Here Is a List of Leading Contemporary Art Venues in the UK

Total Page:16

File Type:pdf, Size:1020Kb

Here Is a List of Leading Contemporary Art Venues in the UK Leading Contemporary Art Venues in the UK LONDON BARBICAN CHISENHALE GALLERY DRAWING ROOM Barbican Centre, Silk Street, London EC2Y 8DS 64 Chisenhale Road, London, E3 5QZ Tannery Arts, 12 Rich Estate 020 7638 4141 020 8981 4518 Crimscott Street, London, SE1 5TE www.barbican.org.uk www.chisenhale.org.uk 020 7394 5657 [email protected] [email protected] www.drawingroom.org.uk Mon – Sat 9 am – 11 pm Wed‐Sun 1‐6pm [email protected] Tue‐Sat 12‐6pm BEACONSFIELD CELL PROJECT SPACE 22 Newport St, London, SE11 6AY 258 Cambridge Heath Road, London, E2 9DA FLAT TIME HOUSE 020 7582 6465 020 72413600 210 Bellenden Road, London, SE15 4BW www.beaconsfield.ltd.uk www.cellprojects.org 020 7207 4845 [email protected] [email protected] www.flattimeho.org.uk Thurs‐Sun 11am‐5pm [email protected] CUBITT GALLERY Thurs‐Sun 12‐6pm CALVERT 22 8 Angel Mews, London, N1 9HH 22 Calvert Avenue, London, E2 7JP 020 7278 8226 GASWORKS 020 7613 2141 www.cubittartists.org.uk 155 Vauxhall Street, London, SE11 5RH www.calvert22.org Wed‐Sun 12‐6pm 020 7587 5202 [email protected] www.gasworks.org.uk Wed‐Sun 12‐6pm DAVID ROBERTS ART FOUNDATION [email protected] 111 Great Titchfield Street, London, W1W 6RY Wed‐Sun 12‐6pm CAMDEN ARTS CENTRE 020 7637 0868 Arkwright Road, London, NW3 6DG www.davidrobertsartfoundation.com HAYWARD GALLERY 020 7472 5500 Tue‐Fri 10am‐6pm, Sat 11am‐4pm Southbank Centre, Belvedere Road, London, www.camdenartscentre.org SE1 8XX [email protected] DELFINA FOUNDATION 020 7960 4200 Tues‐Sun 10am‐6pm 29 Catherine Place, London, SW1E 6DY www.southbankcenter.co.uk 020 7233 5344 [email protected] www.delfinafoundation.com Daily 10am‐6pm [email protected] INSTITUTE OF CONTEMPORARY ARTS (ICA) RAVEN ROW THE SHOWROOM The Mall, London SW1Y 5AH 56 Artillery Lane, London, E1 7LS 63 Penfold Street, London, NW8 8PQ 020 7930 3647 020 7377 4300 020 7724 4300 www.ica.org.uk www.ravenrow.org www.theshowroom.org Wed ‐Sat 12‐9pm, Sun 12‐8pm [email protected] [email protected] Wed‐Sun 11am‐6pm Wed‐Sat, 12pm‐6pm JERWOOD SPACE 171 Union Street, London, SE1 0LN RIVINGTON PLACE SOUTH LONDON GALLERY 020 7654 0171 Rivington Place, London, EC2A 3BA 65‐67 Peckham Road, London, SE5 8UH www.jerwoodspace.co.uk 020 7749 1240 020 7703 6120 [email protected] www.rivingtonplace.org www.southlondongallery.org Mon‐Fri 10am‐5pm, Sat‐Sun 10am‐3pm [email protected] [email protected] Tue‐Sat 12‐6pm Tue‐Sun 11am‐6pm MATTS GALLERY 42 – 44 Copperfield Road, London, E3 4RR SAATCHI GALLERY STUDIO VOLTAIRE 20 8983 1771 Duke of York's HQ, King's Road 1a Nelson's Row, London, SW4 7JR www.mattsgallery.org Chelsea, London, SW3 4SQ 0207 622 1294 [email protected] 020 7811 3085 www.studiovoltaire.org Wed – Sun 12 – 6 pm www.saatchi‐gallery.co.uk [email protected] info@saatchi‐gallery.co.uk Wed‐Sat 12‐6pm PARASOL UNIT Daily 10am‐6pm 14 Wharf Road, London, N1 7RW TATE BRITAIN 020 7490 7373 SERPENTINE GALLERY Millbank, London, SW1P 4RG www.parasol‐unit.org.uk Kensington Gardens, London, W2 3XA 020 7887 8888 Tue‐Sat 10am‐6pm, Sun 12‐5pm 020 7402 6075 www.tate.org.uk www.serpentinegallery.org [email protected] PEER [email protected] Daily 10am‐6pm, Fri 10am‐10pm 99 Hoxton Street, London, N1 6QL Daily 10am‐6pm 020 7739 8080 www.peeruk.org [email protected] Wed‐Sat 10am‐6pm TATE MODERN ZABLUDOWICZ COLLECTION Bankside, London, SE1 9TG 176 Prince of Wales Road, London, NW5 3PT 020 7887 8888 020 7428 8940 www.tate.org.uk www.zabludowiczcollection.com [email protected] [email protected] Sun‐Thu 10am‐6pm, Fri‐Sat 10am‐10pm Thu‐Sun, 12‐6pm REST OF THE UK BALTIC CENTRE FOR CONTEMPORARY ART DUNDEE CONTEMPORARY ARTS Gateshead Quays, South Shore Road, 152 Nethergate, Dundee, DD1 4DY AID AND ABET Gateshead, NE8 3BA 01382 909 900 Station Road, Cambridge, CB1 2JW 01914 781 810 www.dca.org.uk www.aidandabet.com www.balticmill.com [email protected] Thurs – Sat, 12 – 7 pm [email protected] Tue‐Sat 11am‐6pm,Thu 11am‐8pm, Sun 12‐ Daily 10am‐6pm, Tue 10.30am‐6pm 6pm ARNOLFINI 16 Narrow Quay, Bristol, BS1 4QA CORNERHOUSE EASTSIDE PROJECTS 01179 172 300 70 Oxford Street, Manchester, M1 5NH 86 Heath Mill Lane, Birmingham, B9 4AR www.arnolfini.org.uk 01612 287 621 01217 711 778 [email protected] www.cornerhouse.org www.eastsideprojects.org Tue‐Sun 11am‐6pm [email protected] [email protected] Tue‐Sat 12‐8pm, Sun 12‐6pm Thu 12‐6.30pm, Fri and Sat 12‐5pm ASPEX Vulcan Building, Gunwharf DE LA WARR PAVILION FACT Quays, Portsmouth, PO1 3BF Marina, Bexhill on Sea, East Sussex, TN40 1DP 88 Wood Street, Liverpool, L1 4DQ 02392 778 080 01424 229 100 01517 074 464 www.aspex.org.uk www.dlwp.com www.fact.co.uk [email protected] [email protected] Daily 12‐6pm, Sat 11am‐6pm Daily 11am‐4pm Sun‐Fri 10am‐5pm, Sat 10am‐6pm FIRSTSITE IKON GALLERY MK GALLERY Lewis Gardens, High Street, Colchester, CO1 1 Oozells Square, Brindley Place, Birmingham, 900 Midsummer Blvd, Milton Keynes, MK9 1JH B1 2HS 3QA 01206 577 067 01212 480 708 01908 676 900 www.firstsite.uk.net ikon‐gallery.co.uk www.mkgallery.org [email protected] Tue‐Sun 11am‐6pm [email protected] Mon‐Sat 10am‐7pm, Sun 11am‐5pm Tue‐Fri 12‐8pm, Sat 11am‐8pm, Sun 11am– INTERNATIONAL PROJECT SPACE 5pm FOCAL POINT GALLERY School of Art Bournville, Birmingham Institute Southend Central Library, Victoria Avenue, of Art and Design, Maple Road, Birmingham MODERN ART OXFORD Southend‐on‐Sea, Essex, SS2 6EX B30 2AA 30 Pembroke Street, Oxford, OX1 1BP 01702 534 108 0121 331 5763 01865 722 733 www.focalpoint.org.uk www.internationalprojectspace.org www.modernartoxford.org.uk [email protected] [email protected] Tue‐Wed 10am‐5pm, Thu‐Sat 10am‐ 7pm, Sun Mon‐Fri 9am‐7pm, Sat 9am‐5pm Wed‐Sat 12‐5pm 12‐5pm HEPWORTH WAKEFIELD KETTLE’S YARD GALLERY NEW ART GALLERY WALSALL Gallery Walk, Wakefield, West Yorkshire, WF1 Castle Street, Cambridge CB3 0AQ ‐ UK Gallery Square, Walsall, West Midlands, WS2 5AW 01223 748 100 8LG 01924 247 360 www.kettlesyard.co.uk 01922 654400 www.hepworthwakefield.org [email protected] www.thenewartgallerywalsall.org.uk [email protected] summer: Tue‐Sun 1.30‐4.30pm, winter: Tue‐ [email protected] Tues‐Sun 10am‐5pm Sun 2‐4pm Tues – Sat 10 am – 5 pm HENRY MOORE INSTITUTE MIMA NORTHERN GALLERY FOR CONTEMPORARY 74 The Headrow, Leeds, LS1 3AH Middlesbrough Institute of Modern Art, ART 01132 467 467 Centre Square, Middlesbrough, TS1 2AZ City Library and Arts Centre, Fawcett Street, henry‐moore.org/hmi 01642 726720 Sunderland, SR1 1RE Daily 10am‐5.30pm, Wed 10am‐9pm www.visitmima.com 01915 618 487 [email protected] www.ngca.co.uk Tue, Wed, Fri & Sat 10 am – 4.30 pm, Thurs 10 [email protected] am – 7 pm, Sun 12 pm – 4 pm Mon and Wed 9.30am‐7.30pm, Tue, Thu and Fri 9.30am‐5pm, Sat 9.30am‐4pm NOTTINGHAM CONTEMPORARY PSL [PROJECT SPACE LEEDS] SPIKE ISLAND Weekday Cross, Nottingham, NG1 2GB Whitehall Waterfront, 2 Riverside Way, Leeds, 133 Cumberland Road, Bristol BS1 6UX 01159 489 750 LS1 4EH 01179 292 266 www.nottinghamcontemporary.org 07930 236 383 www.spikeisland.org.uk Tue‐Fri 10am‐7pm, Sat 10am‐6pm, Sun 11am‐ www.projectspaceleeds.org.uk [email protected] 5pm [email protected] Tue‐Sun 11am‐5pm Wed‐Sat 12‐5pm during exhibition times only, NORWICH OUTPOST GALLERY or by appointment TURNER CONTEMPORARY 10b Wensum Street, Tombland, Norwich, Rendezvous, Margate, Kent, CT9 1HG Norfolk, NR3 1HR SITE GALLERY 01843 233 000 01603 612 428 Site Gallery, 1 Brown Street, Sheffield, S1 2BS www.turnercontemporary.org www.norwichoutpost.org 01142 812 077 [email protected] [email protected] www.sitegallery.org Tues‐ Sun 10am‐6pm Daily 12‐6pm [email protected] Tue‐ Sat 11am‐5.30pm WYSING ARTS CENTRE ONE THORESBY STREET Fox Road, (near) Bourn, Cambridge, CB23 2TX 1 Thoresby Street, Nottingham, NG1 1AJ 01954 718 881 01159 417 519 www.wysingartscentre.org www.onethoresbystreet.org Daily 12‐5pm [email protected] Sun‐Thu 12‐4pm, Fri‐Sat 12‐6pm .
Recommended publications
  • Research Report 2012
    IWM RESEARCH REPORT 2012 Contents 1. Introduction 3 2. Fellowships, Collaborative Doctoral Awards and PhDs, and successful research funding bids 4 2.1 Fellowships 4 2.2 Collaborative Doctoral Awards, supported PhDs and commissioned research 4 2.3 Successful research funding bids 6 3. Publications 7 3.1 Publications by IWM staff 7 3.2 Media Involvement by IWM staff 9 3.3 Expert Assistance by IWM staff 11 4. Conferences, lectures, talks and other significant representation 14 4.1 Seminar series and conferences etc arranged by IWM 14 4.2 Individual representation 16 2 1. Introduction Efforts to build IWM’s reputation as a research organisation continued apace in 2012, with several promising developments. The start of the year saw the beginning of the first IWM project to be wholly funded by a grant from AHRC, following IWM’s achievement of Independent Research Organisation (IRO) status. Whose Remembrance? was a scoping study which set out to investigate levels of awareness of the experiences of the peoples of Britain’s former empire in the two world wars. Its scope and achievements are detailed in the section on ‘successful funding bids’ below. Led by the Research Department, the project – funded under the Connected Communities scheme – addressed a particularly pressing issue and produced lively and engaging workshops during the summer of 2012. The year saw continued effort on Research across IWM. Staff generated over 20 publications and gave presentations at more than 50 workshops, conferences and symposia during the year, in addition to providing advice, expertise and media appearances across a wide range of subjects.
    [Show full text]
  • Download Curriculum
    CORNELIA PARKER 1956 Nace en Cheshire / Neix a Cheshire / Born in Cheshire 1974-1975 Gloucestershire College of Art & Design 1975-1978 Wolverhampton Polytechnic - B.A. Hons 1980-1982 Reading University - M.F.A. Vive y trabaja en Londres / Viu i treballa a Londres / Lives and works in London Exposiciones Indiviaduales (selección) / Exposicions individuals (sel·lecció) / Selected solo shows 2011 D’Amelio Terras, (front room) New York Thirty Pieces of Silver York St Mary’s, York (in association with Tate) 2010 Doubtful Sound, Baltic Centre for Contemporary Art, Gateshead D’Amelio Terras, (front room) New York No Mans Land, Two Rooms, Auckland, New Zealand (as part of International Artists Residency) 2009 Nocturne: A Moon Landing, Firework display and installation to open Jupiter Artland, Edinburgh 2008 *Guy Bartschi, Geneva *Carles Taché, Barcelona Never Endings Museo De Arte de Lima, Peru (Touring from IKON) Latent News Frith Street Gallery, London Chomskian Abstract, Whitechapel Laboratory, Whitechapel Gallery, London (touring: Ballroom Marfa, Texas; Galleria d’Arte Moderna Contemporanea, Bergamo: Fundacion PRO, Buenos Aires; Henie Onstad Kunstsenter, Oslo; The Institute for the Re-adjustment of Clocks, Istanbul; Kunsthaus, Zurich; Moderna Museet, Stockholm; The Ullens Centre for Contemporary Artm Beijing) 2007 * Never Endings IKON, Birmingham 2006 * Brontean Abstracts, Brontë Parsonage Museum, Haworth, West Yorkshire 2005 Focus: Cornelia Parker, The Modern Art Museum of Fort Worth, Fort Worth, Texas New Work by Cornelia Parker, Yerba Buena
    [Show full text]
  • SOUTH BANK GUIDE One Blackfriars
    SOUTH BANK GUIDE One Blackfriars The South Bank has seen a revolution over the past 04/ THE HEART OF decade, culturally, artistically and architecturally. THE SOUTH BANK Pop up restaurants, food markets, festivals, art 08/ installations and music events have transformed UNIQUE the area, and its reputation as one of London’s LIFESTYLE most popular destinations is now unshakeable. 22/ CULTURAL Some of the capital’s most desirable restaurants and LANDSCAPE bars are found here, such as Hixter, Sea Containers 34/ and the diverse offering of The Shard. Culture has FRESH always had a place here, ever since the establishment PERSPECTIVES of the Festival Hall in 1951. Since then, it has been 44/ NEW joined by global champions of arts and theatre such HORIZONS as the Tate Modern, the National Theatre and the BFI. Arts and culture continues to flourish, and global businesses flock to establish themselves amongst such inspiring neighbours. Influential Blue Chips, global professional and financial services giants and major international media brands have chosen to call this unique business hub home. With world-class cultural and lifestyle opportunities available, the South Bank is also seeing the dawn of some stunning new residential developments. These ground-breaking schemes such as One Blackfriars bring an entirely new level of living to one of the world’s most desirable locations. COMPUTER ENHANCED IMAGE OF ONE BLACKFRIARS IS INDICATIVE ONLY 1 THE HEART OF THE SOUTH BANK THE SHARD CANARY WHARF 30 ST MARY AXE STREET ONE BLACKFRIARS TOWER BRIDGE
    [Show full text]
  • Bridget Riley: Painting and Perception
    Bridget Riley: Painting and Perception Saturday 18 January 2020, 1pm - 5.30pm Bridget Riley: Painting and Perception Hayward Gallery’s major Bridget brings together a wide range Riley retrospective, which was of speakers and practitioners developed in close collaboration for a series of talks and panel with the artist herself, and in discussions designed to unpack partnership with National Galleries Bridget Riley’s innovative painting of Scotland. Spanning 70 years of practice and explore the ideas and Riley’s work, the exhibition offers themes that recur throughout this visitors an unparalleled opportunity artist’s formidable body of work. to experience powerful and This event has been programmed engaging works by one of the most in connection with the important artists of our time. Schedule 1pm Introduction from Cliff Lauson 1.10pm Talk: Richard Shiff Richard Shiff discusses the special kind of perception that Bridget Riley’s art provokes. He proposes that Riley’s art represents a distinct kind of ‘composition’, distancing it from the work of previous generations of painters. 2pm Panel Discussion: Colour and Perception In response to Bridget Riley’s ongoing investigation into colour interactions and visual perception, Kassia St Clair, Philip Ball, Liz West and Sophie Oxenbridge contemplate our relationship to colour and the act of looking. 2.45pm Q&A 3pm Break 3.30pm Talk: Éric de Chassey Éric de Chassey explores the apparent paradox that lies at the core of Bridget Riley’s art: in order to solicit personal and subjective responses from her viewers, she creates work in an impersonal and objective manner. 4.20pm Panel Discussion: Curating and Commissioning Lucy Askew, Daniel F.
    [Show full text]
  • Appendix 1: Temporary (Special) Exhibitions, 1912–1983 Peter J.T
    Appendix 1: Temporary (Special) Exhibitions, 1912–1983 Peter J.T. Morris and Eduard von Fischer The year given is the year the exhibition opened; it may have continued into the following calendar year. The main source before 1939 is Appendix I of E.E.B. Mackintosh, ‘Special Exhibitions at the Science Museum’ (SMD, Z 108/4), which has been followed even when the exhibitions do not appear in the Sceince Museum Annual Reports, supplemented by the list in Follett, The Rise of the Science Museum, pp. 122–3. Otherwise the exhibitions have been taken from the Annual Reports. 1912 History of Aeronautics 1914 Gyrostatics 1914 Science in Warfare First World War 1919 Aeronautics James Watt Centenary 1923 Typewriters 1924 Geophysical and Surveying Instruments Kelvin Centenary Centenary of the Introduction of Portland Cement 1925 Stockton and Darlington Railway Centenary Centenary of Faraday’s Discovery of Benzine [sic] Wheatstone Apparatus Seismology and Seismographs 1926 Adhesives Board, DSIR Centenary of Matthew Murray Fiftieth Anniversary of the Invention of the Telephone 1927 British Woollen and Worsted Research Association British Non-Ferrous Metals Research Association Solar Eclipse Phenomena Newton Bi-centenary 1928 George III Collection of Scientific Apparatus Cartography of the Empire Modern Surveying and Cartographical Instruments Weighing Photography 317 318 Peter J.T. Morris and Eduard von Fischer 1929 British Cast Iron Research Association Newcomen Bicentenary Historical Apparatus of the Royal Institution Centenary of the Locomotive Trials
    [Show full text]
  • Press Release Hayward Gallery Welcomes a Series of New Outdoor
    Press Release Date: Tuesday 06 July Contact: [email protected] Images: downloadable HERE This press release is available in a variety of accessible formats. Please email [email protected] Hayward Gallery welcomes a series of new outdoor commissions in partnership with the Bagri Foundation Credits (from left): Hayward Gallery exterior © Pete Woodhead; Hayward Gallery Billboard showing Salman Toor’s Music Room © Rob Harris; Jeppe Hein's Appearing Rooms outside Queen Elizabeth Hall. A three-year partnership, announced today, between the Hayward Gallery and the Bagri Foundation will brinG a series of new outdoor art commissions to the Southbank Centre. Aimed at providinG artists from or inspired by Asia and its diaspora with the opportunity to create a prominent public commission, this new initiative is the latest addition to a growing programme of outdoor art installations and exhibitions across the Southbank Centre’s iconic site. The BaGri Foundation commission, launchinG next month, will take place every summer until 2023. Founded with roots in education, the Bagri Foundation is dedicated to realising artistic interpretations and ideas that weave traditional Asian culture with contemporary thinkinG. This mission underpins the three-year partnership between the Foundation and the Hayward Gallery, brinGinG new artistic encounters to the General public. Each year, an artist will be commissioned to produce a site-specific work that invites visitors to London’s Southbank Centre to experience contemporary art in a unique and unexpected space beyond the gallery. The first commission launches in AuGust 2021 with a larGe-scale installation by collective Slavs and Tatars. With a focus devoted to an area East of the former Berlin Wall and West of the Great Wall of China known as Eurasia, Slavs and Tatars’ practice questions understandings of language, ritual and identity through a blend of pop aesthetics, cultural traditions and overlooked histories.
    [Show full text]
  • Listed Exhibitions (PDF)
    G A G O S I A N G A L L E R Y Anish Kapoor Biography Born in 1954, Mumbai, India. Lives and works in London, England. Education: 1973–1977 Hornsey College of Art, London, England. 1977–1978 Chelsea School of Art, London, England. Solo Exhibitions: 2016 Anish Kapoor. Gagosian Gallery, Hong Kong, China. Anish Kapoor: Today You Will Be In Paradise. Gladstone Gallery, New York, NY. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor. Lisson Gallery, Milan, Italy. Anish Kapoor. Museo Universitario Arte Contemporáneo, Mexico City, Mexico. 2015 Descension. Galleria Continua, San Gimignano, Italy. Anish Kapoor. Regen Projects, Los Angeles, CA. Kapoor Versailles. Gardens at the Palace of Versailles, Versailles, France. Anish Kapoor. Gladstone Gallery, Brussels, Belgium. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor: Prints from the Collection of Jordan D. Schnitzer. Portland Art Museum, Portland, OR. Anish Kapoor chez Le Corbusier. Couvent de La Tourette, Eveux, France. Anish Kapoor: My Red Homeland. Jewish Museum and Tolerance Centre, Moscow, Russia. 2013 Anish Kapoor in Instanbul. Sakıp Sabancı Museum, Istanbul, Turkey. Anish Kapoor Retrospective. Martin Gropius Bau, Berlin, Germany 2012 Anish Kapoor. Museum of Contemporary Art, Sydney, Australia. Anish Kapoor. Gladstone Gallery, New York, NY. Anish Kapoor. Leeum – Samsung Museum of Art, Seoul, Korea. Anish Kapoor, Solo Exhibition. PinchukArtCentre, Kiev, Ukraine. Anish Kapoor. Lisson Gallery, London, England. Flashback: Anish Kapoor. Longside Gallery, Yorkshire Sculpture Park, West Bretton, England. Anish Kapoor. De Pont Foundation for Contemporary Art, Tilburg, Netherlands. 2011 Anish Kapoor: Turning the Wold Upside Down. Kensington Gardens, London, England. Anish Kapoor: Flashback. Nottingham Castle Museum, Nottingham, England.
    [Show full text]
  • Is Proud to Announce That the Turner Medal 2015 Will Be Awarded to the Kinetic-Optic Artist Carlos Cruz-Diez
    The Colour Group (Great Britain) is proud to announce that the Turner Medal 2015 will be awarded to the Kinetic-Optic artist Carlos Cruz-Diez Since 1941, stemming from the Physical Society, The Colour Group’s mission is to promote the study of colour and to assist the dissemination of colour knowledge in all its aspects. Every two years, alternating with the Newton Medal rewarding scientific contributions, the Colour Group presents the Turner Medal to a distinguished artist in recognition of their outstanding contribution towards understanding colour in the Visual arts. This year, the Colour Group is honoured to present the Tuner Medal to Carlos Cruz-Diez. Carlos Cruz-Diez (Caracas, 1923) Franco-Venezuelan artist Carlos Cruz-Diez has lived and worked in Paris since 1960. He is one of the great figures of kinetic-optic art. He is a contemporary theorist of color whose artistic proposal is based on four chromatic conditions: subtractive, additive, inductive and reflected condition. His research has brought art a new way of understanding the phenomenon of colour, greatly expanding its perceptual universe. Cruz-Diez’s work revolves around color conceived as an autonomous reality, devoid of anecdotes, Carlos Cruz-Diez with his Physichromie 500 at the exhibition “Radical progressing in space and real time without past or Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection”, Royal Academy of Arts, London, 2014 future, in the perpetual present. In his works the colour appears as a reality that can exist without the help of form and even stand unaided. Carlos Cruz-Diez’s work is present in many permanent collections including the Tate Modern, London; the University of Essex; Museum of Modern Art, New York; Centre Georges Pompidou, Paris; Museum of Fine Arts, Houston and Wallraf-Richartz Museum, Cologne, Germany.
    [Show full text]
  • Dance & Museums Working Together Symposium Report
    Dance & Museums Working Together Symposium Symposium Report - Content, Analysis & Recommendations January 2015 Author: Emma McFarland, Consultant, eMc arts E: [email protected] arts eMc TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE Contents Section 1 : About the Symposium 4 Introduction 4 1. Overview 5 Section 2 : Symposium Content 7 2. Presentations & Case Studies 7 3. Feedback from Discussion Groups 14 4. Enquiry Groups 4.1 Topic 1 – Schools & the Curriculum 14 4.2 Topic 2 – Responding Creatively to Objects 16 4.3 Topic 3 – Audience Engagement and Response 20 4.4 Topic 4 – Dance as Object – Live Curation and Archiving 23 5. Panel Q & A 25 Section 3 : Rationale for Dance and Museums Working Together 28 6. Opportunities and Benefits of Museum – Dance Collaboration 6.1 New and innovative ways of interpreting objects / artefacts, collections 28 and exhibitions 6.2 Developing new audiences / visitors 28 6.3 Collaboration as a way of informing the development of dance performance 29 6.4 Providing rich, new artistic stimuli 29 6.5 Encouraging reflections on dance’s own history 30 6.6 Offers new approaches to museum learning and participatory work 30 6.7 Organisational benefits 30 Section 4 : Considerations around Museums – Dance Collaboration 31 7. Potential Issues and Challenges of Museums – Dance Collaboration 7.1 Need for deeply rooted partnerships 31 7.2 The need for trust....and risk 31 7.3 The role of the artist 32 7.4 Purpose, priorities and planning 33 7.5 Audiences and visitors 33 7.6 Practical considerations 34 7.7 Evaluation of ‘pop-up’ dance activity in museums 34 Section 5 : Where Next? 36 8.
    [Show full text]
  • A Cultural Cornucopia
    A CULTURAL CORNUCOPIA THE FIFTH FORM POST-GCSE PROGRAMME MONDAY 24TH – THURSDAY 27TH JUNE 2019 1 ESSENTIAL INFORMATION A CULTURAL CORNUCOPIA • Informal but tidy clothes throughout, In Greek mythology including Monday the baby Zeus was • Footwear suitable for walking protected in a cave • Bring mobile phone and/or tablets for by Amaltheia, the taking pictures and using brochure nourishing nanny goat • Bring backpack or carrier bag for packed goddess who fed him lunches with her milk. Zeus was so strong that in • Waterproofs if forecast bad playing with his nursemaid he broke off one • Remember inhalers, epipens etc of her horns which then had the divine power • Bring spending money – we provide to provide unending nourishment. The horn packed lunches, an energy bar on return became known as the Cornucopia or Horn of journey and water. You may want to Plenty. supplement this • Groups 1 and 7 may be allowed to swim All these cultural offerings are themselves a on beaches where lifeguards are present cornucopia and I am inviting you to feed on so bring swimming gear them and to be nourished. You won’t like everything you see or hear but try to respond CONTACT DETAILS to it with an entirely open mind, holding back all preconceptions. Group 1 – Mob 2 07876 831214 Group 2 – JNJ 07870 560302 (MONDAY) I see this as a shared experience for all the Mob 5 07720 089607 (WEDNESDAY) year group after the stress and strain of Group 3 – Mob 5 07720 089607 (MONDAY) GCSE. In preparing the trips I feel as if I am JNJ 07870 560302 (WEDNESDAY) somehow experiencing all these varied cultural Group 4 – PAJ 07972078148 offerings.
    [Show full text]
  • Hayward Gallery Appoints Dr. ​Zoé Whitley As Senior Curator
    Hayward Gallery appoints Dr. Zoé Whitley as Senior ​ Curator (Image credit: Southbank Centre and Takis Zontiros) ​ ​ Dr. Zoé Whitley has been appointed Senior Curator, Hayward Gallery at Southbank Centre. Whitley ​ ​ ​ ​ ​ will assume the position on 8 April 2019 working alongside current Senior Curator Cliff Lauson and under Hayward Gallery Director Ralph Rugoff, on the gallery’s dynamic programme of work that showcases the world’s most adventurous and innovative artists. Whitley joins from Tate Modern ​ ​ where she held the position of Curator, International Art from April 2017 and 2019 will see Whitley th ​ curate the British Pavilion presentation of Cathy Wilkes at the 58 ​ Venice Biennale. ​ Whitley studied at University of Central Lancashire where she obtained her PhD supervised by artist Professor Lubaina Himid. Whitley’s recent exhibitions include ARTIST ROOMS: Jenny Holzer (July ​ ​ ​ 2018 – July 2019) at Tate Modern and co-curating the acclaimed Tate exhibition Soul of a Nation (12 ​ ​ July – 22 October 2017). Prior to joining Tate in 2013, she was curator at the V&A (2003-2013) and ​ has previously organised exhibitions at the Studio Museum in Harlem, New York (2013-2014) and for the Johannesburg Art Fair in 2017. In 2018 she was named by leading international art magazine, ​ Apollo as one to watch in it’s ‘40 Under 40’ and among London's most influential people in the Evening Standard’s ‘Progress 1000’. During her career to date she has written a number of highly regarded publications including The ​ Graphic World of Paul Peter Piech (Four Corners Books) and co-authored museum catalogues including In Black and White: Prints from Africa and the Diaspora (V&A, with Gill Saunders); The ​ ​ Shadows Took Shape (Studio Museum in Harlem, with Naima Keith); and Soul of a Nation: Art in the ​ Age of Black Power (Tate, with Mark Godfrey).
    [Show full text]
  • Annual Seminar Tuesday 19 October 2010 | 10.00-16.55 National Portrait Gallery Biographies of Speakers and Chairpersons
    Annual seminar Tuesday 19 October 2010 | 10.00-16.55 National Portrait Gallery Biographies of speakers and chairpersons Dr Andrew Moore is Keeper of Art and Senior Curator for Norfolk Museums and Archaeology Service. He has curated or co-curated a number of exhibitions examining the cultural identity of Norfolk and East Anglia. These include regional assessments of the impact of the European Grand Tour (1985), the influence of Dutch and Flemish painting (1988) and of Portraiture (1992). In partnership with the State Hermitage Museum, St. Petersburg he has published a reassessment of the collection of Sir Robert Walpole: A Capital Collection (Yale University Press, 2002 in association with the Paul Mellon Centre of Studies in British Art). His most recent co- curated exhibition The Art of Faith is currently on show at Norwich Castle Museum & Art Gallery until 23 January 2011. Andrew Ellis read Economics at Cambridge before joining the merchant bank Robert Fleming, enticed by its fine collection of Scottish art. He stayed with Robert Fleming for almost twenty years working in London, Tokyo and other parts of Asia in a variety of equity research and management roles. Swapping visits to Japanese chemical plants for visits to UK museum storerooms, he joined the Public Catalogue Foundation as Director ahead of its launch in 2003. Nick Cohen is the BBC's multiplatform commissioner for factual and arts, a role that encompasses finding, developing and commissioning innovative interactive and cross-platform projects, as well as overseeing a portfolio of major ongoing websites, such as BBC Food and BBC Arts. Nick has been working at the forefront of digital media for over a decade and his commissions and productions have won a number of industry awards, including two Emmys.
    [Show full text]