IWA Specialized Conference on Water&Wastewater 22-24 March 2012
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Stromboli Mount Fuji Ojos Del Salado Mauna Loa Mount Vesuvius Mount
Volcanoes Top Cards Volcanoes Top Cards Volcanoes Top Cards Volcanoes Top Cards Stromboli Mount Fuji Ojos del Salado Mauna Loa Italy Japan Argentina-Chile Border Hawaii Height Height Height Height Eruption Cycle Eruption Cycle Eruption Cycle Eruption Cycle Erupting continuously Last Erupted Last Erupted Last Erupted Last Erupted for hundreds of thousands of years Fact: This volcano is the highest Fact: Nevados Ojos del Salado is the Fact: Mauna Loa is one of the five Fact: This volcano has been erupting volcano and highest peak in world’s highest active volcano. volcanoes that form the Island of for at least 2000 years. Japan and considered one of the 3 Hawaii in the U.S state of Hawaii in holy mountains. the Pacific Ocean. twinkl.com twinkl.com twinkl.com twinkl.com Volcanoes Top Cards Volcanoes Top Cards Volcanoes Top Cards Volcanoes Top Cards Mount Vesuvius Mount Pinatubo Krakatoa Mount St. Helens Italy Philippines Indonesia United States Height Height Height Height Eruption Cycle Eruption Cycle Eruption Cycle Eruption Cycle Last Erupted Last Erupted Last Erupted Last Erupted Fact: The most famous eruption Fact: Mount Pinatubo’s eruption Fact: The famous eruption of 1883 Fact: The deadliest volcanic eruption happened in 79 AD. Mount Vesuvius on 15th June 1991 was one of the generated the loudest sound ever caused by this volcano was on erupted continuously for over a day, largest volcanic eruptions of the reported in history. It was heard as May 18, 1980, destroying 250 completely burying the nearby city 20th Century. far away as Perth, Australia (around homes and 200 miles of highway. -
Special Superintendency for Pompeii, Herculaneum and Stabiae
SPECIAL SUPERINTENDENCY FOR POMPEII, HERCULANEUM AND STABIAE SERVICE CHARTER OF THE ARCHAEOLOGICAL AREA of the STABIAE EXCAVATION STABIAE EXCAVATION Via Passeggiata Archeologica, 80053 Castellammare di Stabia (Naples) telephone and fax number: +39 081 / 8714541 e‐mail address: ssba- [email protected] [email protected] website: www.pompeiisites.org P R E S E N T A T I O N WHAT IS THE SERVICE CHARTER The Service Charter establishes principles and rules governing the relations between the central and local government authorities providing the services and the citizens that use them. The Charter is an agreement between the provider and the users. It is a tool to communicate with and inform users about the services offered, and the procedures and standards set. It also ensures that any commitments are fulfilled, and that any suggestions or complaints may be made by filling out the appropriate forms if necessary. The Service Charter was adopted by the institutes of the Ministry of Cultural Heritage and Activities and Tourism as part of a series of initiatives aimed at promoting a greater enhancement of the cultural heritage being preserved, and at meeting the expectations of the users about the organisation of events while respecting the requirements of preservation and research. The Charter will be periodically updated to consolidate the quality levels reached and record any positive changes produced by running improvement projects. Such improvements may also be a result of user feedback. THE PRINCIPLES In performing its institutional activity, the Archaeological Area of the STABIAE EXCAVATION draws inspiration from the “fundamental principles” set out in the Directive issued by the President of the Council of Ministers on 27th January 1994: Equality and Fairness In providing our services, we are committed to the principle of fairness, ensuring an equality for all citizens regardless of origin, sex, language, religion, or political persuasion. -
Boccaccio Angioino Materiali Per La Storia Culturale Di Napoli Nel Trecento
Giancarlo Alfano, Teresa D'Urso e Alessandra Perriccioli Saggese (a cura di) Boccaccio angioino Materiali per la storia culturale di Napoli nel Trecento Destini Incrociati n° 7 5 1-6.p65 5 19/03/2012, 14:25 Il presente volume è stato stampato con i fondi di ricerca della Seconda Università di Napoli e col contributo del Dipartimento di Studio delle componenti culturali del territorio e della Facoltà di Lettere e Filosofia. Si ringraziano Antonello Frongia ed Eliseo Saggese per il prezioso aiuto offerto. Toute représentation ou reproduction intégrale ou partielle faite par quelque procédé que ce soit, sans le consentement de l’éditeur ou de ses ayants droit, est illicite. Tous droits réservés. © P.I.E. PETER LANG S.A. Éditions scientifiques internationales Bruxelles, 2012 1 avenue Maurice, B-1050 Bruxelles, Belgique www.peterlang.com ; [email protected] Imprimé en Allemagne ISSN 2031-1311 ISBN 978-90-5201-825-6 D/2012/5678/29 Information bibliographique publiée par « Die Deutsche Nationalbibliothek » « Die Deutsche Nationalbibliothek » répertorie cette publication dans la « Deutsche Nationalbibliografie » ; les données bibliographiques détaillées sont disponibles sur le site http://dnb.d-nb.de. 6 1-6.p65 6 19/03/2012, 14:25 Indice Premessa ............................................................................................... 11 In forma di libro: Boccaccio e la politica degli autori ...................... 15 Giancarlo Alfano Note sulla sintassi del periodo nel Filocolo di Boccaccio .................. 31 Simona Valente Appunti di poetica boccacciana: l’autore e le sue verità .................. 47 Elisabetta Menetti La “bona sonoritas” di Calliopo: Boccaccio a Napoli, la polifonia di Partenope e i silenzi dell’Acciaiuoli ........................... 69 Roberta Morosini «Dal fuoco dipinto a quello che veramente arde»: una poetica in forma di quaestio nel capitolo VIII dell’Elegia di Madonna Fiammetta ................................................... -
Mount Vesuvius Is Located on the Gulf of Naples, in Italy
Mount Vesuvius is located on the Gulf of Naples, in Italy. It is close to the coast and lies around 9km from the city of Naples. Despite being the only active volcano on mainland Europe, and one of the most dangerous volcanoes, almost 3 million people live in the immediate area. Did you know..? Mount Vesuvius last erupted in 1944. Photo courtesy of Ross Elliot(@flickr.com) - granted under creative commons licence – attribution Mount Vesuvius is one of a number of volcanoes that form the Campanian volcanic arc. This is a series of volcanoes that are active, dormant or extinct. Vesuvius Campi Flegrei Stromboli Mount Vesuvius is actually a Vulcano Panarea volcano within a volcano. Mount Etna Somma is the remain of a large Campi Flegrei del volcano, out of which Mount Mar di Sicilia Vesuvius has grown. Did you know..? Mount Vesuvius is 1,281m high. Mount Etna is another volcano in the Campanian arc. It is Europe’s most active volcano. Mount Vesuvius last erupted in 1944. This was during the Second World War and the eruption caused great problems for the newly arrived Allied forces. Aircraft were destroyed, an airbase was evacuated and 26 people died. Three villages were also destroyed. 1944 was the last recorded eruption but scientists continue to monitor activity as Mount Vesuvius is especially dangerous. Did you know..? During the 1944 eruption, the lava flow stopped at the steps of the local church in the village of San Giorgio a Cremano. The villagers call this a miracle! Photo courtesy of National Museum of the U.S. -
Luxinfolio N° 17
LUX in FOLIO Settembre 2014 Numero 17 Edizione speciale 33 ANNI DI PROGETTI CULTURALI: LUX in FABULA PROGETTI IN CORSO: - BRADISISMO ARCHIVIO VIRTUALE - LIBRI CONDIVISI (FILE SHARING tematiche flegree, Città Vulcano) - CACCIA AL LIBRO MANIFESTAZIONI RECENTI SCENARIO INFORMATIVO TUTTI I VIDEO LUX in FABULA Laboratorio di arte visiva e di comunicazione multimediale www.luxinfabula.it - [email protected] Rampe dei Cappuccini, 5 Pozzuoli – 80078– Napoli Tel. +39 081 02 03 336 LUX in FOLIO Settembre 2014 Numero 17 BRADISISMO ARCHIVIO VIRTUALE Un sito sul bradisismo flegreo http://www.bradisismoflegreo.it/ Rassegna stampa Crisi del 1970 e Crisi del 1983; Studio geoarcheologico dell’antico litorale di Pozzuoli: il problema delle variazioni relative del livello del mare; Aspetti ed itinerari naturalistici dei Campi Flegrei; Campi Flegrei, Storia eruttiva e magmatica -Bollettino sezione Campania; L’Eruzione del Monte Nuovo nelle pagine dell’umanista Girolamo Borgia; Stato di degrado e conservazione del Macellum di Puteoli; Campi Flegrei; I giorni del bradisismo. Documenti vari e oltre 30 Video. MANIFESTAZIONI RECENTI -UNA NOTTE AL MUSEO con LUX in FABULA- presso il Museo Archeologico Nazionale, 28 Dicembre 2013 e 25 gennaio 2014 -DALLE FABBRICHE AL MARE – presso il Circolo Ilva di Bagnoli, 16-23-30 Maggio 2014. -LUX in PAN – L’IMMAGINE DALLA LANTERNA MAGICA AI DRONI – presso il Palazzo delle Arti di Napoli 5-12- 19-26 Giugno 2014 e l’Osservatorio Vesuviano: Giovedì 3 luglio, ore 17,30, incontro con Lux in Fabula nella sala conferenze dell’Osservatorio Vesuviano (Istituto Nazionale Geofisica e Vulcanologia) in Via Diocleziano 328. L’Associazione presenta il progetto Archivio Virtuale del Bradisismo già disponibile sul sito “Bradisismoflegreo.it”, con oltre cinquemila documenti ufficiali, articoli e foto e 30 video. -
T2-H-5271-Pompeii-Photo-Information-Powerpoint Ver 1.Pdf
This colonnade forms part of the forum. The forum was a public square which would have been used for meetings, criminal trials, public speeches, and markets. Colonnade Many streets remain in Pompeii. Here you can see cobbled streets with pavements on each side. In the distance is Mount Vesuvius – the volcano that destroyed Pompeii. Street In ancient Pompeii, there were many types of entertainment. One popular pastime was the theatre where people went to watch plays. This theatre had space for 1,000 spectators. Odeon – small theatre The Romans worshipped many gods. This temple is dedicated to Apollo, the god of music, and was built on a high platform to make it look more impressive. Temple of Apollo The House of the Vettii was one of the most impressive and richly decorated houses in Pompeii. It was named after the owners, Aulus Vettius Conviva and Aulus Vettius Restitutus. House of the Vettii The Romans use mosaics to decorate wealthy houses and public buildings. Each mosaic used thousands of tesserae (small pieces of tile or stone) to create a picture or pattern. Mosaic Another popular way of decorating rooms was with wall paintings (frescoes). This one, in the Casa del Menandro (House of Menander) shows a hunting party. Can you see the dogs and the man with a bow and arrow? Paintings in Casa del Menandro Myths and legends were a common source of inspiration for Roman artists. This painting depicts Narcissus who was so beautiful that he fell in love with his own reflection. Painting of Narcissus Archaeologists at Pompeii have found so many artefacts, it is not possible to have them all on display at once. -
Map 44 Latium-Campania Compiled by N
Map 44 Latium-Campania Compiled by N. Purcell, 1997 Introduction The landscape of central Italy has not been intrinsically stable. The steep slopes of the mountains have been deforested–several times in many cases–with consequent erosion; frane or avalanches remove large tracts of regolith, and doubly obliterate the archaeological record. In the valley-bottoms active streams have deposited and eroded successive layers of fill, sealing and destroying the evidence of settlement in many relatively favored niches. The more extensive lowlands have also seen substantial depositions of alluvial and colluvial material; the coasts have been exposed to erosion, aggradation and occasional tectonic deformation, or–spectacularly in the Bay of Naples– alternating collapse and re-elevation (“bradyseism”) at a staggeringly rapid pace. Earthquakes everywhere have accelerated the rate of change; vulcanicity in Campania has several times transformed substantial tracts of landscape beyond recognition–and reconstruction (thus no attempt is made here to re-create the contours of any of the sometimes very different forerunners of today’s Mt. Vesuvius). To this instability must be added the effect of intensive and continuous intervention by humanity. Episodes of depopulation in the Italian peninsula have arguably been neither prolonged nor pronounced within the timespan of the map and beyond. Even so, over the centuries the settlement pattern has been more than usually mutable, which has tended to obscure or damage the archaeological record. More archaeological evidence has emerged as modern urbanization spreads; but even more has been destroyed. What is available to the historical cartographer varies in quality from area to area in surprising ways. -
Recent Work on the Stone at the Villa Arianna and the Villa San Marco (Castellammare Di Stabia) and Their Context Within the Vesuvian Area
Recent Work on the Stone at the Villa Arianna and the Villa San Marco (Castellammare di Stabia) and Their Context within the Vesuvian Area Barker, Simon J.; Fant, J. Clayton Source / Izvornik: ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, 2018, 65 - 78 Conference paper / Rad u zborniku Publication status / Verzija rada: Published version / Objavljena verzija rada (izdavačev PDF) https://doi.org/10.31534/XI.asmosia.2015/01.04 Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:123:583276 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-05 Repository / Repozitorij: FCEAG Repository - Repository of the Faculty of Civil Engineering, Architecture and Geodesy, University of Split ASMOSIA PROCEEDINGS: ASMOSIA I, N. HERZ, M. WAELKENS (eds.): Classical Marble: Geochemistry, Technology, Trade, Dordrecht/Boston/London,1988. e n ASMOSIA II, M. WAELKENS, N. HERZ, L. MOENS (eds.): o t Ancient Stones: Quarrying, Trade and Provenance – S Interdisciplinary Studies on Stones and Stone Technology in t Europe and Near East from the Prehistoric to the Early n Christian Period, Leuven 1992. e i ASMOSIA III, Y. MANIATIS, N. HERZ, Y. BASIAKOS (eds.): c The Study of Marble and Other Stones Used in Antiquity, n London 1995. A ASMOSIA IV, M. SCHVOERER (ed.): Archéomatéiaux – n Marbres et Autres Roches. Actes de la IVème Conférence o Internationale de l’Association pour l’Étude des Marbres et s Autres Roches Utilisés dans le Passé, Bordeaux-Talence 1999. e i d ASMOSIA V, J. HERRMANN, N. HERZ, R. NEWMAN (eds.): u ASMOSIA 5, Interdisciplinary Studies on Ancient Stone – t Proceedings of the Fifth International Conference of the S Association for the Study of Marble and Other Stones in y Antiquity, Museum of Fine Arts, Boston, June 1998, London r 2002. -
The Recollections of Encolpius
The Recollections of Encolpius ANCIENT NARRATIVE Supplementum 2 Editorial Board Maaike Zimmerman, University of Groningen Gareth Schmeling, University of Florida, Gainesville Heinz Hofmann, Universität Tübingen Stephen Harrison, Corpus Christi College, Oxford Costas Panayotakis (review editor), University of Glasgow Advisory Board Jean Alvares, Montclair State University Alain Billault, Université Jean Moulin, Lyon III Ewen Bowie, Corpus Christi College, Oxford Jan Bremmer, University of Groningen Ken Dowden, University of Birmingham Ben Hijmans, Emeritus of Classics, University of Groningen Ronald Hock, University of Southern California, Los Angeles Niklas Holzberg, Universität München Irene de Jong, University of Amsterdam Bernhard Kytzler, University of Natal, Durban John Morgan, University of Wales, Swansea Ruurd Nauta, University of Groningen Rudi van der Paardt, University of Leiden Costas Panayotakis, University of Glasgow Stelios Panayotakis, University of Groningen Judith Perkins, Saint Joseph College, West Hartford Bryan Reardon, Professor Emeritus of Classics, University of California, Irvine James Tatum, Dartmouth College, Hanover, New Hampshire Alfons Wouters, University of Leuven Subscriptions Barkhuis Publishing Zuurstukken 37 9761 KP Eelde the Netherlands Tel. +31 50 3080936 Fax +31 50 3080934 [email protected] www.ancientnarrative.com The Recollections of Encolpius The Satyrica of Petronius as Milesian Fiction Gottskálk Jensson BARKHUIS PUBLISHING & GRONINGEN UNIVERSITY LIBRARY GRONINGEN 2004 Bókin er tileinkuð -
Discovering a Roman Resort-Coat: the Litus Laurentinum and The
DISCOVERING A ROMAN RESORT-COAST: THE LITUS LAURENTINUM AND THE ARCHAEOLOGY OF 1 OTIUM* Nicholas Purcell St John's College, Oxford I. Introductory Otium - the concept of leisure, the elaborate social and cultural definer of the Roman elite away from its business of political and military power - is famous. We can see in Roman literary texts how the practice of otium patterned everyday experience, and how it was expressed in physical terms in the arrangement, on a large and on a small scale, of all aspects of Roman space. The texts likewise show that much of what we would regard as social life, and nearly all of what we think of as economic, belonged in the domain of otium. The complexities and ambiguities of this material have been much studied.2 Roman archaeology equally needs to be an archaeology of otium, but there has been little attempt to think systematically about what that might entail. Investigating the relationship between a social concept such as otium and the material culture that is the primary focus of archaeology must in the first place involve describing Roman culture in very broad terms. The density of explicit or implicit symbolic meaning, the organisation of space and time, degrees of hierarchy of value or prestige: it is at that level of generalisation that the archaeologist and the cultural historian will find the common denominators that enable them to share in the construction of explanations of Roman social phenomena. In this account, which is based on research into a particular locality, we shall have to limit ourselves to one of these possibilities. -
Paolo Poccetti
13-Poccetti 171 5-07-2013 9:18 Pagina 171 PAOLO POCCETTI IL FILO DELL’ONOMASTICA E LA TRAMA DELLA RAPPRESENTAZIONE LETTERARIA DELLA CAMPANIA IN VIRGILIO Virgilio è certamente tra gli autori dell’antichità più indagati per quanto riguarda l’uso dei nomi propri. L’interesse risale ai suoi com- mentatori antichi i quali proprio a partire dai nomi offrono le informa- zioni più dettagliate e più ghiotte per gli antiquari e i filologi. È dietro le citazioni di nomi che si seguono le tracce di opere perdute che sono state la fonte del poeta augusteo, si raggranellano frammenti di autori di cui a loro volta spesso non resta che il nome. Fatto sta che la biblio- grafia sull’onomastica virgiliana è ormai sterminata e se ne ricava la sensazione che sia giunto il momento di una riflessione generale e di un bilancio critico sull’uso che è stato fatto dei nomi propri, particolar- mente dell’Eneide, nell’ambito dell’esegesi e dei commenti, a scopo let- terario, linguistico e storico-antiquario. È, infatti, a partire dai nomi che Virgilio è stato utilizzato ora come fonte storica ora come serbatoio di tradizioni altrimenti perdute ora, perfino, come guida topografica, di cui esempio più noto e qui perti- nente è la ricerca dell’ubicazione reale dell’antro della Sibilla nell’area archeologica di Cuma sulla scorta della descrizione fattane nell’Eneide.1 Per ovvi motivi ruolo privilegiato come repertorio di ono- mastica sotto il profilo storico e geografico ha l’Italia, che è, per quanto riguarda l’Eneide, meta e teatro degli avvenimenti di oltre metà del poema e, per quanto riguarda le Georgiche, spazio ideale della vita campestre e delle risorse dell’agricoltura. -
Travel Through the History of Mount Vesuvius
Travel Through the History of Mount Vesuvius Mount Vesuvius is one of the most well-known active volcanoes on the planet, and by far the most famous in Europe. It is about 30 thousand years old, but its most famous eruption impacted human history forever at Pompeii. Since then, it has been grumbling in Italy near Naples for about two thousand years. The results of the famous eruption froze an entire city, a beautiful time-capsule of an early Roman society, has encouraged travel to tourists and historians from all over the globe. Mount Vesuvius Despite its age, Vesuvius is still regarded as an active volcano. It is intensely monitored for activity, as about 3 million people live within range of its eruptions. Volcanoes are created due to irregularities in heat from the earth's mantle. Melting and cracking ensues and bubbles up from the surface. Vesuvius is classified as a stratovolcano, also known as a composite cone, similar to other famous volcanoes such as Mount Fuji in Japan and Mount Saint Helens in the United States. Statovolcanoes are dangerous due to their highly variable content, and eruptive style. Plinian eruptions, which Mount Vesuvius has produced, result in plumes of ash ascending up into the stratosphere, high above the earth's surface. Mount Vesuvius can produce both eruptions of ash and pyroclastic flows, making it unique. Even though all of this can be dangerous to humans, volcanoes like Vesuvius are important in the lifecycles of rocks on Earth. • Mount Vesuvius Image from Space • How Volcanoes Work � Stratovolcanoes • Volcanic Landforms and Plate Tectonics • Teacher and Lesson Resources for Vesuvius Pompeii On August 24, 79 CE., an individual nicknamed Pliny the Younger, or Caius Plinius, witnessed the horrible eruption that swept through Pompeii and Herculaneum in a letter to Cornelius Tacitus.