CONTACT: Allie Honebrink Director of Marketing And

Total Page:16

File Type:pdf, Size:1020Kb

Load more

CONTACT: Allie Honebrink Director of Marketing and Communications 1555 Central Parkway, Cincinnati, OH 45214 513.562.1137 Direct 859.468.5509 Cell [email protected] FOR IMMEDIATE RELEASE CINCINNATI BALLET PRESENTS EXCITING COLLABORATIONS AND WORLD PREMIERES FOR 52ND SEASON Featuring the long awaited return of Cinderella plus Balanchine, groundbreaking female choreographers and more CINCINNATI, OH. – Cincinnati Ballet’s 2015-2016 Season brings exciting collaborations, world premieres and the return of a beloved fairytale favorite with: The Kaplan New Works Series, Lady of the Camellias, Frisch’s Presents The Nutcracker, Cinderella, Wild Sweet Love and Director’s Choice performed at the Aronoff Center for the Arts. The Kaplan New Works Series returns to be performed for the second time in its new home in the Aronoff Center’s beautiful Jarson-Kaplan Theater, September 11 through 19. With continual record-breaking attendance, the new location offers access to a larger audience while maintaining the intimacy for which the series is well known. New Works features three world premieres and one Cincinnati premiere from esteemed choreographers Adam Hougland, Viktor Plotnikov, Ma Cong and Gabriel Gaffney Smith. Long-time collaborator and Resident Choreographer Adam Hougland presents a solo piece, marking his sixth world premiere for Cincinnati Ballet. Viktor Plotnikov, a former principal dancer with Boston Ballet presents his new work in collaboration with UC DAAP’s acclaimed videographer Charles Woodman. Resident Choreographer for Tulsa Ballet, Ma Cong began his dance career at the Beijing Academy and has worked with the world’s most revered choreographers at the National Ballet of China. Renaissance man Gabriel Gaffney Smith, a composer and choreographer/dancer with BalletMet Columbus, presents the Cincinnati premiere, Detachment Without Reason, a pas de deux set to his own original musical composition. Lady of the Camellias takes the stage October 23 and 24 with choreography by Val Caniparoli, accompanied by the moving music of Frederic Chopin, performed by the Cincinnati Symphony Orchestra. Caniparoli’s challenging, yet breath taking choreography journeys through love and -more- loss when Marguerite, a famous courtesan, and Armand, a young countryman, become entangled in a forbidden affair. Based on Alexandre Dumas’ classic story of two hopeful lovers in 19th Century Paris, Lady of the Camellias has inspired many screen and stage adaptations including the films Camille, featuring an Oscar nominated performance by Greta Garbo, Moulin Rouge and the popular opera La Traviata. Frisch’s Presents The Nutcracker, one of Cincinnati’s greatest holiday traditions, runs December 18 through 27. The Nutcracker was re-envisioned in 2011 by Artistic Director & CEO, Victoria Morgan, a success Cincinnati CityBeat says “strikes a delightful balance between light family fare and serious technical ballet.” The Cincinnati Symphony Orchestra will perform Tchaikovsky’s magical score live at each performance. Cinderella returns February 12 through 14, performed for the first time in over six years, with newly refurbished sets, updated costumes and a brand new beautiful carriage. Cinderella is the classic tale of a hapless young woman who undergoes a magical transformation, leading her to find love and the enchanted life she dreams of. Victoria Morgan’s choreography pairs delightfully with the captivating music of Sergei Prokofiev, performed by the Cincinnati Symphony Orchestra, breathing new life into the treasured tale. Wild Sweet Love with Balanchine’s Who Cares? presented March 18 and 19 marks our sixth shared production with BalletMet Columbus, as we collaborate to present a full corps de ballet in George Balanchine’s Who Cares?, backed by some of George Gershwin’s most famous melodies. Accompanied by a variety of hit songs by popular artists, including everything from Roberta Flack to Queen, Wild Sweet Love is performed by Cincinnati Ballet and follows one woman’s journey navigating the ups and downs of love. The production is punctuated by a special presentation of Age of Innocence by BalletMet Columbus, choreographed by their own artistic director, Edwaard Liang. This modern piece is inspired by Jane Austen and set to music by Thomas Newman and Philip Glass. Ballet Toybox returns in its fifth season, offering the perfect opportunity to introduce young children to the joy of dance on Sunday, March 20. The program features the Cincinnati Ballet Second Company in a mix of ballet and storybook classics. At under an hour and only $20 a ticket, Ballet Toybox is an interactive adventure where the audience learns about the essential elements that make up the beauty, humor and inspiring discipline of dance. Director’s Choice shines a spotlight on groundbreaking female choreographers April 29 and 30, with selections hand-picked for Cincinnati audiences by our very own Artistic Director & CEO, Victoria Morgan. The mixed-repertoire includes Cylindrical Shadows, A Solo in 9 Parts, Habitual and a world premiere by Jennifer Archibald. Cylindrical Shadows, choreographed by Annabelle Lopez Ochoa after the loss of a close friend, explores themes of life and death with music by Johann Sebastian Bach, Henry Purcell and David van Bouwel. According to Lopez, “There is no difference between life and death; they are not opposites, as we are taught to -more- believe. They are both a part of a single continuum, the continuum of life.” A Solo in 9 Parts by Jessica Lang, founder of New York City based dance company Jessica Lang Dance (JLD), is raw, modern and refreshingly stripped-down, showcasing the true talent and athleticism of the dancers, and is set to a beautiful violin concerto by Antonio Vivaldi. A Cincinnati audience favorite and the creator of the popular DANCEFIX, Heather Britt returns with her tense and sensuous pas de deux, Habitual, with music by Gabriel Gaffney Smith, who will be familiar to audiences from The Kaplan New Works Series. Habitual a duet about feeling stuck and the attraction we have as humans to repeat what is familiar. Jennifer Archibald, the founder and artistic director of New York City's acclaimed Arch Dance Company, returns with a world premiere piece choreographed exclusively for Cincinnati Ballet. Archibald pulls from a variety of influences to boldly and seamlessly infuse ballet with nuances of hip hop. This combination of hip hop with classical aesthetic in movement greatly influences her musical scores, which she often custom engineers to include an assortment of compositions. Described as “…voluptuous… fiery… sensual…” by the Cincinnati Enquirer, her brilliant piece Sit was met with reverence and awe by Cincinnati audiences last season as part of The Kaplan New Works Series. ### Cincinnati Ballet 2015-2016 Season Sponsors: The Otto M. Budig Family Foundation, ArtsWave, Rhonda & Larry A. Sheakley Family Foundation, Rosemary & Mark Schlachter, The Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, National Endowment for the Arts, Frisch’s About Cincinnati Ballet Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy-winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy. CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org http://www.facebook.com/CincinnatiBallet http://twitter.com/cincyballet .
Recommended publications
  • 2019-2020 Season Overview JULY 2020

    2019-2020 Season Overview JULY 2020

    ® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report.
  • AUDITION for FOUR COMPANIES in One Great Workshop

    AUDITION for FOUR COMPANIES in One Great Workshop

    Serious High School, College & Conservatory Dancers AUDITION for FOUR COMPANIES in One Great Workshop June 29, 2020 - August 2, 2020 Only 32 Dancers Accepted Classes with these Directors... Hope Muir Robert Curran Charlotte Ballet Louisville Ballet James Sofranko Adam Sklute Grand Rapids Ballet West Ballet PLUS other fantastic faculty! SUMMER 2020 INTENSIVE PERFORMANCE WORKSHOP June 29, 2020 – August 2, 2020 Study with Artistic Directors: Hope Muir, Charlotte Ballet Robert Curran, Louisville Ballet Adam Sklute, Ballet West James Sofranko Grand Rapids Ballet Monday - Saturdays 10am – 6pm (6 days per week) Tuition: $1,995 Cincinnati Ballet’s Victoria Morgan during a “Meet the Director” Lunch/Lecture • Use class as an Audition for these four companies. • Meet and ask questions of these Directors during the “Meet the Director” lecture series. • Classes in ballet technique, pointe technique, variations, together with jazz and modern will be included. Additional classes in Pilates and hip-hop will also be included. • Dance enrichment sessions of the workshops will include: question-and-answer ses- sions with professional dancers, technical theater production, video critique of his- toric ballet performances, plus discussions on resume, make-up and audition skills. • In the [Performance Intensive Workshop], you will learn what it is to be a member of a Corps de Ballet dancing with some of the finest professional dancers in the world. • All Performance Workshop Participants will be cast in a full-length production, La Bayadère. Performance: La Bayadère July 31, August 1 & 2, 2020 with Pennsylvania Ballet’s Sterling Baca and Nayara Lopes and San Francisco Ballet’s Sasha de la Sola! About Boca Ballet Theatre: Founded in 1990, Boca Ballet Theatre’s mission is to enrich the cultural landscape of our community and to educate our youth in classical ballet and concert dance through focused training, interaction with professional dancers and participation in full length ballets and contemporary choreog- raphy.
  • The Shubert Foundation 2020 Grants

    The Shubert Foundation 2020 Grants

    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
  • Nutcracker Dec 19 - Dec 28 / 2015

    Nutcracker Dec 19 - Dec 28 / 2015

    NUTCRACKER DEC 19 - DEC 28 / 2015 Choreography Galina Yordanova & Nina Menon | Music Pyotr Ilyich Tchaikovsky Centennial Concert Hall with the Winnipeg Symphony Orchestra 1 VAL CANIPAROLI’S A CINDERELLA STORY FEB 17 - 21 / 2016 At the Centennial Concert Hall PHOTO: David PHOTO: A Cinderella Story A Cinderella Former Principal Dancers Vanessa Lawson (1997 – 2013) and Jaime Vargas (2004 - 2010) in the 2009 Production of (2004 - 2010) in the 2009 Production Lawson (1997 – 2013) and Jaime Vargas Vanessa Principal Dancers Former TICKETS FROM $29!* *plus applicable taxes & fees RWB.ORG 204.956.2792 TABLEAU Under the distinguished Patronage of His Excellency The Right Honourable David Johnston, C.C., C.M.M., C.O.M., C.D. Governor General of Canada founders: GWENETH LLOYD & BETTY FARRALLY artistic director emeritus: ARNOLD SPOHR, C.C., O.M. founding director, school professional division: DAVID MORONI, C.M. founding director, school recreational division: JEAN MACKENZIE artistic director executive director ANDRÉ LEWIS JEFF HERD Jo- Ann Sundermeier, Dmitri Dovgosolets artists PHOTO: Réjean Brandt Photography AMANDA GREEN SOPHIA LEE JO-ANN SUNDERMEIER DMITRI DOVGOSELETS LIANG XING ISSUE NO. 197 YAYOI BAN YOSUKE MINO To advertise in future issues of this program, call Larah Luna 204.957.3471 SARAH DAVEY ELIZABETH LAMONT ALANNA MCADIE TRISTAN DOBROWNEY KOSTYANTYN KESHYSHEV JOSH REYNOLDS COVER: EGOR ZDOR Jo-Ann Sundermier, Dmitri Dovgoselets PHOTO: Réjean Brandt Photography KATIE BONNELL JAIMI DELEAU YOSHIKO KAMIKUSA CHENXIN LIU ANNA O’CALLAGHAN MANAMI TSUBAI DESIGN: Aleli Estrada SARAH PO TING YEUNG LIAM CAINES TYLER CARVER STEPHAN POSSIN PRINTING: Dave’s Quick Print THIAGO DOS SANTOS LUZEMBERG SANTANA RYAN VETTER EDITOR: Larah Luna JESSE PETRIE SAEKA SHIRAI AMY YOUNG PHILIPPE LAROUCHE YUE SHI Royal Winnipeg Ballet is a chartered non-profit corporation operated by a voluntary Board of senior ballet master music director & conductor Directors, David Reid, Chair.
  • Dance Theatre of Harlem

    Dance Theatre of Harlem

    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
  • Qurrat Ann Kadwani: Still Calling Her Q!

    Qurrat Ann Kadwani: Still Calling Her Q!

    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
  • Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 P.M

    Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 P.M

    FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.213.4355 [email protected] For Tickets: 816.931.8993 or kcballet.org Kansas City Ballet Announces Stories of Resiliency: Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 p.m. WHO: * Moderator Allan S. Gray II, Former KCB board member and former board member of the Missouri Arts Council. He is also founding board member of the Kansas City Friends of Alvin Ailey. * April Berry, Former apprentice, and ballerina with ballet companies in New York, New Jersey and Washington, D.C., current Director of Community Engagement and Education at Kansas City Ballet and Kansas City Ballet School faculty member. * Karen Brown, Former ballerina with Dance Theatre of Harlem, current Assistant Professor of Dance at UMKC Conservatory, University of Missouri at Kansas City. * Whitney Huell, Former ballerina with Ballet West, current ballerina with Kansas City Ballet and Kansas City Ballet School faculty member. * Josh Bodden, former dancer with Miami City Ballet, Dance Theatre of Harlem, Cincinnati Ballet, current danseur with Kansas City Ballet and Kansas City Ballet School faculty member. WHAT: Four professional black dancers living and working in Kansas City share their journeys on navigating dance careers in the American Ballet World. Moderated by Allan S. Gray II, a respected Kansas City business professional and community leader, each panelist will impart their unique dance experiences, perspectives on diversity, inclusion and equity in ballet and respond to questions from the community sent in advance of the panel, as well as during the panel. Visit www.kcballet.org for more information.
  • The Portland Ballet Presents 'The Enchanted Toyshop' and 'Tourbillon

    The Portland Ballet Presents 'The Enchanted Toyshop' and 'Tourbillon

    FOR IMMEDIATE RELEASE CONTACT: Laura Grimes, [email protected], 971.322.9452 The Portland Ballet presents ‘The Enchanted Toyshop’ and ‘Tourbillon,’ a new work by Anne Mueller with Portland State University Orchestra, Ken Selden, music director PROGRAM DETAILS John Clifford’s The Enchanted Toyshop (2003) Anne Mueller’s Tourbillon (2017), a world premiere Both performed with the PSU Orchestra, under the direction of Ken Selden Dates: Nov. 24-26, 2017 Times: 2:30 & 7:30 p.m. Friday-Saturday, Nov. 24-25; 1 & 5 p.m. Sunday, Nov. 26 Where: Lincoln Performance Hall at PSU, 1620 SW Park at Market, Portland, OR Tickets: $5-$35, on sale beginning Oct. 20 Runtime: One hour 45 minutes (including one 20-minute intermission) Information: theportlandballet.org or 503-750-3157 Discounts: • First-Show Friday: Tickets for the 2:30 p.m. show on Friday, Nov. 24, will be only $5 youth/student, $10 adult • Family Package: For TIER 1 pricing, when purchasing two adult and two or more youth tickets, all youth tickets will be $5 off • Group Discount: 10 or more tickets will receive 10% off • Good deals: Limited Arts Card and Arts for All tickets Special Opportunities: • Swag bags: Young people will receive special gift bags. • Activities: The fun starts in the lobby with photo opportunities and activities for kids. • Meet the cast: Audience members are invited to stay after every performance to meet the cast, take photos with them, and have their programs signed. PORTLAND, Ore. – After last year’s sold-out shows, The Portland Ballet is reviving its holiday hit, The Enchanted Toyshop, Thanksgiving weekend in a double bill that will also feature a new ballet, Tourbillon, by co-artistic director Anne Mueller.
  • Weekly Newsletter

    Weekly Newsletter

    Weekly Newsletter February 16, 2016 Volume 6, Issue 3 Parent Observation Week: February 22 - 28 Next week, February 22—28, we invite parents/ Inside this issue: guardians into the studio to observe your student’s class(es) throughout the week. Parent Observation 1 Week This is a wonderful opportunity to step inside the studios Summer Intensive 1 to see firsthand what your dancer has been working on Auditions at CB and celebrate their progress so far this season. We Calendar Highlights & 2 greatly appreciate your efforts to attend in support of You may come and go as needed, but Class Updates please do not enter a studio until the your dancer! Lobby Event 2 current exercise has finished and music has stopped. Congratulations Kids 2 We kindly ask you limit the number of observers to 2 Cast! people per dancer to allow for comfortable seating for Photography is allowed during Summer Programs 3 all who attend. Please see the helpful points to the observation, however please NO FLASH! 2016 right for class observation etiquette. FUZI Shoe Fitting 4 Posting pictures to social media: If Opportunity *Note: Children’s Division classes that take place in posting observation week photos to social media sites, please post photos of Wild Sweet Love 4 Studio D have been notified separately of observation plans. only your dancer. Please refer to your email for details. Summer Intensive Auditions at Cincinnati Ballet January and February are the months when many Summer Intensive Auditions are held. There are a number of programs holding their auditions at Cincinnati Ballet.
  • Ballet Days & Teacher Refresher

    Ballet Days & Teacher Refresher

    The Cecchetti Council of America National Executive Board with the Eastern Michigan Committee presents Ballet Days & Teacher Refresher Saturday & Su nday, January 25-26, 2020 at Wayne State University ***Registration deadline is Saturday, January 18, 2020*** Ballet Day Student Schedule ***Schedule is the same for Saturday, January 25th and Sunday, January 26th*** Contemporary III Summer School Audition 9:00-10:25am Grade I Matthew Farmer IV & up Contemporary I & II 10:30-11:55am Grade IV Elementary V Intermediate VI Matthew Farmer 12:00-12:30pm Lunch Summer School Non Syllabus III Contemporary IV & Up 12:30-1:55pm Advanced VII Audition I & II Dawnell Dryja Matthew Farmer Non Syllabus Summer School Non Syllabus IV & up 2:00-3:25pm I & II Audition III Dawnell Dryja Pointe & Variation IV & up 3:30-4:55pm Grade II Grade III Dawnell Dryja Teacher Refresher Schedule Sunday, January 26th Teacher Welcome Class 9:00-10:00am Dawnell Dryja 10:00-11:00am Teacher Grade I 11:00-12:00pm Teacher Grade II 12:00-12:30pm Lunch & CCA/EMC Announcements 12:30-1:55pm Teacher Grade III 2:00-3:25pm Teacher Grade IV 3:30-4:55pm Teacher Elementary V Participant’s Per class fee Pre-Registration Category Pre-Registration 4 classes or more ONE DAY Discount* Student $25 $90 PER DAY Teacher Member $25 $100 PER DAY Non-Member Teacher $35 $125 PER DAY Adult Observer $35 PER CLASS $35 PER CLASS Teacher All Access Observe all student classes, all weekend, and attend Teacher Refresher for one rate. Rate Member’s Rate $150 Non-Member’s Rate $200 *Discount is for a single student registration.
  • Summer Classes & Intensives June 5 to July

    Summer Classes & Intensives June 5 to July

    BALLET ACADEMY OF TEXAS Summer Classes & Intensives June 5 to July 15, 2017 Lisa Slagle, Director | 972-745-0199 | 145 Fitness Court, Coppell, TX 75019 | balletacademyo�exas.com The goal of the Ballet Academy of Texas JENNY JOHNSTON has been teaching GUEST TEACHERS is to provide quality, professional dance advanced and intermediate ballet and instruction for all ages. The primary pointe at the Ballet Academy since it ANDREW PARKER (June 5-9) focus is on classical ballet technique, opened 17 years ago. She received her currently the Artistic Director of which provides a strong foundation for BFA in Ballet at TCU while also Chattanooga Ballet, is a regular guest all other dance forms. Founded in 1999 performing as a soloist with the Fort master teacher at many ballet schools by director Lisa Slagle, it has received Worth Ballet. Her choreography has also across North America. He has served on the "Outstanding School in the won awards at the Youth America Grand the dance faculty at Canada's National Southwest" Award 6 times in the past 12 Prix competition and has been selected Ballet School, Boston Ballet School, years from the Youth America Grand Prix for the gala performances at the Milwaukee Ballet, Walnut Hill School Competition. RDA/Southwest festivals. and Southern Methodist University - Summer Classes are designed to not only Meadows School of the Arts further a child’s previous dance training, ALLAN KINZIE performed as a principal in Dallas, Texas. For eleven years he but to also introduce the student to dancer with Dallas Ballet, Chicago City danced professionally with Milwaukee other forms of dance and to provide the Ballet, and Boston Ballet in the U.S., and Ballet, Ballet Iowa, and Tulsa Ballet.
  • David Justin CV 2014 Pennsylvania Ballet

    David Justin CV 2014 Pennsylvania Ballet

    David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts,