POSTHEROIC FANFARES for 3 Trombones and Percussion

POSTHEROIC FANFARES for 3 trombones and percussion

Ruben Sverre Gjertsen 2007 INSTRUMENTS NOTATION DYNAMICS = static dynamics, subito / subito tacet. 3 Trombones (2 tenor, bass) Percussion PITCH =irregulare dynamic fluctuations. The musicians should, if possible, surround the audience. MICROTONES • Trombones on three galleries, three windows, three Avoid repeated patterns and create irregularity. This sides of the room, depending on the possibilities of ! = 1/4 tone sharp = 3/4 tones sharp concerns all kinds of improvised flux. the hall. ˜ • Percussion on the floor behind the audience. Dynamic contrasts should be extreme on all instruments. Outdoor performances are possible. B = 1/4 tone flat Bb = 3/4 tones flat Accidentals apply to repeated notes. TIME VIBRATO Vibrato is notated graphically as ornamentations, usually in FERMATAS exaggerated forms (combinations of too large, too fast, too slow). Some examples:

Oscil lento = 0,5-1 vibratocycles per second ¨ Vibrato lento = similar, slightly faster , U Poco vibr. = almost a normal vibrato Vibrato estremo = as fast as possible, range between a major second and a third. shortest !------" longest Vibrato grande = range between a third and a fifth (breath) around the center pitch, very rapidly. Vibrato irregolare = irregular speed and range.

GLISSANDI All glissandi are continous, and should never dwell on start or end notes (in parenthesis). No new attacks should be made on passages without articulation signs.

Duration: 3' STICKS

TROMBONES PERCUSSION = tam-tam mallet

MUTES INSTRUMENTS 2 Tenor Trombones (HARMON /STRAIGHT MUTE) Bass Trombone (STRAIGHT MUTE) • Tam-tam (g) • =soft sticks on tam-tam/gongs • Thai Gong (Ab) • =woodstick with skin end on tom-tom • Bali Gong (1D) OPEN/CLOSE MOVEMENTS ON HARMON MUTE Use written or available octaves. May also be unpitched. Find contrasting o///+ = very rapid mute tremolo sounds and keep proportions from high to low. o//+ =rapid = heavy metal sticks (crotali sticks) o/+ =intermediate • 2 Triangles hanging together in a string oz+ =irregular • 3 Crotales (h', c#'', g#'') on Timpani Let the Triangles vibrate as freely as possible against each other and the / = triangle sticks =half stop Crotales. Use pedal to create slow glissandi.

Activate during notes, then lets the Triangles hang close to the Crotales POSITION ON THE INSTRUMENT DYNAMICS as long as possible as they calm down. Make sounds irregular in rhythm, micro dynamics and glissandi, avoid repeated patterns. Dynamics are relative and suggest sounding level. Timbres should be continously varied and each note should Exaggerate played dynamics while using HARMON MUTE. • Tank of water have its own colour. Large enough for Thai Gong. • strike • scrape SYSTEMS On the tam-tam:

C=at the centre of the instrument M=at the middle of the instrument (between C and E) E=at the edge of the instrument R=at the rim of the instrument O=Improvised circular movements between C and E

Notation: R E M C O POSTHEROIC FANFARES q»52 Ruben Sverre Gjertsen 2007 3 HARMON vibr. accel. 3 4 3 1 Þ vibr. grande Þ 4 NV 3:2 8 4 + 4 ( + ) ( œb ) œ œ ( +) + o Tenor Trombone 1 ! œB -œµ ( ) œb ( œµ ) ® Ó. ! ( œm ) & J . 5:4 " " 5:4 _ HARMON Þ ƒ + o + oscil. lentissimo (1/4-tone) oscil. lentissimo (1/4-tone) ! ( œn .) + Tenor Trombone 2 & !. œn !. Œ ! ( œm ) ‰ ç " 3:2 " # _ 5:4 subito tacet ALWAYS STRAIGHT MUTE Bass Trombone & Ó œµ œ ‰. " 3 3 4 _ 3 1 4 8 4 4 Percussion

@ ! ! accel. æ 3 oscil. lentissimo (1/4-tone) 3 3 ! 5 4 +ùo ù ù ù ù ùù+ù où subito silenzio U 4 16 4 / 8 T. Tbn. 1 ? ( ) . & .. ® Œ œB ( œn ) ( œµ ) ( œm ‰) 5:4 p ƒ æ o Þ ù ù G.P. +ùzo ù ù ù ù +où+ù o 3:2 subito silenzio sim. j , / / T. Tbn. 2 ( ) ? ! & Ó œm . ( œµ ) ( œB ) Œ " _ 5:4 J p Þ 3:2 f p P o f P o 5:4 3:2 ( q e . ) subito silenzio subito tacet flutt. / r ? æj B. Tbn. & Œ Œ œµ œ ‰ ! Œ œµ ® œµ œ œ œ œ œ œ œ " _ - - - > - ß ß ß F PF f p 3 3 3 scrape strike 5 4 4 16 Thai gong 4 O C 8 Perc. ? œb œ. Ó - 1 - F p l.v. æ 5 3 5:4 Þ 2 o 5:4 3:2 8 + + 3:2 , 8 j 4 j j 4 T. Tbn. 1 ? œb œ ) ( œb ) ‰ & ‰.. œn œ œn œB œm œµ . œ ( œm ß ß ß ß ( ßœµ ) ! _ Pz ! ! _ ƒ ! Þ (h) p 11:8 +ù ù ù ùo ù ù ùù ù ù ù ù ù +ù o ù ù ù ùù + 3:2 / / / T. Tbn. 2 ? œB œ œn " ( œµ ) ( ) (œn ) ‰ & Œ œµ œn ( œm ( œm ) œb â â œµ ƒ ! _ P â p (h) / 7:4 B. Tbn. " ? ? ® ‰ & Ó " œm ( œB ) ‰ œn œ œ œ œ œ œ œ œ œ œ œ œ vibr. grande f - ß ß - - - strike scrape Fsub. _ 5 p scrape 3 2 Thai gong (î) O ! 8 8 O / 4 3:2 P_ _ 4 Perc. ? Ó ". œb œ œ Œ ‰ œb œb œ " . p f @ strike p harm. gliss. + slide vibr. 2 4 subito tacet 5 @ 3 10 5:4 +3:2 + o 4 4 +gliss.o + / 8vibr. ßuido +o j 4 ? ( T. Tbn. 1 ( œµ ) ‰. ‰ œµ ) ( œm ) & ( œn ~)&~~ . . ! ! Pos. IV F ƒ F ! F V 1/2 III II 1/2 Þ 5:4 5:4 vibr. accel. (1/4-tone) vibr. grande rapido o flutt. +o+ harm. gliss. +o ær æ r j T. Tbn. 2 ) ( œm ) ? ( œB )? ) ( ) ( œn ) œb ) Œ Œ ( œµ œn . ( œµ ‰ Œ ‰ ~~~ & ( œm .. & ~~ ( œµ ~) ~~ ~ ç ß ! _ P p f 7:4 . vibr. grande subito tacet œB 5:4 " œm ? B. Tbn. ? Œ Œ Ó & ‰ œm ( œB ) " Œ p ƒ _ Thai gong p ß 2 Tri./Crot. 4 5 3 irregular accents on Timp. l. v. 10 O > 4 >> > 4 pedal vibrato 8 4 Perc. ? œ ? œb œ. ÷ ß - 2 - 3 Þ NV 2 4 5:4 5 13 7:4 +o+ o slide vibr. 4 5:4 + 4 subito4 tacet -œB ( -œn ) ~~~~~~~~~~~~ 8 ( œn ) ) ? œn œ œ.. T. Tbn. 1 & ( œB ( œm ) ‰ # # Ó. R F p P " _ F $ (q . ) ! æ Þ (x î) nervoso Þ + o + o 3:2 gliss. irregolare ùù ùù oscil. lento + œb ) subito tacet # œµ œ œ œ œ œ œ ® œ œ œœ œ ( œB ) o + ( œB T. Tbn. 2 ? . #. . .. Œ ‰ / ‰ Ó / 3:2 ß ß ßßß do not syncronize attacks with gliss. F 5:4 J $ F $ F _ p (q . ) esplosivo 5:4 flutt. (e ) tenuto / 7:4 œµ / œn B. Tbn. ? Œ æ ‰ # Œ ‰ œm œµ œB # ( ) œn œµ œn œn ( œn ) - - - - Fz f p P P f p Bali Gong p strike 3 2 strike 4 5 C scrape 13 Thai gong o $ p 7:4 o $6:4 4 4 4 æ @ r æ @ 8 Perc. ? #. ‰ Ó Œ ‰ Œ œn œb . ® ® œb .. œ œb .. œ œb . œ œ # Œ . ! sFz J @ p 7:4 ! Bali Gong C subito silenzio ¨ distinto 5 2 Þ 7 5:4 p 16 8 ¨ 4 œn œ + o subito tacet4 ~~~~~~~~~~~~~~~~~~. # T. Tbn. 1 ? ‰ Œ # ‰ $ æ subito silenzio 5:4 (+ o ( ) ¨ + + o + œB .) œn œn œ subito tacet T. Tbn. 2 ? ‰. ® ‰ Œ # ‰

5:4 $ ç $ o subito tacet 3:2 B. Tbn. ? œµ œn Œ pesante 5 2 P 7 Thai gong strike 16 subito tacet 8 4 p / fP 4 Perc. ? Œ ‰ ‰ ® œb . œb œb œ œb œb œ.œœ œ œ œ Œ J â â â 7:4 scrapeFz Fz Fz * O - 3 - Pos. V 1/2 III 1/2 I VI 7 æ Þ 7 ) 3:2 7:4 + o ( œµ ! 18 + harm. ~ ~~ flutt.o + Þ o . ( ) ~ ~~ . 4 ( ) œB ( )gliss. ~ ~ vibrato lento irregolare grandissimo o œB 8 œm œµ ~ ( ) ) ) ) + + . ~.~ ~ ~~ œb ( œµ ( œn ) ( +œB ( œµ ( ) œb ~ ~ " " . œm T. Tbn. 1 ? ~ ~ œB ‰ ~ ~ æ ® J ( œn )~ F 5:4 ! _ sub. p ! ! _ Pos. I V o V 1/2 III 1/2 F Þ VI ç æ Þ Î , 5:4 Þ , . + + flutt. norm. o. œn ( ) harm. o + + o + . . äœµ ( œn ) gliss. ( ( œm ) (oœm ) œB T. Tbn. 2 ? . ( œb ) ? ( œn . ) œµ ~)? æ gliss. " œb ‰ & ~~ ( ) &~~ (~ œµ ) ® œn & ~~~~~~ œm ~~~~~~~ ~ æ 5:4 3:2 f static 5:4 p # p p F ƒ ! _ P ù Î . œµ œµ 5:4 . -œn µ œ . œB- œ - . œn B. Tbn. ? ‰ ® œµ ®œm œµ ‰ Œ " ‰ " œm œb œ 5:4 œµ œµ 3:2 3:2 5:4 -. 6:4 F p P P_ Î 7 P ƒp P Tam-tam scrape with woodstick or 7 18 ß p F _ Wooden tom-tom 7:4 hard rubber mallet 4 œn " 8 Perc. ? . $ ‰ - ‰ ‰ Œ F secco F _ @ squeaking sound . . 7 5:4 5 3 19 8 œµ subito tacet o subito tacet4 4 r T. Tbn. 1 ? " œB œ " ? œm . ‰ ‰ & œm œµ œm ‰ !- - - - œm F sub. ß o 3:2 5:4 j > subito tacet T. Tbn. 2 œB œ œb œ " ? & Œ œn . œB œµ !- - ! . . sub. R 3:2 5:4 sFz , subito tacet 6:4 subito tacet œµ B. Tbn. ? "? œn ®‰. ‰ ®œn ®‰ & œB œ œm vibr. - - ( œn ) ! %%%%%% F ç P scrape with woodstick or 6:4 7 Tri./Crot. Tam-tam hard rubber mallet 5 3 19 8 on Timp. squeaking sound 4 " 4 3:2 Œ " œn ˙ œ Œ Perc. ‰ œ. ‰ Œ? ‰ Ó. " œb " œb ˙ l. v. æ 3:2 Thai gong æ pedal vibrato ! F _ R ƒ static E O - 4 - ß Ø F _ static 3 4 accel. 5 Þ Þ 5:4 ! æ + o o5:4 + o + o 21 4 (o ) ( ) ( ) 4 ( ) 3:2 5:4 + o 4 +) œB œB ) œB ( ) o) +o œB ( œm ( œm œm ( œm ( œn ) ( œn ) T. Tbn. 1 ? ‰ $ ‰ Œ ‰ $. Œ ‰ ‰. Œ R œB R 7:4 5:4 sfffz " P ç p P F " F Þ ÞF ( œn ) ( ) + ( +) o + gliss. lento vibr. grande accel. subito tacet œm ( œn ) œµ . + ) ( œµ ) ( œn œµ T. Tbn. 2 ? $ ‰. Œ ‰ ‰. Œ 5:4 6:4 F " F P " # _ ( ) ( ) œn ) ) 3:2 vibr. rapido ( œµ .) œm œm ( œB œµ ( œn ( ) ( œn ) œµ ( œµ ) B. Tbn. ? ‰ ®‰ Œ ‰ ‰ Œ ‰ ‰. 6:4 7:4 p _ F p O p " P F " E scrape 3 4 Tam-tam strike 5:4 5:4 5 21 (e ) 4 4 ‰ O / $ ‰ r 4 @ Œ F $ œn ‰ œ œ œ œ œ. œ Perc. ? œb ‰ Ó œb œ œn ‰. œb ‰ œb œ ‰. Œ Thai gong E C 7:4 ! 7:4 p _ Bali Gong p C " M C @ p F P p P 5 + Þ + 3 5 23 4 3:2 ( œµ ) ( œn ) 4 8 ( œn ) T. Tbn. 1 ? Œ Ó ‰ $ Œ J 5:4 " P Þ Þ Þ 3:2 + œn o +o +o subito tacet ( œB ) ( ) œB œB œn T. Tbn. 2 ? ® œµ $ Ó Œ ‰. œn œn J 5:4 p " F ƒ p 3:2 scrape subito tacet strike B. Tbn. ? ‰ & $. scrape vibr. estremo scrape strike ( œµ ) strike # _ E / O C / O O E f _ %%%% scrape 9:8 5 strike (e ) 3 5 23 9:8 / r K 4 R 4 K r subito stop 8 œ œ rK œ œ œ œ œ œœ œ œ œ r œ œ œ œ œ œœ œ Perc. ? ® $. ®œb œ Œ ‰ œb œb œ ® ® œb œb œ ®Œ Œ ‰ œn œ œ Œ Œ œn œ œœ œ œ Œ . æ æ @ M C E M O R O . Bali Gong E O 7:4 J 3:2 delicato leggiero ! 7:4 " ! C !# _ P - 5 - " feroce subito 5 4 æ riten. @ 2 + ùoù ù ù ù ù + o 25 3:2 ù ù ù ù ù ù ù ù ù ù ù 8 4 / ù 4 ? / / T. Tbn. 1 Œ Œ ( œb ) ( œB ) ( œn .. ) ( œµ ) J ƒ ! accel.p ƒ p æ " ƒ P " +ù où ù ù ùùù + o (e ) / 3:2 o -/ - - æ T. Tbn. 2 ? ) # #. Œ ‰ ( œb ) ( œb ®( ) ‰ . ( œµ ) œµ ( œn ) flutt. ( œB ) ( œn ) 5:4 pfP p ƒ " F p ƒ flutt. 5:4 7:4 æ œB B. Tbn. ? Ó ‰ ‰. # œm ‰ œµ . . ƒ p 5 Thai gong 4 esplosivoF _ 2 C 25 3:2 Bali Gong 8 4 7:4 4 j Perc. ? Œ Œ œb ‰ Œ Œ j Ó œ . " ! trombones measure 27-33: P @ sempre tenuto, no accents! 2 Þ 3 Þ 5 6:4 o + 27 4 -œmo + œm- 8 œm- 4 T. Tbn. 1 ? ‰ ‰ Œ Œ # Œ Œ #

5:4 P_ Þ Þ +œµ- +œµ- + T. Tbn. 2 ? ‰ ‰ Œ ‰ Œ ‰

5:4 7:4 P_ œB- B. Tbn. ? Œ ‰ # p _ 2 Tri./Crot. (balance with I/II) 3 5 27 4 on Timp. 8 4 Perc. # œ. #. # œ Œ ‰.. œ œ. # œ # ‰ œ. ® # ® œ.

7:4 7:4 l. v. 5:4 p pedal vibrato - 6 - 5 3 o Þ + 4 30 4 œm-o 8 +œm- + œm- 4 . T. Tbn. 1 ? Ó. ‰. Œ ! ! ‰ 5:4 Þ +œµ- o o+oœµ- œµ- o T. Tbn. 2 ? Ó. ! ‰. Œ ® ® ‰ ! !

5:4 3:2 œn- œB- œB œn- B. Tbn. ? Ó. ‰ ‰ ‰.. !. ‰ !

3:2

5 Tri./Crot. 3 4 30 4 on Timp. 8 4 Perc. Œ œ œ ‰ œ ‰. ‰ œ. œ.. ®

l. v. 7:4 5:4 @ pedal vibrato 4 Þ o o 5 5 32 4 œm- œm- +oœm- 8 +œm- 4 T. Tbn. 1 ? Œ ‰. ! ! ! ‰. Œ Œ ‰ ! !. ‰

5:4 7:4 7:4 Þ oœµ- + œµ- + œµ-o+ 7:4 +œµ œ T. Tbn. 2 ? Œ ‰ ‰. ‰. Œ ‰ ! Œ ‰ ®

6:4 J " _ static œn- œB- œB- œB- B. Tbn. ? Œ ! !. Œ ‰. ! Œ ‰ ‰ ‰ 4 9:8 5:4 5 5:4 5 32 scrape 4 3:2 Thai gong 8strike 4 Perc. Œ ! œ ! Œ œ œ ‰.. ? œb ‰ Œ ‰ J P - 7 - 5 Þ Þ 5 + 5:4 34 6:4 4 flutt. ( œm ) ( œµ ) 8 T. Tbn. 1 ? Ó. Œ " æ æ Œ R ç p o 5:4 +œµ œ 7:4 +œµ œ subito tacet +œµ subito tacet ® .. T. Tbn. 2 ? " . R Œ Œ ‰ ! static ! _ static _ 3 : 2 (e . . x ) (e . . e ) / / œn œn œµ œn œB B. Tbn. ? Œ ® œµ ‰. ® œµ œµ œn œb Œ ß œm œB œn œn œB œµ - ß > > > - > > > - > > - F p P F p p ƒ 5 P f p esplosivo 5 34 4 8 Perc. ? @

3 : 2 (e . ) 5 o ( e x ) 2 35 / - 8 œn / 4 œB œn œµ - œb œB œB- - - T. Tbn. 1 ? " " . œµ " œµ ‰ ( œn ) ( œn ) ‰ ‰ œm œµ œb ß - - 5:4 F ! P ! 7:4 f ç f F (e ) p ƒ ! F p œµ subito tacet > > > > o ( > >œb >œµ œb ) > > > -. > > > ( œµ ) œn T. Tbn. 2 ? ‰.. " œB " ". ® " ‰ " / 5:4 3:2 5:4 ß nervoso f P 5:4 F p p œn. œB- - 7:4 B. Tbn. ? " œm æ " œn ‰ œµ œn " ‰ ‰. Œ flutt. œb . " - 3:2 7:4 ß F ƒ P p # Fz 5 2 skin end of woodstick Wooden tom-tom C 35 8 4 5:4 r Perc. Œ Œ - Fz - 8 - (e ) (e ) 5 subito tacet 7 o + o ( œb ) 37 Þ 8 / ( œn ) œB ( œµ . ) ( œm ) 8 + / ( œµ ) o œB ! œm œm œB ( œb ) !. T. Tbn. 1 ? Œ ® œb œµ œB œB ‰ ( œn ) - œn â 9:8 P f F F p 5:4 p ƒ p F Þ " 7:4 ( e ) ƒ p F p flutt. Þ î zo e ) 5:4 + Þ o (e . ) œB (î o + / -) œB œm œµ æ æ œn œn ® ( œµ ------® œB œ T. Tbn. 2 ? œB ! ! ‰ ! œn œµ œm ! ‰ œB œB . - œµ - œn / > / 5:4 P _ P_ p f ßp p F p ß ß ß F sffffz 3:2 5:4 œn B. Tbn. ? ‰ ‰ ! ‰ Œ ‰ . F _ œm œm wood sim. F _ sfffz R C 5 7 7:4 R C 37 3:2 8 MOVE THAI GONG TO WATER 8 r ? Perc. ! œ ‰. ! - ! ® œ - ® ‰ @ P Fz PFz 7 preciso meccanico! 3 o 2 / 39 o Þ o +o 8 œB œm œµ œB œB œn œµ œm + œb 4 5:4 +o+ œn œn 4 œm œB œµ ! œmo œm œµ ! ! œm œµ T. Tbn. 1 ? ‰ ‰. Œ Œ ‰ ‰ œB 7:4 6:4 7:4 3:2 R 5:4 p F P " sffffz Þ F p Þ Þ Þ Þ œm œB œn œn + + 7:4 œµ œB œn œµ œm œm œµ œB œB n œ œµ T. Tbn. 2 ? ! ! ‰ ! ® ‰ ! Œ Œ ‰ œb Œ

7:4 7:4 3:2 6:4 5:4 F p œm œn œµ œm œb œµ œn œµ œb 5:4 œm ! œB ! œn œB B. Tbn. ? ! ! ! !. œn Œ ! Œ Œ 7:4 5:4 3:2 6:4 7 F 3 p 2 Thai gong 39 8 4 7:4 7:4 4 Perc. ? Œ ‰ ( œb ) ‰ ( œb ) meccanico - 9 - P water gliss. * * ten. 5:4 esplosivo 2 ( e e . . ) 7 ! æ 3 o Þ 41 + o 3:2 o + + o + o 4 œn œb / 8 + o + æ æ 4 " " - œµ œn æ æ T. Tbn. 1 ? - œB œb œµ œm ® ‰. " ® < - ß œµ œn flutt. œB œ œ œB .. P p . . p p # F ƒ F o (e . x. ) F -œn flutt. +oœB + +œB o + +œB o + +oœB + - œµ œn T. Tbn. 2 æ æ " œB ? ‰. ‰ ‰ ‰. æ ‰. æ Œ " œn œB ® 6:4 6:4 6:4 / (e . ) ç sfffz ß ç (e . e ) P ù ù ù ù 7:4, - ƒ -/ > > > > - vibr. ¯œB -œn œB- œm- œB ( œµ ) ( œn ) œµ ä B. Tbn. ? ® ® " œb œB œn œn ‰. " œm Œ ( œn ) !!!!! / F p F p p f F f P p # 2 7 Thai gong sim. 3 41 4 8 7:4 4 Perc. ? ‰ ". ( œb ) Œ ‰ ". ( œb ) P * o Þ * @ Pos. vibr. I I 1/2 III V III 1/2 IV IV 1/2 V 1/2 III (q . ) harm. gliss. ! æ 3 5:4 2 7 o , ( œn ) o + o + 3:2 o 43 / ( œn ) œn- œ ~ + + + 4 æ ( ) ~ ~ 4 3:2 8 œn ~ ~ œµ ~ ~ ( ) œm ~ ~ ( œm ) œn ? ) ( œn ) ( œµ ) T. Tbn. 1 ? " œµ œn J ~ ~ " " ~ ( œµ ~ ~ ( ) &~ ~~~ ~ ~( ) & ‰. Œ œB œn ~ ~ œm ~~~~ ~~ ~ œB ~~ ~ ~~~ ~~~ ~~ ~~~~J~~~ 5:4 # ( œb ~ ) ( œb ) ~~~~ ( œµ ~) # J f p P ƒ . p _ 5:4 P ƒ harm. gliss. o Pos. vibr. æ subito tacet +Pos. V III slide gliss. nervoso 5:4 5:4 Þƒ o o + o + flutt. o / III III 1/2 +harm.o gliss. rapido + harm. gliss. æ o ( ) T. Tbn. 2 ? ( œµ )? œn œB " œµ . .. ? œb œB ? " ‰. ‰. ( œµ ) ~~ ® ‰ " ‰. ® ". ® œn & ~~ ( œm )~~~&~ ( ~œm ) œm & œn & ( œm ) - â â V 1/2 III P 5 : 4 ƒ ƒ sfffz V 1/2 V Ï p Pos. III 1/2 III VII F _ F( e x ) 7:4 P F 3:2 j œn / ( œn ) ( ) ? œµ œn B. Tbn. ? ( œm ) ( œµ ) " ( œn ) œb " œm ‰ ( œµ ) &~~~ Œ Œ . œB Œ & ~ - - . . F p _ p _ p ƒ . 3 Bali Gong 2 7 43 4 Thai gong 4 8 Perc. ? ( œb ) Ó .. œn $ inP rilievo - 10 - 7 4 sempre tenuto, no silences! 2 3 46 Þ Þ STRAIGHT MUTE 8 ovibrato rapido +estremo 4 o + 4 8 ( œn ) T. Tbn. 1 & !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ‰ Ó œn ˙n J Îpp Ï _ static Ø 3:2 STRAIGHT MUTE 5:4 j T. Tbn. 2 & Œ Œ Œ # œµ ˙µ . œ ‰. œµ ˙µ static " Îpp Ï _ Îpp Ï _

3:2 3:2 B. Tbn. & ‰ œn ˙ œ ‰ # œn . œ 7 4 Îpp Ï _ static 2 Îpp Ï _ 3 46 8 4 4 8 Perc. ? @ tutti ! 3 9 3 subito ! 49 5:4 3:2 silenzio U 8 j 8 8 T. Tbn. 1 & œn # œn œ œn œ.. ® # œn ˙ œn . ®Œ Îpp Ï _ Îpp ffff _

3:2 5:4 j j T. Tbn. 2 & œµ # # œµ œ œµ œ ‰ œµ œ ˙ œµ . ®Œ Îpp Ï _ Îpp ffff _ j B. Tbn. & œn œ. ® ® œn . œn . ‰ œn ˙ œn . ®Œ 3 Îpp 9 Ï _ Îpp ffff _ 3 49 8 8 8 Perc. ? - 11 -