Long Beach 2018 109Th Annual Summer Conference June 18–20, 2018
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
The Artist Creating a 150-Foot-Long Glass Rainbow
The Artist Creating a 150-Foot-Long Glass Rainbow nytimes.com/2019/02/07/t-magazine/sarah-cain-san-francisco-airport.html By Alice Newell-Hanson February 6, 2019 The first paintings that Sarah Cain remembers admiring as a teenager were works by Joan Mitchell, Philip Guston and Robert Motherwell which, thanks to a public arts fund, lined the walls of an otherwise dismal underground mall in Albany, N.Y., not far from where she grew up, in Kinderhook. “My parents didn’t really take me to museums, so that is where I saw the first real art, mixed in with shops and a McDonald’s,” says Cain, who is now 40 and an established artist herself. In July, she will unveil a major public work of her own, a 150-foot-long series of 37 vividly colorful stained-glass windows, funded by the San Francisco Arts Commission, which she hopes will inspire passers-by in an equally unlikely setting: the new AirTrain terminal at the city’s international airport. Cain lived in San Francisco for 10 years in the late 1990s and early 2000s; she studied art at the San Francisco Art Institute, and later Berkeley, then stayed in the area, making ephemeral large-scale paintings inside the abandoned buildings where her artist friends squatted. The San Francisco airport installation, her first permanent public work, channels the outsider ethos of 1/3 those early pieces as well as the rainbow-colored prismatic compositions of her more recent paintings and drawings, but stained glass is a relatively new medium for her. -
Wilshire Boulevard Temple Restored
SOCIETY OF ARCHITECTURAL November/December HISTORIANS/ SOUTHERN CALIFORNIA CHAPTER NEWS 2013 Members’ Celebration 1 President’s Letter 2 Killingsworth’s CSULB Plan 3 Bookmarks: Guest Reviewer 4 IN THIS ISSUE SAH/SCC Publications for Sale 5 Photo: Tom Bonner Tom Photo: exterior plaster, cast stone, and marble, to the interior Hugo Ballin murals, art glass, and plaster Wilshire dome. Among the most challenging components of the project was restoring the coffered plaster dome ceiling, rose window, art glass, and cast-stone surround. Landscape components by KSA Landscape Architecture include Wilshire and Hobart Boulevard Temple Boulevards’ streetscapes, parking lot, a container garden, and a communal outdoor garden accessed from the east portal of the Sanctuary. Enclosed by new gates at Wilshire Boulevard Restored that were inspired by the curved forms of the dome, the communal garden is a place for the congregation to gather as a community in reflection or celebration. SAH/SCC Members’ Celebration Thursday, November 7, 2013, SAH/SCC Members’ Celebration: Wilshire Boulevard Temple Restored—Thursday, November 7, 2013, 6:30PM-8:30PM 6:30PM-8:30PM; 3663 Wilshire Blvd., LA; free for SAH/SCC Members in good standing; $10 for non- member guests, applicable to new membership; reservations are required; registration—see order form on This year, SAH/SCC celebrates our members— Page 6, call 800.972.4722, or go to www.sahscc.org. and a great historic building—at Wilshire Boulevard Temple, the 84-year-old synagogue recently restored by Levin & Associates Architects. Principal architect Brenda Levin, FAIA, will give us a behind-the-scenes look at the restoration process while we sit in the awe- inspiring sanctuary. -
Tiffany Memorial Windows
Tiffany Memorial Windows: How They Unified a Region and a Nation through Women’s Associations from the North and the South at the Turn of the Twentieth Century Michelle Rene Powell Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art and Design 2012 ii ©2012 Michelle Rene Powell All Rights Reserved i Table of Contents List of Illustrations i Introduction 1 Chapter 1: Old Blandford Church, American Red Cross Building, and Windows 8 The Buildings 9 The Windows in Old Blandford Church 18 The Windows in the National American Red Cross Building 18 Comparing the Window Imagery 22 Chapter 2: History of Women’s Memorial Associations 30 Ladies’ Memorial Associations 30 United Daughters of the Confederacy 34 Woman’s Relief Corps 39 Fundraising 41 Chapter 3: Civil War Monuments and Memorials 45 Monuments and Memorials 45 Chapter 4: From the Late Twentieth Century to the Present 51 What the Windows Mean Today 51 Personal Reflections 53 Endnotes 55 Bibliography 62 Illustrations 67 ii List of Illustrations I.1: Tiffany Glass & Decorating Company, Reconstruction of 1893 Tiffany Chapel 67 Displayed at the Columbian Exposition I.2: Tiffany Glass & Decorating Company advertisement, 1898 68 I.3: Tiffany Glass & Decorating Company advertisement, 1895 69 I.4: Tiffany Glass & Decorating Company advertisement, 1899 70 I.5: Tiffany Studios, Materials in Glass and Stone, 1913 71 I.6: Tiffany Studios, Tributes to Honor, 1918 71 1.1: Old Blandford Church exterior 72 1.2: Old Blandford Church interior 72 1.3: Depictions of the marble buildings along 17th St. -
CONTEMPORARY AMERICAN PAINTING and SCULPTURE 1969 University of Illinois at Urbana-Champaign Js'i----».--:R'f--=
Arch, :'>f^- *."r7| M'i'^ •'^^ .'it'/^''^.:^*" ^' ;'.'>•'- c^. CONTEMPORARY AMERICAN PAINTING AND SCULPTURE 1969 University of Illinois at Urbana-Champaign jS'i----».--:r'f--= 'ik':J^^^^ Contemporary American Painting and Sculpture 1969 Contemporary American Painting and Sculpture DAVID DODD5 HENRY President of the University JACK W. PELTASON Chancellor of the University of Illinois, Urbano-Champaign ALLEN S. WELLER Dean of the College of Fine and Applied Arts Director of Krannert Art Museum JURY OF SELECTION Allen S. Weller, Chairman Frank E. Gunter James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Christlson, Associate Director Lois S. Frazee, Registrar Marie M. Cenkner, Graduate Assistant Kenneth C. Garber, Graduate Assistant Deborah A. Jones, Graduate Assistant Suzanne S. Stromberg, Graduate Assistant James O. Sowers, Preparator James L. Ducey, Assistant Preparator Mary B. DeLong, Secretary Tamasine L. Wiley, Secretary Catalogue and cover design: Raymond Perlman © 1969 by tha Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A48-340 Cloth: 252 00000 5 Paper: 252 00001 3 Acknowledgments h.r\ ^. f -r^Xo The College of Fine and Applied Arts and Esther-Robles Gallery, Los Angeles, Royal Marks Gallery, New York, New York California the Krannert Art Museum are grateful to Marlborough-Gerson Gallery, Inc., New those who have lent paintings and sculp- Fairweother Hardin Gallery, Chicago, York, New York ture to this exhibition and acknowledge Illinois Dr. Thomas A. Mathews, Washington, the of the artists, Richard Gallery, Illinois cooperation following Feigen Chicago, D.C. collectors, museums, and galleries: Richard Feigen Gallery, New York, Midtown Galleries, New York, New York New York ACA Golleries, New York, New York Mr. -
December 2013 Volume 6 Alabama Epscor Alabama’S Graduate Research Scholars Program - GRSP
GRSP GRADUATE RESEARCH SCHOLARS PROGRAM December 2013 Volume 6 Alabama EPSCoR alabama’s Graduate Research Scholars Program - GRSP - Is unique Among National EPSCoR Programs. Few states have committed major resources toward the sponsorship and development of its next generation of researchers, scientists, and innovators. The GRSP is a state investment in Alabama’s universities that will expand research output, attract quality graduate students and make our universities more competitive for quality faculty hires. The program will provide a highly trained workforce to fuel the growth of high technology companies in Alabama. A significant goal of the GRSP is to encourage interdisciplinary training and research, to train professionals for careers in the scrutinized fields, and to encourage individuals from underrepresented groups to consider careers in these fields. Table of Contents Message from the ALEPSCoR Steering Committee Chair....................................................................4 Message from the ALEPSCoR Executive Director................................................................................5 Overview ......................................................................................................................................................................6 Tables and Statistics............................................................................................................................7 GRSP Presentation to the Alabama Commission on Higher Education .......................................................8 -
Life and Art Gift of Louis T
Morse Museum Object Guide 20) Top to bottom: 22) Top to bottom: Tiffany Studios, Madison Avenue Invitation, February 4, 1913 Louis Comfort showroom, New York City, c. 1927 “Egyptian Fête of the Time of Cleopatra,” Photographic print Tiffany Studios, New York City 2000-024:04 Print on paper Gift of Mrs. Collier F. Platt Tiffany’s Award certificate, 1901 55-030 Pan-American Exposition, Buffalo, New York Synopsis of the Egyptian Fête, Print and ink on paper February 4, 1913 Inscribed: A Silver Medal on Louis C. Tiffany Studios, New York City Louis Comfort Tiffany, c. 1920s. Tiffany for Fountain and Decoration Print on paper Photograph by Blank & Stoller. Life and Art Gift of Louis T. Lusk Gift of Mrs. Collier F. Platt Gift of Mrs. Benjamin Hosking (67-035). 68-060:12 1999-080 Unless otherwise noted, the objects in 1879–1887: LEADING AMERICAN DECORATOR this gallery were designed by Louis 21) The Art Work of Louis C. Tiffany 1916–1933: QUEST OF BEAUTY Comfort Tiffany (1848–1933) or one of 5) Castillo de San Marcos, Embossed gilt bronze, printed vellum his artists and made under the name of St. Augustine, Florida, c. 1883 Louis Comfort Tiffany, 1848–1933, 23) Top to bottom: Oil on canvas binding designer one of his companies. The installation history at various Tiffany residences is Signed, lower right: L.C.T. Charles de Kay, 1848–1935, author Proclamation, 1925–26 92-003 New York: Doubleday, Page & Company, Recognition of Louis C. Tiffany by stated if known. 1914 The Louis Comfort Tiffany Foundation 6) Tile, c. -
Tiffany Glass
Woodson Art Museum in your classroom Tiffany Glass Winter 2016-17 Top: Detail from Tiffany Studios, New York, Apple Blossom Library Lamp, ca. 1905, leaded glass, bronze; Below: Tiffany Studios, New York, Clara Driscoll, designer, Wisteria Library Lamp, ca. 1901, leaded glass, bronze. All artworks and images from The Neustadt Collection of Tiffany Glass, Queen, New York. Above: Detail from Tiffany Studios, New York, Begonia Reading Lamp, ca. 1905, leaded glass, bronze; Below: Louis Comfort Tiffany, Favrile Vase, 1909, blown glass; Victorian Art Glass Basket Introduction to Exhibitions on View This winter at the Leigh Yawkey Woodson Art Museum, three complementary exhibitions focused on art glass showcase the range of materials, forms, and designs spanning three iconic movements in American decorative arts: Victorian Era, Gilded Age, and Art Nouveau. Tiffany Glass: Painting with Color and Light includes twenty Tiffany Studios leaded glass lamps, five large stained glass windows, hanging shades, and three forgeries modeled after Tiffany’s iconic lamp designs, all from The Neaustadt Collection of Tiffany Glass. For more information about the exhibition and The Neustadt Collection, check out the Woodson Art Museum’s free app and videos on our Youtube Channel. Two exhibitions from the Woodson Art Museum’s glass collection juxtapose the intricate, feminine designs of the Victorian Era with the more modern and restrained aesthetics of the Art Nouveau period. Enduring Beauty: Art Nouveau Glass features bold iridescent glass in sleek undulating forms typical of the decorative, yet utilitarian, turn-of-the-twentieth-century glassware. Victorian Art Glass Baskets also from the Art Museum’s collection, feature bright colors “woven” throughout delicate glass reminiscent of frills on tutus and unfurling flower petals. -
Los Angeles City Planning Department Recommendation Report
LOS ANGELES CITY PLANNING DEPARTMENT RECOMMENDATION REPORT CITY PLANNING COMMISSION CASE NO. CPC-2010-0943-HPOZ Expansion of the existing Highland Park HPOZ and DATE: August 12, 2010 re-naming to Highland Park-Garvanza HPOZ TIME: after 8:30 a.m.* CEQA: ENV-2010-0944-CE PLACE: City Hall, 10 th Floor, Room 1010 Council Districts : 1 & 14 200 N. Spring Street Community Plan Areas : Northeast Los Angeles Los Angeles, CA 90012 Area Planning Commission: East Los Angeles Neighborhood Council: Arroyo Seco, Historic PUBLIC HEARING COMPLETED: Highland Park, Lincoln Heights July 7, 2010 Plan Land Use: Low Medium II Residential, Low Residential, Very Low, Neighborhood Commercial, CHC HEARING COMPLETED: Public Facilities and Open Space. July 29, 2010 Zones: PF-1, OS1-XL, R1-1, RD1.5-1, RD2-1, [Q]C4-1XL Expiration Date: None Applicant : City of Los Angeles PROPOSED Expansion of the existing Highland Park HPOZ to include the Garvanza PROJECT: Expansion area and re-naming to “Highland Park-Garvanza HPOZ.” PROJECT The proposed Highland Park–Garvanza HPOZ is generally bounded by LOCATION: the Pasadena/110 Freeway, Berenice Avenue and the eastern side of Avenue 66 to the east; Glenalbyn Drive, Marmion Way, Avenue 56 and Avenue 63 to the west; the City of Pasadena to the north; and by Avenue 35 to the south. REQUESTED Approval of the expansion of the existing Highland Park HPOZ to include ACTIONS Garvanza and renaming of the resulting HPOZ to “Highland Park – Garvanza HPOZ.” RECOMMENDED ACTIONS 1. Approve the Survey for the proposed Garvanza expansion area and the area restudied within the existing Highland Park HPOZ; 2. -
American Glassware, Old and New : a Sketch of the Glass Industry In
II 6G6-( f pRflMKLlN [WSTITUTE \J3RAR^ FHIL/lDELFHId 5'4 ' S / Class leookB 23 a Accession 4 Digitized by the Internet Archive in 2014 https://archive.org/details/americanglasswarOObarb WASHINGTON (See No. 79) American Glassware Old and New A Sketch of the Glass Industry IN THE United States AND Manual for Collectors of Historical Bottles By EDWIN ATLEE BARBER, A.M., Ph.D. Author of Pottery and Porcelain of the United States, Anglo-American Pottery, Etc., Etc., Etc. Honorary Curator of the Department of American Pottery and Porcelain, Pennsylvania Museum and School of Industrial Art, Philadelphia , Pa. PRESS OF Patterson & White Company philadelphia, pa, MCM Jii n lA 1 900 Copyright 1900 By Edwin A. Barber Cj o MOORE FUND THE GETTY CENTER LIBRARv TO ALL LOVERS OF THE ANTIQUE THE CURIOUS THE BEAUTIFUL IN GLASSWARE PREFACE Collectors of antiquities have recently begun to turn their attention to those curious old de- signs in glassware which illustrate events of im- portance in our nation's progress, or attempt to portray the features of some of the personages who were prominent in the country's history. On account of the absence of distinguishing marks, the origin of these quaint old flasks and bottles and teacup plates has heretofore been en- shrouded in doubt. Whether they were oi foreign or American production, none could posi- tively say. Those whose interest has been aroused in this subject have felt the need of a manual which, while throwing some light on the factories where these objects were produced, shall furnish a refer- ence list of known designs. -
Tiffany Windows in Richmond and Petersburg, Virginia Rachel M
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 1997 Tiffany Windows in Richmond and Petersburg, Virginia Rachel M. Bradshaw [email protected] Follow this and additional works at: http://scholarscompass.vcu.edu/etd Part of the History of Art, Architecture, and Archaeology Commons © The Author Downloaded from http://scholarscompass.vcu.edu/etd/4389 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. APPROVAL CERTIFICATE TIFFANY WINDOWS IN RICHMOND AND PETERSBURG, VIRGINIA by RACHEL M. BRADSHAW Th�sis Advisor Reader Dean, School of the Arts Dean, School of Graduate Studies 15;;c;c;i. Date TIFFANY WINDOWS IN RICHMOND AND PETERSBURG, VIRGINIA by RACHEL M. BRADSHAW B.A., Troy State University, 1991 Submitted to the Faculty of the School of the Arts of Virginia Commonwealth University in Partial Fulfillment of the Requirements for the Degree Master of Arts RICHMOND, VIRGINIA April, 1997 Table of Contents Acknowledgements...... lll List of illustrations....... IV Introduction. ................................... .... Catalog ................................................. 20 Monumental Church........... 21 St. Paul's Episcopal Church.... 25 Second Presbyterian Church. ....... 62 69 Grace and Holy Trinity Church ..................... Temple Beth Ahabah ............................ 74 St. James Episcopal Church ....... 77 All Saints Episcopal Church..... 91 Ginter Park Baptist Church ...... 123 Hollywood Cemetery... 139 Old Blandford Church.. 146 Washington Street United Methodist Church........... 182 Conclusion........................................ 186 Selected Bibliography ....................................... 188 ii Acknowledgements I would like to thank my advisor, Dr. Anne Crowe, for her patience, support, and encouragement, and my reader, Dr. -
Bob Bortfeld Award
West Adams Heritage Association July 2003 Number 205 West Adams Matters south seas House Centennial celebration Saturday, June 28 9:30 a.m. - 4 p.m. Please join your friends and neighbors as we celebrate the successful restoration of the historic "South Seas House'VJoseph Dupuy Residence, a unique landmark in the heart of West Adams. ' " After more than a decade of effort by community members to save this property, it now Is embarking on a new life as a community center/Los Angeles Recreation and Parks Department facility serving our entire Historic West^jlams District community. We have a great day planned to commemorate the reopening of the South Seas House, including live music, kids' games, races and arts activities, magic shows, computer lab demonstrations, "doceni:>tours of the residence, food vendors and our own local Girl Scouts' lemonade and beverage stand. The fun starts first thing in the morning, with the Sound Union Barbershop Quartet singing beginning at 9:30 a.m. as we gather for a program and presentations, scheduled between 10 and 11 a.m. Members of original owner Joseph Dupuy's family will be participating in the program. (continued on page 4) Bob Bortfeld Award Nominations Souglit WAHA's highest award, the Bortfeld Award, named after WAHA co-founder Bob Bortfeld, is presented to a member who has given special service to the community in the prior year. Two decades ago, when Bortfeld purchased his home in a long-ignored neighborhood, had a vision for this community. He felt that with strong community activism and a shared love for old houses.