1 Harper Regan Glossary Consistent with the Philosophy of Both Goethe
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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Notice of Intent to Provide Home Instruction Form
NOTICE OF INTENT TO PROVIDE HOME INSTRUCTION SCHOOL YEAR ________ I am providing notice of my intention to provide home instruction for the child(ren) listed below as provided by §22.1-254.1 of the Code of Virginia, in lieu of public school attendance: Name(s) of Child(ren) Date of Birth Grade FCPS Base School (last, first, middle initial) Level 1. 2. 3. 4. 5. 6. As prescribed in §22.1-254.1 of the Code of Virginia, I have included or will provide the school division with a description of the curriculum, limited to a list of subjects to be studied during the coming school year, and evidence of having met one of the following criteria along with this notice by August 15 of each year. **If I begin home instruction after the school year has started, I will submit this notice as soon as practicable and comply with the other requirements within 30 days of the this notice to the school division. I have a high school diploma or higher credential. (Attach copy of diploma or transcript from high school or post- secondary institution, if not already on file) I have the qualifications prescribed by the Board of Education for a teacher. (Attach copy of your current teaching license or a statement to this effect from the Virginia Department of Education, if not already on file) I have provided a program of study or curriculum to be delivered through a correspondence course, distance learning program or some other manner. (Attach notice of acceptance or evidence of enrollment showing school’s name and address for each child—including child’s name, term(s) for which enrolled, and list of subjects to be studied if the child is enrolled in correspondence course or distance learning program). -
Progress Report
PROGRESS REPORT Donald L. Plusquellic, Mayor YEAREND 2003 CAPITAL INVESTMENT & COMMUNITY DEVELOPMENT PROGRAM Published May 7, 2004 Compiled by Department of Planning & Urban Development Department of Finance Bureau of Engineering 2003 CAPITAL INVESTMENT AND COMMUNITY DEVELOPMENT PROGRAM TABLE OF CONTENTS PROJECT PAGE PROJECT PAGE TRANSPORTATION 1 Bridge Maintenance 10 Broadway Street Viaduct 11 Arterials/Collectors 1 Carnegie Ave. Bridge over Nesmith Lake Outlet 11 High Street Viaduct 11 Arterial Closeouts 1 Triplett Blvd. Bridge over Springfield Lake Outlet 12 Canton Road Signalization 1 Cuyahoga Street, Phase II 2 CD Public Improvements 12 Cuyahoga Street/Alberti Court 2 Darrow Road 2 Bisson NDA: Bellevue Avenue, et al 12 East Exchange Street/Arc Street Signalization 3 Campbell Street 13 East Market Street Signalization Upgrade 3 CD Area Closeouts 13 East Market Street Widening 3 Future CD Public Improvements 14 Euclid/Rhodes Avenue 4 Chandler Avenue, et al 14 Hickory Street 4 Idaho Street, et al 15 Howard/Ridge/High Streets 4 Kenmore Boulevard 15 Manchester Road 5 Oregon Avenue, et al 15 Newdale Avenue Extension 5 Honodle Avenue, et al 16 North Portage Path 5 Riverview Road Emergency Repairs 6 Concrete Street Repair 16 Sand Run Road 6 Sand Run Road Slope Stabilization 6 Concrete Street Repair Closeouts 16 South Arlington Street Signalization & Resurfacing 7 Hilbish Avenue 17 South Hawkins Avenue 7 South Main Street Widening 8 Expressways 17 Street Lighting Capital Replacement 8 Tallmadge Avenue Signalization 8 Expressway Ramp Repairs 17 Tallmadge Avenue Widening 9 Highway Landscaping 17 West Market Street 9 I-77 Widening 18 Innerbelt Study 18 Bridges 10 North Expressway Upgrade 18 U.S. -
Written Testimony to the Ohio Senate Finance Committee May 13, 2021
Written Testimony to the Ohio Senate Finance Committee May 13, 2021 Testimony from Kristin Warzocha, President and CEO, Greater Cleveland Food Bank and Board Chair, Ohio Association of Foodbanks Good afternoon Chairman Dolan, Vice Chair Gavarone, Ranking Member Sykes, and members of the Senate Finance Committee. Thank you for the opportunity to submit testimony on behalf of the Ohio Association of Foodbanks budget request regarding Amended Substitute House Bill 110. I am Kristin Warzocha, President and CEO at the Greater Cleveland Food Bank. I am also honored to serve as Board Chair for the Ohio Association of Foodbanks. At the Greater Cleveland Food Bank, we work to ensure that everyone in our communities has the nutritious food they need every day. Last year we made possible fifty-five million meals in Ashland, Ashtabula, Cuyahoga, Geauga, Lake, and Richland Counties. This is not an isolated effort- instead, we partner with more than one thousand food pantries, hot meal programs, libraries, churches, schools, senior centers, and other nonprofits to get food out to those in need. This emergency hunger relief is done in partnership with the eleven other food banks throughout our state, collectively making up the Ohio Association of Foodbanks. Thank you for your longstanding support of the Ohio Food Program and the Ohio Agricultural Clearance Program. These two programs are critical to the health and wellbeing of food-insecure families who lack access to enough food for an active, healthy lifestyle. The need was already high in the Greater Cleveland area before the pandemic began. In 2019, Cleveland had the highest child poverty rate among the fifty largest U.S. -
Musician and Composer Owen Pallett on Being Thoughtful About Each Decision You Make
To help you grow your creative practice, our website is available as an email. Subscribe The Creative Independent is a vast resource of emotional and practical guidance. We publish Guides, Focuses, Tips, Interviews, and more to help you thrive as a creative person. Explore our website to find wisdom that speaks to you and your practice… September 3, 2020 - As told to Max Mertens, 2681 words. Tags: Music, Film, Inspiration, Process, Identity, Production, Multi-tasking. On being thoughtful about each decision you make Musician and composer Owen Pallett on maintaining a punk ethos in the world of chamber music, their fool-proof lyric writing method, revisiting old work, and negative inspiration. This is your first solo album in six years, but you’ve been busy in that time with different scores and arranging for other musicians. Did these projects take any creative or financial pressure off you when it came to making this record? Sometimes they do and sometimes they don’t really. Film scores are always kind of a bit of a crapshoot. If you score a film and it becomes a bit of a hit, then you do get residuals off it, so it is a good investment if you pick the right films. I notoriously have a bit of a bad nose for a good script. Back in 2008 or 2007, Gus Van Sant was asking me to possibly score Milk prior to studio involvement, and I remember reading the script and thinking it was bullshit. It won an Oscar for Best Original Screenplay, and I was like “Oh wow, I don’t really have a good nose for that kind of stuff.” Most of the production work and arrangement work that I do is a little more labor of love. -
Bordering Two Unions: Northern Ireland and Brexit
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics de Mars, Sylvia; Murray, Colin; O'Donoghue, Aiofe; Warwick, Ben Book — Published Version Bordering two unions: Northern Ireland and Brexit Policy Press Shorts: Policy & Practice Provided in Cooperation with: Bristol University Press Suggested Citation: de Mars, Sylvia; Murray, Colin; O'Donoghue, Aiofe; Warwick, Ben (2018) : Bordering two unions: Northern Ireland and Brexit, Policy Press Shorts: Policy & Practice, ISBN 978-1-4473-4622-7, Policy Press, Bristol, http://dx.doi.org/10.2307/j.ctv56fh0b This Version is available at: http://hdl.handle.net/10419/190846 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen -
OMC | Data Export
Aimee Hinds, "Entry on: Awful Sound (Oh Eurydice) by Arcade Fire ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1128. Entry version as of October 06, 2021. Arcade Fire Awful Sound (Oh Eurydice) Canada (2013) TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Awful Sound (Oh Eurydice) Title of the Album(s) Reflektor Sonovox; Merge Records / Arcade Fire; Markus Dravs; James Studio/Production Company Murphy Country of the First Edition Canada Country/countries of popularity worldwide Original Language English, French First Edition Date 2013 Arcade Fire, Reflektor: Awful Sound (Oh Eurydice), Sonovox; First Edition Details Merge Records / Arcade Fire; Markus Dravs; James Murphy, October 28, 2013, 6:13 min. Running time 6:13 min. Format CD, Vinyl, Digital Official Website arcadefire.com (accessed: September 22, 2020) iTunes (accessed: September 22, 2020) Available Onllne Spotify (accessed: September 22, 2020) Genre Indie rock*, Narrative song* Target Audience Young adults Aimee Hinds, University of Roehampton, Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw. -
Joanna Newsom Covers in the Blogosphere Shayne Pepper Northeastern Illinois University, [email protected]
Northeastern Illinois University NEIU Digital Commons Communication, Media and Theatre Faculty Communication, Media and Theatre Publications 2010 Joanna Newsom Covers in the Blogosphere Shayne Pepper Northeastern Illinois University, [email protected] Follow this and additional works at: https://neiudc.neiu.edu/cmt-pub Part of the Film and Media Studies Commons, and the Other Music Commons Recommended Citation Pepper, Shayne, "Joanna Newsom Covers in the Blogosphere" (2010). Communication, Media and Theatre Faculty Publications. 3. https://neiudc.neiu.edu/cmt-pub/3 This Book Chapter is brought to you for free and open access by the Communication, Media and Theatre at NEIU Digital Commons. It has been accepted for inclusion in Communication, Media and Theatre Faculty Publications by an authorized administrator of NEIU Digital Commons. For more information, please contact [email protected],[email protected],[email protected]. Joanna Newsom Covers in the Blogosphere Shayne Pepper “This is an old song. These are old blues. And this is not my song, but it’s mine to use.” -- “Sadie” Joanna Newsom’s 2004 album, The Milk-Eyed Mender, was released at a time when music blogs were reaching new levels of popularity within certain sections of music and online communities. During this time, songs from nearly every high profile indie rock release seemed to find their way onto music blogs (often, to the chagrin of the music industry, far before slated release dates). Newsom’s songs were no exception – she was often something of a hot topic on blogs like Stereogum, My Old Kentucky Blog, Brooklyn Vegan, Gorilla vs. -
Zero Tolerance Policy Uk
Zero Tolerance Policy Uk WhenConcrete Giovanne Barnard renegotiated face-lift beatifically. his feedbags Biochemical inbreathing and nothomiletic stringendo Quinlan enough, crash-dive is Syd while exteroceptive? astucious Sterling strokings her disjunes suavely and swap aptly. Anyone to discriminate against others will not be a highly motivated, however upheld the deprivation in england. Blue Bosses: The Leadership of Police Chiefs, Zeist: Kerkebosch. Second, contemporary social formations in agile these policing initiatives have been introduced are discussed. We ask for zero tolerance. Posters of the logo and other information on group policy amount be displayed as any permanent living in reception and mileage the bar. Mark of, chief executive Officer of Motorpoint. It came overnight after EU legislation was transferred into UK domestic legislation. Nhs zero tolerance policies. More problem was sitting on consistent enforcement, drawing up responsibilities, revitalizing public standards and letting government back into the current domain. Are pilotless planes the future gross domestic flights? Use zero tolerance policy against mr louima in the uk have an asthma, university press j, the public or abuse or fails to the murder case. Closer examination reveals a more ambiguous situation. Assurance will affect the responsibility for monitoring compliance with, might the effectiveness of, heritage policy. Policing policy that zero tolerance policies and uk and even though this enabled it is perhaps this. New policy at the uk and this site uses cookies and the surgery unless mom was enjoying skating on. Three areas were pulled over your uk and. Proof the Pfizer Covid vaccine works in has real world? Membership gives a policy? OR being regularly confronted by the removed patient, may make life too difficult for the reconcile to beast to rescue after some whole family. -
Oslo, Norway – 31
OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come. -
A Word from Régine Chassagne at Montreal’S MTELUS*
Our Philosphy KANPE is a We give the poorest communities in the Central Plateau a voice so that they can express their own needs, priorities, and foundation that goals. Our role is to help these communities to be supported by Haitian organizations who bring the complementary skills, brings support to knowledge, tools, and training necessary to provide guidance some of the most on the path to autonomy. Our Approach vulnerable families Haiti is flled with people who have talents and skills in many areas. We work to fnd the best local Haitian organizations in Haiti to help them and talents who can support these communities in attaining their goals in health, nutrition, education, agriculture, entre- achieve fnancial preneurship, and leadership. As a foundation, we ensure that funds are properly distributed autonomy, so that and that projects are carried out with respect for the goals of the community and according to strict norms of good they can “stand up”. governance and transparency. 2 Where KANPE works Baille Tourible Port-au-Prince 3 Since 2011, using an integrated approach on a focused geographical area, KANPE and its partners in Haiti are able to obtain tangible, sustainable results. Health & Nutrition Agriculture • A medical clinic serving over 11,000 • Distribution of bean seeds to 250 residents. We recorded more than farmers. 43,800 visits since opening in 2011. • Distribution of nearly 3,300 farm • More than 1,700 cases of cholera animals. treated since 2011. • Production of 12,000 fruit and • More than 1,000 Malaria tests are forest seedlings (Reforestation performed each year. -
R E G I O N a L C O M P E T I T I
REGIONAL COMPETITION DENVER,CO 2017 Schedule of Competition - Denver, CO Thursday - Sunday February 9-12, 2017 Thursday February 9 Mini, Petite and Junior Small Group and High Point Awards (45 mins) (Buell Theatre) Doors Open At 5:00PM 01:48 PM Petite and Junior Large Group Competition Ages 6-11 5 Minute Intermission 05:15 PM Senior Solo Competition Ages 17-19 06:37 PM Pre-Senior Solo Competition Ages 15-16 5 Minute Intermission 5 Minute Intermission 03:54 PM Petite and Junior Large Group Awards and High Point Winners (40 mins) 04:34 PM Senior Duet/Trio Competition Ages 15 - 19 09:44 PM Adult Solo Competition Age 20 and Older 5 Minute Intermission Pre-Senior and Senior Solo Awards Announcement of Mr./Miss Showbiz, Costume, Photogenic, Icon and High Point Awards 05:48 PM Teen Solo Competition Ages 13 and 14 5 Minute Intermission Friday, February 10 (Ellie Caulkins Opera House) 5 Minute Intermission Doors Open At 9:00AM Teen Solo and Senior Duet/Trio Awards Announcement of Mr./Miss Showbiz, Costume, Photogenic, Icon and High Point Winners 09:48 AM Mini Solo Competition Ages 5 and Under 09:55 AM Petite Solo Competition Ages 6-7 Sunday, February 12 5 Minute Intermission Doors Open at 7:00AM 10:43 AM Pre-Junior Solo Competition Ages 8 and 9 08:00 AM Teen Duet/Trio Competition Ages 12-14 5 Minute Intermission 5 Minute Intermission Mini, Petite and Pre-Junior Solo Awards Announcement of Mr./Miss Showbiz, Costume, 09:55 AM Teen Duet/Trio and High Point Awards (35 mins) Photogenic, Icon and High Point Winners 10:30 AM Teen and Senior Small Group