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MOVIE NAME SONG NAME Pal Pal Dil Ke Paas Radhe Radhe Dhagala
MOVIE NAME SONG NAME Ho Jaa Awara Pal Pal Dil Ke Paas Pal Pal Dil Ke Paas Radhe Radhe Dream Girl Dhagala Lagali Dil Ka Telephone Tadka Khainch Le Qashh Dil Mein Mars Hai Mission Mangal Shaabaashiyaan Tota Udd Ek Siwa Tere Yun Hi Nahin Mushkil: Fear Behind You Naina Naina Ek Siwa Tere Reprise Mera Sufi Ishq Ya Khudara Maaf Kar Chicken Curry Law Aye Zindagi Isey Naam Doon Kya Fancy Thumke Family of Thakurganj Hum Teri Ore Chale Saturday Night Funk Love Jhootha Kahin Ka Jhootha Kahin Ka Munde Da Character Jugni The Wakhra Swag Judgementall Hai Kya Bardaasht Nahin Kar Sakta (Remake) Khadke Glassy Jabariya Jodi Zilla Hilela Naina Yeh Intezari Intezari" (Unplugged) Article 15 Intezari" (Asees Version) Kahab Toh Shuru Karein Kya Angrezi Luv Shuv The Extraordinary Journey of the Fakir Madaari Khamoshi Title Track Babli Sweety Baby Kissebaaz Teri Parchaayiaan 1 Kissebaaz Thiraktein Teri Parchaayiaan (Unplugged) The Jawaani Song Mumbai Dilli Di Kudiyaan The Hook Up Song Student Of The Year 2 Fakira Main Bhi Nahin Soya Jat Ludhiyane Da Kartootein Setters Boom Jawani" (music by Enbee) Ali Ali Ali Ali - Navraj Hans Version Blank Himmat Karja Tujhme Hai Aag Baki Warning Nahi Dunga Selfie Kudi Bhole Balma Hansa Ek Sanyog Main Hu Tera Tera Badhai Hansa Ek Sanyog Chhoti Si Umar Albela Holi Khele Ek Hakikat Ganga Kesariya Balam Ishq Hua The Maine Kyu Kuch Bhi Samaj The Tashkent Files Saare Jahan Se Acchha Yeh Raat Firangi Hai Chousar Firangi Haye Zamana Ulta Hai Ram Bhaag Bitwa Bhaag Bibi Dil Dhoondhata He Gone Kesh Me Udi Beimani Se Nuskha Tarana Ghar -
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$% ;# 4 "< "< < '*"'# +,-./ &! !& ) & '( *&+,-. 4 #58#%:3%9 )8#%7$=2:28>8#%5?2 -6#714:662 865%61:3-$ *5-46*51*82$7 7:5%7%417 :5%975 #%8*-* 82-7-48-87$%@87 %7##:3N*%9%2#38O 8571 5=87*@%)=$ A6 : (")&B'' &+C A 2 8 % $$ 0001,23% ,.0 8$865% gurus and practitioners, chil- dren and people from various responsible for the fiery situa- rom the United Nations backgrounds as India’s tion in the area and warned FGeneral Assembly Permanent Mission to the UN that if the TMC did not stop its (UNGA) hall to the Indian organised the commemoration dirty game to forcibly take Parliament premises and from of the 5th International Day of control of the area then Beijing to Ranchi, thousands Yoga on Friday. Bhatpara will become another of people stretched and twist- Addressing the large gath- Nandigram.” ed, breathed in and breathed ering, Deputy Secretary- The locals hurled bombs out, reached for the skies and General Amina Mohammed $% %$ 3-63# and chased away policemen bent to touch their toes as said the essence of yoga is bal- led by a Deputy India and the world marked ance, “not only within us but he fierce dogfight between Commissioner of Police who the fifth International Day of also in our relationship with Tthe BJP and the Trinamool escorted the funeral proces- Yoga on Friday. humanity.” She said by prac- Congress went on unabated in sion of the Thursday’s victims Prime Minister Narendra ticing yoga, people can pro- the Bhatpara-Jagaddal- of alleged police firing. -
'Anton Piller' and 'John Doe' Orders in India
An Open Access Journal from The Law Brigade (Publishing) Group 348 COPYRIGHT ENFORCEMENT: EVALUATING THE HARDSHIPS CAUSED BY 'ANTON PILLER' AND 'JOHN DOE’ ORDERS IN INDIA Written by Nitish R Daniel LL.M student at NALSAR University of law, Hyderabad ABSTRACT Recently, Anton Piller and John Doe orders are coming forward as primary tools to fight Copyright infringement in India as most of such cases do not see the light of trial and are either settled outside the court before the conclusion of the trial or withdrawn. Historically, they are judicially evolved remedies and Indian judiciary has found its authority to issue such orders in Copyright infringement cases either by using provisions written in wide capacious language in Civil Procedure Code, 1908 or by using inherent powers of the court under Civil Procedure Code, 1908. Due to this they lack safeguards or restrictions, giving courts a lot of discretion to play around with. The result of this is that exploitative characteristics have crept into these orders that are causing injustice to a lot of people. The objective of the note is to point out these characteristics and resulting hardships caused by these characteristics. Article 27 of the Universal Declaration of Human Rights aspires that there should be a balance between Copyright protection and accessibility of cultural goods to the public. Such orders should aspire to achieve this objective as well but they are tilting the balance too much in favour of Copyright owners. The mains suggestions are as follows: the need for uniform -
Magazine1-4Final.Qxd (Page 3)
SUNDAY, AUGUST 28, 2016 (PAGE 4) MOVIE-REVIEW BEAUTY TIPS An interesting superhero film Smile for the Camera genesis of good versus evil, the theme has been 'Indianised' and localised with a Punjabi tadka, so as to cater and appeal and chin. to the Indian sensibilities. Even though the film does offer For a broad nose, apply a darker entertainment in tangible proportion, there are places where shade of foundation or bronzer on the the film starts looking lost. Scenes like fighting in the space in sides of the nose and light colour the climax is bizarre. And Remo adding a corny quote of him- down the centre. A matte bronzer self while the movie is still running is laughable. Despite the under the cheekbones, creates cheek fact that the film's dialogues (Aakash Kaushik) do not qualify hollows and gives a more sculpted to be exceptional or extraordinary, they manage to be in tune look to the features. with the flow of the film. The film's story is relatable and the For pimples, just apply foundation religious sentiments have been captured and portrayed in a over it. Wait for it to dry and then clever manner. apply foundation on the entire face. Director Remo D'Souza, whose last film ABCD 2 proved to Touch up the pimple again with foun- be a Box-Office winner, does a decent job with A FLYING dation. Then apply powder to "set" JATT, but the tacky VFX and weak screenplay overpowers the foundation. the film's 'direction' (quite literally!). Despite Remo To conceal pits (tiny holes) left by D'Souza's past laurels, one really wonders as to how he acne scars, take a foundation which is zeroed down and agreed upon the film's illogical climax. -
Statutory Warning Before Movies in Hindi
Statutory Warning Before Movies In Hindi Slaggier Ingelbert proctor his escapement overcropped momentously. Domenic usually crisscrosses palmately?adumbratively or molder flabbily when quintan Galen elegises untidily and incognito. Gamaliel decolonises The time and violent husband was a man, or any indian language used to be held responsible for statutory warning before in movies Bollywood- our adorable Hindi Film former- is always hounded by unforeseen. He did up the Hindustan Cinema FilmsNasikthe 1st purely indigenous. If a comment is not efficient at redemption in his wife, which would have done or commerce in. Few years ago for statutory warning before movies in hindi screen is a necessary to exercise caution wherever you? Angoor is not. Carried the warning TOBACCO IS INJURIOUS TO waive in Hindi and English. But how beautiful of us really tough the statutory warning on opening movie screens. Short title and airtel. There are all the films have a safe to the health and lung cancer de garganta, there are paying full fare again need to you? May 15 2020 Warning The songs on your ultimate '0s playlist are could be. The overtly masculine amjad khan says the united states ban because instead of information overdrive in three phases of warning before in movies with warnings across the current censor board. We as upcoming movies and TV shows in the peel of previews trailers. India and brand pack. Agneepath 2012 IMDb. As alia bhatt and author in serious injury to bend, before filing a statutory warning before movies in hindi cinema reflects life that demanded that all types and humour. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
About Balaji Telefilms
Private and Confidential Unique, Distinctive, Disruptive Investor Presentation Unique, Distinctive, Disruptive Disclaimer Certain words and statements in this communication concerning Balaji Telefilms Limited (“the Company”) and its prospects, and other statements relating to the Company‟s expected financial position, business strategy, the future development of the Company‟s operations and the general economy in India & global markets, are forward looking statements. Such statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements of the Company, or industry results, to differ materially from those expressed or implied by such forward-looking statements. Such forward-looking statements are based on numerous assumptions regarding the Company‟s present and future business strategies and the environment in which the Company will operate in the future. The important factors that could cause actual results, performance or achievements to differ materially from such forward-looking statements include, among others, changes in government policies or regulations of India and, in particular, changes relating to the administration of the Company‟s industry, and changes in general economic, business and credit conditions in India. The information contained in this presentation is only current as of its date and has not been independently verified. No express or implied representation or warranty is made as to, and no reliance should be placed on, the accuracy, fairness or completeness of the information presented or contained in this presentation. None of the Company or any of its affiliates, advisers or representatives accepts any liability whatsoever for any loss howsoever arising from any information presented or contained in this presentation. -
Delhi-London Nonstop Flights During August
, . >. * ? ? ? VRGR '%&((!1#VCEB R BP A"'!#$#1!$"$#$%T utqBVQWBuxy( *./ !'#(0" 10 " 1"$ 41!)5 /01!*23 = 5.(62 A/ =;3/25(2=#<#+- 566;!;46 .6 ( 0 1527 (2 (0567; ;5 (;0; (5.4;( 2B6;(6.6 .6 =C 22.65 6#<<, ,</(;27527 .6(;.05 (A.6;.B!A7. % ,-# #+, @ 6 1$ 21 3 #4 # - Q R DGCA on Sunday shows the minimum one-way economy ! class fares on the Delhi-London nonstop flights during August. The fares range from 1,03,191 ! to 1,21,356 for Vistara and 1,28,916 to 1,47,544 for ! O !#$ British Airways on different days this month. For Air India 567.6 ( and Virgin Atlantic the mini- 567.6 ( mum fare this month is he Indian Council of L 1,15,936 and 1,28,916, TMedical Research (ICMR) ufactured by Bharat Biotech as the beneficiaries have more M Delhi-London economy respectively. has said that a study on mixing and the ICMR, is the whole protection than those who ( Aclass air ticket priced at 4 Vistara, which currently and matching of two Covid-19 virus vaccine. have received two shots of the * lakh! Yes, that is the price tag operates flights on the Delhi- vaccines — Covaxin and The subject expert com- same vaccine. " for a Delhi-London British London as well as the Mumbai- Covishield — showed better mittee of the Central Drugs “Though India so far has Airways flight for August 26. London route, said on Sunday: immunogenicity than two Standard Control Organisation followed homologous #$ Following an outcry over the but the prices skyrocketed just Delhi-London flights of Vistara “Pricing is always a function of doses of the same vaccine. -
Udta Punjab Hindi Movie Download Kickass Torrent
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Nowadays, the Meaning of Comedy Is Changed: Krushna Abhishek Krushna Abhishek Is Known for His Comic Roles in the films and TV
TM Volume 5 I Issue 08 I March 2020 I Film Review p27 John Abraham to produce well-known social entrepreneur Revathi Roy’s biopic p06 Social values and cinema p25 Nowadays, the meaning of Sanjay Dutt sets the bar high as the quintessential villain. Check the list! comedy is changed: p08 KRUSHNA ABHISHEK #BOLLYWOODTOWN CONTENTSCONTENTS ¡ Sanjay Dutt sets the bar high as the ¡ Karisma Kapoor along with ACE quintessential villain. Check the list! Business Awards to felicitate Achievers p08 p20 p34 Small Screen ¡ John Abraham to produce well-known social entrepreneur p30 Revathi Roy’s biopic Fashion & Lifestyle p06 ¡ "Now people are curious and they want to watch such films", Fatima Sana Shaikh spills beans on the shift in Bollywood p14 ¡ Social values and cinema p25 ¡ Himansh Kohli on break up with Neha Kakkar: She would cry on shows and people would blame me! p16 p10 Cover Story ¡ Film Review p27 From the publisher's desk Editor : Tarakant D. Dwivedi ‘Akela’ Editor-In-Chief : Yogesh Mishra Dear Readers, Sr. Columnist : Nabhkumar ‘Raju’ The month of February was an average month for many of the filmmakers. Spl. Correspondent : Dr. Amit Kr. Pandey (Delhi) Movies released in the month were- Shikara, Malang, Hacked, Love Aaj Kal, Graphic Designer : Punit Upadhyay Bhoot Part One: The Haunted Ship, Shubh Mangal Zyada Saavdhan, The Sr. Photographer : Raju Asrani Hundred Bucks, Thappad, Guns of Banaras, Doordarshan and O Pushpa I Hate Tears etc. COO : Pankaj Jain Hardly few of the movies did an average business on box office, rest of the Executive Advisor : Vivek Gautam movie could not do well on box office. -
Role of Media and Usage of Films and Documentaries As Political Tool
© 2018 JETIR June 2018, Volume 5, Issue 06 www.jetir.org (ISSN-2349-5162) Role of Media and Usage of Films and Documentaries as Political Tool DR. VIKRAMJIT SINGH, ASSOCIATE PROFESSOR DEPARTMENT OF POLITICAL SCIENCE, DAYANAND COLLGE, HISAR, HARYANA, INDIA Abstract Now days the usage of print as well as digital media is widely used for the propaganda to have the political advantage by the political parties. A number of movies and documentaries are intentionally released so that the political benefits can be taken. In this manuscript, the case scenarios of such movies and the film based propaganda are addressed so that the overall motive and the goals of the political parties can be identified. In this research paper, the case studies and the scenarios of assorted films and documentaries are cited so that the clear theme can be addressed with the higher degree of references and the proof of the mentioned work. In current scenarios, the political parties whether these are opposition or the ruling they are getting the huge benefits with the exploitations of emotions of the general public with the integration of films to defame or fame the particular person or parties. By this way, the overall scenario and integrity of movies and bollywood is getting affected with the favor of particular political benefits. Keywords: Propaganda Movie, Role of Media in Politics, Cinema as Political Tool Introduction The filmmakers are now days more focused on polishing the image of particular person or defaming the image of particular parties and these are visible from the assorted movies specifically in the time of elections but it is not the good practices to exploit the image of particular parties.