Versions of Blackness: Key Texts on Slavery from the Seventeenth Century Derek Hughes Frontmatter More Information
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The Rover by Aphra Behn
By Shailesh Ranjan Assistant Professor Dept. of English, Maharaja College, Ara. About the Author Aphra Behn was one of the first English professional writers wrote plays, poetry, short stories and novels. Little information is known about her early life. She was born in about 1640 near Canterbury, England.Her family were Royalists, connected with powerful catholic families and the court. She may have been raised Catholic and educated in a convent abroad. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II , who employed her as a spy in Antwerp. •After her return to London she started her writings. •She wrote under the pastrol pseudonym Astrea. •A staunch supporter of the Stuart Line, she declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. •She died shortly after. Her grave is not included in the Poets Corner but lies in the East Cloister near the steps to the church. •Virginia Woolf writes about her in her famous work ‘A Room of One’s Own’ - “ All women together ought to let flowers fall upon the tomb of Aphra Behn which is , most scandalously but rather appropriately, in Westminster Abbey, for it was she who earned them the right to speak their minds.” • She challenged with expressing herself in a patriarchal system that generally refused to grant merit to women’s views.Women who went against were in risk of being exiled from their communities and targeted to be involved in witch hunts. -
PROGRAM NOTES Henry Purcell
PROGRAM NOTES by Phillip Huscher Henry Purcell - Suite from King Arthur Born sometime in 1659, place unknown. Died November 21, 1695, London, England. Suite from King Arthur Purcell composed his semi-opera King Arthur, with texts by John Dryden, in 1691. The first performance was given at the Dorset Garden Theatre in London in May of that year. The orchestra for this suite of instrumental excerpts consists of two oboes and english horn, two trumpets, timpani, and strings, with continuo provided by bassoon and harpsichord. Performance time is approximately twenty minutes. The Chicago Symphony Orchestra has performed music from Purcell's King Arthur (Trumpet Tune, "Ye blust'ring brethren of the skies," with Charles W. Clark as soloist, and Grand Dance: Chaconne) only once previously, on subscription concerts at the Auditorium Theatre on December 13 and 14, 1901, with Theodore Thomas conducting. Henry Purcell is the one composer who lived and worked before J. S. Bach who has found a place in the symphonic repertory. The Chicago Symphony played Purcell's music as early as 1901, when it programmed three selections from King Arthur on the first of its new "historical" programs designed to "illustrate the development of the orchestra and its literature, from the earliest times down to the present day." Purcell still stands at the very beginning of the modern orchestra's repertory, although he is best known to today's audiences for the cameo appearance his music makes in Benjamin Britten's twentieth- century classic, the Young Person's Guide to the Orchestra. Purcell is regularly described as the finest English composer before Edward Elgar, if not as the greatest English composer of all. -
Making Space: the Case for Amatory Fiction, 1660-1740
MAKING SPACE: THE CASE FOR AMATORY FICTION, 1660-1740 _______________ A Dissertation Presented to The Faculty of the Department Of English University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Chrisoula M. Gonzales May, 2017 MAKING SPACE: THE CASE FOR AMATORY FICTION, 1660-1740 _________________________ Chrisoula M. Gonzales APPROVED: _________________________ Ann Christensen, Ph.D. Committee Chair _________________________ David Mazella, Ph.D. _________________________ Maria Gonzalez, Ph.D. _________________________ Lynn Voskuil, Ph.D. _________________________ Robert Shimko, Ph.D. University of Houston _________________________ Antonio D. Tillis, Ph.D. Dean, College of Liberal Arts and Social Sciences Department of Hispanic Studies ii MAKING SPACE: THE CASE FOR AMATORY FICTION, 1660-1740 _______________ An Abstract of a Dissertation Presented to The Faculty of the Department of Psychology University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _____________ By Chrisoula M. Gonzales May, 2017 ABSTRACT This dissertation explores amatory fiction as a genre significant to English literary history. I ground the study of amatory fiction in literary history, specifically exploring the ways that amatory fiction participates in the development of the novel. In amatory fiction, female characters express desire in a public setting, a feature that distinguishes amatory fiction from the novel, where characters more often express themselves in private, domestic spaces. By analyzing the various expressions of female desire in the works of Aphra Behn, Delarivier Manley, Eliza Haywood, and Daniel Defoe, I show that female characters are motivated to inhabit public space because they seek to know themselves as sexual, social, and political agents. -
GCSE, AS and a Level Music Difficulty Levels Booklet
GCSE, AS and A level Music Difficulty Levels Booklet Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Music (1MU0) Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) First teaching from September 2016 First certification from 2017 (AS) 2018 (GCSE and A level) Issue 1 Contents Introduction 1 Difficulty Levels 3 Piano 3 Violin 48 Cello 71 Flute 90 Oboe 125 Cla rinet 146 Saxophone 179 Trumpet 217 Voic e 240 Voic e (popula r) 301 Guitar (c lassic al) 313 Guitar (popula r) 330 Elec tronic keyboa rd 338 Drum kit 344 Bass Guitar 354 Percussion 358 Introduction This guide relates to the Pearson Edexcel Level 1/Level 2 GCSE (9-1) in Music (1MU0), Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) and Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) qualifications for first teaching from 2016. This guide must be read and used in conjunction with the relevant specifications. The music listed in this guide is designed to help students, teachers, moderators and examiners accurately judge the difficulty level of music submitted for the Performing components of the Pearson Edexcel GCSE, AS and A level Music qualifications. Examples of solo pieces are provided for the most commonly presented instruments across the full range of levels. Using these difficult y levels For GCSE, teachers will need to use the book to determine the difficulty level(s) of piece(s) performed and apply these when marking performances. For AS and A Level, this book can be used as a guide to assist in choosing pieces to perform, as performances are externally marked. -
Anti-Colonialism Vs Colonialism in Aphra Behn's Oroonoko
Anti-colonialism vs Colonialism in Aphra Behn’s Oroonoko; or, The Royal Slave 1 Prof Said I. Abdelwahed Professor of English and Comparative Literature Al-Azhar University/Gaza Give Africa a Black colonial power. The Sunday Telegraph Aphra Behn’s novel [Oroonoko] confronts the ownership of Africa by the British, the ownership of American land by European colonialists, and the ownership of women by men. Laural J. Rosenthal, Renaissance Drama This paper is a study of anti-colonialsim versus colonialism in Aphra Behn’s Oroonoko; or, The Royal Slave (1688). It discusses love and freedom as tools of anti-colonialism versus slavery, as a politico-socio-economic tool of colonialism. Early in the twentieth century, Virginia Woolf, an Eng-lish woman, novelist, and feminist writer of considerable amo-unt of serious literary production, and good reputation, shows a good gesture for Aphra Behn. She remembers Aphra Behn and in a frank declaration, she pays homage to her as a brave woman writer who has been deprived of a veneration she deserves, for a long time. Woolf writes: “Let flowers fall upon the tomb of Aphra Behn.”2 This statement reflects a celebration of, and an attribute to Aphra Behn as a pioneer woman writer. Though, Behn’s work was immature for woman’s legal rights and social position, it is still true that it represents a social concern and a courageous stand in the history of woman’s literary writing; her writing inspired many literary imitations afterwards. Oroonoko is anti-slavery novel in which Mrs. Behn sets an axample to be followed by other women novelists to write in a new field and to fight against strongly built unjust politico-socio-economic institution. -
The Cambridge Companion to Aphra Behn Edited by Derek Hughes and Janet Todd Frontmatter More Information
Cambridge University Press 0521820197 - The Cambridge Companion to Aphra Behn Edited by Derek Hughes and Janet Todd Frontmatter More information The Cambridge Companion to Aphra Behn Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. During the 1670s and 1680s, she provided more plays for the stage than any other author, and greatly influenced the development of the novel with her ground- breaking fiction, especially Love-Letters between a Noble-Man and his Sister, and Oroonoko, the first English novel set in America. Behn’s work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. The chapters in this Companion discuss and introduce her writings in all these fields and provide the critical tools with which to judge their aesthetic and historical importance. The book also includes a full bibliography, a detailed chronology, and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker. derek hughes is Professor of English Literature at the University of Aberdeen. In addition to many articles on Restoration drama and its back- ground, he has published Dryden’s Heroic Plays (1980), English Drama, 1660– 1700 (1996), and The Theatre of Aphra Behn (2001). He was the general editor of the six-volume Eighteenth Century Women Playwrights (2001), and has just completed an edition of early modern texts concerning slavery and America, which includes Behn’s and Southerne’s versions of Oroonoko. -
Princes, Power, and Politics in the Early Plays of Aphra Behn
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository PRINCES, POWER, AND POLITICS IN THE EARLY PLAYS OF APHRA BEHN by JESSICA KATE BENTLEY PIRIE A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of English Literature College of Arts and Law University of Birmingham February 2019 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract My thesis explores Aphra Behn’s early plays and their portrayal of monarchical power within the political contexts of Charles II’s reign. The plays are studied chronologically, beginning with The Young King – which Behn claimed she wrote in c.1664 – and continuing through the first four of her works performed on the Restoration stage: The Forc’d Marriage, The Amorous Prince, The Dutch Lover, and Abdelazer. These works have been largely neglected by previous Behn studies, dismissed as experimental forerunners of her better-known works, like The Rover. By contrast, this thesis argues that these plays contain complex analogies of the political concerns and events troubling Charles II’s reign. -
The Cambridge Companion to Aphra Behn Edited by Derek Hughes and Janet Todd Frontmatter More Information
Cambridge University Press 0521527201 - The Cambridge Companion to Aphra Behn Edited by Derek Hughes and Janet Todd Frontmatter More information The Cambridge Companion to Aphra Behn Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. During the 1670s and 1680s, she provided more plays for the stage than any other author, and greatly influenced the development of the novel with her ground- breaking fiction, especially Love-Letters between a Noble-Man and his Sister, and Oroonoko, the first English novel set in America. Behn’s work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. The chapters in this Companion discuss and introduce her writings in all these fields and provide the critical tools with which to judge their aesthetic and historical importance. The book also includes a full bibliography, a detailed chronology, and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker. derek hughes is Professor of English Literature at the University of Aberdeen. In addition to many articles on Restoration drama and its back- ground, he has published Dryden’s Heroic Plays (1980), English Drama, 1660– 1700 (1996), and The Theatre of Aphra Behn (2001). He was the general editor of the six-volume Eighteenth Century Women Playwrights (2001), and has just completed an edition of early modern texts concerning slavery and America, which includes Behn’s and Southerne’s versions of Oroonoko. -
University of California
UC Riverside UC Riverside Electronic Theses and Dissertations Title The English Novel's Cradle: The Theatre and the Women Novelists of the Long Eighteenth Century Permalink https://escholarship.org/uc/item/5q32j478 Author Howard, James Joseph Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The English Novel‘s Cradle: The Theatre and the Women Novelists of the Long Eighteenth Century A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by James Joseph Howard March 2010 Dissertation Committee: Dr. George E. Haggerty, Chairperson Dr. Carole Fabricant Dr. Deborah Willis Copyright by James Joseph Howard 2010 The Dissertation of James Howard is approved: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I wish to express my appreciation for the guidance and encouragement provided during this project by my Dissertation Committee Chair, Dr. George Haggerty, and the positive support of the other committee members, Dr. Carole Fabricant and Dr. Deborah Willis. I would also like to thank Dr. John Ganim, who served on my doctoral examination committee, for his helpful insights before and especially during my oral examination, and Dr. John Briggs, for his initial encouragement of my entering the doctoral program at UC Riverside. I also extend my gratitude to all the English faculty with whom I had the pleasure of studying during my six years at the Riverside campus. Finally, I must make special mention of the English Graduate Staff Advisor, Tina Feldmann, for her unflinching dedication and patience in resolving not only my own interminable queries and needs, but also those of her entire ―family‖ of English graduate students. -
Stainer & Bell
STAINER & BELL INFORMATION SHEET ASK 72 (1) PURCELL, Henry Library Volumes: Dramatic Music Part III edited by Margaret Laurie. Purcell Society Edition Volume 21. Stock No. PE21 The Fairy Queen edited Bruce Wood and Andrew Pinnock. Purcell Society Edition Volume 12. Stock No. PE12 † Sacred Music Part I: Nine Anthems with Strings edited by Margaret Laurie, Lionel Pike and Bruce Wood. Purcell Society Edition Volume 13. Stock No. PE13 § Sacred Music Part V: Continuo Anthems Part II edited by Robert Thompson. Purcell Society Edition Volume 29. Stock No. PE29 Services edited by Margaret Laurie and Bruce Wood. Purcell Society Edition Volume 23. Stock No. PE23 Symphony Songs edited Bruce Wood. Purcell Society Edition Volume 27. Stock No. PE27 # Three Occasional Odes edited Bruce Wood. Purcell Society Edition Volume 1. Stock No. PE1 † Our archive and offprint service can provide authorised photocopies of the score of individual titles in these volumes. Prices are available on application. Selected individual choral titles from Purcell Society Edition Volumes 13, 23 and 29 are also available for purchase as Adobe Acrobat PDF files through the secure Stainer & Bell online shop. Please refer to our website for full details (www.stainer.co.uk/shop/pe13, www.stainer.co.uk/shop/pe23 & www.stainer.co.uk/shop/pe29). † Performing material is available for rental. § Instrumental material is available for all items in PE13: Behold, I bring you glad tidings. Full Score and Instrumental Parts. Stock No. Y331 Behold, now praise the Lord. Full Score and Instrumental Parts. Stock No. Y332 Blessed are they that fear the Lord. -
EJV Holland Purcell and the Seventeenth-Century Voice, An
The University of Sheffield E. J. V. Holland Purcell and the Seventeenth-Century Voice, An Investigation of Singers and Voice Types in Henry Purcell's Vocal Music PhD (Performance Studies) 2002 Purcell and the Seventeenth-Century Voice,0 An Investigation of Singers and Voice Types in Henry Purcell's Vocal Music Elizabeth Jane Violet Holland PhD (Performance Studies) Department of Music University of Sheffield June 2002 Acknowledgments I wish to express my gratitude to the following individuals for their help and advice during the researching and writing of this thesis. Firstly, my thanks to my academic supervisor, Mr. Tony Bennett (University of Sheffield) for his support and advice. I would also like to thank Professor Eric Clarke (University of Sheffield) for suggestingstandard deviation as the most suitable method for the statistical calculation of tessitura, and Dr. John Powell (University of Nottingham) and Mr. Luke Jobling BSc for confirming the scientific validity of the final statistical formula. i Elizabeth J. V. Holland Purcell and the Srventeen th-Century Voic c An Inv estigation of Singers and Voice Ty pes in H!cnry Purc ell's Voca l Music0 Abstract This thesis uses the study of Henry Purcell"s vocal music to establish the vocal characteristics of the singers and voice types for whom the composer wrote in London in the seventeenthcentury. This process is begun in the first chapter by discussing 'The Counter-Tenor Debate' in order to establish the method(s) of vocal production used by Purcell's counter-tenors. This in turn addressesthe issue of whether the counter-tenor was a completely different voice type from the tenor, or if they were simply high and low subdivisions of the same voice type. -
6 X 10.5 Long Title.P65
Cambridge University Press 978-0-521-67505-5 - The Cambridge Companion to Daniel Defoe Edited by John Richetti Index More information INDEX Act of Uniformity (1662), 163 Colonel Jack, 40, 58, 69, 71, 84–85, 86, 89, Addison, Joseph, and Richard Steele, The 94, 95, Spectator, 25, 26, 39, 42, 227 compared with Moll Flanders, 73–79 adventure fiction and global realities, 60–62 urban realism, 128–29, 173–74, 179 and the link between overseas and urban commerce, adventure, and imperial design, realities 60 and Christianity 47 Africa as negative pole of commercial world, Complete English Tradesman, The 19, 69, 92, 56–57 99, 108 Annesley, Arthur, 5th Earl of Anglesey, 37 instructions and advice to tradesmen, Annesley, Samuel, Foe family minister, 163 170–71 Ashmole, Elias, History of the Order of the moral optimism, 212 Garter, 113 politeness decoded in shop negotiation, 178 Aubrey, Miscellanies, 113 territory of trade in London, 169–70 Congreve, William, 232 Baker, Henry, Defoe’s son-in-law, 39 Cowley, Abraham, 233 Beattie, John, 66 Craftsman, The, and Tory ideology, 42 Behn, Aphra, 233 crime wave of 1720s, 39–40, 65–67 Bishop, Elizabeth, “Crusoe in England,” 182 Cromwell, Oliver, 11 Blackmore, Richard Sir, 11 Crouch, Nathaniel, The English Empire in A Satyr against Wit, 231 America, 49 Bolingbroke, Henry St. John, 1st Earl of, 36 Curll, Edmund, 1 Bunyan, John, 211 currency crises in Defoe’s time, 90–91 Butler, Samuel, 211, 227 Dampier, William, 55 Camden, William, Britannia, source for Davis, Lennard, 124 Defoe’s Tour, 112–13, defoe, daniel