The Rock, Spring 2007 (Vol. 78, No. 1)
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English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Kunstmuseum Basel, Museum Für Gegenwartskunst Dundee Contemporary Arts
Kunstmuseum Basel, Museum für Gegenwartskunst Dundee Contemporary Arts LOOK BEHIND US, A BLUE SKY Johanna Billing Support for the exhibition in Basel and its accompanying publication has been provided by the “Fonds für künstlerische Aktivitäten im Museum für Gegenwartskunst der Emanuel Hoffmann-Stiftung und der Christoph Merian Stiftung” Die Ausstellung in Basel und die Publikation wurden unterstützt vom »Fonds für künstlerische Aktivitäten im Museum für Gegenwartskunst der Emanuel Hoffmann-Stiftung und der Christoph Merian Stiftung« Expanded Footnotes CONTENTS INHALTSVERZEICHNIS Projects for Revolution Radio Days; Tour Diary Perfect Pop Pleasures Lightning Never Strikes Here 9 Rob Tufnell Johanna Billing, Helena Jacob Wren Anymore… 92 Holmberg, Annie 178 Karl Holmqvist Fletcher, Tanja Elstgeest, Waiting for Billing and Frédérique Bergholtz Pass the Glue Making †ings Happen 12 Making †ings Happen Maria Lind 126 Volker Zander Polly Staple Polly Staple 103 180 You Make Me Digress More Films about Songs, 40 More Films about Songs, Some Notes on Billing, Åbäke †e Lights Go out, Cities & Circles Cities & Circles Stein, and Repetition 150 the Moon Wanes A Conversation between Ein Gespräch zwischen Malin Ståhl Anne Tallentire Johanna Billing & Helena Selder Johanna Billing & Helena Selder 108 More Texts about Songs 185 & Buildings Forever Changes 70 Forever Changes Getting †ere Magnus Haglund A Possible Trilogy A Conversation between Ein Gespräch zwischen Chen Tamir 155 Jelena Vesie Johanna Billing & Philipp Kaiser Johanna Billing & Philipp -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Lost-And-Found Photos: Practices and Perceptions
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2016 Lost-and-found Photos: Practices and Perceptions Todd J. Wemmer University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Digital Humanities Commons, and the Photography Commons Recommended Citation Wemmer, Todd J., "Lost-and-found Photos: Practices and Perceptions" (2016). Doctoral Dissertations. 605. https://doi.org/10.7275/7941035.0 https://scholarworks.umass.edu/dissertations_2/605 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Lost-and-found Photos: Practices and Perceptions A Dissertation Presented by TODD J WEMMER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2016 Department of Communication © Copyright by Todd J Wemmer 2016 All Rights Reserved Lost-and-Found Photos: Practices and Perceptions A Dissertation Presented By TODD J WEMMER Approved as to style and content by: _________________________________________________ Carolyn Anderson, Chair _________________________________________________ Emily West, Member _________________________________________________ Jackie Urla, Member __________________________________________ Erica Scharrer, Department Head Department of Communication DEDICATION For my father, Jerry J Wemmer, who taught me how to use a camera and to be a collector. ACKNOWLEDGMENTS First, I would like to thank my advisor, Carolyn Anderson, for endless support throughout the process of creating this dissertation. -
Dan Blaze's Karaoke Song List
Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest -
The Rock, Fall 2007 (Vol. 78, No. 2)
Whittier College Poet Commons The Rock Archives and Special Collections Fall 2007 The Rock, Fall 2007 (vol. 78, no. 2) Whittier College Follow this and additional works at: https://poetcommons.whittier.edu/rock WHITTIER COLLEGE MAGAZINE >> MODEL CITIZENS: THE MUN PROGRA FALL 2007 >> OUTSTANDING GRADUATES 8 2007 Whether it's been 50 years or five, or something in-between.. the time to come home is now. Whittier Weekend 2007 highlights include: FRIDAY, OCTOBER 26 SATURDAY, OCTOBER 27 SUNDAY, OCTOBER 28 Poet College. Return to the Whittier President's State of the College! Walk with the President. Take an classroom for a quick lesson in political Town Hall. Find out what's new and early morning campus stroll and share science or education and child develop- what's on the horizon for your alma mater. your ideas with President Herzberger. ment. (No tests will be given!) Alumni House Dedication Golden Anniversary Brunch. Bonfire & Pep Rally. Join generations Ceremony. Help usher in a new era Graduates gathered from 1956 and before of Poets for a pre-Homecoming tradition, of alumni-centered programming as welcome their latest club inductees, the complete with roaring blaze, cheers, and Johnson House is reinvented. Class of 1957. the crowning of Mr. and Ms. Whittier 2007. Homecoming Football Game: Poets 36th Annual Tardeada. This traditional Salsa Dancing. End the night under v. Staggs. All gloves are off as Whittier fiesta of food, music, and dance concludes the stars, learning to salsa with students takes on the team from Claremont-Mudd- the weekend's marathon of events. and faculty at Garrett House. -
Shakespeare, Madness, and Music
45 09_294_01_Front.qxd 6/18/09 10:03 AM Page i Shakespeare, Madness, and Music Scoring Insanity in Cinematic Adaptations Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham • Toronto • Plymouth, UK 2009 46 09_294_01_Front.qxd 6/18/09 10:03 AM Page ii Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2009 by Kendra Preston Leonard All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. Shakespeare, madness, and music : scoring insanity in cinematic adaptations, 2009. p. cm. Includes bibliographical references and index. ISBN 978-0-8108-6946-2 (pbk. : alk. paper) — ISBN 978-0-8108-6958-5 (ebook) 1. Shakespeare, William, 1564–1616—Film and video adaptations. 2. Mental illness in motion pictures. 3. Mental illness in literature. I. Title. ML80.S5.L43 2009 781.5'42—dc22 2009014208 ™ ϱ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
SEPTEMBER 1951 •Vol%9
SEPTEMBER 1951 • Vol%9 « Mo. 9 NEWS apitol N E W S PAGE 3 Bud Freem an's dissonance Kenton Launches Innovations II Stan Kenton's "Inn ova tions In Modern Music II," The strip of sidewalk that ran adjacent to the curb ,los been set to open a in front of the famous Palace Theatre in New York »■month tour of the called "th e b ea ch ." Some o f B roadw ay's unlikeliest ch» tountry on September 27th in acters sunned themselves in the exhausted atmospht,., Julias, Texas. Visiting firemen who entered their cars in Manhalfc * featured with the concert or- traffic derby customarily saw only the backs o f ' hestra will be June Christy, who beach's" stable gentlemen. They always faced the Pol« eaves her own successful career —like supplicants facing East—and watched the prophr the second time to accompany the agents and the bookers, who moved in and out o ff Temple of vaudeville. the tour. Since the firs t In n o va tions tour June has been w o rk in g There's a thinner, a Hollywood version, of "the bend cs a single in theaters and n ig h t It extends from ABC's studios on the west side of Vin ¡labs. Street dow n to Music C ity on the Sunset Boulevard collii Added to the re gu la r Kenton The West Coast "beach" is peopled chiefly by song writer aew for the concerts w ill be 18 pluggers, publishers, promotion and publicity guys off strings, four French horns and a ated with the music business and musicians thera* |ikia. -
Baggage-Website-Press-Kit-Yf2k.Pdf
Title……………………………..Baggage! Year of Production………….…2016! Duration………………………..16:02! Country of Production………...USA! Genre……………………...……Dark Comedy! Format……………………...…..HD! Frame Rate…………………….23.976! Sound Format……….…………5.1 Surround! Language……………………….English! Filming Locations………………Atlanta, GA ! ! ! !! & New York City, NY! ! ! !!! ! ! !! Andi Behring! [email protected]! facebook.com/baggagetheshortfilm! And D Productions, Inc.! andDproductions.com! @andibehring! [email protected]! baggagetheshortfilm.com! imdb.com/title/tt5598958/! The process of creating Baggage, from start to finish, has been some of the most fun I’ve ever had in my life. Although I have directed smaller projects in the past, this was truly my writing and directorial debut on something of this scale – and what a learning experience it has been! The feeling of watching your vision, story, and characters come to life right in front of you is pretty indescribable. It made me fall in love with the art of storytelling all over again. Spending almost two years of my life dedicated to Baggage, it became like a child to me, and I became immersed and obsessed with perfecting it. The project really started to take on a life of it’s own, and my crew and I made a pact to do everything to make it as epic as possible; dubbing it “The Biggest Little Short that Could”. We were going all out. There was no turning back now!! What I learned every single step along the way is that a project of this size takes a village of wonderful, talented, and dedicated friends to band together to pull it all off. We of course had some unexpected setbacks, and many long, long days, but once we had finished, I think we were all just so proud that we had accomplished what many said was not possible. -
1 Giant Leap Dreadlock Holiday -- 10Cc I'm Not in Love
Dumb -- 411 Chocolate -- 1975 My Culture -- 1 Giant Leap Dreadlock Holiday -- 10cc I'm Not In Love -- 10cc Simon Says -- 1910 Fruitgum Company The Sound -- 1975 Wiggle It -- 2 In A Room California Love -- 2 Pac feat. Dr Dre Ghetto Gospel -- 2 Pac feat. Elton John So Confused -- 2 Play feat. Raghav & Jucxi It Can't Be Right -- 2 Play feat. Raghav & Naila Boss Get Ready For This -- 2 Unlimited Here I Go -- 2 Unlimited Let The Beat Control Your Body -- 2 Unlimited Maximum Overdrive -- 2 Unlimited No Limit -- 2 Unlimited The Real Thing -- 2 Unlimited Tribal Dance -- 2 Unlimited Twilight Zone -- 2 Unlimited Short Short Man -- 20 Fingers feat. Gillette I Want The World -- 2Wo Third3 Baby Cakes -- 3 Of A Kind Don't Trust Me -- 3Oh!3 Starstrukk -- 3Oh!3 ft Katy Perry Take It Easy -- 3SL Touch Me, Tease Me -- 3SL feat. Est'elle 24/7 -- 3T What's Up? -- 4 Non Blondes Take Me Away Into The Night -- 4 Strings Dumb -- 411 On My Knees -- 411 feat. Ghostface Killah The 900 Number -- 45 King Don't You Love Me -- 49ers Amnesia -- 5 Seconds Of Summer Don't Stop -- 5 Seconds Of Summer She Looks So Perfect -- 5 Seconds Of Summer She's Kinda Hot -- 5 Seconds Of Summer Stay Out Of My Life -- 5 Star System Addict -- 5 Star In Da Club -- 50 Cent 21 Questions -- 50 Cent feat. Nate Dogg I'm On Fire -- 5000 Volts In Yer Face -- 808 State A Little Bit More -- 911 Don't Make Me Wait -- 911 More Than A Woman -- 911 Party People.. -
Vibrant Colors, Transient Shadows: Woman Artists and the Brushstrokes
AN ABSTRACT OF THE THESIS OF Kayleen Rose Kondrack for the degree of Master of Arts in English presented on May 30, 2014. Title: Vibrant Colors, Transient Shadows: Woman Artists and the Brushstrokes of Impressionist Sensibility in Kate Chopin’s The Awakening and Virginia Woolf’s To the Lighthouse. Abstract approved: ______________________________________________________ Peter J. Betjemann This thesis explores the artistic imperatives and internal struggles of women painters in two novels, Kate Chopin’s The Awakening (1899) and Virginia Woolf’s To the Lighthouse (1927). I identify Chopin’s Edna Pontellier and Woolf’s Lily Briscoe as painters who exhibit Impressionist strains, both in how they paint and how they see their surroundings. Their paintings are driven by mood; their Impressionist sensibilities influence their compositional processes. Yet, they are caught within representational dichotomies. Edna approaches her canvas with Realist goals, but her sensory perception and mood lead to her creation of unrealistic likenesses: impressions. Similarly, Lily is caught within competing styles of representation. But rather than moving between Realism and Impressionism, Lily moves between her Bloomsbury Post-Impressionist painterly tendencies and her Impressionist strains. Reading these texts through an Impressionist lens—and giving heed to the representational dichotomies that Edna and Lily are caught within—provides the foundation for my reinterpretations of the ends of both novels: Edna’s suicide and Lily’s completion of her painting more than ten years after she starts it. In Chapter One, I argue that Edna’s Impressionist sensibilities influence her moods, perceptions, and sensations, causing her to render Impressionistic sketches when she creates, rather than the paintings of verisimilitude that she strives to capture as she paints by model and photograph. -
Production Sound Mixer Academy of Motion Picture Arts and Sciences (AMPAS/OSCAR) Cinema Audio Society (C.A.S.)
Mac Ruth [email protected] Europe +36 20 969 4720 U.S.A. +1 334 279 4818 Production Sound Mixer Academy of Motion Picture Arts and Sciences (AMPAS/OSCAR) Cinema Audio Society (C.A.S.) Complete location film production sound recording package with highly experienced team. Equipment includes: Sound Devices 7 Series recorders and control surfaces, Schoeps, Neumann, Sennheiser, Sanken and DPA microphones, Lectrosonics wireless microphone systems, MS stereo and surround recording rigs, Ambient timecode equipment and booms, Sound Devices portable mixer-recorders, Comtek and Phonak communication systems, Remote Audio power solutions, Pro Tools based amplified sync playback package, vehicle, Complete ADR, voice-over and narration studio facility under my direction offering priority availability for location clients. Feature Films and TV: (as Production Sound Mixer) “The Spy Who Dumped Me" - Lionsgate. d. Susanna Fogel. “Red Sparrow" - 20th Century Fox. d. Francis Lawrence. * “Blade Runner 2049" - Alcon Entertainment Warner Bros./Sony. d. Denis Villeneuve. *Nominated for Academy Award for Best Achievement in Sound Mixing 2018. *Nominated for BAFTA Award for Best Sound for a Feature Film 2018. *Nominated for AMPS Award for Excellence in Sound for a Feature Film 2018. “The Coldest City" - Focus Features. d. David Leitch. * “13 Hours" - Paramount Pictures/Bay Films. d. Michael Bay. *Nominated for Academy Award for Best Achievement in Sound Mixing 2017. * “The Martian" - 20th Century Fox. d. Ridley Scott. *Nominated for Academy Award for Best Achievement in Sound Mixing 2016. *Nominated for BAFTA Award for Best Sound for a Feature Film 2016. *Winner for AMPS Award for Excellence in Sound for a Feature Film 2016.