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(Narrative) Introduction to Richard Kearney's
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 9 Original Research Reading ‘blackface’: A (narrative) introduction to Richard Kearney’s notion of carnal hermeneutics Author: Prominent Irish philosopher Richard Kearney’s notion of ‘carnal hermeneutics’ is introduced 1,2 Helgard Pretorius by applying it to a case study of a recent event that took place at one of South Africa’s university Affiliations: campuses. The narrative assists in illuminating some of the core principles of carnal 1Faculty of Theology, Vrije hermeneutics and illustrates the applicability of carnal hermeneutics as a ‘diagnostic caring for Universiteit, the Netherlands lived existence’. In the process, an analysis is also given of the event in question, which is connected to what has widely been labelled as ‘blackface’. In conclusion, the contextual, 2 Faculty of Theology, philosophical, ethical, and theological implications of carnal hermeneutics are explored with Stellenbosch University, South Africa an eye on theological praxes in South Africa today. Corresponding author: Helgard Pretorius, Introduction [email protected] How do we sense, figure, and discern the other in our midst? Dates: Received: 21 July 2015 It is in response to this enigmatic challenge that I would like to facilitate a dialogue with Accepted: 28 Oct. 2015 Richard Kearney’s1 notion of ‘carnal hermeneutics’.2 The question of otherness and the : Published 31 May 2016 stranger has occupied Western thought and culture from its earliest beginnings. Yet it has How to cite this article: most often been dealt with from a perspective that holds reason as superior, even divorced Pretorius, H., 2016, ‘Reading from bodily existence. -
This Won't Hurt
24 PHILOSOPHY tongue was bound with a leather gag – all of the What lies ahead philosophers whom Bradatan considers to have “performed” exemplary deaths exercise complete control and mastery in their last moments: they die walking, talking, laughing he story is as old as philosophy itself. WILL REES Giordano Bruno and Jan Patocka: “martyr- and mocking the authorities that execute them. Socrates, found guilty of impiety and philosophers” who did not simply have ideas They remain themselves right to the end, dying Tof corrupting the youth, is sentenced to Costica Bradatan about death, but who died for ideas. “Once the deaths that are uniquely theirs. Doesn’t the death by an Athenian court. Given the chance body has come into play . everything appeal of this belie a certain anxiety, a fear of DYING FOR IDEAS to save himself, he refuses. In his Phaedo, The dangerous lives of the philosophers changes. Now death can no longer be a ‘topic’, the loss of control and self that more com- Plato explains how, just a few hours before 272pp. Bloomsbury. £19.99 (US $34.95). there cannot be anything abstract about it.” monly awaits us at the end of life? drinking the hemlock that kills him, Socrates 978 1 4725 2551 2 Regardless of their philosophical colours, After all, most of us do not face deaths such proffers a novel redefinition of the philoso- these thinkers are the ultimate empiricists, as these; indeed, for most of us death will not pher: those who practise philosophy do so using their bodies as laboratories in which to be a “performance” at all. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
The Road to Freedom? | by Tim Parks | the New York Review of Books
3/6/2017 The Road to Freedom? | by Tim Parks | The New York Review of Books The Road to Freedom? Tim Parks JANUARY 14, 2016 ISSUE Memory Theater by Simon Critchley Other Press, 101 pp., $15.95 Suicide by Simon Critchley Thought Catalog, 88 pp., $2.99 (ebook) In Samuel Beckett’s novel Malone Dies the eponymous hero becomes obsessed with the idea of reciting a complete inventory of his worldly goods in the few moments preceding his death: a unique occasion, he feels, for producing “something suspiciously like a true statement at last.” Needless to say, despite Malone’s enjoying very few possessions, the reader understands at once that this last desperate bid for control will be beyond him. The world will not stay still, his memory is failing, and the moment of death, or rather the last moments of lucidity in which an inventory might be recited, are impossible to predict. In Memory Theater, Simon Critchley’s hero, who would Simon Critchley, Tilburg, the Netherlands, 2012 appear to be a fictional Simon Critchley, in that he shares the same curriculum vitae and publications as Critchley, has a more extravagant but related ambition: in the hours immediately preceding his demise he will embark on a virtuoso recall not only of his own life but of all the philosophy and history he has ever known. At the instant of my death, I would have recalled the totality of my knowledge. At the moment of termination, I would become Godlike, transfigured, radiant, perfectly selfsufficient, alpha and omega. Critchley’s delirious alter ego has more energy than Malone and with the aid of a “memory theater,” an elaborate prompting mechanism, appears to have achieved his end, at least so far as the recall is concerned, only to discover that he is not going to die when expected. -
Humanity and Hospitality an Approach to Theology in the Times of Migration
Humanity and hospitality An approach to theology in the times of migration RENÉ DAUSNER n contrast to discourses on the relation between religion and violence, this project focuses Ion the biblical commitment that God can be understood as the one who ‘loves the stranger’ (Deut. 10:18). With regard to this central passage it will be asked what are the implications that this image of God can offer? In what way can monotheism be interpreted as ‘a school of xenophilia’ (E. Levinas)? What does the inclination of God to the stranger mean for the understanding of humanity, metaphysics, and migration? Jacques Derrida (1930–2004) has suggested that we understand metaphysics, in the context of the thinking of Levinas, as ‘an experience of hospitality’ (Derrida 1999a: 46). With regard to this idea, I would like to ask what role can (the question of) God play within the political, sociological, ethical, etc. discourses of diversity and migration? Introduction In the following contribution, I will not discuss the negative effects of religion (cf. Assmann 2003, 2015; Schieder 2014); instead, I will ask what one can – positively – learn from the biblical narratives concerning God with regard to the wide field of the issue of migration – and the other way around. Migration is, without any doubt, one of the most urgent issues of a common and coming society of Europe. In Germany, as well as in other European countries such as the Netherlands, Hungary, Austria, and Finland, we can observe a tendency towards an acceptance of nationalist and right- wing parties . Xenophobia, that is, the fear, and sometimes even hatred, of strangers, is the expression of a politics of national self-isolation and what one refers to, with a German term, as Angst. -
Impossible Objects: Interviews by Simon Critchley, Carl Cederström and Todd Kesselman Cambridge: Polity, 2012 (ISBN: 978-0745653211)
Impossible Objects: Interviews by Simon Critchley, Carl Cederström and Todd Kesselman Cambridge: Polity, 2012 (ISBN: 978-0745653211). 180pp. Richard Mailey (University of Glasgow) English philosopher Simon Critchley made his name as an expert on the so-called deconstructive tradition; his new book – the aptly-titled, Impossible Objects – shows how deep these roots run. The book is a collection of interviews spanning Critchley’s career, and it is therefore fitting that Carl Cederström and Todd Kesselman should use their editorial introduction to reflect on the powerlessness of the philosopher as interviewee – a powerlessness which lays all of his best plans to waste before the brute immediacy of live communication. By a very Freudian turn, Cederström and Kesselman take this as a major plus point; the interview is not a theoretical supplement they claim, but an unparalleled chance to catch the philosopher in his natural environment, to see him squirm and stress and stutter under the weight of his contemplative obligation. I could hardly agree more: if the text of Impossible Objects teaches us anything at all, it is surely that the good, thoughtful philosopher will and should always feel the pressure of the interview format. This is how Derrida, who Critchley admiringly and crucially refers to as ‘the philosopher’ (p.59), would perhaps have seen it: there is never enough time or knowledge to justify the philosopher’s speech; and yet, he is always being asked, by the very definition of his position, to stand up and speak. Impossible Objects can surely be well-read as a demonstration of this paradox. -
What Is a Philosopher? Excerpt
What Is a Philosopher? By SIMON CRITCHLEY Socrates tells the story of Thales, who was by some accounts the first philosopher. He was looking so intently at the stars that he fell into a well. Some witty Thracian servant girl is said to have made a joke at Thales’ expense — that in his eagerness to know what went on in the sky he was unaware of the things in front of him and at his feet. Socrates adds “The same jest suffices for all those who engage in philosophy.” What is a philosopher, then? The answer is clear: a laughing stock. But as always with Plato, things are not necessarily as they first appear, and Socrates is the greatest of ironists. First, we should recall that Thales believed that water was the universal substance out of which all things were composed. Water was Thales’ philosophers’ stone, as it were. Therefore, by falling into a well, he inadvertently presses his basic philosophical claim. But there is a deeper and more troubling layer of irony here that I would like to peel off more slowly. Socrates introduces the “digression” by making a distinction between the philosopher and the lawyer.” The lawyer is compelled to present a case in court and time is of the essence. By contrast, we might say, the philosopher is the person who has time or who takes time. Theodorus, Socrates’ interlocutor, introduces the “digression” with the words, “Aren’t we at leisure, Socrates?” The latter’s response is interesting. He says, “It appears we are.” As we know, in philosophy appearances can be deceptive. -
End-Of-Self Help by Alexander Provan the Nation
End-of-Self Help By Alexander Provan The Nation October 26, 2009 In December 2007, at the annual World Congress on Anti-Aging Medicine in Las Vegas, Suzanne Somers, the actress and bestselling author of Ageless: The Naked Truth About Bioiden- tical Hormones, delivered a rhapsodic keynote speech in praise of hormone replacement therapy. “I go to these parties sometimes with all these successful men who’ve really achieved in their ca- reers,” she told the enthusiastic, middle-aged crowd. “Seventies, eighties, and they’re out of gas. They’re just so out of gas! They all sit there, they’re drooping—their face, their body’s drooping— they’ve all got deep belly fat, they’re all kind of grumpy . And I look at them and I think, ‘This out of gas doesn’t have to be!’ You know this. I know this. It’s hormones!” Thanks to modern science, the grail of enduring youthfulness—if not eternal youth—is within the grasp of middle-class Americans, for whom the road to senescence is now paved with restora- tive procedures and rejuvenating formulas. You can be young again, at least until you’re dead. And while Somers is still a ways from a National Institutes of Health appointment, the government and its bedfellows in the private sector are enmeshed in life extension of the more pedestrian variety. Sustaining people in the last two years of their lives consumes a third of Medicare’s budget, and of the 16 percent of the country’s GDP that is now spent on healthcare, an ever growing proportion is dedicated to treating a range of diseases that would have been death sentences half a century ago. -
John D. Caputo CURRICULUM VITAE
John D. Caputo CURRICULUM VITAE EMPLOYMENT: Thomas J. Watson Professor of Religion and Humanities, Syracuse University, 2004– David R. Cook Professor Emeritus of Philosophy, Villanova University, 2004– David R. Cook Professor of Philosophy, Villanova University, 1993-2004 Assistant Professor, Associate Professor, Professor, Villanova University, 1968-2004 Visiting Professor, New School for Social Research, Spring, 1994 Distinguished Adjunct Professor, Fordham University Graduate Program, 1985-88 Visiting Professor, Fordham University, Fall, 1980 Visiting Professor, Duquesne University, Fall, 1978 Instructor, St. Joseph's University (Philadelphia, 1965-68) EDUCATION: Ph.D., 1968, Bryn Mawr College M.A., 1964, Villanova University B.A., 1962, La Salle University AWARDS Winner of the ForeWord Magazine Best Philosophy Book of 2007 award for What Would Jesus Deconstruct? 2008 Loyola Medal (Seattle University), 2007 American Academy of Religion Book Award for Excellence in Studies in Religion, “Constructive-Reflective Studies,” for The Weakness of God: A Theology of the Event (Indiana UP, 2007). 2004, Appointed Thomas J. Watson Professor of Religion and Humanities, Syracuse University; David R. Cook Professor Emeritus, Villanova University 1998, Choice Magazine, “Outstanding Academic Book Award” for Deconstruction in a Nutshell (Fordham UP, 1997) 1992, Appointed David R. Cook Professor of Philosophy 1991-92, National Endowment for the Humanities, Fellowship for College Teachers 1989, Phi Beta Kappa, Honorary Member, Villanova Chapter 1985, National Endowment for the Humanities, Summer Stipend 1983-84, American Council of Learned Societies, Fellowship 1982, Outstanding Faculty Scholar Award (V.U.) 1982, Summer Research Grant (V.U.) 1981, Distinguished Alumnus, V.U. Graduate School 1979-80, Phi Kappa Phi Honorary Society, Villanova University Chapter, President 1972, American Council of Learned Societies, Grant-in-aid (Summer grant) OFFICES Member, Book Awards Committee, American Academy of Religion, 2008-2009. -
Schelling on Evil
SCHELLING ON EVIL Hüseyin Fırat ŞENOL Abstract This paper might be considered an attempt to exhibit the original and unique aspects in Schelling’s consideration of the problem of evil within the framework of post-Kantian and post-Enlightenment thought. Fulfilling such a task requires, first of all, an elaboration of the influences on Schelling and of his own motivations concerning the problem of evil, while considering the impacts of Freiheitsschrift on his own philosophy and on later thought; second, a rather long summary of Schelling’s Freiheitsschrift, and third, a comparison of some of the ways in which Kant and Schelling had taken up the problem of evil. Doing so will provide us with the opportunity to take notice of Schelling’s ambition to overcome the mentality which he finds himself in odds with as regards the problem of evil, and hence to emphasise better the original aspects in his thought; and such a task is believed to be fulfilled best through a consideration of Kant-with regard to a comparison on the problem of evil- who manifested thoughts both in compliance and in opposition with the Enlightenment. Key words: Schelling, the problem of evil, Kant, Freiheitsschrift, human nature, free will, freedom of choice (Schelling’de Kötülük Sorunu) Özet Bu yazı, Schelling’in, kötülük sorununu ele alış konusunda, daha çok Kant ve Aydınlanma sonrası düşünüş içerisindeki özgün ve biricik olduğu yönleri ortaya koyma denemesi olarak görülebilir. Böylesi bir denemenin gerçekleşmesi için, ilkin Schelling üzerindeki etkiler ve kötülük sorunu konusunda Schelling’in kendi motivasyonu-Freiheistsschrift adlı yapıtının hem kendi felsefesinin bütününe hem de sonraki düşünüşlere etkisini de göz önünde tutarak- ele alınacak; ikincileyin, Freiheistsschrift’in geniş bir özeti eşliğinde sorunu Schelling’in nasıl kavradığının görülmesine çalışılacak; son olarak da kötülük sorununu ele alış biçimlerindeki bazı yönler bakımından Schelling’in düşünceleri, Kant’ın düşünceleriyle karşılaştırılacaktır. -
Failing to Think: the Promise of Performance Philosophy
PERFORMANCE PHILOSOPHY FAILING TO THINK: THE PROMISE OF PERFORMANCE PHILOSOPHY JAMES CORBY UNIVERSITY OF MALTA Thinking performance philosophy To use a contemporary colloquialism, Performance Philosophy ‘is a thing.’ And with related associations, conferences and publications, it is fast becoming a thing of impressive proportions and complexity, especially given how recently it has emerged from the interstices and confluence of theatre studies, philosophy and performance studies. This is perhaps not surprising— performance has, in recent decades, emerged as a theoretical and practical site of possible renewal and development not only of theatre but of the arts more widely, and the emergence of performance philosophy is a recognition of this potential in relation to philosophy.1 The relationship between performance and philosophy is long, multi-faceted and occasionally fraught, with philosophers through the ages frequently both harnessing and suspecting performance’s power. Plato’s dialogues famously show one way in which philosophical thinking cannot be separated from a certain performance, and yet a fear of the potential of performance- oriented mimesis, freed from a service to truth, leads Plato to exclude poets—the performance artists of their day—from the polis.2 This closely imbricated relationship between performance and philosophy continued throughout the philosophical tradition, emerging as particularly important in the work of thinkers whose work is not in any obvious way affected by the so-called anti- theatrical bias characteristic of Platonism.3 PERFORMANCE PHILOSOPHY VOL 4, NO 2 (2019):576–590 DOI: https://doi.org/10.21476/PP.2019.42239 ISSN 2057-7176 Performance Philosophy marks a more explicit and concerted recognition of the connection between philosophy and performance and the potential affordances of that connection. -
Ethics, a Very Short Introduction
Ethics: A Very Short Introduction ‘This little book is an admirable introduction to its alarming subject: sane, thoughtful, sensitive and lively’ Mary Midgley, Times Higher Education Supplement ‘sparkling clear’ Guardian ‘wonderfully concise, direct and to the point’ Times Literary Supplement ‘plays lightly and gracefully over . philosophical themes, including the relationship between good and living well.’ New Yorker Very Short Introductions are for anyone wanting a stimulating and accessible way in to a new subject. They are written by experts, and have been published in more than 25 languages worldwide. The series began in 1995, and now represents a wide variety of topics in history, philosophy, religion, science, and the humanities. Over the next few years it will grow to a library of around 200 volumes – a Very Short Introduction to everything from ancient Egypt and Indian philosophy to conceptual art and cosmology. Very Short Introductions available now: ANCIENT PHILOSOPHY Continental Philosophy Julia Annas Simon Critchley THE ANGLO-SAXON AGE COSMOLOGY Peter Coles John Blair CRYPTOGRAPHY ANIMAL RIGHTS David DeGrazia Fred Piper and Sean Murphy ARCHAEOLOGY Paul Bahn DADA AND SURREALISM ARCHITECTURE David Hopkins Andrew Ballantyne Darwin Jonathan Howard ARISTOTLE Jonathan Barnes Democracy Bernard Crick ART HISTORY Dana Arnold DESCARTES Tom Sorell ART THEORY Cynthia Freeland DRUGS Leslie Iversen THE HISTORY OF THE EARTH Martin Redfern ASTRONOMY Michael Hoskin EGYPTIAN MYTHOLOGY Atheism Julian Baggini Geraldine Pinch Augustine Henry