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Bloomfield Buzz Ad 7.75X10-M1.Qxp 12/7/18 9:10 AM Page 1
In This Issue! Important Township 3 meeting dates January - June 2019 5 Health Services for you and your family Township of Bloomfield 6 Recycling calendar 7 Winter and Spring Launches Brand New Municipal Recreation Programs 8 More Recreation Website, Mobile App Opportunities Police News and Bloomfield residents are noticing a more accessible, social media-friendly communications system. The 10 Upcoming Library municipal website has been completely transformed, with a modern, responsive design showcasing relevant Events information and helpful tools up front. The official ‘Township of Bloomfield’ Facebook page has been synced with the website to post public information about important events, and the Township’s Information 12 New Year’s Message Technology Department, lead by Director Jean-Guy Lauture, has launched the “Bloomfield Township, NJ” from the Mayor mobile App where residents can receive push notifications about events, alerts and more. The “Bloomfield We are beyond excited for our new Township, NJ” Mobile “ App, by CivicPlus, website and mobile app to help has a red icon and is “ available to Android Bloomfield residents stay more and iPhone users. connected and informed. Mayor Michael Venezia These improvements will yield long-term benefits as more residents can stay better informed about events that matter to them. The Township held a forum for residents to have their ideas about municipal communication heard and received input from a resident survey which laid the framework for this new site. The new secure website, bloomfieldtwpnj.com, features up-to-the-minute traffic and road closure alerts, which will prove helpful during heavy Winter snowfalls. Residents can also opt-in to receive text notices about water advisories, Parks and Recreation notifications, community alerts, and more. -
The Science of String Instruments
The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D. -
WORKSHOP: Around the World in 30 Instruments Educator’S Guide [email protected]
WORKSHOP: Around The World In 30 Instruments Educator’s Guide www.4shillingsshort.com [email protected] AROUND THE WORLD IN 30 INSTRUMENTS A MULTI-CULTURAL EDUCATIONAL CONCERT for ALL AGES Four Shillings Short are the husband-wife duo of Aodh Og O’Tuama, from Cork, Ireland and Christy Martin, from San Diego, California. We have been touring in the United States and Ireland since 1997. We are multi-instrumentalists and vocalists who play a variety of musical styles on over 30 instruments from around the World. Around the World in 30 Instruments is a multi-cultural educational concert presenting Traditional music from Ireland, Scotland, England, Medieval & Renaissance Europe, the Americas and India on a variety of musical instruments including hammered & mountain dulcimer, mandolin, mandola, bouzouki, Medieval and Renaissance woodwinds, recorders, tinwhistles, banjo, North Indian Sitar, Medieval Psaltery, the Andean Charango, Irish Bodhran, African Doumbek, Spoons and vocals. Our program lasts 1 to 2 hours and is tailored to fit the audience and specific music educational curriculum where appropriate. We have performed for libraries, schools & museums all around the country and have presented in individual classrooms, full school assemblies, auditoriums and community rooms as well as smaller more intimate settings. During the program we introduce each instrument, talk about its history, introduce musical concepts and follow with a demonstration in the form of a song or an instrumental piece. Our main objective is to create an opportunity to expand people’s understanding of music through direct expe- rience of traditional folk and world music. ABOUT THE MUSICIANS: Aodh Og O’Tuama grew up in a family of poets, musicians and writers. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
The Renaissance Cittern
The Renaissance Cittern Lord Aaron Drummond, OW [email protected] 1. HISTORY,DEVELOPMENT, CONSTRUC- while chromatic citterns are more associated with Italian TION and English music. [3] As far as the body of the instrument goes, citoles and ear- The Renaissance cittern most likely developed from the lier citterns had the back, ribs and neck carved from a single medieval citole. The citole was a small, flat-backed instru- block of wood with the soundboard and fingerboard being ment with four strings. It was usually depicted as having added. Later citterns were constructed from a flat back, frets and being plucked with a quill or plectrum. The citole bent ribs and separately carved neck, which cut down on in turn may have developed from a kind of ancient lyre called the materials cost. [10] Constructed citterns differ in con- a kithara by adding a fingerboard and then gradually remov- struction from lutes in that in citterns the back is made ing the (now redundant) arms. [1] The cittern may have been from a single flat piece of wood, whereas the lute has a large viewed as a revival of the ancient Greek instrument despite number (typically ten or more) of ribs which must be sep- being quite different in form. The word kithara also evolved arately bent and joined to the achieve the \bowl" shape. into the modern word guitar. This made lutes substantially more difficult to build as well Some modern instruments such as the German waldzither as more delicate than the cittern. Internally there are braces (literally `forest-cittern') and various Iberian instruments to strengthen the back and the soundboard, but like the lute, (Portuguese guitar, bandurria, etc) claim some descent from guitar, viol, etc there is no soundpost or bass bar. -
Tenor Banjo by Don Meade
The Irish Tenor Banjo by Don Meade The tenor banjo is only about a century old and Early banjos were not standardized instruments was not widely played in Ireland before the but typically had a soundbox made from a dried 1960s. Until recently, in fact, the instrument had gourd with one end cut off. A small drumhead a fairly poor reputation among traditional music made from the skin of a raccoon, groundhog or cognoscenti. Times (and banjo players) have other animal was tied or tacked in place over this changed, however, and the oft-maligned opening. The neck was fretless, sometimes little “bodhrán on a stick” is now one of the most more than a stick thrust through the gourd body. popular “traditional” instruments in Irish music. Strings might be made from braided horse hair, Banjo virtuoso Mick Moloney says Irish banjo thread, gut, hemp or any other tough fiber. maker Tom Cussen’s list of Irish tenor players Unlike African lutes, on which the strings are now includes some 7,000 names! There are now attached to sliding tuning rings set around the more people playing Irish dance music on the neck, American banjos were, from an early point tenor banjo than are using the instrument for in their evolution, tuned with violin-style pegs. anything else. Before going into details of Irish banjo style, a bit of a history lesson is required The banjo in its classic form has a short, high- to explain this development. pitched string (“chanterelle”) that terminates at a peg on the side of the neck, as well as several African Roots full-length strings. -
The REVIEW- Television and Entertainment Mandolin Society
The REVIEW- Television and Entertainment Alliance Ohio Monday, November 1, 2004 Mandolin Society Concert took listeners back a century John G. Whitacre-Alliance Review The Montana Mandolin Society took listeners back a century to the mandolin orchestras that were the rage in the early 1900’s. Based in Bozeman, Montana, the string ensemble played at Alliance High School in the opening concert of the Alliance Area Concert Association’s 04-05 season. MMS plays a variety of popular and traditional music on mandolin family instruments and other string instruments and is a resurrection of the Bozeman Mandolin and Guitar Club in 1902. Group leader Dennis White said the mandolin orchestra era ran from 1894 to 1924 and ended when Louis Armstrong’s loud, driving jazz superseded mandolins and the gentler classical and traditional music styles. Mandolin groups were as ubiquitous then as rock groups are now and were found in just about every city. They were inspired by ‘The Spanish Students’ that toured the country playing bandoras, a large European instrument similar to a mandolin or a guitar. Those mandolin groups played a quartet of instruments patterned after the string instruments of the orchestra. The mandolin is tuned like the violin; the alto mandola matches the viola, the mandocello; the cello, and the mandobass; the double bass. The groups were supplemented sometimes with guitars and banjos and members of the violin family. The Montana Mandolin Society adds octave mandolin, an instrument developed in the 1960’s by Celtic musicians and patterned after the Greek bouzouki, its tuning lying in the tenor clef between the mandola and mandocello. -
The Newsletter of Readifolk
The Newsletter of Rea difolk Reading's folk song and music club nights inside this edition of Notes. It is heartening that so many of them are enthusiastic and positive, and it helps us to get a clear idea of what sort of guests you like, as well as letting others know why they should come along to a Readifolk evening. The programme for the next quarter is on the back page and you will see that we again have an excellent array of talent lined up for you. , Alison McNamara has set up a Readifolk Facebook page and a Twitter news stream. To see our Facebook page, you can find it via the TinyURL of – and what an www.tinyurl.com/readifolk, or just type "Readifolk" or "Reading folk eventful start to 2010 we have had. club" into the Facebook search bar. It was unfortunate that, because Reading was snowbound, we had This gives Facebook members a chance to keep up-to-date with to cancel the first guest night of the year on 10th January. David events at Readifolk, browse information about performers and Ferrard, who was due to appear, has agreed provisionally to a other folk clubs in the area, folk music resources on the web and return visit in December. Fingers crossed. anything else that interests you, exchange your own news and views and share links, photos and videos. Despite being the coldest Winter for several decades there was always a warm welcome at Readifolk and our attendances held up For those who are unfamiliar with Facebook, visit really well, so thanks to all you loyal supporters. -
A Complete Technical Reference for Fretted Instrument String Tensions Table of Contents Introduction
Catalog Supplement/String Tension Specifications A complete technical reference for fretted instrument string tensions Table of Contents Introduction Technical Reference for fretted instrument string tensions 4 his brochure was created to assist in Guitar and Bass Fingerboard Legends 5 Tselecting the ideal string for your instrument and playing style. Included in this brochure String Tensions are tension tables and formulas to help you Acoustic or Electric Guitar 6 calculate what tension a particular string will Pedal Steel Guitar 7 have on your instrument. Acoustic Guitar 7 Classical Guitar 8 Folk Guitar 10 Electric Bass Guitar 10 Acoustic Bass Guitar 13 Mandolin Family Strings 13 Banjo & Loop End Strings 14 A complete technical reference for fretted instrument string tensions Understanding what determines string tension. In order to determine the tension at which a string will vibrate, you need three pieces of information: the Unit Weight, the Scale Length, and the Frequency of the string. You can use the charts in this brochure to get a pre-calculated tension for the D’Addario strings listed or you can use the formulas below to calculate the exact tension for any string using the scale length of your particular instrument. All of the charts illustrate string tensions for each string at a variety of pitches, in case you use alternative tunings. UW- Unit Weight. In all the charts and formulas in the brochure, unit weight is expressed in pounds per linear inch (lb/in). L- Scale Length. This is the vibrating length of the string. This is determined by measuring the distance from the nut to the bridge of the instrument in inches (in). -
2016-Weber-Sales-Catalog-Lr
From the soprano to the cello, each Weber instrument carries part of our luthiers’ personalities and dedication to building the best for our players. We consider each and every Weber player a part of our family and of the lutherie process; we craft each instrument with you, the player, in mind. You complete the process by giving Weber instruments a voice. Yo u nurture them as they mature and develop their own unique personality, one that can only be achieved through your participation and style of play. At Weber, we build instruments for all levels of play, from the weekend mandolin warrior to the pro on the road. Every instrument we make is handcrafted from carefully chosen domestic and exotic solid woods with tap-tuned soundboards and hand-scalloped bracing. We give the same fine attention to detail to every model we build, whether it be hand-bending a rim or carving the final touches into a scroll. Carved mandolin family instruments are what we do, who we are, and we strive to be the very best. - Bruce D. Weber Since 1997, Weber’s sopranolins, mandolins, mandolas, octaves, mandocellos, arch-top and resonator guitars have earned the reputation of being among the finest custom acoustic instruments being built today. The craftspeople at Weber believe that the best instruments are those made by hand. From the tap-tuning of every top and back, to the intricate binding, to the hand sprayed lacquer finish and every step in between, your Weber has been expertly crafted by the most talented hands in our industry. -
+10% Increase for 2020/2021 Contents
+10% increase for 2020/2021 Contents Accessories for music instruments ....................................... 50 International strings ............................................................... 38 Aoud ..................................................................................47–48 Kanoun ................................................................................... 46 Balalaika ................................................................................ 45 Lute ........................................................................................... 9 Banjo ....................................................................................... 39 Lyre ......................................................................................... 49 Bass ....................................................................................28–32 Mandola ................................................................................. 36 Acoustic bass .................................................................... 29 Mandolin ...........................................................................35–36 Electric bass .................................................................28–32 Mandoloncello ...................................................................... 37 Bouzouki ................................................................................. 40 Mandriola ............................................................................... 37 Cello ........................................................................................ -
2016 Convention Update by Lyndon Laminack & Mark Linkins
August 2016 • Volume XXXIII #3 2016 Convention Update by Lyndon Laminack & Mark Linkins Preparation continues for the 2016 convention at Valley members. Relatively few CMSA members perform as solo Forge. The members of the host committee, along with artists, but many do perform as members of orchestras the members of both host ensembles – the Munier and smaller ensembles. Ensemble performance offers Orchestra and the Philadelphia Mandolin Ensemble – its own challenges and rewards. Whether performing look forward to greeting attendees at the Welcome Party in a conducted or conductor-less ensemble, players on the evening of November 2. The party will include light must constantly be aware of issues related to blending, tapas-style fare and a cash bar. It is an opportunity to balance, and working together – both within and across connect with old friends and make new acquaintances. the sections of the ensemble – to interpret and give shape The host committee is very pleased to announce that to the music.” the Harrisburg Mandolin Ensemble (HMO) will provide musical entertainment for the Welcome Party. A Conference workshops will provide a rich opportunity “classico” configuration, HMO performs on only mandolin for attendees to hear and learn from the members of the family instruments (including mandobass). Drawing MMQ, composer-in-residence Neil Gladd, and various upon diverse musical backgrounds, the members of HMO CMSA presenters. Additionally, several workshops will perform a very eclectic repertoire. Within a single set, you offer opportunities to learn from Philadelphia-based are likely to hear pieces from artists as diverse as Django performing artists with unique musical backgrounds.