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Nomination Press Release
Elisabeth Moss as Peggy Olson Outstanding Lead Actor In A Drama Series Nashville • ABC • ABC Studios Connie Britton as Rayna James Breaking Bad • AMC • Sony Pictures Television Scandal • ABC • ABC Studios Bryan Cranston as Walter White Kerry Washington as Olivia Pope Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Hugh Bonneville as Robert, Earl of Grantham Outstanding Lead Actor In A Homeland • Showtime • Showtime Presents, Miniseries Or A Movie Teakwood Lane Productions, Cherry Pie Behind The Candelabra • HBO • Jerry Productions, Keshet, Fox 21 Weintraub Productions in association with Damian Lewis as Nicholas Brody HBO Films House Of Cards • Netflix • Michael Douglas as Liberace Donen/Fincher/Roth and Trigger Street Behind The Candelabra • HBO • Jerry Productions, Inc. in association with Media Weintraub Productions in association with Rights Capital for Netflix HBO Films Kevin Spacey as Francis Underwood Matt Damon as Scott Thorson Mad Men • AMC • Lionsgate Television The Girl • HBO • Warner Bros. Jon Hamm as Don Draper Entertainment, GmbH/Moonlighting and BBC in association with HBO Films and Wall to The Newsroom • HBO • HBO Entertainment Wall Media Jeff Daniels as Will McAvoy Toby Jones as Alfred Hitchcock Parade's End • HBO • A Mammoth Screen Production, Trademark Films, BBC Outstanding Lead Actress In A Worldwide and Lookout Point in association Drama Series with HBO Miniseries and the BBC Benedict Cumberbatch as Christopher Tietjens Bates Motel • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin -
The Morning Line
THE MORNING LINE DATE: Tuesday, June 7, 2016 FROM: Melissa Cohen, Michelle Farabaugh Emily Motill PAGES: 19, including this page C3 June 7, 2016 Broadway’s ‘The King and I’ to Close By Michael Paulson Lincoln Center Theater unexpectedly announced Sunday that it would close its production of “The King and I” this month. The sumptuous production, which opened in April of 2015, won the Tony Award for best musical revival last year, and had performed strongly at the box office for months. But its weekly grosses dropped after the departure of its Tony-winning star, Kelli O’Hara, in April. Lincoln Center, a nonprofit, said it would end the production on June 26, at which point it will have played 538 performances. A national tour is scheduled to begin in November. The show features music by Richard Rodgers and book and lyrics by Oscar Hammerstein II. The revival is directed by Bartlett Sher. C3 June 7, 2016 No More ‘Groundhog Day’ for One Powerful Producer By Michael Paulson Scott Rudin, a prolific and powerful producer on Broadway and in Hollywood, has withdrawn from a much- anticipated project to adapt the popular movie “Groundhog Day” into a stage musical. The development is abrupt and unexpected, occurring just weeks before the show is scheduled to begin performances at the Old Vic Theater in London. “Groundhog Day” is collaboration between the songwriter Tim Minchin and the director Matthew Warchus, following their success with “Matilda the Musical.” The new musical is scheduled to run there from July 15 to Sept. 17, and had been scheduled to begin performances on Broadway next January; it is not clear how Mr. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Chorales American Spiritual Fall 2013
The Salisbury Chorale and University Chorale with guest artists from the American Spiritual Ensemble present Conceived by John Wesley Wright Sunday, November 17, 2013 • 5 p.m. Holloway Hall Auditorium ASE Soloists: Karen Slack, soprano Cherry Duke, mezzo-soprano John Wesley Wright, tenor Michael Preacely, baritone Dr. William Folger, Musical Director Susan Zimmer, Pianist Sponsored by The Peter and Judy Jackson Music Performance Fund and the Fulton School of Liberal Arts PROGRAM I (Prophecy, Birth, Life of Christ) Over My Head . .arr. Osby Hodges, Rev. Todd O’Neal and John Wesley Wright; Intro transcribed by Jitsuko Tanaka John Wesley Wright, tenor and Ensemble De Virgin Mary Had a Baby Boy . .arr. Vaughan Meakins Michael Preacely, baritone and Ensemble** Rockin’ Jerusalem . .arr. John W. Work Karen Slack, soprano and Ensemble Sister Mary . .arr. Roland Hayes Cherry Duke, mezzo-soprano Lil’ Boy . .arr. Roland Hayes Michael Preacely, baritone Mary Had a Baby . .arr. Roland Carter John Wesley Wright, tenor and Ensemble Sweet Little Jesus Boy . .Robert MacGimsey Cherry Duke, mezzo-soprano Ride On, Jesus . .arr. R.Nathaniel Dett Karen Slack, soprano Glory Hallelujah to Duh Newbo’n King . .adapted by Rosephanye Powell ASE Soloists and Ensemble II (Christ’s Passion, Teachings, the Judgment, Ultimate Victory) Spirituals Medley . .arr. Rev. Todd O’Neal and transcribed by Steve Milloy ASE Soloists and Ensemble Were You There? . .arr. Harry T. Burleigh Michael Preacely, baritone Calvary . .arr. Steven Sametz John Wesley Wright, tenor and Small Ensemble † Take My Mother Home . .arr. Hall Johnson Cherry Duke, mezzo-soprano 1 Wade in the Water (Spiritual Quodlibet) . .arr. Ysaye M. -
Horse with No Name” Paul Zollo - the Origins of the Iconic, Enigmatic Anthem, in His Own Words It’S One of the Most Famously Mysterious Songs Ever to Become a Hit
APRIL 3, 2020 Link to article: https://americansongwriter.com/behind-the-song-horse-with-no-name/ Behind The Song: America, “Horse With No Name” Paul Zollo - The Origins of the Iconic, Enigmatic Anthem, In His Own Words It’s one of the most famously mysterious songs ever to become a hit. It’s got enigma baked into it, which may be part of its lasting magic. Like Lennon’s “Norwegian Wood,” and other great though cryptic songs, it doesn’t fill in the entire picture, leaving it instead up to the listener to do that on their own. All of its components enhance this dynamic of hypnotic mystery. There’s the swampy/mystic tone of the track, ethereal yet visceral, just acoustic guitars, bass and conga with no drums. The vocal is delivered as if from a storyteller spinning an ancient mythic tale, not performing as much as testifying, and in language that resounds like coded poetry. We’re in motion the entire time, days are passing, and the heat is relentless. Elemental symbols are everywhere like images from a perplexingly real dream – a dry riverbed, appointed with plants and birds and rocks and things, and incessant sound. And, of course, there’s that mysterious horse, the one with no name, which did forever force the question: Why? Why didn’t anyone name this horse? In search of answers, we turned to the songwriting source himself, Dewey Bunnell, who spoke to us on the phone last week, the final week of March, 2020, at the start of the mandatory stay-at-home orders in California. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
2017 - 2018 Honor Roll of Giving
2017 - 2018 HONOR ROLL OF GIVING CORPORATE PARTNERS $50,000 - $99,999 $5,000 - $9,999 Gelson’s Markets Fairmont Miramar Hotel & Bungalows/ Bob’s Market Green Brooms Music Academy MSD Capital Edison International Keygent LLC Saint John’s Health Center Foundation Harley Ellis Devereaux/Moore Ruble Khedr Management Company Community Impact Fund Yudell Architects Law Offices of Joel C. Koury Huntley Santa Monica Beach Gary Limjap $25,000 - $49,999 Linwood Ventures & Lincoln Property Payden & Rygel Kaiser Permanente Company The Pump Station & Nurtury OneWest Bank Pence Hathorn Silver RAND Corporation Pacific Park Software Management Santa Monica Bowl Kitchen Santa Monica Place/Macerich Consultants, Inc. Santa Monica Music Center Wally’s Wine & Spirits SP+ ThatTutorGuy.com Stifel $10,000 - $24,999 UCLA Medical Center, Santa Monica $1,000 - $2,499 Bird City National Bank Cedars-Sinai $2,500 - $4,999 Element Consulting, Inc. DK Broadway LLC Code REV Kids Federal Realty Investment Trust FreeAssociates DFH Architects Steaven Jones Development Company, Harding Larmore Kutcher & Kozal DLR Group Inc. The Plaza at Santa Monica Diane Dorin - Agent, DBG Group, Santa Monica Daily Press Compass $500 - $999 Sir Speedy Santa Monica Downtown Santa Monica Sunnin Lebanese Cuisine Wells Fargo Foundation DZ Solutions SUPERINTENDENT’S CIRCLE Leader: $25,000 - $49,999 Shen Family Kim and Steve Eyler Ravi and Nisha Asnani Dr. Arthur M. Southam and Faculty Association of Tina Trahan and Chris Albrecht Dr. Cornelia B. Daly Santa Monica College Cat and Jon Wray Finch -
An Approach to the Doctrine of God and Implications for Liberation
AN APPROACH TO THE DOCTRINE OF GOD AND IMPLICATIONS FOR LIBERATION by Michael “M. A.” Bell Bachelor of Science, Wiley College, 1972 Master of Divinity, Howard University, 1976 Master of Arts, University of Texas, 1981 A Doctoral Dissertation submitted to the faculty of Interdenominational Theological Center in partial fulfillment of the requirements of the degree of Doctor of Ministry 1985 ABSTRACT The purpose of this project is quadrilateral: (1) to critically engage the doctrine of God as preached in Blackamerican pulpits and as perceived by those who frequent the pews of the Black Church, (2) to identify, report, and address the dissonance emanating from the Black Church’s social activistic rhetoric and course of action and the disliberating theological posture assumed by the Black Church, (3) to raise questions and fuel debate within the indigenous (Black) church relevant to the liberating currency of its present theological position, (4) to propose a viable liberating alternative in primer form, to be utilized in a continuing education program designed for parish clergy0 It should be clear from the outset that this paper is intended as a prolegomenon. Because of the dearth of materials by Black or other Third World authors on some of the topics addressed herein, hermeneutical materials from “outside the camp” are employed when relevant. In fact, much of the conceptual backdrop for this study is drawn from contemporary European theologies. This is not to suggest that any new theological direction for the Black Church must necessarily be manacled to paradigms espoused 11 by White theologians. It does suggest, however, that truth is not racialistic. -
2019 Colorado IE Listing for High School Thespians
Session Room Category High School Selection Participants 1 102 IE: Musical Solo ERIE HS Pretty Funny - Dogfight Fiona Spencer 1 102 IE: Musical Solo RALSTON VALLEY HS Just Breathe from The Prom Dani Johnson 1 102 IE: Musical Solo FAIRVIEW HS To Kiss A Girl - Run Far Away Indigo Jones 1 102 IE: Musical Solo HORIZON HS This Place is Mine Holly Hyman 1 102 IE: Musical Solo HORIZON HS Santa Fe Croccifixio Milinazzo 1 102 IE: Musical Solo HORIZON HS Watch What Happens Ashley Stuck 1 102 IE: Musical Solo HORIZON HS I Can Hear the Bells Nicoshiana Arellano 1 102 IE: Musical Solo HORIZON HS Alive Hayden Wallis 1 102 IE: Musical Solo GATEWAY HS Where Is The Life That Late I Led - Kiss Me Kate Dylan Ker 1 102 IE: Musical Solo GATEWAY HS On the Steps of the Palace - Into the Woods Autumn Contreras 1 102 IE: Musical Solo ROCK CANYON HS Raise a Little Hell by Black and Wildhorn Liam Cook 1 102 IE: Musical Solo ROCK CANYON HS History of Wrong Guys by Cindi Lauper Alyssa Marino 1 102 IE: Musical Solo ROCK CANYON HS I Love Betsy, Honeymoon in Vegas Reese Cruz 1 102 IE: Musical Solo LAKEWOOD HS Bring on the Men Saige Pierson 1 103 IE: Musical Duet CHERRY CREEK HS Pretty Women from Sweeney Todd Caetano DeSa, Ethan Rossi 1 103 IE: Musical Solo CHERRY CREEK HS Come With Me- Boys from Syracuse Hayden Noe 1 103 IE: Musical Solo RALSTON VALLEY HS In My Dreams from Anastasia Faith Kimball 1 103 IE: Musical Solo RALSTON VALLEY HS Two Little Lines Jackalynn Harris 1 103 IE: Musical Solo HERITAGE HS All That Matters - Finding Neverland Lillian Lockyer 1 103 IE: -
THOSE MAGIC CHANGES in Case You Haven't Noticed, the American Musical Is Changing Keys and Adding New Voices
THOSE MAGIC CHANGES In case you haven't noticed, the American musical is changing keys and adding new voices. SCOTT MILLER's small theatre in St. Louis is keeping score. BY ROB WEINERT-KENDT HEN THE MUSICAL HIGH FIDELITY CLOSED Though composer abruptly after just 13 unlucky performances on Broad Kitt didn't make the pil Wway, composer Tom Kitt and lyricist Amanda Green grimage, he followed the were nursing their wounds-and then they got a call from St. Louis, show's fortunes admiringly Mo. Somebody there loved, loved, loved their show, and wanted to from afar. mount the first regional production. Though this stage adaptation "Having someone of the beloved ick Hornby novel and Stephen Frears film about a come forward and say, 'I passionate pop-music fan and his rocky love life had been roundly love it and want to do it' panned by critics and resoundingly rejected by audiences in New was really important to the York, a guy named Scott Miller desperatt;ly wanted to do the first show," confirms Kitt, who regional production at his scrappy little New Line Theatre. went on to write Next to The show wasn't yet officially licensed (it's now available via Normal (seen at New Line Playscripts) and the score still needed some cleanup, but Miller in 2013) and the current nabbed the rights, and his 2008 production got raves from St. Louis Broadway outing If/Then. critics. And it still gets high marks from lyricist Green, who attended. "And not only did Scott "Seeing it there in a bare-bones production, a very respectful Miller do it-he did a production that was unanimously praised in production-I don't mean respectful in a boring way, but very atten St. -
David Pack Facts at a Glance 2021
David Pack Facts at a Glance 2021 David Pack has won international acclaim both for his solo work and his stellar turn as co-founder & former frontman for the progressive rock group Ambrosia. He is a Grammy-winning Producer and Music Director/Producer of global special events including both of President Clinton’s Inaugurals, charitable events for Barbra Streisand, Elton John, Billy Joel, Madonna, Fergie, and an incredible host of others. His collected works as a performer and producer have sold over 50-million units worldwide. His music mentors are friends the late Leonard Bernstein and Quincy Jones. He is a two-time Grammy winner – for Tribute: Songs of Andrae Crouch and Handel’s Messiah – a Soulful Celebration. He has been nominated for seven additional Grammys – six for Ambrosia, one for Kenny Loggins’ Return to Pooh Corner. David’s all-star group “David Pack’s Legends Live” perform across America. Artists Produced Aretha Franklin, Faith Hill, Phil Collins, Garth Brooks, Kenny Loggins, Michael McDonald, Leann Rimes, Natalie Cole, Patti LaBelle, Trisha Yearwood, Selena, Amy Grant, Wynonna Judd, Brian Setzer, TLC, Brian McKnight, Little Richard, Patti Austin, Linda Ronstadt, James Ingram, Cece Winans, Pointer Sisters, Mavis Staples, Andrae Crouch, David Benoit, Take 6, Bruce Hornsby, Branford Marsalis, Chick Corea, Steve Vai, Tevin Campbell, Jerky Boys, Paul Rodriquez, Chet Atkins, Olivia Newton John, DC Talk, Jennifer Holliday Current Projects • Solo Album in progress (2020) • The Bubble Musical Soundtrack Album of David’s first musical