Piano Instruction & Technique
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Getting Started with the Tonalities Music Analysis Software
Getting Started with the Tonalities music analysis software Anthony Pople, University of Nottingham, March 2002 (v6.25/03) The support of the AHRB for the Tonalities project is gratefully acknowledged. Overview This software is part of a larger project that lays stress on the multiplicity of tonal systems in music, focusing particularly on Western music of the late 19th and early 20th centuries. It allows you to analyse passages of music in terms of differing tonal systems that may be configured to a high level of detail from a range of supplied options. To use the software effectively, it is important to have an understand of the basic concepts of the underlying theory, above all: · segmentation · prolonging gamut · connective gamut · the distinction between spelled and unspelled matches of chords and gamuts · the distinction between functional and inclusive chords and gamuts These concepts are explained briefly in what follows, but it is not the purpose of the guide to present the music theory component of the Tonalities project in full. The remainder of this user guide also assumes you are familiar to some extent with Microsoft Windows and Microsoft Excel. The software has been developed in Excel 97 and will not run under earlier versions (though it seems to run under later versions up to and including Excel 2002 – the version supplied in Office XP). I have run it under Windows 98 and Windows Me, though not Windows NT, 2000 or XP. Installing the software If the software has been pre-installed, please skip this section. The Tonalities software is supplied as an Add-In to Microsoft® Excel, running under Microsoft® Windows®. -
San Fernando Valley Burbank, Burbank Sunrise, Calabasas
Owens Valley Bishop, Bishop Sunrise, Mammoth Lakes, Antelope Valley and Mammoth Lakes Sunrise Antelope Valley Sunrise, Lancaster, Lancaster Sunrise, Lancaster West, Palmdale, Santa Clarita Valley and Rosamond Santa Clarita Sunrise and Santa Clarita Valley San Fernando Valley Burbank, Burbank Sunrise, Calabasas, Crescenta Canada, Glendale, Glendale Sunrise, Granada Hills, Mid San Fernando Valley, North East Los Angeles, North San Fernando Valley, North Hollywood, Northridge/Chatsworth, Sherman Oaks Sunset, Studio City/Sherman Oaks, Sun Valley, Sunland Tujunga, Tarzana/Encino, Universal City Sunrise, Van Nuys, West San Fernando Valley and Woodland Hills History of District 5260 Most of us know the early story of Rotary, founded by Paul P. Harris in Chicago Illinois on Feb. 23, 1905. The first meeting was held in Room 711 of the Unity Building. Four prospective members attended that first meeting. From there Rotary spread immediately to San Francisco California, and on November 12, 1908 Club # 2 was chartered. From San Francisco, Homer Woods, the founding President, went on to start clubs in Oakland and in 1909 traveled to southern California and founded the Rotary Club of Los Angeles (LA 5) In 1914, at a fellowship meeting of 6 western Rotary Clubs H. J. Brunnier, Presi- dent of the Rotary Club of San Francisco, awoke in the middle of the night with the concept of Rotary Districts. He summoned a porter to bring him a railroad sched- ule of the United States, which also included a map of the USA, and proceeded to map the location of the 100 Rotary clubs that existed at that time and organized them into 13 districts. -
The Money Band Songlist
THE MONEY BAND SONGLIST 50s Bobby Darin Mack the Knife Somewhere Beyond the Sea Ben E King Stand By Me Carl Perkins Blue Suede Shoe Elvis Presley Heartbreak Hotel Hound Dog Jailhouse Rock Frank Sinatra Fly Me To The Moon Johnny Cash Folsom Prison Blues Louis Armstrong What A Wonderful World Ray Charles I Got A Woman Wha’d I Say 60s Beach Boys Surfing USA Beatles Birthday Michelle Norwegian Wood I Feel Fine I Saw Her Standing There Bobby Darin Dream Lover Chantays Pipeline Chuck Berry Johnny B Good Dick Dale Miserlou Wipe Out Elvis Presley All Shook Up Can’t Help Falling In Love Heartbreak Hotel It’s Now or Never Little Less Conversation Little Sister Suspicious Minds Henri Mancini Pink Panther Jerry Lee Lewis Great Balls of Fire Whole Lotta Shakin Jimi Hendrix Fire Hey Joe Wind Cries Mary Johnny Rivers Secret Agent Man Johnny Cash Ring of Fire Kingsmen Louie Louie Otis Redding Dock of the Bay Ricky Nelson Hello Marylou Traveling Man Rolling Stones Paint It Black Jumping Jack Flash Satisfaction Cant Always Get What You Want Beast of Burden Sam the Sham & the Pharaohs Wooly Bully Tommy James Mony Mony Troggs Wild Thing Van Morrison Baby Please Don’t Go Brown Eyed Girl Into The Mystic The Who My Generation 70s Beatles Get Back Imagine Something Bee Gees You Should Be Dancing Staying Alive Carl Douglas Kung Foo Fighting Cat Stevens Wild World The Commodores Brick House David Bowie Rebel, Rebel Diana Ross Upside Down Donna Summer Hot Stuff Doors LA Woman Love Me Two Times Roadhouse Blues The Eagles Hotel California Elvis Presley Steamroller -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Fats Domino Goin' Home
“Goin’ Home” We’ll Miss You, Fats “Everybody started calling my music rock and roll, but it wasn't anything but the same rhythm and blues I'd been playing down in New Orleans.” - FATS DOMINO “As far as I know, the music makes people happy. I know it makes me happy.” - FATS DOMINO “Let's face it, I can't sing like Fats Domino can. I know that.” - ELVIS PRESLEY “Well, I wouldn't want to say that I started it (rock „n‟ roll), but I don't remember anyone else before me playing that kind of stuff.” - FATS DOMINO “Even if Fats didn‟t actually invent rock „n‟ roll, he was certainly responsible for accidentally inventing ska, and thus reggae … Antoine „Fats‟ Domino was definitely a great innovator, and richly deserves a much fatter entry in the history books.” – OWEN ADAMS On Tuesday, 3:30 a.m., October 24, 2017, New Orleans and the world lost a pioneering titan of rock „n‟ roll, “Fats” Domino. The popular pianist and singer-songwriter of the Lower 9th Ward was 89. During his career, this influential, yet humble performer sold more than 65 million records and had over 35 hits in the U.S. Billboard Top 40, including “Ain‟t That a Shame,” “Blueberry Hill” and “Blue Monday”. With producer and arranger Dave Bartholomew, “Fats” helped put his hometown on the rock „n‟ roll map. This shy lifelong New Orleanian influenced numerous artists including Paul McCartney and Randy Newman, who once confessed, “I was so influenced by Fats Domino that it‟s still hard for me to write a song that‟s not a New Orleans shuffle.” Domino‟s distinctive barreling triplet-based piano style, backed by a solid backbeat, was something exceptional, a step above traditional rhythm and blues. -
Steve Katz of Blood, Sweat & Tears and the Blues
Catskill Mountain Region July 2015 GUIDEwww.catskillregionguide.com STEVE KATZ OF BLOOD, SWEAT & TEARS AND THE BLUES PROJECT COMES TO TANNERSVILLE THIS JULY! TABLE OF CONTENTS TABLE On the cover: Singer/songwriter Steve Katz, of The Blues Project and Blood, Sweat & Tears, will perform an acoustic evening of story and song at the Catskill www.catskillregionguide.com Mountain Foundation Annual Benefit this July. Greg Dayton will be a special guest. For more VOLUME 30, NUMBER 7 July 2015 information about Steve, read the interview on page 16 and PUBLISHERS the book review on page 19. Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Rita Adami Steve Friedman Albert Verdesca CONTRIBUTING WRITERS Heather Magnan Jeff Senterman Sarah Taft Maggie Uhalde ADMINISTRATION & FINANCE Candy McKee Cara Dantzig PRINTING Catskill Mountain Printing Services DISTRIBUTION 2 THE ARTS Catskill Mountain Foundation EDITORIAL DEADLINE FOR NEXT ISSUE: July 6 10 DO NOT GO GENTLE: The Catskill Mountain Region Guide is published 12 times a year THE LAST DAYS OF DYLAN THOMAS by the Catskill Mountain Foundation, Inc., Main Street, PO Box By Sarah Taft 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- clude your address, telephone, fax, and e-mail information on all 16 AN INTERVIEW WITH STEVE KATZ correspondence. For editorial and photo submission guidelines Interview by Margaret Uhalde send a request via e-mail to [email protected]. -
Wavelength (March 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1981 Wavelength (March 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1981) 5 https://scholarworks.uno.edu/wavelength/5 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NEW ORLEANS POPS PRESENTS *starring * CHARLIE DANIELS KANSAS BAND MOLLY DELBERT HATCHET McCLINTON HANK WILLIAMS, JR. PLUS "THE CELEBRITY PARADE" UNDAY with KING "BUM" PHILLIPS MARCH 1 (Parade rolls at 8 p.m.) 5 P.M. - DOORS OPEN 4 P.M. MIDNIGHT TICKETS ARE $12 (Limited Advance) AND $15 On sale now at all ticketmaster outlets; D.H. Holmes, Louisiana Superdome, Warehouse Records (Gretna, Metairie, Kenner), the Mushroom & Leisure Landing. FOR MORE INFORMATION CALL (504) 821-3795 Features ErnkK-Doe _______________________________,6 The Percolators 10 •JAZZ• The Black Pope 12 New Orleans Songwriters 14 •BLUES• Walter Lastie 19 •CAJUN• Departments A/arch _____________________________________ RECORDSBOOKSTAPES JazZ ------------------------------------~ Rare Records -----------------------------~ Revkws ____________________ ~ Last Page ~~~· , ~) 132 CARONDELET Cover photo by Syndey Byrd '· ~ N.O ., LA. 70130 (504) 522-2363 Publisher, Patrick Borry. Editor, Connie Atkinson. Contract Advertlslna Sales, Steve Gifford, Lyle Matthews. Coatributin& Artists, Skip Bolen, Bunny Mauhews, Julia Nead, Kathleen Perry. Distribution, Laverne Kelly, Star Irvine. Contributors, 1 Carlos Boll, Jerry Brock, Bill Cat, Yorke Corbin, Ron Cuccia, Steve CUnningham, Zeke Fishhead, Steve Graves, Gilbert Catalogue Available Hetherwick, Coril Joseph, Andy Kaslow, Tim Lyman, Bunny Matthews, Hammond Scou, Jim Scheurich, Almost Slim, Rhodes 1 Spedale, Keith Twichell. -
Impro-Visor Tutorial
Impro-Visor Tutorial keyed to Impro-Visor Version 4 and later Bob Keller Harvey Mudd College 19 February 2010 Table of Contents (also hyperlinks) 1. Copyright and 37. Simple vs. 73. Starting a Fresh Trademark Harmonic Note Leadsheet 2. Acknowledgment Entry 74. Opening Another 3. Support 38. Undo and Redo Leadsheet 4. Purpose 39. Selecting Slots w/o 75. Saving an Open 5. Downloading Entering Notes Leadsheet 6. Before Installing 40. Summary of 76. Exporting MusicXML 7. Releases Selection 77. Exporting MIDI Files 8. Installing Sequences 78. Getting Advice 9. No-Installer Version 41. Selecting or 79. Scale Choices 10. Release Folder Unselecting 80. Cell Choices Contents Everything 81. Idiom Choices 11. Launching 42. Adding Rests 82. Lick Choices 12. Splash Screen 43. Lengthening Notes 83. Rectification 13. Initial Leadsheet 44. Moving a Bunch of 84. Saving licks Screen Notes 85. Generating Licks 14. Loading a Leadsheet 45. Transposing a 86. Grammar Choices 15. More Leadsheets Bunch of Notes 87. User Preferences 16. Playing a Leadsheet 46. Harmonic 88. Global settings 17. Playing with Count-In Transposition 89. Leadsheet settings 18. Tempo Slider 47. Uniform 90. Chorus settings 19. Playback Location Transposition 91. Style settings Slider 48. Melody Drawing 92. MIDI settings 20. Tracker Delay 49. Transposing Chords 93. Drawing settings 21. Got Sound? 50. Toggling 94. Lick Generator 22. Playback Transpose Enharmonics Settings 23.Positioning the Cursor 51. Copying, Cutting 95. Grammar Editor on the Staff and Pasting 96. Grammar Learning 24. Slots Melodies 97. Solo Generator 25. Changing the Slot 52. Cutting and Pasting 98. Style editor Spacing Across Leadsheets 99. -
(I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Ar
1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Arms Journey 1982 5 Yesterday The Beatles 1965 6 American Pie Don McLean 1972 7 Imagine John Lennon 1971 8 Jailhouse Rock Elvis Presley 1957 9 Ebony And Ivory Paul McCartney & Stevie Wonder 1982 10 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 11 Start Me Up Rolling Stones 1981 12 Centerfold J. Geils Band 1982 13 I Want To Hold Your Hand The Beatles 1964 14 I Love Rock And Roll Joan Jett & The Blackhearts 1982 15 Hotel California The Eagles 1977 16 Do You Believe In Love Huey Lewis & The News 1982 17 The House Of The Rising Sun The Animals 1964 18 Don't Talk To Strangers Rick Springfield 1982 19 Won't Get Fooled Again The Who 1971 20 867-5309/Jenny Tommy Tutone 1982 21 Bridge Over Troubled Water Simon & Garfunkel 1970 22 '65 Love Affair Paul Davis 1982 23 Help! The Beatles 1965 24 Don't Stop Believin' Journey 1981 25 Endless Love Diana Ross & Lionel Richie 1981 26 Brown Sugar Rolling Stones 1971 27 Let It Be The Beatles 1970 28 Free Bird Lynyrd Skynyrd 1975 29 Woman John Lennon 1981 30 Nights In White Satin Moody Blues 1972 31 She Loves You The Beatles 1964 32 The Sounds Of Silence Simon & Garfunkel 1966 33 The Twist Chubby Checker 1960 34 Jumpin' Jack Flash Rolling Stones 1968 35 Jessie's Girl Rick Springfield 1981 36 Born To Run Bruce Springsteen 1975 37 A Hard Day's Night The Beatles 1964 38 California Dreamin' The Mamas & The Papas 1966 39 Lola The Kinks 1970 40 Lights Journey 1978 41 Proud -
Wavelength (October 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1981 Wavelength (October 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1981) 12 https://scholarworks.uno.edu/wavelength/12 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Pipes of Pan Presents ... A best seller. versus the best. icro-Acoustics Bose 301 FRM-3dx *33QOOper patr. *34900per pair Compare these two speakers, and you'd probably expect the one on the left - with the lower price - to be the better seller. You'd be right ... but is it the better value? Before you aecide, it pays to consider how much more a little more money will bu~: Comfare bass. The new FRM-3dx uses a twin-ducted enclosure with thicker cabine panels and larger cubic volume for rich, full bass. Compare highs. The new FRM-3dx1s unique Vari-AxiSTM control system, damped isolated tweeter suspension and rim-damped cone give lifelike h1ghs. Compare warranties. The new FRM-3dx is warrantied twice as long. The Micro-Acoustics new FRM-3dx. When you compare, there's really no com parison. Quality worth a 10-year warranty Micro-Acoustics Reg. $349.00 Bose 301" FRM·3dx Tweeter One, fixed. One, rotatable, rim·damped. Tweeter Attached Isolated from SALE NOW directly to baffle. -
E a R L Y I N F L U E N C
ProfessorEARLY INFLUENCES Longhair “The Bach of Rock,” New Orleans composer Allen Tous- In the period 1953-64, Professor Longhair waxed sides for a saint called him . The cornerstone of New Orleans rhythm & number of labels, but their popularity was limited to the New blues piano, Professor Longhair’s astounding music influenced Orleans area at least in part because of the artist’s unwilling the work of Fats Domino, Dr. John, James Booker, Huey “Pi ness to travel. In 1964, Longhair created the Mardi Gras an ano ’ Smith, Art Neville, and Allen Toussaint himself. Long them “Big Chief’ for Watch. But he soon sank into obscurity, hair’s unique appeal lay in his offbeat songs, his warbling and by the end of the decade was sweeping out a record shop voice and the infectiously syncopated piano style which he and playing cards for his meager living. once described as a blend of “rhumba, mambo and calypso.” Unbeknownst to ‘Fess* he had become a mysterious legend He was born Henry Roeland Byrd on December 19, 1918 in among blues record collectors on both sides of the AtlantltS Bogalusa, Louisiana and moved to New Orleans with his He was eventually tracked down by Quint Davis and Allison mother two years later. As a youth he tap-danced for tips on Minor, organizers of the first New Orleans Jazz & Heritage Bourbon Street, and later beat on lard cans and orange crates Festival. “He wasn’t playing at all then,” Davis later recalled. with a “spasm band.” By the early Thirties, young Henry was “He was in a totally depreciated state physically, along with frequenting the South Rampart Street honky tonks to hear bar poverty and rejection.