September 2019 New Release Book
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STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items Through April 24
APRIL NEW RELEASE GUIDE STREET DATE: April 17, 2012 5% DISCOUNT on New Release Items through April 24 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases April 2012 BONGO BEAT RECORDS! THE DIODES. ACTION/REACTION. 1980 PUNK HARD ROCK LP FINALLY AVAILABLE ON CD 6 BONUS TRACKS Cat: BB 1977-2 REMASTERED BY JOHN WILSON Label: Bongo Beat Records UPC: 777000197725 (MEAT BEAT MANIFESTO) Price: $8.15 EXTENSIVE LINER NOTES xhHHAAAy19772pz INCLUDES “CATWALKER” 7 7700-01977-2 5 (503) 231-0876 / www.bdcdistribution.com 2 BDC New Releases April 2012 Welcome!! Welcome!! Caspar Babypants who has spawned his fifth album, HOT DOG! Kids music that parents will like also (what a concept!). This one has soon-to-be-mama Rachel Flotard from First we hope you’ve all recovered from SXSW - good to see so many of you there - we all Visqueen as a guest. experienced great music and some great food along the way; always a delight! Frank Black has a world beyond The Pixies; several of them actually. In addition to having Marvin the Mandolin Man - you know, that guy from Lone Justice, Marvin Etzioni - brand a happy homelife, he has managed to have outlets under the Black Francis moniker, with new double CD and LP on Nine Mile Records with guests Richard Thompson, LJ bandmate his band The Catholics and in a duo album with his wife Violet Clark under the name of Maria McKee, John Doe, Lucinda Williams, Steve Earle and more: great songs - a labor of .Grand Duchy We have cool vinyl this month from all three aggregations.. -
University of Pardubice Faculty of Arts and Philosophy the City in Songs
University of Pardubice Faculty of Arts and Philosophy The City in Songs, Songs in the City: The Image of New York in the Folk Music of the 1960s Tomáš Racek Bachelor Thesis 2016 1 2 3 Prohlašuji: Tuto bakalářskou práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem použil, jsou uvedeny v seznamu literatury. Byl jsem seznámen s tím, že na moji práci se vztahují práva a povinnosti vyplývající ze zákona č.121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním mé práce v Univerzitní knihovně. V Pardubicích dne 29. 6. 2014 Tomáš Racek 4 Acknowledgements I would like to express my gratitude to my supervisor PhDr. Ladislav Vít, Ph.D. for his assistance, especially in the early stages of writing, and together with other university teachers, for all the effort they put in their valuable and inspirational lessons. I would also like to thank my mother, partner and children for their love, support, encouragement and patience during my studies. 5 ANOTATION This bachelor thesis is concerned with the image of New York City in the folk music of the 1960s, specifically in the song lyrics of the North American singer-songwriters Bob Dylan, Paul Simon, Joni Mitchell, Fred Neil, Phil Ochs, John Phillips, John Sebastian and Joey Levine. -
Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Key People Allman
Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Key People Allman Brothers Band: Most important southern rock band of the late 1960s and early 1970s who reconnected the generative power of the blues to the mainstream of rock music. Barry White (1944‒2004): Multitalented African American singer, songwriter, arranger, conductor, and producer who achieved success as an artist in the 1970s with his Love Unlimited Orchestra; perhaps best known for his full, deep voice. Carlos Santana (b. 1947): Mexican-born rock guitarist who combined rock, jazz, and Afro-Latin elements on influential albums like Abraxas. Carole King (b. 1942): Singer-songwriter who recorded influential songs in New York’s Brill Building and later recorded the influential album Tapestry in 1971. Charlie Rich (b. 1932): Country performer known as the “Silver Fox” who won the Country Music Association’s Entertainer of the Year award in 1974 for his song “The Most Beautiful Girl.” Chic: Disco group who recorded the hit “Good Times.” Chicago: Most long-lived and popular jazz rock band of the 1970s, known today for anthemic love songs such as “If You Leave Me Now” (1976), “Hard to Say I’m Sorry” (1982), and “Look Away” (1988). David Bowie (1947‒2016): Glam rock pioneer who recorded the influential album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972. Dolly Parton (b. 1946): Country music star whose flexible soprano voice, songwriting ability, and carefully crafted image as a cheerful sex symbol combined to gain her a loyal following among country fans. -
THE BRILL BUILDING, 1619 Broadway (Aka 1613-23 Broadway, 207-213 West 49Th Street), Manhattan Built 1930-31; Architect, Victor A
Landmarks Preservation Commission March 23, 2010, Designation List 427 LP-2387 THE BRILL BUILDING, 1619 Broadway (aka 1613-23 Broadway, 207-213 West 49th Street), Manhattan Built 1930-31; architect, Victor A. Bark, Jr. Landmark Site: Borough of Manhattan Tax Map Block 1021, Lot 19 On October 27, 2009 the Landmarks Preservation Commission held a public hearing on the proposed designation of the Brill Building and the proposed designation of the related Landmark site. The hearing had been duly advertised in accordance with provisions of law. Three people spoke in support of designation, including representatives of the owner, New York State Assembly Member Richard N. Gottfried, and the Historic Districts Council. There were no speakers in opposition to designation.1 Summary Since its construction in 1930-31, the 11-story Brill Building has been synonymous with American music – from the last days of Tin Pan Alley to the emergence of rock and roll. Occupying the northwest corner of Broadway and West 49th Street, it was commissioned by real estate developer Abraham Lefcourt who briefly planned to erect the world’s tallest structure on the site, which was leased from the Brill Brothers, owners of a men’s clothing store. When Lefcourt failed to meet the terms of their agreement, the Brills foreclosed on the property and the name of the nearly-complete structure was changed from the Alan E. Lefcourt Building to the, arguably more melodious sounding, Brill Building. Designed in the Art Deco style by architect Victor A. Bark, Jr., the white brick elevations feature handsome terra-cotta reliefs, as well as two niches that prominently display stone and brass portrait busts that most likely portray the developer’s son, Alan, who died as the building was being planned. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie Van Varik
FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie van Varik. Fred Neil (16 th March 1936 –7th July 2001) was one of the most compelling folk singer-songwriters in the 1960s and early 1970s. His marvellously deep, rich and impossibly low baritone enchanted everyone who has ever heard a Fred Neil song - and continues to do so. Surely one of the most beautiful voices in music. Bob Dylan said, “Fred had a strong, powerful voice, almost a bass voice, and a powerful sense of rhythm. He used to play mostly the type of songs that Josh White might sing. I used to sing and play harmonica for him, and then once in a while get to sing a song.” Yet as performer success eluded Fred, mainly because it was the last thing he pursued. A reluctance to tour didn’t help much either (a trait he shared with Bobby Charles and Harry Nilsson). According to his producer, Nik Venet, Fred was “probably the most famous and financially successful ‘cult artist’ in the history of the world...and could have been even bigger if he’d wanted to be....but he just didn’t!” Fred Neil showed up unexpectedly and was gone before you knew it. A loner and somewhat of a recluse, he was exceedingly hard to get to know and thus remained an enigma to most. John Sebastian, who played on his two Elektra albums, describes his background as “sketchy”. He is best known to the world through other people’s recordings of his material, such as ‘Everybody’s Talkin’’, made famous by Harry Nilsson as the theme to the movie Midnight Cowboy (and earned a Grammy) and ‘Other Side of This Life’, recorded by several but most notably by Jefferson Airplane. -
High Fidelity Classified 1748, $6.95; 4Fin Pk 1748, $6.95
RCA Victor LSP 4530, $5.98. Tape: 6. P8S HIGH FIDELITY CLASSIFIED 1748, $6.95; 4FIN PK 1748, $6.95. Don't be put off by the title or cover or liner for sale services of Elvis Presley's latest album. "Love Letters" is his best effort in some time: Got My Mojo LIVEOPERA PERFORMANCES ON REEL-TO-REEL RENT 4 -TRACK OPEN REEL TAPES-ALL MAJOR Working. Cindy Cindy. When I'm Over You. tapes.37years,from PONSELLE-CALLAS.Catalog: labels -3,000 different-freebrochure.Stereo-Parti, Mr. Tape, Box138,MurrayHillStation,N.Y.C. 57 St. James Drive, Santa Rosa, Cal. 95401. etc. One minus: only eleven songs. J.G. 10023. "HARD TO GET" RECORDS-ALL SPEEDS. RECORD RAY CHARLES: Volcanic Action in My Soul. Exchange,842SeventhAvenue, New York,N.Y. employment opportunities ABC ABCS 726, $4.98. 10019. Ray Charles' new release is surprisingly weak EUROPEAN -FOREIGN EMPLOYMENT OPPORTUNITIES PROTECT YOUR RECORDS. CARDBOARD REPLACE- -Interesting work, excellentpay.Detailedlisting, coming from the man who was rightly called ment covers, plastic lined sleeves, 78 and 45 heavy currentlyavailablejobs-Europe,Africa,Australia, sleeves,hinged recordset the genius of soul. Soupy arrangements of boxes,12",10",7". $3.00. EUROJOB REPORT, Box 52643-F,Lafayette, Cabco 300, 89 East Woodruff, Columbus, Ohio 43201. Louisiana 70501. silly songs. J.G. OLD-TIME RADIO PROGRAMS ARE STILL AVAIL - able.Six hour tape only $7.00 or catalogue 251. RED SKY AT MORNING. Original film soundtrack NostalgicRadio,Box 29F,Peoria,Illinois61601. books & literary services by Billy Goldenberg. Decca CL 9180, $5.98. INFINITY SYSTEMS, CROWN, RABCO, DUAL, TRAN- This album establishes young Billy Golden- static, Bose, Quad,Sony,KLH,tradesaccepted. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Europe & the UK – March/April 2014 Tish Hinojosa (Austin
On Tour – Europe & the UK – March/April 2014 Tish Hinojosa (Austin, TX) with special guest Anny Celsi (Los Angeles, CA) Two acclaimed American artists present an acoustic pop/roots evening celebrating one of America’s most cherished art forms – songwriting. San Antonio-born Tish Hinojosa has long been one of Texas’ national treasures. She has drawn numerous critical accolades for her borderless approach to music, blending Mexican folk and country music with a modern singer/songwriter sensibility and touches of pop. With accolades that include playing at the White House at the invitation of President Clinton and Hillary Clinton, Linda Ronstadt recording her own version of Tish’s song Donde Voy, and teaming up with artists like Joan Baez, Kris Kristofferson, Dwight Yoakam, Nanci Griffith, Pete Seeger, Flaco Jimenez, and Los Lobos, Hinojosa’s sound has an undeniable and far-reaching appeal. Tish’s latest self-penned album, After the Fair, draws its inspiration from the sights and sounds of the St. Pauli district of Hamburg, where she lived for nine years. The album was produced by Berlin musician and producer Moe Jaksch and has just been released in Europe on Colosseum Records. “A talented songwriter with an understated but utterly unaffected delivery…vivid…touching…pointed…playful…engaging…A rare gift for melody that’s perfect for Hinojosa’s lovely, relaxed soprano.” THE WASHINGTON POST “Her songs are richly detailed slices of life…Hinojosa’s is a strong, poetic, sensual, and conscious voice.” SPIN MAGAZINE Opening the show will be Los Angeles singer/songwriter Anny Celsi. Her style has been described as “beatnik cool,” “pop-noir,” and “slightlydelic pop jangle,” and has evoked comparisons to artists like Aimee Mann, Lucinda Williams, Suzanne Vega and Jackie DeShannon. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Old Crow Medicine Show Announce July 1St Release of Remedy Via Ato Records
FOR IMMEDIATE RELEASE APRIL 2014 OLD CROW MEDICINE SHOW ANNOUNCE JULY 1ST RELEASE OF REMEDY VIA ATO RECORDS BAND ANNOUNCES BIGGEST HEADLINING TOUR TO DATE “SWEET AMARILLO”, FIRST SINGLE, OUT NOW + ALBUM AVAILABLE TO PRE-ORDER Nashville, TN – Heavily celebrated Grammy Award winning band Old Crow Medicine Show has announced their upcoming new album Remedy, due out July 1 via ATO Records. Remedy is full of catchy melodies, quirky and often humorous lyrics, all executed with mesmerizing musicianship. Ten years after the massive success of folk anthem “Wagon Wheel”, which started as a track on a Bob Dylan work tape later finished by fiddler/band leader Ketch Secor, Remedy features a new Dylan/Old Crow penned collaboration on the new track “Sweet Amarillo” one of the album’s many highlights. Remedy also features the return of producer Ted Hutt (Flogging Molly, Dropkick Murphys, Gaslight Anthem), who produced 2012’s highly praised Carry Me Back. Long before the resurgence of folk and roots rock, Old Crow Medicine Show was performing their fiery style of amped up old-time music, cultivating a diverse fan base who thrive on the band’s energetic performances. The songs on Remedy are chock full of the same raw energy, swagger and drive that has made rabid fans of everyone from hipsters to college students to traditional music purists. “This is country music for people who think country music needs a whoopin'’ says Secor, who adds, “Country music that knows how deep its roots run--- from the dirtiest blues to the folkiest folk, the songwriters, the crooners and the Outlaws, to the Opry stage; it's all here”.