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Patterns in the Mindset Behind Organized Mass Killing
Genocide Studies and Prevention: An International Journal Volume 12 Issue 1 Article 8 6-2018 Democidal Thinking: Patterns in the Mindset Behind Organized Mass Killing Gerard Saucier University of Oregon Laura Akers Oregon Research Institute Follow this and additional works at: https://scholarcommons.usf.edu/gsp Recommended Citation Saucier, Gerard and Akers, Laura (2018) "Democidal Thinking: Patterns in the Mindset Behind Organized Mass Killing," Genocide Studies and Prevention: An International Journal: Vol. 12: Iss. 1: 80-97. DOI: https://doi.org/10.5038/1911-9933.12.1.1546 Available at: https://scholarcommons.usf.edu/gsp/vol12/iss1/8 This Article is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Genocide Studies and Prevention: An International Journal by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Democidal Thinking: Patterns in the Mindset Behind Organized Mass Killing Acknowledgements Thanks are due to Seraphine Shen-Miller, Ashleigh Landau, and Nina Greene for assistance with various aspects of this research. This article is available in Genocide Studies and Prevention: An International Journal: https://scholarcommons.usf.edu/gsp/vol12/iss1/8 Democidal Thinking: Patterns in the Mindset Behind Organized Mass Killing Gerard Saucier University of Oregon Eugene, Oregon, USA Laura Akers Oregon Research Institute Eugene, Oregon, USA In such a world of conflict, a world of victims and executioners, it is the job of thinking people, as Albert Camus suggested, not to be on the side of the executioners. –Howard Zinn1 Introduction and Background Sociopolitical violence is a tremendous social problem, given its capacity to spiral into outcomes of moral evil (i.e., intentional severe harm to others). -
Grade 7 Mini-Assessment Boston Massacre Set
Grade 7 Mini-Assessment Boston Massacre Set This grade 7 mini-assessment is based two passages: “The Boston Massacre” and “Excerpt from The Boston Massacre.” These texts are considered to be worthy of students’ time to read and also meet the expectations for text complexity at grade 7. Assessments aligned to the Common Core State Standards (CCSS) will employ quality, complex texts such as these. Questions aligned to the CCSS should be worthy of students’ time to answer and therefore do not focus on minor points of the text. Questions also may address several standards within the same question because complex texts tend to yield rich assessment questions that call for deep analysis. In this mini-assessment there are nine selected-response questions and two paper/pencil equivalents of a technology enhanced item that address the Reading Standards listed below, and one optional constructed-response question that addresses the Reading, Writing, and Language Standards listed below. We encourage educators to give students the time that they need to read closely and write to the source. While we know that it is helpful to have students complete the mini-assessment in one class period, we encourage educators to allow additional time as necessary. Note for teachers of English Language Learners (ELLs): This assessment is designed to measure students’ ability to read and write in English. Therefore, educators will not see the level of scaffolding typically used in instructional materials to support ELLs—these would interfere with the ability to understand their mastery of these skills. If ELL students are receiving instruction in grade-level ELA content, they should be given access to unaltered practice assessment items to gauge their progress. -
Piteous Massacre’: Violence, Language, and the Off-Stage in Richard III
Journal of the British Academy, 8(s3), 91–109 DOI https://doi.org/10.5871/jba/008s3.091 Posted 15 June 2020 ‘Piteous massacre’: violence, language, and the off-stage in Richard III Georgina Lucas Abstract: Shakespeare regularly stages extreme violence. In Titus Andronicus, Chiron and Demetrius are baked in a pie and eaten by their mother. Gloucester’s eyes are plucked out in King Lear. In contradistinction to this graphic excess are moments when violence is relegated off-stage: Macbeth kills King Duncan in private; when Richard III suborns the assassination of his nephews—the notorious ‘Princes in the Tower’—the boys are killed away from the audience. In such instances, the spectator must imagine the scope and formation of the violence described. Focussing on Richard III, this article asks why Shakespeare uses the word ‘massacre’ to express the murder of the two princes. Determining the varied, and competing, meanings of the term in the 16th and 17th centuries, the article uncovers a range of ways an early audience might have interpreted the killings—as mass murder, assassination, and butchery—and demonstrates their thematic connections to child-killing across the cycle of plays that Richard III concludes. Keywords: Shakespeare, massacre, Richard III, off-stage violence, child-killing. Notes on the author: Georgina Lucas is Lecturer in Shakespeare and Renaissance Literature in the School of Arts, English and Languages at Queen’s University, Belfast. Her research focusses upon the representation of mass and sexual violence on the early modern stage, and the performance and reception of Shakespeare during and after acts of atrocity. -
50 Cent to Join Eminem Shade 45 Channel Shade 45 Channel
50 Cent To Join Eminem Shade 45 Channel Shade 45 Channel "G Unit Radio" to Air All Day Saturdays With a Lineup of DJs and Shows NEW YORK – February 24, 2005 – SIRIUS Satellite Radio (NASDAQ: SIRI) announced today that multi-platinum artist 50 Cent will create and host exclusive programming on Shade 45, the new uncensored hip-hop radio channel co-produced by SIRIUS and Eminem. 50 Cent will oversee G Unit Radio, which will take over Shade 45 all day on Saturdays with an innovative mix of shows and DJs produced by his own DJ, Whoo Kid. “I’m bringing my A-game to SIRIUS,”said 50 Cent. “G Unit Radio is gonna blow up on Shade 45.” “Eminem and 50 Cent are two of the biggest names in hip-hop today" said SIRIUS President of Sports and Entertainment Scott Greenstein. “On Shade 45, 50 Cent will bring G Unit’s world to SIRIUS listeners.” SIRIUS launched Shade 45, the uncensored, commercial-free hip-hop music channel created by Eminem, Shady Records, Interscope Records and SIRIUS in October 2004. The channel also features other high profile figures in the world of hip-hop, including Eminem’s own DJ Green Lantern and Radio/Mixshow DJ of the Year Clinton Sparks. The channel also regularly features celebrity guests. 50 Cent, one of the most notorious figures in rap music, is also one of its most successful. His 2003 debut album, Get Rich or Die Tryin’, has sold more than 11 million copies. He has launched a successful G Unit clothing and footwear line, and can also be seen in an upcoming Jim Sheridan film, which is reported to be a semi-autobiographical film based on his ascension from drug dealer to superstar. -
An Exploration of Trauma Markers in the Artwork of Serial Killers
LMU/LLS Theses and Dissertations Spring June 2017 An Exploration of Trauma Markers in the Artwork of Serial Killers Kiran M. Haynes Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/etd Part of the Art Therapy Commons, and the Marriage and Family Therapy and Counseling Commons Recommended Citation Haynes, Kiran M., "An Exploration of Trauma Markers in the Artwork of Serial Killers" (2017). LMU/LLS Theses and Dissertations. 314. https://digitalcommons.lmu.edu/etd/314 This Research Projects is brought to you for free and open access by Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU/LLS Theses and Dissertations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. TRAUMA MARKERS IN THE ARTWORK OF SERIAL KILLERS i AN EXPLORATION OF TRAUMA MARKERS IN THE ARTWORK OF SERIAL KILLERS by Kiran M. Haynes A research paper presented to the FACULTY OF THE DEPARTMENT OF MARITAL AND FAMILY THERAPY LOYOLA MARYMOUNT UNIVERSITY In partial fulfillment of the requirements for the degree MASTER OF ARTS May 2017 TRAUMA MARKERS IN THE ARTWORK OF SERIAL KILLERS ii © 2017 Kiran M. Haynes ALL RIGHTS RESERVED TRAUMA MARKERS IN THE ARTWORK OF SERIAL KILLERS iii Signature Page TRAUMA MARKERS IN THE ARTWORK OF SERIAL KILLERS iv Disclaimer The views, opinions, and findings expressed in this research paper are those of the author and do not necessarily reflect the official policy or position of Loyola Marymount University, the Department of Marital and Family Therapy, nor any other affiliated entity. -
1 Victims and Crimes Bibliography MCC Library 2/8/2010 Ungodly : The
Victims and Crimes Bibliography MCC Library 2/8/2010 Ungodly : the passions, torments, and murder of atheist Madalyn Murray O'Hair Dracos, Ted. BL 2790 .O38 D72 2003 Jesus freaks : a true story of murder and madness on the evangelical edge Lattin, Don BP 605 .C38 L38 2007 Blood done sign my name : a true story Tyson, Timothy B. F 264 .O95 T97 2004 The lynching of Emmett Till : a documentary narrative F 350 .N4 L96 2002 Down by the river : drugs, money, murder, and family Bowden, Charles HV 5825 .D692 2002 Crime signals : how to spot a criminal before you become a victim Givens, David B. HV 6024 .G58 2008 Victimology: a new focus HV 6030 .I54 1973 v. 1 HV 6030 .I54 1973 v. 2 HV 6030 .I54 1973 v.3 HV 6030 .I54 1973 v.4 HV 6030 .I54 1973 v.5 Women who kill Jones, Ann HV 6046 .J66 1988 Dangerous women : why mothers, daughters, and sisters become stalkers, molesters, and murderers Morris, Larry A., HV 6046 .M365 2008 Murder among the mighty : celebrity slayings that shocked America Nash, Jay Robert. HV 6245 .N38 1983 1 Destined for murder : profiles of six serial killers with astrological commentary Young, Sandra Harrisson HV 6245 .Y68 1995 The devil's right-hand man : the true story of serial killer Robert Charles Browne Michaud, Stephen G. HV 6248 .B753 M53 2007 Tailspin : the strange case of Major Call Conners, Bernard F. HV 6248 .C125 C66 2002 Very much a lady : the untold story of Jean Harris and Dr. Herman Tarnower Alexander, Shana. -
Teacher Information Sheet Genocide in Bosnia
Teacher information sheet Genocide in Bosnia The population of Bosnia and Herzegovina (referred to as ‘Bosnia’ here) consists of: • Bosniaks – Bosnian Muslims • Bosnian Serbs – Serb Orthodox Christians who have close cultural ties with neighbouring Serbia • Bosnian Croats – Roman Catholics who have close cultural ties with neighbouring Croatia Bosnia’s history Flag of Bosnia, adopted in 1998 Between 1991-1994 Yugoslavia disintegrated into five states – Slovenia, Croatia, Bosnia, Macedonia and the Federal Republic of Yugoslavia (later known as Serbia and Montenegro). Bosnia declared independence in 1992. This was resisted by the Bosnian Serb population who saw their future as part of ‘Greater Serbia’, sparking a civil war over land. The Bosnian War Bosnia became the victim of the Bosnian Serbs’ wish for political domination, which they were prepared to achieve by isolating ethnic groups and, if necessary, exterminating them. A campaign of war crimes, ‘ethnic cleansing’ and genocide was perpetrated by Bosnian Serb troops under the orders of Slobodan Milošević. Sarajevo, the capital city of Bosnia, was under siege for nearly four years - the longest siege in modern warfare. The Serb-controlled army surrounded the city, bombing it, killing more than 10,000 people and destroying cultural monuments. Persecution From 1991, in Prijedor, north-west Bosnia, non-Serbs were forced to wear white armbands and certain newspapers, radio stations and television stations began to broadcast anti-Croat and anti- Bosniak propaganda. Non-Serbs were sent to concentration camps which had been set up in mid-1992. Women were taken to Trnopolje camp where systematic rape took place on a regular basis. -
Partial List of Mass Execution of Oromos and Other Nation And
Udenrigsudvalget 2013-14 URU Alm.del Bilag 174 Offentligt Partial list of Mass execution of Oromos and other nation and nationalities of Ethiopia (Documented by Oromo Liberation Front Information and Research Unit, March 2014) Injustice anywhere is injustice everywhere!!! Ethiopia is one of the Countries at Genocide Risk in accordance with Genocide Watch’s Report released on March 12, 2013. •Genocide Watch considers Ethiopia to have already reached Stage 7, genocidal massacres, against many of its peoples, including the Anuak, Ogadeni, Oromo and Omo tribes. •We recommend that the United States government immediately cease all military assistance to the Ethiopian Peoples Defense Forces. We also recommend strong diplomatic protests to the Meles Zenawi regime against massive violations of human rights in Ethiopia Article 281 of the Ethiopian Penal Code : Genocide; Crimes against Humanity Whosoever, with intent to destroy, in whole or in part, a national, ethnic, racial, religious or political group, organizes, orders or engages in, be it in time of war or in time of peace: (a) killings, bodily harm or serious injury to the physical or mental health of members of the group, in any way whatsoever; or (b) measures to prevent the propagation or continued survival of its members or their progeny; or (c) the compulsory movement or dispersion of peoples or children, or their placing under living conditions calculated to result in their death or disappearance, is punishable with rigorous imprisonment from five years to life, or, in cases of exceptional -
Better Mus' Come
BETTER MUS’ COME PUBLICITY CONTACTS Tilane Jones [email protected] 818.995.0050 Rating: NR TRT: 104 minutes CREDITS Written & Directed by Storm Producer Paul Bucknor Executive Produced by Joshua Bratter Samantha Bratter Paul Bucknor Director of Photography Storm Editors Storm Paul Bucknor Cast Sheldon Shepherd - Ricky Nicole Grey - Kemala Ricardo Orgill - Flames Everaldo Creary - Short Man Roger Guenveur Smith - Prime Minister SYNOPSIS Better Mus’ Come is a coming of age drama set in Jamaica’s turbulent 1970s, against the backdrop of the Cold War, a national water crisis, an energy crisis, corruption, and numerous murder scandals that gave birth to the polarized violence gripping the streets of Kingston both then and now. After months of incarceration as a suspected political agitator, Ricky is released. Haunted by the tragic death of his devoted young wife and paralyzed by conflicting feelings of guilt and loyalty to his political tribe, he tries to navigate his way through the minefields created by the constant social upheaval that seems to be ubiquitous in his community, while providing a better life for his 5- year old son. At his home coming party Ricky meets Kemala, a book smart country girl, who lives in the opposing neighborhood, enemy territory. In many ways they are opposites, but what starts as antagonism quickly turns into burning passion. Kemala encourages Ricky to convince his old friends in the community to adopt a more passive approach. To defy the status quo of confrontation, this leads to the inevitable cycle of violence. The big question is, can Ricky and his crew beat the odds and ensure that Better Mus’ Come? Director’s Statement I’ve always been a bit of a cold war junkie, and there was a point in my life where I would watch, read, and research everything I could on geopolitics and espionage in the 20th century. -
Bengal-Bangladesh Border and Women
The Bengal-Bangladesh Borderland: Chronicles from Nadia, Murshidabad and Malda 1 Paula Banerjee Introduction Borderland studies, particularly in the context of South Asia are a fairly recent phenomenon. I can think of three works that have made borderlands, particularly the Bengal-Bangladesh borderland as the focal area of their study in the last one decade. Ranabir Samaddar’s The Marginal Nation: Transborder Migration From Bangladesh to West Bengal started a trend that was continued by Willem Van Schendel in his The Bengal Borderland: Beyond State and Nation in South Asia . Both these books argue that the border is part of larger zone or the borderland that at once constructs and subverts the nation. Samaddar goes beyond the security and immutable border discourse and problematises the borderland by speaking of flows across the border. He argues that such flows are prompted by historical and social affinities, geographical contiguity and economic imperative. People move when their survival is threatened and rigid borders mean little to the desperate. They question the nation form that challenges their existence. If need be they find illegal ways to tackle any obstacle that stand in their path of moving particularly when that makes the difference between life and death. Thereby Samaddar questions ideas of nation state and national security in present day South Asia when and if it privileges land over the people who inhabit that land. Van Schendel also takes the argument along similar lines by stating that without understanding the borderland it is impossible to understand the nation form that develops in South Asia, the economy that emerges or the ways in which national identities are internalized. -
The Performative Politicization of Public Space: Mexico 1968-2008-2012 Robin Adèle Greeley
thresholds 41 Spring 2013, 18-31 THE PERFORMATIVE POLITICIZATION OF PUBLIC SPACE: MEXICO 1968-2008-2012 ROBIN ADÈLE GREELEY Peña Nieto: the TV is yours; Mexico is ours! #YoSoy132 banner, June 2012 In May 2012, just weeks before the recent presidential elections in Mexico, a group of students at the Universidad Iberoamericana challenged the presidential candidate for the Institutional Revolutionary Party (PRI), Enrique Peña Nieto, during his cam- paign stop at the university.1 Peremptorily dismissed as being mob infiltrators hired by Peña Nieto’s political opponents, 131 Ibero students posted a video on YouTube displaying their university IDs and reiterating their outrage at the PRI’s persistent autocratic spurning of everyday citizens.2 The video sparked a spontaneous new grassroots political movement, “#YoSoy132” (“I am 132,” following up on the origi- nal 131 students) that rejected the PRI’s authoritarian neoliberalist platform and, in particular, its long history of collusion with powerful news media corporations.3 In the following weeks, hundreds of thousands of #YoSoy132 protestors repeatedly took to the streets across the country, to demand the democratization of the news media and the liberalization of the political system in Mexico. #YoSoy132 has regularly been compared to Mexico’s 1968 student movement which, as many have argued, “undermined forever the foundations of authoritarian- ism in Mexico.”4 Like their 1968 counterparts, #YoSoy132 has mounted a powerful anti-systemic call for a renewed politics “from below” to counteract the longstand- ing autocratic cronyism and corruption of the nation’s political leadership. Yet the comparison of #YoSoy132 with 1968 raises profound questions concerning the development of the public sphere in Mexico and its ability to foment a functional de- mocracy. -
Mass Murder and Spree Murder
Two Mass Murder and Spree Murder Two Types of Multicides A convicted killer recently paroled from prison in Tennessee has been charged with the murder of six people, including his brother, Cecil Dotson, three other adults, and two children. The police have arrested Jessie Dotson, age 33. The killings, which occurred in Memphis, Tennessee, occurred in February 2008. There is no reason known at this time for the murders. (Courier-Journal, March 9, 2008, p. A-3) A young teenager’s boyfriend killed her mother and two brothers, ages 8 and 13. Arraigned on murder charges in Texas were the girl, a juvenile, her 19-year-old boyfriend, Charlie James Wilkinson, and two others on three charges of capital murder. The girl’s father was shot five times but survived. The reason for the murders? The parents did not want their daughter dating Wilkinson. (Wolfson, 2008) Introduction There is a great deal of misunderstanding about the three types of multi- cide: serial murder, mass murder, and spree murder. This chapter will list the traits and characteristics of these three types of killers, as well as the traits and characteristics of the killings themselves. 15 16 SERIAL MURDER Recently, a school shooting occurred in Colorado. Various news outlets erroneously reported the shooting as a spree killing. Last year in Nevada, a man entered a courtroom and killed three people. This, too, was erro- neously reported as a spree killing. Both should have been labeled instead as mass murder. The assigned labels by the media have little to do with motivations and anticipated gains in the original effort to label it some type of multicide.