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If/Then Lights up PPAC
If/Then Lights Up PPAC It is not every day that we have a chance to see Broadway caliber performances here in our creative capitol. PPAC is changing that this weekend with the national tour of If/Then. This beautiful show ran for a year on Broadway and is completing its tour in New England, with three of the Broadway performers, Jackie Burns, Anthony Rapp and Tamara Gray. It’s exciting for audience members, and it’s also exciting for those in the theater. Caitlyn Dipompo, PPAC’s marketing projects specialist notes, “There is additional excitement around the theater when OBC members perform here. Not everyone has the chance to see these productions on Broadway with the original cast, so it is really special for people to see someone like Anthony Rapp or Jackie Burns right here in Providence, at their hometown theater.” Rapp, theatergoers will know from RENT, as Marc Cohen, and longtime PPAC audience members will remember his reprisal of that role in 2009 on tour. Burns stepped in for powerhouse Idina Menzel on Broadway, and took over Menzel’s leg of the national tour. Of course a musical that originally starred Menzel and Rapp will make even the novice RENThead reminiscent for Jonathan’s Larson’s musical. Rapp acknowledges that “there is some DNA they both share, and that many fans have remarked that and it’s very meaningful to Tom (Kitt) and Brian (Yorkey).” As an actress, you know that any role written for Idina Menzel is going to be pretty darn fabulous. This is something that Burns repeats with a smile. -
Senior Musical Theater Recital Assisted by Ms
THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Joy Kenyon Senior Musical Theater Recital assisted by Ms. Maggie McLinden, Accompanist Belhaven University Percussion Ensemble Women’s Chorus, Scott Foreman, Daniel Bravo James Kenyon, & Jessica Ziegelbauer Monday, April 13, 2015 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert Please turn off all cell phones and electronics. PROGRAM Just Leave Everything To Me from Hello Dolly Jerry Herman • b. 1931 100 Easy Ways To Lose a Man from Wonderful Town Leonard Bernstein • 1918 - 1990 Betty Comden • 1917 - 2006 Adolph Green • 1914 - 2002 Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist The Man I Love from Lady, Be Good! George Gershwin • 1898 - 1937 Ira Gershwin • 1896 - 1983 Love is Here To Stay from The Goldwyn Follies Embraceable You from Girl Crazy Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist; Scott Foreman, Bass Guitar; Daniel Bravo, Percussion Steam Heat (Music from The Pajama Game) Choreography by Mrs. Kellis McSparrin Oldenburg Dancer: Joy Kenyon He Lives in You (reprise) from The Lion King Mark Mancina • b. 1957 Jay Rifkin & Lebo M. • b. 1964 arr. Dr. Owen Rockwell Joy Kenyon, Soprano; Belhaven University Percussion Ensemble; Maddi Jolley, Brooke Kressin, Grace Anna Randall, Mariah Taylor, Elizabeth Walczak, Rachel Walczak, Evangeline Wilds, Julie Wolfe & Jessica Ziegelbauer INTERMISSION The Glamorous Life from A Little Night Music Stephen Sondheim • b. 1930 Sweet Liberty from Jane Eyre Paul Gordon • b. -
“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Broadway Guest Artists & High-Profile Key Note Speakers
Broadway Guest Artists & High-Profile Key Note Speakers George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway AMY WEINSTEIN PRESIDENT, CEO AND FOUNDER OF STUDENTSLIVE Amy Weinstein has been developing, creating, marketing and producing education programs in partnership with some of the finest Broadway Artists and Creative teams since 1998. A leader and pioneer in curriculum based standards and exciting and educational custom designed workshops and presentations, she has been recognized as a cutting edge and highly effective creative presence within public and private schools nationwide. She has been dedicated to arts and education for the past twenty years. Graduating from New York University with a degree in theater and communication, she began her work early on as a theatrical talent agent and casting director in Hollywood. Due to her expertise and comprehensive focus on education, she was asked to teach acting to at-risk teenagers with Jean Stapleton's foundation, The Academy of Performing and Visual Arts in East Los Angeles. Out of her work with these artistically talented and gifted young people, she co-wrote and directed a musical play entitled Second Chance, which toured as an Equity TYA contract to over 350,000 students in California and surrounding states. National mental health experts recognized the play as an inspirational arts model for crisis intervention, and interpersonal issues amongst teenagers at risk throughout the country. WGBH/PBS was so impressed with the play they commissioned it for adaptation to teleplay in 1996. -
Royal Manitoba Theatre Centre the Tom Hendry Warehouse Performance History
Royal Manitoba Theatre Centre The Tom Hendry Warehouse Performance History Second Stage Productions: 1958 — Today The Royal Manitoba Theatre Centre’s second stage has, over the years, changed both location and name. Originally housed in the old Dominion Theatre, it was simply known as the Studio Theatre. Then in 1965, with a new location, it was appropriately called Theatre-Across-The-Street. In 1969, a permanent facility was established at 140 Rupert Avenue and a new name introduced, the MTC Warehouse Theatre. At the 50th Anniversary Homecoming celebration on May 11, 2008, the Warehouse theatre was officially dedicated to MTC co-founder and first general manager, Tom Hendry. STUDIO THEATRE Harry, Noon and Night 1976/77 1960/61 Mandragola Berlin to Broadway With Kurt Oh Dad, Poor Dad, Mamma’s Hung The Indian Wants The Weill You in the Closet and I’m Bronx/Escurial Fables Here and Then Feelin’ So Sad La Turista Waiting for Godot The Lesson/The Marriage Alpha Beta Proposal 1970/71 Canadian Gothic & American Under Milkwood The Sun Never Sets Modern Tomorrow is St. Valentine’s Day 1961/62 1977/78 Waiting for Godot 1971/72 Hello and Goodbye Who is on My Side? Who? Head ‘Em Off At The Pas Oh Coward! A Sunny Morning The Jealous Husband/The Flying Love is Meant to Make us Glad In the Beginning: A Rock Doctor and The Blind Man The Potato People Two Friends Ashes 1972/73 For Love and Chicken Soup 1962/63 The Promise The Sea Horse The Spirit of the People is a En Pièces Detachées Sometime Thing On the Air 1978/79 The Love Merchants Jacques Brel -
RENT Actor Anthony Rapp FSU Visit Article
By: Natalie Kates April 2006 Rent Star, Anthony Rapp, Speaks at FSU On April 3, Rent star Anthony Rapp shared with a packed crowd at Florida State University’s Ruby Diamond Auditorium stories about his newest book, the Rent movie, and his experiences acting in the Broadway musical. According to Rapp, “Rent has been my favorite role because it has spoken to young people and has served as a voice for progressive thought in an often conservative country.” Critics have considered Rent to be highly controversial because of its subject matter concerning AIDS, drugs, homosexuality, and transsexual lifestyles. Rapp, 35, has been acting since he was 10. He is most famous for his Broadway performances in Rent and You’re a Good Man Charlie Brown. He has acted in movies, including Dazed and Confused, Road Trip, Twister, a Beautiful Mind and Cruise Control. He’s also appeared on Law & Order and the X-files. By far, Rapp considers his part as Mark Cohen in Rent to also be his most famous role. “I love playing parts. To get to do something like Rent that puts together everything I believe in is very invigorating and incredible to be a part of,” said Rapp. When Rapp came onstage, the audience broke into applause since many ‘Rentheads’, as Rent fans are often called, came to hear him speak. “Each time I listen to Rent, I take in more and more from the songs and they mean more to me each time I hear them played,” said ‘Renthead’ fan, Amy Purifoy. The three main people who hosted this event were Griffith, Allison Segal, Manager of Student Life Cinema, and Allison Parkin, volunteer at Student Life Cinema. -
Rca Records to Release American Idol: Greatest Moments on October 1
THE RCA RECORDS LABEL ___________________________________________ RCA RECORDS TO RELEASE AMERICAN IDOL: GREATEST MOMENTS ON OCTOBER 1 On the heels of crowning Kelly Clarkson as America's newest pop superstar, RCA Records is proud to announce the release of American Idol: Greatest Moments on Oct. 1. The first full-length album of material from Fox's smash summer television hit, "American Idol," will include four songs by Clarkson, two by runner-up Justin Guarini, a song each by the remaining eight finalists, and “California Dreamin’” performed by all ten. All 14 tracks on American Idol: Greatest Moments, produced by Steve Lipson (Backstreet Boys, Annie Lennox), were performed on "American Idol" during the final weeks of the reality-based television barnburner. In addition to Kelly and Justin, the show's remaining eight finalists featured on the album include Nikki McKibbon, Tamyra Gray, EJay Day, RJ Helton, AJ Gil, Ryan Starr, Christina Christian, and Jim Verraros. Producer Steve Lipson, who put the compilation together in an unprecedented two-weeks time, finds a range of pop gems on the album. "I think Kelly's version of ‘Natural Woman' is really strong. Her vocals are brilliant. She sold me on the song completely. I like Christina's 'Ain't No Sunshine.' I think she got the emotion of it across well. Nikki is very good as well -- very underestimated. And Tamyra is brilliant too so there's not much more to say about her." RCA Records will follow American Idol: Greatest Moments with the debut album from “American Idol” champion Kelly Clarkson in the first quarter of 2003. -
Amy Weinstein, Artistic Director of Studentslive Passport to Broadway
Letter from Amy Weinstein, Artistic Director of StudentsLive Passport to Broadway: It is very nice to meet you and thank you for taking a moment to read about the very unique mission and purpose of this Brooklyn College Musical Theater Intensive. I am so pleased to be able to bring my professional background, long held respect and contacts in the theater community on Broadway, across the country and world, and expertise in theater history, methods and philosophies of theater education to help inspire and increase your skill sets at every level and instill confidence in your own unique talents. I believe that the best theater studies should prepare students for all kinds of careers that will enrich and transform the human experience in a rich, incandescent, diverse and highly multi-disciplinary environment. These last eighteen years have been a powerful experience for myself and my creative and production team travelling to 7 countries and hosting seven more here direct on Broadway in New York City with our Passport to Broadway Program. The thousands of serious aspiring students involved in this rigorous process grew beyond our wildest imagination with a passion and dedication for learning and performing this very challenging art form in almost impossible short windows of time; What would normally require a Broadway professional at least 6 to 8 weeks of rehearsals is taught and learned eloquently in 10 short days with our exceptional Broadway Artists faculty and students. They made the virtually impossible, possible. And that is a testament to both their talents and hard work, as well as the collaboration and individual expression great Musical Theater evokes. -
David Alpert Resume June 2018
David Alpert, director www.david-alpert.com BROADWAY IF/THEN Associate Director Richard Rodgers Theater; Michael Greif, dir. THE TRIP TO BOUNTIFUL Associate Director Sondheim Theater; Michael Wilson, dir. THE BEST MAN Assistant Director Schoenfeld Theater; Michael Wilson, dir. GUYS & DOLLS 2nd Assistant Director Nederlander Theater; Des McAnuff, dir. (SDCF Observership) NEW YORK PRODUCTIONS (selected) BROADWAYCON: Opening, Programming Artistic Director Mischief Management A SCYTHE OF TIME *Best Director Nom. Director New York Musical Festival TONYA & NANCY: THE ROCK OPERA Director New York Musical Festival A LITTLE NIGHT MUSIC Director NYU Steinhardt TALLEY'S FOLLY Associate Director Roundabout Theatre Company OLD FRIENDS Associate Director Signature Theatre Company DO ME A LITTLE Director NY International Fringe Festival/LaMaMa THE FOUR OF US Director Bridge Theater, NYC EVERYTHING IS FINE Director ASCAP/Stephen Schwartz Workshop JOSEPH…DREAMCOAT Director Play Group Theatre KNICKERBOCKER HOLIDAY Assistant Director Lincoln Center, Ted Sperling, director COCAINE: THE BAND: THE MUSICAL Director New York Musical Theatre Festival WILLY WONKA Director/Choreographer Play Group Theatre 8MINUTE MUSICAL FESTIVAL Director New York Musical Theatre Festival NEW YORK READINGS/WORKSHOPS (selected) DEATH NOTE by Frank Wildhorn Director Pre-Asia Production Reading THE MOON & THE SEA by Creighton Irons Director The Cutting Room BARNYARD FOLLIES by Sam Carner Director Actors Connection/Playwrights Horizon RAILS by Tom Kelly & Tom Kenaston Director New York Musical Theatre Festival THE INTELLIGENT HOMOSEXUAL'S GUIDE… Assistant Director Public Theater, Michael Greif, dir. THE WONDERFUL MR. & MRS. O'LEARY Director newTACTics Festival JOYS OF BEING YIDDISH by Mark Lonow & JoAnn Astrow Director New 42nd Street Studios THE APPLE BOYS by Jonothon Lyons & Ben Bonnema Director Ars Nova/Dixon Place REGIONAL IF/THEN Associate Director National Theater, Michael Greif, dir. -
February 7 - 8, 2020
February 7 - 8, 2020 As a courtesy to the artists and for the uninterrupted enjoyment of your fellow patrons, please turn off all electronic devices. No portion of this performance may be photographed, recorded, filmed, taped, broadcast or mechanically reproduced without the written consent of the Artist and/ or the Presenter. Mayo Performing Arts Center is not responsible for lost or stolen items. Program subject to change. 2 WORK LIGHT PRODUCTIONS presents Book, Music and Lyrics by Jonathan Larson Set Design Costume Design Lighting Design Sound Design Paul Clay Angela Wendt Jonathan Spencer Keith Caggiano Original Concept & Musical Arrangements Additional Lyrics Dramaturg Steve Skinner Billy Aronson Lynn M. Thompson Musical Direction Set Design Adaptation Production Stage Manager Mark Binns Matthew E. Maraffi Gabrielle Norris Tour Marketing Associate Associate Casting & Press Director Choreographer Wojcik | Seay Casting Allied Touring Trey Ellett MiRi Park Production Management General Management Company Manager Port City Technical Work Light Productions Kerrick Dougherty Music Supervision and Additional Arrangements Tim Weil Choreography Marlies Yearby Directed by Evan Ensign Based on Original Direction by Michael Greif Originally produced on Broadway by Jeffrey Seller Kevin McCollum Allan S. Gordon and New York Theatre Workshop EXCLUSIVE TOUR DIRECTION by THE BOOKING GROUP www.thebookinggroup.com 3 CAST (in order of appearance) Roger Davis ...................................................................................... COLEMAN