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Studio International Magazine: Tales from Peter Townsend’S Editorial Papers 1965-1975
Studio International magazine: Tales from Peter Townsend’s editorial papers 1965-1975 Joanna Melvin 49015858 2013 Declaration of authorship I, Joanna Melvin certify that the worK presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. i Tales from Studio International Magazine: Peter Townsend’s editorial papers, 1965-1975 When Peter Townsend was appointed editor of Studio International in November 1965 it was the longest running British art magazine, founded 1893 as The Studio by Charles Holme with editor Gleeson White. Townsend’s predecessor, GS Whittet adopted the additional International in 1964, devised to stimulate advertising. The change facilitated Townsend’s reinvention of the radical policies of its founder as a magazine for artists with an international outlooK. His decision to appoint an International Advisory Committee as well as a London based Advisory Board show this commitment. Townsend’s editorial in January 1966 declares the magazine’s aim, ‘not to ape’ its ancestor, but ‘rediscover its liveliness.’ He emphasised magazine’s geographical position, poised between Europe and the US, susceptible to the influences of both and wholly committed to neither, it would be alert to what the artists themselves wanted. Townsend’s policy pioneered the magazine’s presentation of new experimental practices and art-for-the-page as well as the magazine as an alternative exhibition site and specially designed artist’s covers. The thesis gives centre stage to a British perspective on international and transatlantic dialogues from 1965-1975, presenting case studies to show the importance of the magazine’s influence achieved through Townsend’s policy of devolving responsibility to artists and Key assistant editors, Charles Harrison, John McEwen, and contributing editor Barbara Reise. -
Theatre/Dance
Grants awarded in March 2008 PRODUCTION NAME AMOUNT Dance Theatre of Ireland performing a three week tour in Korea and a four week collarorative residency with the Korean theatre company “Now Dance”,from the 16th August to 6th October 2008 €40,000 Ballymun Arts and Community Resourse Centre Axis Arts Centre presenting a one night show and conducting workshops from 14th - 29th June 2008 at Barrow Street Theatre €7,000 The Gate Theatre presenting its Beckett Season at the 2008 Lincoln Center Festival, New York from the 10th - 28th July 2008 €50,000 Rough Magic Theatre Company performing their award winning production of “Improbable Frequency” by Arthur Riordan at the 59E59 Theatre, New York from the 8th December 2008 - 4th January 2009 €80,000 Geoff Gould Blood in the Alley performing “Catalpa” at The London Fringe Festival, Ontario, Angigonish Festival, Nova Scotia and Festival Gros Morne, Newfoundland, Canada from the 31st July - 20th August 2008 €4,000 The Irish Repertory Theatre Frank McGuinness’ adaptation of Henrik Ibsen’s”The Master Builder” being performed at the Irish Repertory Theatre, 132 West 22nd Street, New York, USA in summer 2008 €5,000 Fishamble Theatre Company performing “The Pride of Parnell Street” by Sebastian Barry at the New Plays from Europe theatre Biennale, Wiesbaden, Germany 13th - 16th June 2008 €7,000 Greek - Irish Society Declan Hughes speaking about his work “Shiver” at the Athens Centre, Greece on the 12th June 2008 €750 The Montana Repertory Theatre performing Anaconda Ashes at the Mother Lode Theatre, in -
Circus Hub Returns Bigger and Better in 2017 with an Incredible International Line Up
CIRCUS HUB RETURNS BIGGER AND BETTER IN 2017 WITH AN INCREDIBLE INTERNATIONAL LINE UP CIRCUS COMPANIES FROM COLOMBIA, ETHIOPIA, AUSTRALIA, BELGIUM AND UK SET TO WOW AUDIENCES A 4 KING-POLE BIG TOP AND SPIEGELTENT ALLOW SPECTACULAR CIRCUS SHOWS TO FLY AT EDINBURGH FRINGE 2017 CIRCUS HUB 2017 RUNS FRIDAY 4 TO SATURDAY 26 AUGUST TICKETS ON SALE NOW VIA WWW.UNDERBELLYEDINBURGH.CO.UK SELECTION OF IMAGES AVAILABLE HERE After two successful years Circus Hub is bigger and better than ever before – presenting larger venues and bigger companies, this years programme is packed full of high flying, spectacular acrobatics to marvel at. 2017’s programme is truly international, with companies coming from Ethiopia, Colombia, Belgium, Ireland and Australia to offer Fringe audiences the best of world circus and cabaret. Circus Hub, created and programmed by Underbelly, is one of the Edinburgh Festival Fringe’s most distinctive venues. Based on the Meadows, just a stone’s throw from Udderbelly in George Square Gardens, two venues – the Lafayette (a traditional 4 king- pole big top) and the Beauty (a 500-seater Spiegeltent) present technically ambitious circus work in purpose-built venues. Directors of Underbelly, Ed Bartlam and Charlie Wood, share their plans for the third year of Circus Hub 2017: ‘We’re delighted to bring Circus Hub back to the Edinburgh Festival Fringe for its third year as a firmly established part of the Fringe and the destination for fans of circus. ‘This year the addition of a 4 king-pole big top allows us to present circus on a larger scale than previously seen, with large companies of 10 or more performers bringing technically complex shows featuring floor-based and aerial acrobatics to wow audiences. -
Underbelly Festival Southbank 2019 Line-Up: First 74 Acts Announced
UNDERBELLY FESTIVAL SOUTHBANK 2019 LINE-UP: FIRST 74 ACTS ANNOUNCED • 5 April - 29 September 2019, Southbank London SE1 8XX • First headliners confirmed: legendary circus show A Simple Space, Edinburgh FestiVal smash Little Death Club & Drag sensation YUMMY • Podcast Live: a new season brings the hottest new podcasts to the stage • Family Fest runs throughout Easter, featuring: The Gruffalo, The Witch and The Warthog with Julia Donaldson, The Wind in the Willows & Monstersaurus • Underbelly FestiVal Lates: A twist on the classic Big Night Out from Massaoke, Cocoa Butter Club, Blunderland & Silent Disco Show • London Comedy Allstars: a brand-new mixed bill spectacular featuring the likes of Ed Gamble, Josie Long & John Robins Tickets for these shows are on sale today (Thursday 24th January) exclusively via Today Tix and on general sale from Monday 28th January Underbelly FestiVal Southbank - Central London’s home of affordable live entertainment - today announces the first 74 acts of a 2019 line-up which features four new programming strands, as well as its first three headline shows. Opening The Belly theatre, Gravity & Other Myths’ legendary Southbank headliner returns with an all-new cast; the awe-inspiring array of acrobatics, athleticism, games and utterly unique talents known as A Simple Space. Opening the Paradiso Spiegeltent is the London premiere of one of the most successful shows of this year’s Edinburgh Festivals, Bernie Dieter’s Little Death Club: a spectacular cabaret variety show with an all-star line-up of punks, freaks and weirdos from across the globe. Following this will be YUMMY - another breakout smash of this year’s Edinburgh Fringe this drag extravaganza is an explosion of dazzling costumes, electrifying dance, gasp-inducing performance and filthy humour which makes your average episode of Ru Paul look like an Amish funeral. -
Deborah Frances- White: Half a Can of Worms Pleasance Dome – 10 Dome, Potterow, Edinburgh, EH8 9AL
jSo Comedy presents Deborah Frances- White: Half a Can of Worms Pleasance Dome – 10 Dome, Potterow, Edinburgh, EH8 9AL Friday 1st – Monday 25th August 2014 (except 12th), 3.45pm Comedian Deborah Frances-White was adopted when she was only ten days old. Until late 2012, she knew nothing about her birth family. Then she stumbled across some information that led her to embark on a round-the-clock treasure hunt, drawn into her past like a magnet. This is her true story. Turns out, you can’t open half a can of worms! Armed with only her birth mother’s maiden name, Deborah turned internet detective to track her down. At first Deborah said ‘I just wanted to look – I wasn't at all sure I wanted to contact anybody. I wanted to see who they were and what they looked like.’ But, her curiosity soon became a compulsion as she delved into the online worlds of Google, ancestry.com, Facebook, Pinterest and YouTube. There is no doubt that this quest was a gamble - full of false leads, hilarious disappointments, hysterical revelations and, most importantly, the consequences of her discoveries. When Deborah finally made contact with her birth mother, she exposed a part of the past that had been hidden for decades. Half a Can of Worms is a raw and emotional show, by turns hilarious and heartbreaking (The Guardian). Discover Deborah’s mysterious past, inspirational present and inevitable future as her story unfolds. Deborah will also be bringing back her hit late night improv show Voices in Your Head, each weekend at the Gilded Balloon, with a host of special guests. -
Performance Suitable for Audiences with Profound and Multiple Theatre Learning Disabilities
Show Title: Home Dates: Aug 21-24, 26-28 Age Suitability: PG Venue: Pleasance Courtyard Performance Suitable for Audiences with Profound and Multiple Theatre Learning Disabilities A tale of unexpected friendship. Exploring a new and unknown world, Home immerses audiences with Profound and Multiple Learning Disabilities (PMLD) in a multisensory story of discovery. Home is the latest bold and exciting production from Frozen Light. The world is not how they remember it. Where are they now and where is their home? Scarlet and Olive must learn how to survive and create a future together in an environment that is full of surprises. Will the stars shine on this unexpected friendship? And how will they face the challenges that lie ahead? See below for our list of relaxed performances Relaxed Performance Show Title: Adventurers Wanted: A 250-Hour Epic Tabletop Role-Playing Game Dates: 2nd-28th of August Age Suitability: 14+ Venue: Sweet Holyrood Theatre Watch the most ambitious tabletop role-playing game ever attempted: an improvised epic brought to life over a whole month. Experience live storytelling at its most legendary in a fun and informal setting. Adventurers Wanted is designed to be accessible – whether you’ve played role-playing games before, or have no idea what they are, the adventure is open to all to watch and play. What happens is down to the players: there’s no way of knowing where the adventure will end up, but it’s guaranteed to be unlike anything else at the Fringe! Show Website: www.adventurers250.wordpress.com/ Relaxed Performance Show Title: AnimAlphabet the Musical Dates: 14-Aug Age Suitability: U (0 and older) Venue: Pleasance Dome Children's Shows Treble Clef Island is a wonderful land of music, song and dance, but there's a problem. -
Crossing Into Vancouver, BC, Is Easy. Don't Forget Your Passport
Crossing into Vancouver, BC, is easy. Don’t forget your passport. Tourism Vancouver / Capilano Suspension Bridge Park. JUNE | VOL. 24, 2014 6 NO. A PUBLICATION OF THE GEOLOGICAL SOCIETY OF AMERICA® JUNE 2014 | VOLUME 24, NUMBER 6 Featured Article GSA TODAY (ISSN 1052-5173 USPS 0456-530) prints news and information for more than 26,000 GSA member readers and subscribing libraries, with 11 monthly issues (April/ May is a combined issue). GSA TODAY is published by The SCIENCE: Geological Society of America® Inc. (GSA) with offices at 3300 Penrose Place, Boulder, Colorado, USA, and a mail- 4 An anthropogenic marker horizon in the future ing address of P.O. Box 9140, Boulder, CO 80301-9140, USA. rock record GSA provides this and other forums for the presentation of diverse opinions and positions by scientists worldwide, Patricia L. Corcoran, Charles J. Moore, and regardless of race, citizenship, gender, sexual orientation, Kelly Jazvac religion, or political viewpoint. Opinions presented in this publication do not reflect official positions of the Society. Cover: Plastiglomerate fragments interspersed with plastic debris, © 2014 The Geological Society of America Inc. All rights organic material, and sand on Kamilo Beach, Hawaii. Photo by K. Jazvac. reserved. Copyright not claimed on content prepared See related article, p. 4–8. wholly by U.S. government employees within the scope of their employment. Individual scientists are hereby granted permission, without fees or request to GSA, to use a single figure, table, and/or brief paragraph of text in subsequent work and to make/print unlimited copies of items in GSA TODAY for noncommercial use in classrooms to further education and science. -
After Years of Delays, Chalong Underpass To
THEPHUKETNEWS.COM FRIDAY, MAY 31, 2019 thephuketnews thephuketnews1 thephuketnews.com Friday, May 31 – Thursday, June 6, 2019 Since 2011 / Volume IX / No. 22 20 Baht HM THE KING DONATES 1.2 TONS OF FOOD TO DOG SHELTER > PAGE 5 NEWS PAGE 3 Forestry brass PATIENCE to clear beaches MONUMENT AFTER YEARS OF LIFE PAGE 11 DELAYS, CHALONG UWCT scholars UNDERPASS TO seek to inspire FINALLY OPEN The iconic tower amid Chalong Circle is topped with a sculpture of a lotus flower, a Buddhist symbol of body, speech and mind. Photo: Phuket Highways Office SPORT PAGE 30 Tanyaluk Sakoot an overall budget of B546 million, the Somwong told The Puket News. Chief Somwong confirmed that & Waranya Prompinpiras 350-metre-long tunnel is scheduled “We will not open the tunnel after the underpass will open with one Mongolia World [email protected] to open to motorists today (Friday, midnight on May 30 because it would lane for traffic in each direction, with May 31). Phuket Highways Chief be too dangerous for drivers,” he said. only orange plastic poles standing just Cup Phuket prep esidents across the southern Somwong Lohanut broke the news “We will make sure all the systems 80cm tall as lane dividers. parts of Phuket can celebrate on Wednesday (May 29). are working, especially the electri- After confirming that each lane Rthis weekend as they rejoin The final electrical systems were cal systems inside the tunnel, in the is 3.5 metres wide, Chief Somwang the island with the long-awaited being installed, with the contractor morning on May 31,” he added. -
Comedy Legends of a Different Kind: Guest Editor Richard Herring Talks to Barry Cryer and Jerry Sadowitz
YOUR FREE GUIDE TO THE EDINBURGH FESTIVAL 2011 MORE AT WWW.THREEWEEKS.CO.UK ThreeWeeks IN EDINBURGH Comedy legends of a different kind: Guest Editor Richard Herring talks to Barry Cryer and Jerry Sadowitz PLUS Pink Noise with Fork ALSO INSIDE THE THREEWEEKS 2011 WEEK ONE/TWO ISSUE: Luke Wright, Rosie Wilby, Anthony Rapp, Paul Nathan, Joe Simmons, Lorraine Kelly, Peters Productions, Theatre Ninjas plus lots of tips for avoiding Fringe Flu, ThreeWeeks Book Festival recommendations and comedy, cabaret, theatre, musical, music and physical reviews “ STARTPOINT threeweeks presents the king’s speech Welcome this week’s quoted as fact. So do your bit by are two of the comedians that I sense you’d have to be a moron only referring to me as the King admire most in the world, despite to be genuinely offended. Some CONTENTS ThreeWeeks Guest of Edinburgh from now on. As if their wildly contrasting styles and shock comics seem to be bullies Editor Richard Herring that’s what everyone does and outlooks. punching downwards (when a only an idiot wouldn’t know that. If millionaire comedian mocks an 04: Festival Hello, it’s me, the King nothing else it will piss off Prince Barry has worked with all the actual 8 year old disabled boy People of Edinburgh. This is an Phillip. comedy greats for over 50 years it surely becomes just cruelty unofficial title that I have decided and clearly still loves comedy and rather than humour), but Jerry 06: Comedy to bestow on myself, partly And maybe I almost deserve it. other comedians. -
Postwar Landscapes: Joseph Bevys and the Reincarnation of German Romanism
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Senior Thesis Projects, 2003-2006 College Scholars 2003 Postwar Landscapes: Joseph Bevys and the Reincarnation of German Romanism Lauren Smith Follow this and additional works at: https://trace.tennessee.edu/utk_interstp3 Recommended Citation Smith, Lauren, "Postwar Landscapes: Joseph Bevys and the Reincarnation of German Romanism" (2003). Senior Thesis Projects, 2003-2006. https://trace.tennessee.edu/utk_interstp3/38 This Project is brought to you for free and open access by the College Scholars at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Senior Thesis Projects, 2003-2006 by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. COLLEGE SCHOLARS PROJECT PROPOSAL APPROVAL . ." 'i;t' " Scholar Mentor Proposed Project Title and Completion Date (semester &year) SU'll\e.~{e.y ~ 3~~~ doo3 COMMITTEE MEMBERS' SIGNATURES (Minimum 3 Required) Cl...vL~ lkkJ..Y2:fi~. · ----",,-l>owtta~'.'.• '. ,~. M~' HM~_ . l . ) 1_______ { ~' . -~ " ... ,'.....+-. ') .. , PLEASE ATTACH A COPY OF THE WRITTEN PROPOSAL TO THIS SHEET, AND RETURN BOTH TO THE COLLEGE SCHOLARS OFFICE (1208 MCCLUNG TOWER). DATE APPROVED ______________ Postwar Landscapes: Joseph Beuys and the Reincarnation of German Romanticism Lauren E. Smitil College Scholars Senior Thesis University of Tennessee May 1,2003 Dr. Dorothy Habel, Dr. Tim Hiles, and Dr. Peter Hoyng, presiding committee Contents I. Introduction 3 II. Beuys' Germany: The 'Inability to Mourn' 3 III. Showman, Shaman, or Postwar Savoir? 5 IV. Beuys and Romanticism: Similia similibus curantur 9 V. Romanticism in Action: Celtic (Kinloch Rannoch) 12 VI. Celtic+ ---: Germany's symbolic salvation in Basel 22 VII. -
Stuart Goldsmith
Stuart Goldsmith A charming, expert stand-up Sunday Times Awards: • Leicester Comedy Festival 2017: Best New Show - Winner • Amused Moose Edinburgh Comedy Awards 2015: Best Show - Nominee • Chortle Awards 2014: Internet Award for The Comedian’s Comedian podcast – Nominee • Chortle Awards 2013: Internet Award for The Comedian’s Comedian podcast – Nominee • New Zealand Comedy Festival 2013: Spirit of the Fringe Award – Winner • Chortle Awards 2012: Breakthrough Act Award – Nominee • Edinburgh Comedy Festival 2012: Malcolm Hardee Award – Winner • Leicester Comedy Festival 2011: Best Show Award – Nominee • Show Me The Funny (ITV) 2010: Semi-finalist Stuart Goldsmith is an internationally award-winning comedian, writer, podcaster and host. With a reputation for smart, accessible stand-up, Stuart's enthusiasm and natural charm conceal a quick wit and fearlessness honed by his early career as a street performer. In addition to his stand-up credentials, Stuart has built a reputation as a highly skilled interviewer and engaging host. His always insightful and often inspiring The Comedian’s Comedian podcast shines a light on the darkest creative secrets of his fellow comics, and is revered by comedy fans, performers and industry alike. Previous guests include Jimmy Carr, Tim Minchin, Russell Howard, Sarah Millican, Bo Burnham, Bill Burr, Jen Kirkman and James Acaster. Stuart is an Edinburgh Festival Fringe veteran. Having been introduced to the festival as a street performer, he has since taken seven solo stand-up shows and presented The Comedian’s Comedian podcast at the Fringe three times. Stuart’s critically-acclaimed 2016 show Compared To What subsequently toured internationally. 2017’s Like I Mean It was another massive success, winning the Leicester Comedy Festival Award for Best New Show and again touring internationally. -
Felix Issue 1131, 1999
The Student Newspaper of Imperial College 15 December 1999: Issue 1161 The Chemical Brothers live from Brixton Elite admissions oust the lower classes FELIX NEWSTEAM Dr Hassard explained: "We do our best with open days and summer Imperial has continually reinforced schools, but we get a smaller per• its position amongst the countries centage of respondents from state elite institutions - and a new report schools than we'd like...We give has revealed this can be largely UCAS seminars - but we find some attributed to an elite intake. private schools decline since they Rankings placed IC second run their own extensive and inten• worst in teh UK for bias against sive interview training, workshops state schools, with only 53 per cent on filling in forms, guidance on of its intake coming from compre- what counts.... which are probably hensives, just one percent more denied most to state sector pupils". than Cambridge. The ranking was Dr Eastwood, Director of Plan• based an a projected figure which ning and Management Information was correlated to the A-Level Systems, who is involved with the requirements of the intake. The College's admissions, stated cate• College fared no better in the class gorically that Imperial College cer• stakes, ranking as the seventh most tainly does not make it policy to socially exclusive higher education exclude anybody; it is open to all institution with just 5.1% of its who wish to come here and satisfy intake coming from the poorest the minimum scholastic require• neighbourhoods. However, as the ments. He pointed out "The one Government formulates its strategy thing we will never do is lower our to tackle high drop-out rates, Impe• admissions criteria.