, Sheffield, Bristol, Plymouth, Cambridgeshire and Morecambe. In 2016, Tom and Jonathan launched House by Urban Splash – a modern housebuilder committed to creating homes using modern methods of construction (MMC). In 2018, the company acquired a factory from SIG PLC, vertically integrating the manufacture of its homes, and in 2019, House by Urban Splash completed on one of the sector’s biggest ever deals, a £90m transaction which saw Japan’s biggest housebuilder – Sekisui House – and Homes England become shareholders in the business. The company has created – and sold – hundreds of its customisable Town House homes in Manchester, Birmingham, North Shields and Salford, and since 2019’s landmark deal, has been appointed on large-scale neighbourhoods in which it will create its homes; Wirral Waters in Merseyside, Inholm Northstowe in Cambridgeshire and a site with the National Trust in Cumbria. More about Tom Tom, born in 1963, started out selling fire extinguishers door to door, then while at Manchester University studying politics and history started selling records and posters from market stalls. -
Matthew Collin Is a Former Editor of the Big Issue, I-D Magazine and the Time out Website. He Has Worked As a Foreign Correspond
Matthew Collin is a former editor of The Big Issue, i-D magazine and the Time Out website. He has worked as a foreign correspondent for the BBC and now reports for Al Jazeera from Tbilisi, Georgia. He has also written for many newspapers and magazines, including the Guardian, Observer, Independent, Daily Telegraph and Mojo. His other books, This is Serbia Calling and The Time of the Rebels, were also published by Serpent’s Tail. John Godfrey, who worked on the original research and interviews for this book, is a former editor of i-D, deputy editor of The Face and executive producer at Rapido TV. He now lives in Sydney, Australia, where he is the executive producer of factual and documentary programmes at SBS. Praise for Altered State ‘At last somebody has written the real history of the last ten years, and written it with such wit, verve, empathy and profound intelligence. If you’ve been part of the scene in any way, this brilliant book will serve as positive affirmation. If you haven’t, yet still feel moved to pontificate about it, you will no longer have the excuse of doing so from a position of ignorance. I can’t recommend this marvellous piece of work enough and in a sane world it would sell more copies than any other book written over the last decade’ Irvine Welsh ‘The first full history of the dance boom which, fuelled by Ecstasy, has transformed British culture over the past decade: here you will also find the drive to transcendence, or oblivion, that is at the heart of British pop’ Jon Savage ‘Altered State is not just timely; it was crying out to be written’ Independent altered state the story of ecstasy culture and acid house matthew collin with contributions by john godfrey A complete catalogue record for this book can be obtained from the British Library on request The right of Matthew Collin to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 Copyright © 2009 Matthew Collin All rights reserved. -
New Domestic Abuse Strategy Aims to ‘End the Fear.’
Apr 03, 2014 12:17 BST New Domestic Abuse Strategy aims to ‘End the Fear.’ Happy Mondays vocalist Rowetta offered a moving victim’s perspective as Rochdale Safer Communities Partnership launched its new Domestic Abuse Strategy at Number One Riverside on Wednesday. Rowetta has spoken on behalf of campaigns tackling the issue since 2004, when details of her own experiences of domestic abuse were published in a national newspaper. Rowetta said: “I’m still quite fearful even today. When I left home I left my life behind because I had to. The police helped me and they got me into a women’s refuge. The message is there’s an end to this and there’s an answer as long as the victims can be strong.” The launch showcased the strategy’s mission to protect victims and their families, as well as tackle and prevent crimes and bring perpetrators to justice. New campaign artwork was unveiled and a powerful online advert produced by the Rochdale Safer Communities Partnership was premiered. Rowetta was joined at the launch by Rochdale Borough Council Chief Executive Jim Taylor, Deputy Chief Executive Linda Fisher, Council Leader Councillor Colin Lambert, Cabinet Member for Strengthening Communities Councillor Sultan Ali, Police and Crime Commissioner for Greater Manchester Tony Lloyd, Superintendent Allistair Mallen and Victim Support Senior Service Delivery Manager Ruth Wilson. Councillor Lambert said: “Domestic abuse impacts on every member of every family where it occurs. “Our children deserve to grow up innocent and if domestic abuse is happening in their home, or around them, then that innocence is removed. -
Jeremy Deller: Joy in People Contemporary Art Museum St
Jeremy Deller: Joy in People CONTEMPORARY ART MUSEUM ST. LOUIS / FEBRUARY 1–APRIL 28, 2013 Over the past two decades, Jeremy Deller has created a remarkable and influential, yet largely intangible, body of work. Describing himself as a “self-taught conceptual artist,” he is an assembler of things and a “stager” of events, orchestrating, curating, and directing projects including films, processions, historical re-enactments, and exhibitions. Combining a flair for mischief-making with an engagement with current affairs, Deller’s work helps to expand our idea of art—of the roles it can play and the shapes it can take. Much of his work is collaborative and participatory, and many of his free-ranging, open-ended projects are explorations of a kind of folk or vernacular culture, or alternative ways of life. Born in London in 1966, Jeremy Deller studied art history at the Courtauld Institute and at Sussex University. After meeting Andy Warhol in 1986 he spent two weeks at the Factory in New York. He began creating artworks in the late 1980s, often making fleeting and subversive interventions in everyday situations. In 2004 he was awarded the Turner Prize, dedicating it to “everyone who cycles in London, everyone who looks after wildlife and bats, the Quaker movement, and everyone I’ve worked with.” Since then, he has continued making collaborative and participatory works. Among other projects, he has commissioned the building of a bat house in London, organized urban parades, and traveled on a cross-country journey across America—along with an Iraqi citizen and an U.S. -
A Study to Understand Manchester's Emergence As
A STUDY TO UNDERSTAND MANCHESTER’S EMERGENCE AS A CREATIVE CITY. Jordan Strong History BA Honours dissertation Aberystwyth University 9th May 2014 1 Acknowledgements Throughout this piece of work I have had some fantastic support, critiques and feedback, never more so then from Barbara Jones of student support at the university. Her support, motivation and editing of this piece of work has been second to none. The process of writing a dissertation is a hard task as it is without the persistence of dyslexia, but with Barbara’s help, the process has been as smooth as one could hope. It has been a long, hard process with some laughs along the way, I am truly grateful for her help. I would also like to thank Dr. Richard Coopey, his supervision has been excellent, his guidance with source material has been extremely beneficial to this study. Furthermore I would like to thank Suzannah Reeves of Oldham sixth form college for helping me contact Dave Haslem, Also Dave himself for taking time out to email me. Finally those who helped me at the Museum of Science and Industry during in the couple of days I spent at the Rob Gretton Archive. 2 Table of content 1. Introduction p.3 2. Chapter One – ‘The scene is very humdrum’ p.7 3. Chapter Two – ‘Evidently Chickentown’ p.14 4. Chapter Three – ‘The Hacienda must be built’ p.25 5. Chapter Four – ‘I don’t have to see my soul he is already in me’ p.39 6. Conclusion p.44 3 Introduction On the 16th of August, 1819, eighteen people were massacred during a peaceful protest in Manchester’s St.