Japan's Early Female Emperors
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Regular Exhibition "History of Japanese Literature Based on Books" Materials List, Part I 名 称 名称ふりがな 解 説
別紙2 Regular Exhibition "History of Japanese Literature Based on Books" Materials List, Part I 名 称 名称ふりがな 解 説 I Literature in Jodai じょうだいのぶんがく (Ancient Times) While Japanese history often uses the term "kodai" to mean ancient times, the history of literature generally calls the times before the Heian period "jodai." Its beginning is uncertain, but its end is defined as the end of the 8th century. Politically, the state had progressed to unity and completion of its regime during this period. From the perspective of literature, this period was the time when Japanese people—who had not had characters for writing—first met kanji or Chinese characters and attempted various ways to express themselves using kanji. Literature in the period primarily when the capital was at Yamato before it was transferred to Heian-kyo in 794. While the categories range from myths to legends, songs, waka or Japanese poetry, Chinese poetry, Literature in Jodai じょうだいのぶんがく biographies, histories and topographies, there were not so many works as a whole. Every extant work containing ancient contents was actually compiled into a book in the Nara period (710–794). Some of those books were established against the background of the regime establishment of the state. Kojiki was established in 712. O no Yasumaro composed this book by writing down the ancient history inherited by Hieda no Are. Kojiki contains the history from the age of the gods to the reign of Empress Suiko (reign: 593–629). Nihon Shoki was established in 720 through a compilation carried out by Prince Myths and History しんわ・れきし Toneri. -
The Establishment of State Buddhism in Japan
九州大学学術情報リポジトリ Kyushu University Institutional Repository The Establishment of State Buddhism in Japan Tamura, Encho https://doi.org/10.15017/2244129 出版情報:史淵. 100, pp.1-29, 1968-03-01. Faculty of Literature, Kyushu University バージョン: 権利関係: - 1 - THE ESTABLISHMENT OF STATE BUDDHISM IN JAPAN Encho Tamura In ancient times, during the Yamato period, it was the custom for each succeeding emperor at the beginning of his reign to seek some site on which to build a new imperial palace and relocate himself. In other words, successive emperors neither inherited their palaces from the previous emperor nor handed them down to the following emperor. Hardly any example is to be found of the same palace being used by more than two emperors successively. The fact that the emperor in ancient times was called by the name of the place where his palace was located* is based on this custom of seeking new sites and founding new palaces. < 1 > This custom was strictly adhered to until the 40th Emperor, Temmu (672-686 A. D.).** The palaces, though at times relocated at Naniwa (the present Osaka Prefecture), or at Cmi (Shiga Prefecture), in most cases were built in different locations within the boundary of the Yamato area (Nara Prefecture). It is true that there is a theory denying the existence of emperors previous to the 14th Emperor, Chuai, but it is clearly stated in both the Kojiki and the Nihonshoki that all of the emperors including Jimmu, the 1st Emperor, strictly adhered to this custom of relocating the palace. This reflects the fact *For example, Emperor Kimmei was called "Shikishima no Kanazashi no Miya ni Arne ga shita Shiroshimesu Sumeramikoto" (The Emperor who rules the whole area under heaven at his Kanazashi Palace in Shikishima). -
The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’S Subjugation of Silla
Japanese Journal of Religious Studies 1993 20/2-3 The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’s Subjugation of Silla Akima Toshio In prewar Japan, the mythical tale of Empress Jingii’s 神功皇后 conquest of the Korean kingdoms comprised an important part of elementary school history education, and was utilized to justify Japan5s coloniza tion of Korea. After the war the same story came to be interpreted by some Japanese historians—most prominently Egami Namio— as proof or the exact opposite, namely, as evidence of a conquest of Japan by a people of nomadic origin who came from Korea. This theory, known as the horse-rider theory, has found more than a few enthusiastic sup porters amone Korean historians and the Japanese reading public, as well as some Western scholars. There are also several Japanese spe cialists in Japanese history and Japan-Korea relations who have been influenced by the theory, although most have not accepted the idea (Egami himself started as a specialist in the history of northeast Asia).1 * The first draft of this essay was written during my fellowship with the International Research Center for Japanese Studies, and was read in a seminar organized by the institu tion on 31 January 199丄. 1 am indebted to all researchers at the center who participated in the seminar for their many valuable suggestions. I would also like to express my gratitude to Umehara Takeshi, the director general of the center, and Nakanism Susumu, also of the center, who made my research there possible. -
JAPANESE HISTORY Paul Clark, Ph.D
HUMANITIES INSTITUTE JAPANESE HISTORY Paul Clark, Ph.D Course Description: This course offers an introduction to the history of Japan from pre-history to the present. We will trace the history of Japan in several different epochs. First, we will investigate how Japanese civilization emerged and how early governments were constituted. Second, we will consider the Yamato Clan and the Nara and Heian periods. Third, we will study the rise of the period dominated by warriors, the first shōgunate and the feudal era. Fourth, we will consider how and why the bakufu (tent government--shōgunate) lost its vitality in the late 18th century and why it was unable to deal with the international crisis which led to its demise. We will discuss the irony of how a military coup d’état, initiated by samurai, led to the dissolution of a samurai-based society and to the construction of the modern Japanese state. Along the way we will study how democracy in the Meiji, Taishō and Shōwa eras failed and led to the militarism of the Pacific War. Fifth, we will discern whether or not the American occupation of Japan led to substantive changes within Japanese culture, economics and government. Finally, we will discuss Japan today. In particular, we will examine modern Japanese society, the government and the enduring problem of the economic recession. About the Professor The course was prepared by Paul Clark, Ph.D. who is an East Asia area specialist and Associate Professor of History at West Texas A&M University. Dr. Clark is the author of The Kokugo Revolution: Education, Identity and Language Policy in Imperial Japan (2009) and is the recipient of a 2006 Fulbright-Hays Faculty Research Abroad Fellowship. -
Slide 36. Introduction of Miwa Deity to Mt. Hiei
Footnote Slide 36. Condensed Visual Classroom Guide to Daikokuten Iconography in Japan. Copyright Mark Schumacher, 2017. INTRODUCTION OF MIWA DEITY TO MT. HIEI Scholars generally assume the Miwa deity (aka Ōmononushi, aka Ōnamuchi) was introduced to Mt. Hiei during the reign of Tenji 天智天皇 (r. 626–71). The prevailing view is that the Miwa deity was “invited” to Mt. Hiei around 663-667 CE, when Tenji moved his court out of the Yamato basin to the more secluded site of Ōtsu 大津 (near Mt. Hiei). In 667 CE, Tenji’s new palace was built just five kilometers south of Mt. Hiei. Before the court’s move to Ōtsu, one of the most important sites of court kami worship was Mt. Miwa, located on the eastern edge of the Yamato plain. The Miwa deity hailed from Mt. Miwa and was perhaps Japan’s most powerful kami in those days. It is therefore “reasonable” to assume the Miwa deity was “invited” by Tenji’s court to reside near the new capital in Ōtsu. NONETHELESS, it is impossible to say with certainty if the Miwa deity was installed at Mt. Hiei between 663-667 CE. It is safer to say the Miwa deity was “imported” to Mt. Hiei sometime in the 7th or 8th centuries (probably before the Nara era). Saichō 最澄 (767-822), founder of Hiei’s shrine-temple multiplex, was certainly aware of the Miwa deity and actively venerated it. • Writes Meri Arichi in Seven Stars of Heaven and Seven Shrines on Earth: The Big Dipper and the Hie Shrine in the Medieval Period, quote from pp. -
Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan
UNIVERSITY OF CALIFORNIA Los Angeles The Jeweled Broom and the Dust of the World: Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Emi Joanne Foulk 2016 © Copyright by Emi Joanne Foulk 2016 ABSTRACT OF THE DISSERTATION The Jeweled Broom and the Dust of the World: Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan by Emi Joanne Foulk Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Herman Ooms, Chair This dissertation seeks to reconsider the eighteenth-century kokugaku scholar Motoori Norinaga’s (1730-1801) conceptions of language, and in doing so also reformulate the manner in which we understand early modern kokugaku and its role in Japanese history. Previous studies have interpreted kokugaku as a linguistically constituted communitarian movement that paved the way for the makings of Japanese national identity. My analysis demonstrates, however, that Norinaga¾by far the most well-known kokugaku thinker¾was more interested in pulling a fundamental ontology out from language than tying a politics of identity into it: grammatical codes, prosodic rhythms, and sounds and their attendant sensations were taken not as tools for interpersonal communication but as themselves visible and/or audible threads in the fabric of the cosmos. Norinaga’s work was thus undergirded by a positive understanding ii of language as ontologically grounded within the cosmos, a framework he borrowed implicitly from the seventeenth-century Shingon monk Keichū (1640-1701) and esoteric Buddhist (mikkyō) theories of language. Through philological investigation into ancient texts, both Norinaga and Keichū believed, the profane dust that clouded (sacred, cosmic) truth could be swept away, as if by a jeweled broom. -
1 Church and State ( : Ritsuryo Saisei Itchi Kami
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Welcome to TRUSpace | TRUSpace 1 State Shinto and the Use of Shrines in Japanese Colonies By Cary S. Takagaki In the third month of 1868, the newly formed Meiji government announced its intention to return to the ritsuryo system of government that had been in place during the Nara and Heian periods. This was a system that held to the concept of unity between church and state (saisei itchi). Thus, the Jingikan, Office of (Shinto) Deities (often translated as Office of Kami Worship), was revived in that same month as one of seven departments in the Dajokan, the administrative organ of the state, and in an attempt to “purify” the tradition, a policy of separating Buddhism from Shinto (shinbutsu bunri-rei) was adopted.1 However, in July of 1869, the Jingikan was given the highest rank of all government offices, placing it above the Dajokan, and in the following year an Imperial Rescript on the Enshrinement of the Kami was issued, asserting that, along with various Shinto gods, all the emperors of Japan were to be worshiped as kami: Now that the imperial dignity has passed to Us, small and frail of form though we be, we are afraid both night and day that there will be some want in Our performance of the Imperial duties. We thereby enshrine with the Jingikan (The Office of Kami Worship), the kami of Heaven and Earth, together with the eight kami of Kamimusubi-no-kami, Takamimusubi-no-kami, Tamatsu-memusubi-no-kami, Ikumusubi-no-kami, Taramusubi-no-kami, Omiyame-no-kami, Miketsukami and Kotoshironushi-no-kami, and along with them, the souls of all past Emperors. -
The Hachiman Cult and the Dokyo Incident Author(S): Ross Bender Source: Monumenta Nipponica, Vol
The Hachiman Cult and the Dokyo Incident Author(s): Ross Bender Source: Monumenta Nipponica, Vol. 34, No. 2 (Summer, 1979), pp. 125-153 Published by: Sophia University Stable URL: http://www.jstor.org/stable/2384320 Accessed: 17-03-2016 17:03 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Sophia University is collaborating with JSTOR to digitize, preserve and extend access to Monumenta Nipponica. http://www.jstor.org This content downloaded from 77.80.42.241 on Thu, 17 Mar 2016 17:03:08 UTC All use subject to JSTOR Terms and Conditions The Hachiman Cult and the D6ky6 Incident by Ross BENDER XO I NE of the gravest assaults ever made on the Japanese imperial institution was launched by the Buddhist priest D6ky6' in the 760s. Dokyo, who came from a clan of the low-ranking provincial aristocracy, gained the affection of the retired Empress K6ken2 in 761 and proceeded to gather political power to himself; by the end of the decade he stood as the paramount figure in the court bureaucracy and had already begun to usurp imperial prerogatives. It was in 769 that an oracle from the shrine of Hachiman in Kyushu was reported to Nara: the god prophesied peace in the realm if Dokyo were proclaimed em- peror. -
The View of Nature in Japanese Literature - Hajime Abe
AREA STUDIES – JAPAN – The View of Nature in Japanese Literature - Hajime Abe THE VIEW OF NATURE IN JAPANESE LITERATURE Hajime Abe Faculty of Humanities, Toyo Gakuen University, Nagareyama, Chiba, Japan Keywords: View of nature, worldview, nature, human-nature relations, human- environment relations, culture, Japan, Japanese culture, Japanese literature, Japanese poetry, haiku, Japanese novels, Japanese religion, animism, Shinto, Taoism, Buddhism, cosmology, landscape, aesthetics, environmental perception, naturalism, modernization, Pacific War, economic growth, environmental pollution, urbanization Contents 1. Introduction 2. Four Types of the View of Nature 3. The State of the View of Nature in Pre-modern Japanese Literature 3.1. The Ancient Age (to 794) 3.2. The Classical Age (794-1185) 3.3. The Medieval Age (1185-1600) 3.4. The Early Modern Age (1600-1867) 4. The Response to Modernization 4.1. The Meiji Period (1868-1912) 4.2. The Taisho and Early Showa Period (1912-1940s) 4.3. The Postwar and Economic Growth Period (since 1950s) 5. Conclusion Glossary Bibliography Biographical Sketch Summary Literature is the main source for examining the view of nature, which is the foundation of human-nature relations. Views of nature may be divided into four types: the animistic, the cosmological, the monotheistic, and the modernistic view of nature. The history of Japanese literature shows that the indigenous Japanese view of nature was animistic, where nature lacks the vertical order ruled by the transcendental entity and human beingsUNESCO are part of nature. – EOLSS The animistic viewSAMPLE was influenced by the co CHAPTERSsmological view of Taoism in the eighth century and of Buddhism in the thirteenth century. -
A History of the Japanese People
A History of the Japanese People Frank Brinkley A History of the Japanese People Table of Contents A History of the Japanese People......................................................................................................................1 Frank Brinkley.........................................................................................................................................2 FOREWORD...........................................................................................................................................4 AUTHOR'S PREFACE...........................................................................................................................5 CHAPTER I. THE HISTORIOGRAPHER'S ART IN OLD JAPAN.....................................................8 CHAPTER II. JAPANESE MYTHOLOGY.........................................................................................13 CHAPTER III. JAPANESE MYTHOLOGY (Continued)....................................................................20 CHAPTER IV. RATIONALIZATION.................................................................................................29 CHAPTER V. ORIGIN OF THE JAPANESE NATION: HISTORICAL EVIDENCES.....................34 CHAPTER VI. ORIGIN OF THE NATION: GEOGRAPHICAL AND ARCHAEOLOGICAL RELICS.................................................................................................................................................42 CHAPTER VII. LANGUAGE AND PHYSICAL CHARACTERISTICS...........................................50 -
Shinto in Nara Japan, 749-770: Deities, Priests, Offerings, Prayers, and Edicts in Shoku Nihongi
Shinto in Nara Japan, 749-770: Deities, Priests, Offerings, Prayers, and Edicts in Shoku Nihongi Ross Bender Published by PMJS Papers (23 November 2016) Premodern Japanese Studies (pmjs.org) Copyright © Ross Bender 2016 Bender, Ross. “Shinto in Nara Japan, 749-770: Deities, Priests, Offerings, Prayers, and Edicts in Shoku Nihongi.” PMJS: Premodern Japanese Studies (pmjs.org), PMJS Papers, November 2016. Note: This paper is a continuation of the thread “Shinto in Noh Drama (and Ancient Japan)” on PMJS.org listserve beginning June 14, 2016. PMJS Papers is an open-source platform for the publication of scholarly material and resources related to premodern Japan. Please direct inquiries to the editor, Matthew Stavros ([email protected]) End users of this work may copy, print, download and display content in part or in whole for personal or educational use only, provided the integrity of the text is maintained and full bibliographic citations are provided. All users should be end users. Secondary distribution or hosting of the digital text is prohibited, as is commercial copying, hiring, lending and other forms of monetized distribution without the express permission of the copyright holder. Enquiries should be directed to [email protected] Shinto in Nara Japan, 749-770: Deities, Priests, Offerings, Prayers, and Edicts in Shoku Nihongi PMJS Papers Copyright © Ross Bender 2016 Shinto has become something of a taboo word, especially in the context of discussions of ancient Japanese thought. Fundamentally of course this tendency began as a reaction to the unsavory imperialist and fascist state Shinto of prewar Japan, and to the notion that Shinto was the timeless, unchanging religion of the Japanese race. -
Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender
Myths of Hakko Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan Item Type text; Electronic Dissertation Authors Teshima, Taeko Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 21:55:25 Link to Item http://hdl.handle.net/10150/194943 MYTHS OF HAKKŌ ICHIU: NATIONALISM, LIMINALITY, AND GENDER IN OFFICIAL CEREMONIES OF MODERN JAPAN by Taeko Teshima ______________________ Copyright © Taeko Teshima 2006 A Dissertation Submitted to the Faculty of the GRADUATE PROGRAM IN COMPARATIVE CULTURAL AND LITERARY STUDIES In Partial Fulfillment of the Requirements For a Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 6 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Taeko Teshima entitled Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _________________________________________________Date: 6/06/06 Barbara A. Babcock _________________________________________________Date: 6/06/06 Philip Gabriel _________________________________________________Date: 6/06/06 Susan Hardy Aiken Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.