2020 FALL SEASON December 13, 2020 at 7Pm

Total Page:16

File Type:pdf, Size:1020Kb

2020 FALL SEASON December 13, 2020 at 7Pm Season Sponsor Media Partner 2020 FALL SEASON December 13, 2020 at 7pm 1 PROGRAM Live from the Ordway Concert Hall December 13, 2020 at 7pm Estimated running time is 75 minutes including a 5 minute intermission. Liv Redpath, soprano Zoie Reams, mezzo-soprano Daniel Montenegro, tenor Thomas Glass, baritone Joseph Li, Arranger / Pianist Emily Bishai, Stage Director “Linus and Lucy” ........................................... Music by Vince Guaraldi “Christmas Time is Here” ....Music and lyrics by Lee Mendelson and Vince Guaraldi Daniel Montenegro “White Christmas” .................................. Music and lyrics by Irving Berlin As performed by The Drifters “Little Girl Blue”. Music by Richard Rodgers Zoie Reams Lyrics by Lorenz Hart “Snow Day” ....................................Music and lyrics by Jeremy Messersmith “Twelve Days of Christmas” .........................................Traditional “Por el valle de rosas” ....................Music and lyrics by Miguel Bernal Jiménez Daniel Montenegro Through the valley of roses Sleep my Jesus Of your cheeks Sleep in my arms Run two little streams And don’t cry, don’t cry Of tears For my sins Let me try, let me Fall asleep, sleep Let me try, let me Fall asleep, sleep Quench their thirst And even if you feel me cry That so torments me. Don’t wake up ... Translation by Daniel Montenegro 2 PROGRAM “Text Me Merry Christmas” ..........................Music by Adam Schlesinger Lyrics by David Javerbaum “Man of the Hour” ..................................Music and lyrics by Norah Jones Liv Redpath “A Five Pound Box of Money” ...................Music and lyrics by Pearl Bailey Thomas Glass “Peace” ................................................ Music and lyrics by Horace Silver Liv Redpath “Snow” .................................................. Music and lyrics by Irving Berlin 5 MINUTE INTERMISSION “Santa Baby” .....................................................Music and lyrics by Zoie Reams Joan Ellen Javits and Philip Springer Daniel Montenegro Thomas Glass “Wintery Sun” from The Christmas Spider ............................. Music by Clint Borzoni Lyrics by John de los Santos “Who Would Imagine A King” .............. Music and lyrics by Mervyn Warren Zoie Reams and Hallerin Hilton Hill “A Christmas Carol” .................................Music and lyrics by Tom Lehrer Thomas Glass “Light One Candle” ................................Music and lyrics by Peter Yarrow “River” ..................................................Music and lyrics by Joni Mitchell Liv Redpath “Stille Nacht” ............................................Music by Franz Xaver Gruber Lyrics by Joseph Mohr 3 PROGRAM “I’ll Be Home for Christmas” ..............................Music by Walter Kent Thomas Glass Lyrics by Kim Gannon “The Twelve Days After Christmas” .......Music and lyrics by Frederick Silver “Christmas in Minneapolis” ............................. Music by Eric Blomquist Lyrics by Chris Hooks (The Tribe and Big Cats) Minnesota Opera is honored to feature singers who are alumni of Project Opera and the Resident Artist Program. These artists boast impressive international careers and perform at the highest level in opera houses and concert halls around the world. Project Opera and the Resident Artist Program foster creative development and prepare young and emerging stars for a lifelong career in the field. We are immensely proud of all Project Opera participants and Resident Artists, past and present, who draw our world closer together to share their creative gifts and celebrate our common humanity. 4 ARTISTS AND CREATIVE TEAM Artists and Creative Team EMILY BISHAI Resident Artist 2020–2021 Hometown: Baltimore, Maryland Minnesota Opera Debut: Opera in the Outfield, 2020 Notable Engagements: The Marriage of Figaro, Welsh National Opera Don Giovanni, Royal Opera House, Covent Garden The Soldier’s Tale, RWCMD REPCo/USW Dance The Four Note Opera, Royal Welsh College of Music & Drama Albert Herring, Royal Welsh College of Music & Drama THOMAS GLASS Resident Artist 2016–2017 Hometown: Edina, Minnesota Minnesota Opera Debut: Roméo et Juliette, 2016 Notable Engagements: La Cenerentola, Atlanta Opera Riders of the Purple Sage, Arizona Opera La bohème, Houston Grand Opera Florencia en el Amazonas, Houston Grand Opera Il barbiere di Siviglia, Houston Grand Opera La bohème, Des Moines Metro Opera JOSEPH LI Hometown: Seattle, Washington Minnesota Opera Debut: A Holiday Special—Live!, 2020 Notable Engagements: Fall of the House of Usher (Conductor), Wolf Trap Opera Tain’t Nobody’s Business If I Do - Songs of Gay Harlem (Pianist), New York Festival of Song Studio Spotlight (Conductor), Wolf Trap Opera Trouble in Tahiti (Conductor), Baylor Opera Theater The Seven Deadly Sins (Conductor), Wolf Trap Opera W.C. Handy & The Birth of the Blues (Pianist), New York Festival of Song Studio Artist Alumnus, Houston Grand Opera 5 ARTISTS AND CREATIVE TEAM DANIEL MONTENEGRO Resident Artist 2002–2003 Hometown: Santa Ana, California Minnesota Opera Debut: Der fliegende Holländer,2003 Notable Engagements: Roméo et Juliette, San Francisco Opera La traviata, Arizona Opera Cruzar la Cara de la Luna, Houston Grand Opera Florencia en el Amazonas, San Diego Opera L’elisir d’amore, Washington National Opera Il postino, Théâtre du Châtelet, Paris ZOIE REAMS Project Opera 2009–2010 Hometown: Chicago, Illinois Minnesota Opera Debut: Roberto Devereux, 2010 Notable Engagements: Rigoletto, Houston Grand Opera Everest, Chicago Opera Theater Freedom Ride, Chicago Opera Theater La traviata, Lyric Opera of Chicago Carmen, Opéra Louisiane Wozzeck, Des Moines Metro Opera LIV REDPATH Project Opera 2004–2010 Hometown: Edina, Minnesota Minnesota Opera Debut: A Holiday Special—Live!, 2020 Notable Engagements: Les Huguenots, Deutsche Oper Berlin Der Rosenkavalier (cover), Metropolitan Opera Ariadne auf Naxos, Santa Fe Opera and Cincinnati Opera Hansel and Gretel, Los Angeles Opera Thaïs, Toronto Symphony Orchestra Mahler Symphony #4, Los Angeles Philharmonic L’enfant et les sortilèges, Pacific Symphony VIDEO PRODUCER ROBOTIC CAMERA OPERATOR Matt Thueson Rebecca Beam VIDEO DIRECTOR STAGE MANAGEMENT Joshua Wyatt Jerry K. Smith, Jamie K. Fuller 6 PROGRAM NOTES Program Notes From Joseph Li Let’s start by addressing the my generation first heard it: and closing the song as one elephant wearing the Santa watching the movie Home does a tender hymn—that’s hat in the room: how do we Alone. I still get the giggles an emotional space that only celebrate this holiday season in from thinking about this song music can create. a COVID-ravaged world? playing while Macaulay Culkin’s Situated between the irreverent “Kevin” is putting on aftershave, I don’t even know how to mirth of “12 Days of Christmas” yowling from the heat, and answer that question for myself. and “Text Me Merry Christmas” meanwhile his brother’s we offer you“Por el valle de I do know that COVID cannot recently freed tarantula crawls rosas”, sung by the eloquent squash the essence of the across the bathroom floor. traditions surrounding this Daniel Montenegro. For our holiday season. Christmas, “Little Girl Blue” is one of Christian family, Christmas Hanukkah, Diwali, and Kwanzaa many tributes on this program is a season of birth and are, in fact, celebrations: to those among us who will the incarnate promise of celebrations of each other find themselves spending the redemption and renewal, and in the now, celebrations of holidays alone. It proved to Miguel Bernal Jiménez brings gratitude for those that came be the hit song from Rodgers to musical life a perfect picture before, and celebrations of and Hart’s musical Jumbo—it of humanity’s power to love in hope for those to come, among has been since performed by the face of adversity—of Mary many other things. the likes of Janis Joplin, Ella cradling a crying Jesus in her Fitzgerald, and Nina Simone— arms, rocking him to sleep even In that spirit of celebration, whose version you’ll hear as she knows Herod’s men we offer you this program of performed by the inimitable pursue them mercilessly. holiday music that is near and Zoie Reams. dear to so many of us. May My friend and cabaret partner How Nina Simone connected it provide even the slimmest in crime Kelli Estes introduced the dots of hope-starved glimmer of joy, mirth, and hope me to Straight No Chaser’s melancholy between “Good for you in the shadow of this “Text Me Merry Christmas” King Wenceslas” and “Little present darkness. several years ago for one of Girl Blue” I don’t know. I do our holiday cabaret shows in What better way to start off a know that marrying jazz with celebration than with A Charlie Houston, Texas. It pokes some her classical tradition roots was Brown Christmas? I would fun at how married we are one of her trademark practices, argue that Vince Guaraldi and to our phone screens, and its but I have never heard that his trio created a soundscape light fun is especially timely carol played in such a way, of childlike wonder, hilarity, and considering how so many of us and I can’t help but think of anticipation in a way no group will be apart from loved ones this song any time I hear the has since. this season. carol through the holidays. The The first time I heard The way she takes her time at the The holiday season can be Drifters’ “White Christmas” end, pleading for someone to especially difficult on single was probably how many in send “a tender little blue boy” folks, and this particular season 7 PROGRAM NOTES will prove harder than most. For all its naughty and Mass
Recommended publications
  • Nomination Press Release
    Elisabeth Moss as Peggy Olson Outstanding Lead Actor In A Drama Series Nashville • ABC • ABC Studios Connie Britton as Rayna James Breaking Bad • AMC • Sony Pictures Television Scandal • ABC • ABC Studios Bryan Cranston as Walter White Kerry Washington as Olivia Pope Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Hugh Bonneville as Robert, Earl of Grantham Outstanding Lead Actor In A Homeland • Showtime • Showtime Presents, Miniseries Or A Movie Teakwood Lane Productions, Cherry Pie Behind The Candelabra • HBO • Jerry Productions, Keshet, Fox 21 Weintraub Productions in association with Damian Lewis as Nicholas Brody HBO Films House Of Cards • Netflix • Michael Douglas as Liberace Donen/Fincher/Roth and Trigger Street Behind The Candelabra • HBO • Jerry Productions, Inc. in association with Media Weintraub Productions in association with Rights Capital for Netflix HBO Films Kevin Spacey as Francis Underwood Matt Damon as Scott Thorson Mad Men • AMC • Lionsgate Television The Girl • HBO • Warner Bros. Jon Hamm as Don Draper Entertainment, GmbH/Moonlighting and BBC in association with HBO Films and Wall to The Newsroom • HBO • HBO Entertainment Wall Media Jeff Daniels as Will McAvoy Toby Jones as Alfred Hitchcock Parade's End • HBO • A Mammoth Screen Production, Trademark Films, BBC Outstanding Lead Actress In A Worldwide and Lookout Point in association Drama Series with HBO Miniseries and the BBC Benedict Cumberbatch as Christopher Tietjens Bates Motel • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin
    [Show full text]
  • The Morning Line
    THE MORNING LINE DATE: Tuesday, June 7, 2016 FROM: Melissa Cohen, Michelle Farabaugh Emily Motill PAGES: 19, including this page C3 June 7, 2016 Broadway’s ‘The King and I’ to Close By Michael Paulson Lincoln Center Theater unexpectedly announced Sunday that it would close its production of “The King and I” this month. The sumptuous production, which opened in April of 2015, won the Tony Award for best musical revival last year, and had performed strongly at the box office for months. But its weekly grosses dropped after the departure of its Tony-winning star, Kelli O’Hara, in April. Lincoln Center, a nonprofit, said it would end the production on June 26, at which point it will have played 538 performances. A national tour is scheduled to begin in November. The show features music by Richard Rodgers and book and lyrics by Oscar Hammerstein II. The revival is directed by Bartlett Sher. C3 June 7, 2016 No More ‘Groundhog Day’ for One Powerful Producer By Michael Paulson Scott Rudin, a prolific and powerful producer on Broadway and in Hollywood, has withdrawn from a much- anticipated project to adapt the popular movie “Groundhog Day” into a stage musical. The development is abrupt and unexpected, occurring just weeks before the show is scheduled to begin performances at the Old Vic Theater in London. “Groundhog Day” is collaboration between the songwriter Tim Minchin and the director Matthew Warchus, following their success with “Matilda the Musical.” The new musical is scheduled to run there from July 15 to Sept. 17, and had been scheduled to begin performances on Broadway next January; it is not clear how Mr.
    [Show full text]
  • Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
    MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................
    [Show full text]
  • Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
    Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S.
    [Show full text]
  • Chorales American Spiritual Fall 2013
    The Salisbury Chorale and University Chorale with guest artists from the American Spiritual Ensemble present Conceived by John Wesley Wright Sunday, November 17, 2013 • 5 p.m. Holloway Hall Auditorium ASE Soloists: Karen Slack, soprano Cherry Duke, mezzo-soprano John Wesley Wright, tenor Michael Preacely, baritone Dr. William Folger, Musical Director Susan Zimmer, Pianist Sponsored by The Peter and Judy Jackson Music Performance Fund and the Fulton School of Liberal Arts PROGRAM I (Prophecy, Birth, Life of Christ) Over My Head . .arr. Osby Hodges, Rev. Todd O’Neal and John Wesley Wright; Intro transcribed by Jitsuko Tanaka John Wesley Wright, tenor and Ensemble De Virgin Mary Had a Baby Boy . .arr. Vaughan Meakins Michael Preacely, baritone and Ensemble** Rockin’ Jerusalem . .arr. John W. Work Karen Slack, soprano and Ensemble Sister Mary . .arr. Roland Hayes Cherry Duke, mezzo-soprano Lil’ Boy . .arr. Roland Hayes Michael Preacely, baritone Mary Had a Baby . .arr. Roland Carter John Wesley Wright, tenor and Ensemble Sweet Little Jesus Boy . .Robert MacGimsey Cherry Duke, mezzo-soprano Ride On, Jesus . .arr. R.Nathaniel Dett Karen Slack, soprano Glory Hallelujah to Duh Newbo’n King . .adapted by Rosephanye Powell ASE Soloists and Ensemble II (Christ’s Passion, Teachings, the Judgment, Ultimate Victory) Spirituals Medley . .arr. Rev. Todd O’Neal and transcribed by Steve Milloy ASE Soloists and Ensemble Were You There? . .arr. Harry T. Burleigh Michael Preacely, baritone Calvary . .arr. Steven Sametz John Wesley Wright, tenor and Small Ensemble † Take My Mother Home . .arr. Hall Johnson Cherry Duke, mezzo-soprano 1 Wade in the Water (Spiritual Quodlibet) . .arr. Ysaye M.
    [Show full text]
  • Horse with No Name” Paul Zollo - the Origins of the Iconic, Enigmatic Anthem, in His Own Words It’S One of the Most Famously Mysterious Songs Ever to Become a Hit
    APRIL 3, 2020 Link to article: https://americansongwriter.com/behind-the-song-horse-with-no-name/ Behind The Song: America, “Horse With No Name” Paul Zollo - The Origins of the Iconic, Enigmatic Anthem, In His Own Words It’s one of the most famously mysterious songs ever to become a hit. It’s got enigma baked into it, which may be part of its lasting magic. Like Lennon’s “Norwegian Wood,” and other great though cryptic songs, it doesn’t fill in the entire picture, leaving it instead up to the listener to do that on their own. All of its components enhance this dynamic of hypnotic mystery. There’s the swampy/mystic tone of the track, ethereal yet visceral, just acoustic guitars, bass and conga with no drums. The vocal is delivered as if from a storyteller spinning an ancient mythic tale, not performing as much as testifying, and in language that resounds like coded poetry. We’re in motion the entire time, days are passing, and the heat is relentless. Elemental symbols are everywhere like images from a perplexingly real dream – a dry riverbed, appointed with plants and birds and rocks and things, and incessant sound. And, of course, there’s that mysterious horse, the one with no name, which did forever force the question: Why? Why didn’t anyone name this horse? In search of answers, we turned to the songwriting source himself, Dewey Bunnell, who spoke to us on the phone last week, the final week of March, 2020, at the start of the mandatory stay-at-home orders in California.
    [Show full text]
  • Nomination Press Release
    Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick,
    [Show full text]
  • 2017 - 2018 Honor Roll of Giving
    2017 - 2018 HONOR ROLL OF GIVING CORPORATE PARTNERS $50,000 - $99,999 $5,000 - $9,999 Gelson’s Markets Fairmont Miramar Hotel & Bungalows/ Bob’s Market Green Brooms Music Academy MSD Capital Edison International Keygent LLC Saint John’s Health Center Foundation Harley Ellis Devereaux/Moore Ruble Khedr Management Company Community Impact Fund Yudell Architects Law Offices of Joel C. Koury Huntley Santa Monica Beach Gary Limjap $25,000 - $49,999 Linwood Ventures & Lincoln Property Payden & Rygel Kaiser Permanente Company The Pump Station & Nurtury OneWest Bank Pence Hathorn Silver RAND Corporation Pacific Park Software Management Santa Monica Bowl Kitchen Santa Monica Place/Macerich Consultants, Inc. Santa Monica Music Center Wally’s Wine & Spirits SP+ ThatTutorGuy.com Stifel $10,000 - $24,999 UCLA Medical Center, Santa Monica $1,000 - $2,499 Bird City National Bank Cedars-Sinai $2,500 - $4,999 Element Consulting, Inc. DK Broadway LLC Code REV Kids Federal Realty Investment Trust FreeAssociates DFH Architects Steaven Jones Development Company, Harding Larmore Kutcher & Kozal DLR Group Inc. The Plaza at Santa Monica Diane Dorin - Agent, DBG Group, Santa Monica Daily Press Compass $500 - $999 Sir Speedy Santa Monica Downtown Santa Monica Sunnin Lebanese Cuisine Wells Fargo Foundation DZ Solutions SUPERINTENDENT’S CIRCLE Leader: $25,000 - $49,999 Shen Family Kim and Steve Eyler Ravi and Nisha Asnani Dr. Arthur M. Southam and Faculty Association of Tina Trahan and Chris Albrecht Dr. Cornelia B. Daly Santa Monica College Cat and Jon Wray Finch
    [Show full text]
  • An Approach to the Doctrine of God and Implications for Liberation
    AN APPROACH TO THE DOCTRINE OF GOD AND IMPLICATIONS FOR LIBERATION by Michael “M. A.” Bell Bachelor of Science, Wiley College, 1972 Master of Divinity, Howard University, 1976 Master of Arts, University of Texas, 1981 A Doctoral Dissertation submitted to the faculty of Interdenominational Theological Center in partial fulfillment of the requirements of the degree of Doctor of Ministry 1985 ABSTRACT The purpose of this project is quadrilateral: (1) to critically engage the doctrine of God as preached in Blackamerican pulpits and as perceived by those who frequent the pews of the Black Church, (2) to identify, report, and address the dissonance emanating from the Black Church’s social activistic rhetoric and course of action and the disliberating theological posture assumed by the Black Church, (3) to raise questions and fuel debate within the indigenous (Black) church relevant to the liberating currency of its present theological position, (4) to propose a viable liberating alternative in primer form, to be utilized in a continuing education program designed for parish clergy0 It should be clear from the outset that this paper is intended as a prolegomenon. Because of the dearth of materials by Black or other Third World authors on some of the topics addressed herein, hermeneutical materials from “outside the camp” are employed when relevant. In fact, much of the conceptual backdrop for this study is drawn from contemporary European theologies. This is not to suggest that any new theological direction for the Black Church must necessarily be manacled to paradigms espoused 11 by White theologians. It does suggest, however, that truth is not racialistic.
    [Show full text]
  • 2019 Colorado IE Listing for High School Thespians
    Session Room Category High School Selection Participants 1 102 IE: Musical Solo ERIE HS Pretty Funny - Dogfight Fiona Spencer 1 102 IE: Musical Solo RALSTON VALLEY HS Just Breathe from The Prom Dani Johnson 1 102 IE: Musical Solo FAIRVIEW HS To Kiss A Girl - Run Far Away Indigo Jones 1 102 IE: Musical Solo HORIZON HS This Place is Mine Holly Hyman 1 102 IE: Musical Solo HORIZON HS Santa Fe Croccifixio Milinazzo 1 102 IE: Musical Solo HORIZON HS Watch What Happens Ashley Stuck 1 102 IE: Musical Solo HORIZON HS I Can Hear the Bells Nicoshiana Arellano 1 102 IE: Musical Solo HORIZON HS Alive Hayden Wallis 1 102 IE: Musical Solo GATEWAY HS Where Is The Life That Late I Led - Kiss Me Kate Dylan Ker 1 102 IE: Musical Solo GATEWAY HS On the Steps of the Palace - Into the Woods Autumn Contreras 1 102 IE: Musical Solo ROCK CANYON HS Raise a Little Hell by Black and Wildhorn Liam Cook 1 102 IE: Musical Solo ROCK CANYON HS History of Wrong Guys by Cindi Lauper Alyssa Marino 1 102 IE: Musical Solo ROCK CANYON HS I Love Betsy, Honeymoon in Vegas Reese Cruz 1 102 IE: Musical Solo LAKEWOOD HS Bring on the Men Saige Pierson 1 103 IE: Musical Duet CHERRY CREEK HS Pretty Women from Sweeney Todd Caetano DeSa, Ethan Rossi 1 103 IE: Musical Solo CHERRY CREEK HS Come With Me- Boys from Syracuse Hayden Noe 1 103 IE: Musical Solo RALSTON VALLEY HS In My Dreams from Anastasia Faith Kimball 1 103 IE: Musical Solo RALSTON VALLEY HS Two Little Lines Jackalynn Harris 1 103 IE: Musical Solo HERITAGE HS All That Matters - Finding Neverland Lillian Lockyer 1 103 IE:
    [Show full text]
  • THOSE MAGIC CHANGES in Case You Haven't Noticed, the American Musical Is Changing Keys and Adding New Voices
    THOSE MAGIC CHANGES In case you haven't noticed, the American musical is changing keys and adding new voices. SCOTT MILLER's small theatre in St. Louis is keeping score. BY ROB WEINERT-KENDT HEN THE MUSICAL HIGH FIDELITY CLOSED Though composer abruptly after just 13 unlucky performances on Broad­ Kitt didn't make the pil­ Wway, composer Tom Kitt and lyricist Amanda Green grimage, he followed the were nursing their wounds-and then they got a call from St. Louis, show's fortunes admiringly Mo. Somebody there loved, loved, loved their show, and wanted to from afar. mount the first regional production. Though this stage adaptation "Having someone of the beloved ick Hornby novel and Stephen Frears film about a come forward and say, 'I passionate pop-music fan and his rocky love life had been roundly love it and want to do it' panned by critics and resoundingly rejected by audiences in New was really important to the York, a guy named Scott Miller desperatt;ly wanted to do the first show," confirms Kitt, who regional production at his scrappy little New Line Theatre. went on to write Next to The show wasn't yet officially licensed (it's now available via Normal (seen at New Line Playscripts) and the score still needed some cleanup, but Miller in 2013) and the current nabbed the rights, and his 2008 production got raves from St. Louis Broadway outing If/Then. critics. And it still gets high marks from lyricist Green, who attended. "And not only did Scott "Seeing it there in a bare-bones production, a very respectful Miller do it-he did a production that was unanimously praised in production-I don't mean respectful in a boring way, but very atten­ St.
    [Show full text]
  • David Pack Facts at a Glance 2021
    David Pack Facts at a Glance 2021 David Pack has won international acclaim both for his solo work and his stellar turn as co-founder & former frontman for the progressive rock group Ambrosia. He is a Grammy-winning Producer and Music Director/Producer of global special events including both of President Clinton’s Inaugurals, charitable events for Barbra Streisand, Elton John, Billy Joel, Madonna, Fergie, and an incredible host of others. His collected works as a performer and producer have sold over 50-million units worldwide. His music mentors are friends the late Leonard Bernstein and Quincy Jones. He is a two-time Grammy winner – for Tribute: Songs of Andrae Crouch and Handel’s Messiah – a Soulful Celebration. He has been nominated for seven additional Grammys – six for Ambrosia, one for Kenny Loggins’ Return to Pooh Corner. David’s all-star group “David Pack’s Legends Live” perform across America. Artists Produced Aretha Franklin, Faith Hill, Phil Collins, Garth Brooks, Kenny Loggins, Michael McDonald, Leann Rimes, Natalie Cole, Patti LaBelle, Trisha Yearwood, Selena, Amy Grant, Wynonna Judd, Brian Setzer, TLC, Brian McKnight, Little Richard, Patti Austin, Linda Ronstadt, James Ingram, Cece Winans, Pointer Sisters, Mavis Staples, Andrae Crouch, David Benoit, Take 6, Bruce Hornsby, Branford Marsalis, Chick Corea, Steve Vai, Tevin Campbell, Jerky Boys, Paul Rodriquez, Chet Atkins, Olivia Newton John, DC Talk, Jennifer Holliday Current Projects • Solo Album in progress (2020) • The Bubble Musical Soundtrack Album of David’s first musical
    [Show full text]