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Me and Orson Welles Press Kit Draft
presents ME AND ORSON WELLES Directed by Richard Linklater Based on the novel by Robert Kaplow Starring: Claire Danes, Zac Efron and Christian McKay www.meandorsonwelles.com.au National release date: July 29, 2010 Running time: 114 minutes Rating: PG PUBLICITY: Philippa Harris NIX Co t: 02 9211 6650 m: 0409 901 809 e: [email protected] (See last page for state publicity and materials contacts) Synopsis Based in real theatrical history, ME AND ORSON WELLES is a romantic coming‐of‐age story about teenage student Richard Samuels (ZAC EFRON) who lucks into a role in “Julius Caesar” as it’s being re‐imagined by a brilliant, impetuous young director named Orson Welles (impressive newcomer CHRISTIAN MCKAY) at his newly founded Mercury Theatre in New York City, 1937. The rollercoaster week leading up to opening night has Richard make his Broadway debut, find romance with an ambitious older woman (CLAIRE DANES) and eXperience the dark side of genius after daring to cross the brilliant and charismatic‐but‐ sometimes‐cruel Welles, all‐the‐while miXing with everyone from starlets to stagehands in behind‐the‐scenes adventures bound to change his life. All’s fair in love and theatre. Directed by Richard Linklater, the Oscar Nominated director of BEFORE SUNRISE and THE SCHOOL OF ROCK. PRODUCTION I NFORMATION Zac Efron, Ben Chaplin, Claire Danes, Zoe Kazan, Eddie Marsan, Christian McKay, Kelly Reilly and James Tupper lead a talented ensemble cast of stage and screen actors in the coming‐of‐age romantic drama ME AND ORSON WELLES. Oscar®‐nominated director Richard Linklater (“School of Rock”, “Before Sunset”) is at the helm of the CinemaNX and Detour Filmproduction, filmed in the Isle of Man, at Pinewood Studios, on various London locations and in New York City. -
Of Idiocy, Moroseness, and Vitriol Soloists of Rage in Ben Jonson's
Of Idiocy, Moroseness, and Vitriol Soloists of Rage in Ben Jonson’s Satire Rui Carvalho Homem A punitive design energised by a sense of self-righteousness is probably the most persistent de- fining trait of the satiric voice within a conventional understanding of this literary mode. Em- powered by a set of exacting values, the satiric persona inveighs against vice or folly, his or her verbal energy hardly accommodating the possibility of doubt. Satire’s ‘radical moral stance’, its assuredness regarding ‘standards’, and its sharp sense of ‘direction’ have often been critically argued. And its appertaining urge to discriminate, with vehemence and imperiousness, is best served by the singularity of a raging voice, unforgivingly pronouncing on the ills of other indi- viduals or of a community. The work of Ben Jonson contains several generic environments in which the satiric mode can become manifest, ranging from the ostensibly monological regime of the Epigrams or the pro- logues to his plays to frequent tirades delivered by unflinching or obsession-driven dramatic characters. A discursive feature of those characters in the comedies who voice their highly strung satiric indignation is precisely that, even when they do so as apparent contributions to dramatic dialogue, their verbal excess highlights the isolation, self-centredness, and inability to communi- cate that defines them. But the moment when the satiric ranter becomes an object as much as an agent of satire is also when the rationale for the supposed normative value of satiric denunciation reaches its breaking point. By setting off the strong presence of irony and inconclusiveness in Jonson’s construction of satiric solo performances, this paper partakes in the interrogation of tra- ditional definitions of satire that has characterised recent critical revisitations of the mode — while it also underlines the extent to which such interrogation coincides with a fundamental swerve in Jonson’s critical reputation. -
Screwball Syll
Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny. -
Nigerian Pidgin Use and Strategies Employed by Stand-Up Comedians to Achieve Interaction in Comedy
Nigerian Journal of African Studies, Vol. 2 No. 1, 2020 (ISSN: 2734-3146) NIGERIAN PIDGIN USE AND STRATEGIES EMPLOYED BY STAND-UP COMEDIANS TO ACHIEVE INTERACTION IN COMEDY Nneoma Chiebuka Ngige Department of English Language and Literature Nnamdi Azikiwe University, Awka Email: [email protected] Abstract This study is aimed at looking at the use of Nigerian Pidgin and strategies employed by stand-up comedians to achieve interaction in comedy. Stand-up comedy, an oral dramatic performance commonly enacted by a solo-performance before a live audience, are known to use Nigerian Pidgin creatively to create comedy and entertain their audience. Their patterns and choices of language can sometimes have hidden meanings that show Nigerian ways of life and their tone of utterance can sometimes be inappropriate. This study therefore examines the strategies deployed by stand-up comedians with the view to determine the role of Nigerian Pidgin as a veritable source in comedy production and consumption. Hence, the purpose of this study is to analyze the strategies employed by Nigerian stand-up comedians to achieve interaction in comedy, their patterns and choices of language as they are used to create comedy to entertain their audience. This work reveals how Nigerian Pidgin reflects social relationship between the comedian and his audience. It also reveals that pidgin is an informal language, and so its informality creates an equal social relationship in an informal setting which aids laughter. Introduction Language can be described as a dynamic, social and interactive phenomenon -whether between the speaker and the listener, or writer and the reader (Crystal 19). -
Mary, Queen of Scots
PATHÉ FILMS PRESENTS MAQUEEN OF SCOTSRY AN OKOFILM PRODUCTION A THOMAS IMBACH FILM BASED ON «MARIA STUART» BY STEFAN ZWEIG WITH CAMILLE RUTHERFORD • MEHDI DEHBI • SEAN BIGGERSTAFF ANEURIN BARNARD • EDWARD HOGG • TONY CURRAN BRUNO TODESCHINI • ROXANE DURAN • JOANA PREISS WRITTEN AND DIRECTED BY THOMAS IMBACH CO-WRITERS ANDREA STAKAˇ EDUARD HABSBURG SCRIPT EDITOr CATHERINE SCHELBERT PRODUCED BY ANDREA STAKAˇ THOMAS IMBACH EXECUTIVE PRODUCERS EMILIE BLÉZAT SIBYLLE SARAH IMBACH CO-PRODUCERS SRF SWISS RADIO AND TELEVISION SRG SSR ARTE SCIAPODE CINEMATOGRAPHER RAINER KLAUSMANN S.C.S. MUSIC BY SOFIA GUBAIDULINA EDITED BY TOM LA BELLE COSTUME DESIGNER RUDOLF JOST PRODUCTION DESIGNER GERALD DAMOVSKY MAKE UP AND HAIR RONALD FAHM and MARTINE FELBER CASTING BY MARIE DE LAUBIER and LISA OLAH WITH THE SUPPORT OF BUNDESAMT FÜR KULTUR • ZÜRCHER FILMSTIFTUNG • SUISSIMAGE MEDIA PROGRAMME OF THE EUROPEAN UNION • KANTON LUZERN URI FILM LOCATION RIVIERA • YVERDON-LES-BAINS • FOCAL: STAGE POOL VALERIO BONADAI PATHE FILMS AG OKOFILM TEL +41 (0) 79 653 65 03 [email protected] [email protected] LOGLINE Eine Königin, die drei Königreiche verlor. Eine Ehefrau, die drei Männer verlor. Eine Frau, die den Kopf verlor. SYNOPSIS Kurze Version: Die schottische Königin Mary Stuart verbringt ihre Jugend in Frankreich. Sie soll auch die französische Krone tragen, doch jung verheiratet, stirbt ihr kränklicher Gemahl. Mary kehrt alleine in das vom Krieg versehrte Schottland zurück. Zur selben Zeit wird Elisabeth Königin von England. Für Mary ist sie wie eine Zwillingsschwester, der sie sich offenherzig anvertrauen kann. Sie heiratet erneut und gebärt einen Thronfolger. Ihr Mann, Lord Darnley, entpuppt sich als Schwachkopf. Als Mary ihre große Liebe im Earl of Bothwell findet, lässt sie Darnley meucheln und heiratet Bothwell. -
You Wanted Columns? You Got 'Em>>
FOR FANS OF MUSIC & THOSE WHO MAKE IT Issue 10 • FREE • athensblur.com THESE UNITED STATES • MAD WHISKEY GRIN • BLITZEN TRAPPER • THE DELFIELDS • MEIKO • JANELLE MONAE • TRANCES ARC • DODD FERRELLE • CRACKER & MORE!!! ZERO 7 Acclaimed electronic duo gets haunted on album number four TORTOISE Inspiration be damned — Tortoise soldiers on WHEN You’rE HOT Bradley Cooper’s sizzling Hollywood ride HEART LIFE AT THE SPEED IN haND OF TWEET The latest social media After an eight-year absence, an outlet is changing the music industry, for energized Circulatory System better or for worse returns with a new album VENUE VENTURES Four clubs lead the way into a changing face of Athens music spots YOU WANTED COLUMNS? YOU GOt ‘eM>> SIGN UP AT www.gamey.com/print ENTER CODE: NEWS65 *New members only. Free trial valid in the 50 United States only, and cannot be combined with any other offer. Limit one per household. First-time customers only. Internet access and valid payment method required to redeem offer. GameFly will begin to bill your payment method for the plan selected at sign-up at the completion of the free trial unless you cancel prior to the end of the free trial. Plan prices subject to change. Please visit www.gamey.com/terms for complete Terms of Use. Free Trial Offer expires 12/31/2010. (44) After an eight-year absence, an energized Circulatory System returns with a new HEART album. by Ed Morales IN HAND photos by Jason Thrasher (40) (48) Acclaimed electronic duo Zero 7 gets “haunted” The latest social making album number media outlet is four. -
June 1, 2014 Canotice! - June 2014 Since March, 2003
Cooperative Arts News Publication Date Publication #: 224 June 1, 2014 CANotice! - June 2014 Since March, 2003 Support for the Questions, Opt-in/out, Comments: More than [email protected] 37,000 Performing Arts in the North Texas Web Site: In Distribution Area www.CANotice.org Welcome to the Cooperative Arts News CANotice! Please take a few moments to browse through the many fantastic arts events coming up in the next few weeks throughout the North Texas area. Mark your calendars with a couple of your standing favorites or try something new that you have never experienced before. There’s more than enough great art to go around! Violins, Violas, Cellos, Bows www.whviolins.com www.musicmotion.com theseniorvoice.com Sponsors: Sponsors: Featured in this publication: (click on the link to jump to the corresponding page) Page Description Page Description Page Description 1 Index Page 21 Repertory Company Theatre 41 2 Highland Park Chorale 22 Repertory Company Theatre 42 3 Chamber Music International 23 Richardson Theatre Centre 43 4 Theatre Three Dallas 24 Dance Council of North Texas 44 5 Rover Dramawerks 25 New Philharmonic Orchestra of 45 Irving 6 Cara Mia Theatre Co. 26 Dallas Bach Society 46 7 UTD School of Arts & Humanities 27 Dallas Bach Society 47 8 Dance Council of North Texas 28 Music In Motion 48 9 Richardson Theatre Centre 29 Waybright & Harrington 49 10 The Wagner Society of Dallas 30 CAN Information Page 50 11 Orchestra at Park Cities 31 CAN Arts Groups (A-C) 51 12 Richardson Community Band 32 CAN Arts Groups (D-H) 52 13 Dance -
Powerful Memoir from an American Master
POWERFUL MEMOIR FROM AN AMERICAN MASTER AUGUST WILSON’S CO-CONCEIVED & DIRECTED BY TODD KREIDLER FEATURING HOW I LEARNED EUGENE LEE WHAT I LEARNED CURRICULUM GUIDE TABLE OF CONTENTS Standards 3 Guidelines for Attending the Theatre 4 Artists 5 Themes for Writing & Discussion 8 Mastery Assessment 11 For Further Exploration 12 Suggested Activities 17 © Huntington Theatre Company Boston, MA 02115 March 2015 No portion of this curriculum guide may be reproduced without written permission from the Huntington Theatre Company’s Department of Education & Community Programs Inquiries should be directed to: Donna Glick | Director of Education [email protected] This curriculum guide was prepared for the Huntington Theatre Company by: Alexandra Truppi I Manager of Curriculum & Instruction with contributions by: Donna Glick | Director of Education COMMON CORE STANDARDS IN ENGLISH LANGUAGE ARTS STANDARDS: Student Matinee performances and pre-show workshops provide unique opportunities for experiential learning and support various combinations of the Common Core Standards for English Language Arts. They may also support standards in other subject areas such as Social Studies and History, depending on the individual play’s subject matter. Activities are also included in this Curriculum Guide and in our pre-show workshops that support several of the Massachusetts state standards in Theatre. Other arts areas may also be addressed depending on the individual play’s subject matter. Reading Literature: Key Ideas and Details 1 Reading Literature: Craft and Structure 5 • Grade 7: Cite several pieces of textual evidence to support analy- • Grade 7: Analyze how a drama’s or poem’s form or structure sis ofwhat the text says explicitly as well as inferences drawn (e.g., soliloquy, sonnet) contributes toits meaning. -
Georgia FOOD • DRINK • ARTS ENTERTAINMENT RECREATION LODGING MAPS
2017–2018 flagpole Guide to ATHENS Georgia FOOD • DRINK • ARTS ENTERTAINMENT RECREATION LODGING MAPS PO AG L L E F M A E G A Z I N SANDWICHES SALADS WRAPS K-BOWLS The Moose Deli�er�!& Cater� �o�. a�ar�-�innin� origina� Wings sandwiches BELGIAN FRIES 10 SIGNATURE SAUCES Sign up for our rewards TRY A KEBA program to earn free food, �pecialt� �res� Burgers OUTDOORSEATING salads and have discounts sent GYRO TODAY! straight to your phone! � SOMETHING EVERYone! 1860 Barnett Shoals Road AS long as everybody likes a good time. Athens • 706.850.7285 Locos is the ultimate place for great food, fun, beverages and catching 1850 Epps Bridge Parkway the game with friends, all in a family friendly environment. With dine Athens • 706.543.8210 in, pick up, delivery or catering, it’s easy to enjoy Locos any time! 1021 Jamestown Blvd. Stop by and see for yourself – Locos has something for everyone. Watkinsville (Drive thru) 706.310.7222 1985 Barnett Shoals Rd. Trivia Tuesdays! 2020 Timothy Rd. Athens, GA 30605 DRINK SPECIALS Athens, GA 30606 306 Exchange Blvd., Suite 200 706.208.0911 Giveaways and Prizes 706.549.7700 Bethlehem • 770.867.4655 dine-in • takeout • delivery • catering LOCOSGRILL.COM KebaGrill.com ƒ 2 201 7–201 8 flagpole Guide to ATHENS flagpole.com TAble OF Contents Athens at a Glance . .4 Stage and Screen . 22. Annual Events . .9 Books and Records . 25. Athens Favorites . 11. Athens Music . 26. Lodging . 12. Food Trucks and Farmers Markets . 29 Art Around Town . 14. Athens and UGA Map . .31 Get Active . -
CONTENTS Press Release Pg. 2 Creative Team Pgs. 3-5 Reviews Pg
1 NY Fringe Outstanding Solo Performance Award-winner David Carl channels two famous icons pushing the boundaries of sanity, Hamlet and Gary Busey, in this offbeat, critically acclaimed one-man show. Having triumphed in Celebrity Big Brother, survived Celebrity Rehab with Dr. Drew, and taken on Donald Trump and Meatloaf, Keanu Reeves’ favorite costar now undertakes his biggest challenge yet: performing all the parts in Hamlet with outrageous songs, twisted speeches and homemade puppets. Directed and Co-created by Michole Biancosino. Carl portrays the ultimate Celebrity-driven Hamlet in what the New York Times has deemed “Deliciously deranged...a head-spinning performance!" A hit among critics, Shakespeare scholars and action movie fans alike, don’t miss out on the tragically epic madness. More info can be found at www.buseyhamlet.com CONTENTS Press Release pg. 2 Creative Team pgs. 3-5 Reviews pg. 6 Show history pg. 7 Media Coverage & Contacts pg. 8 2 For Immediate Release Busey-Hamlet Parody Hit Returns to The People’s Improv Theater with New Title NEW YORK CITY – Following this summer’s critically acclaimed run at Chicago Shakespeare Theater, and in the footsteps of Gary Busey’s recent Off-Broadway Perfect Crime debut, the formerly titled Gary Busey’s One-Man Hamlet returns to The PIT Loft for two performances on January 9 & 10 as the newly minted David Carl’s Celebrity One-Man Hamlet. The New York Times called the show "Deliciously deranged...a head-spinning performance!" The Chicago Tribune said, "Bold and often hilarious...thoroughly enjoyable...spot-on impression." As Shakespearean actor, puppeteer, singer and action-movie hero, New York actor-writer David Carl impersonates Gary Busey performing each scene of Hamlet with occasional detours across Mr. -
The English-Speaking Aristophanes and the Languages of Class Snobbery 1650-1914
Pre-print of Hall, E. in Aristophanes in Performance (Legenda 2005) The English-Speaking Aristophanes and the Languages of Class Snobbery 1650-1914 Edith Hall Introduction In previous chapters it has been seen that as early as the 1650s an Irishman could use Aristophanes to criticise English imperialism, while by the early 19th century the possibility was being explored in France of staging a topical adaptation of Aristophanes. In 1817, moreover, Eugene Scribe could base his vaudeville show Les Comices d’Athènes on Ecclesiazusae. Aristophanes became an important figure for German Romantics, including Hegel, after Friedrich von Schlegel had in 1794 published his fine essay on the aesthetic value of Greek comedy. There von Schlegel proposed that the Romantic ideals of Freedom and Joy (Freiheit, Freude) are integral to all art; since von Schlegel regarded comedy as containing them to the highest degree, for him it was the most democratic of all art forms. Aristophanic comedy made a fundamental contribution to his theory of a popular genre with emancipatory potential. One result of the philosophical interest in Aristophanes was that in the early decades of the 18th century, until the 1848 revolution, the German theatre itself felt the impact of the ancient comic writer: topical Lustspiele displayed interest in his plays, which provided a model for German poets longing for a political comedy, for example the remarkable satirical trilogy Napoleon by Friedrich Rückert (1815-18). This international context illuminates the experiences undergone by Aristophanic comedy in England, and what became known as Britain consequent upon the 1707 Act of Union. -
Out on the Town
PROGRAM Southern Labor Studies Association Biennial Meeting Athens, GA May 17-19, 2018 Out on the Town Ditch the Kids For the traveling parents, there are options. To find a student babysitter, who can mind your kids while you enjoy the conference, try Urban Sitter. Goings on Around Town Eats The conference will provide lunch on Friday and Saturday, dinner on Friday night, and coffee and munchies during the day. For other meals, there are many restaurants in town. We recommend the following: Within Easy Walking Distance The Last Resort (somewhat upscale American food) The National (upscale American food in an old Snow Tire Company Recap Plant) Trappeze Pub (casual, solid pub food, extensive craft beer list) The World Famous (hip bar/grill, known for its Chicken & Waffle Club) Dawg Gone Good Barbecue (casual but tasty BBQ, eat it outside on their tables or take it to Little Kings across the street to enjoy with a beverage) Clocked Diner (casual joint w/good burgers, fries, & milkshakes) Taste of India (all you can eat lunch buffet, and a quiet, peaceful dinner can be had here) Athens Wok (cheap, almost never crowded, solid/spicy Thai food) Thai Spoon (authentic Thai and sushi) Little Italy (great pizza by the slice) A Little Further Weaver D’s (delicious soul food joint made famous by REM, who named its eighth album after the restaurant’s motto–“Automatic for the People.”) The Grit (the go-to vegetarian/vegan restaurant in town) Mama’s Boy (super popular [but good] brunch spot, expect a long wait for a table) Pulaski Heights