S ta i n e d G l a ss A ss o c i at i o n o f A m e r i c a

Long Beach 2018 109th Annual Summer Conference June 18–20, 2018

Welcome from Conference Host David Judson & Judson Studios of ,CA.

The Legendary Queen Mary, Long Beach, CA Long Beach Summer Conference Schedule Saturday, June 16, 2018 9:00am - 4:00pm SGS Pre-Conference Classes Judson Studios, South Pasadena Westin Hotel, Long Beach Image Making with Narcissus & Tim Lamination with Rich Lamothe (Vancouver) Painting with Indre McCraw Restoration 101 with Ralph Mills () Sunday, June 17, 2018 9:00am - 4:00pm SGS Pre-Conference Classes continue at Judson Studios Westin Hotel, Long Beach 9:00am - 12:00 pm Lamination with Rich Lamothe Vancouver 1:00pm - 4:00pm Angel Gilding & Mirroring Demonstration Tokyo 9:00am -11:00am SGS Board of Trustees Meeting Shanghai 9:00am - 6:00pm SGAA Committee Meetings Shanghai 4:00pm - 8:00pm Early Conference Registration Open Salon C & D Lobby 6:00pm - 10:00pm SGAA Board Meeting & Dinner Shanghai

Monday, June 18, 2018 Westin 3rd Floor | Salon C & D 7:00am Registration & Sponsor Showcase Opens 7:30pm Coffee with Sponsors & Vendors Judson Studio Classes, 8:00am Welcome Please Note: You must be on the FIRST bus 8:15am Round Table & Restoration Forum on Monday afternoon for the Sponsored by DHD Metals Welcome Tour & Reception! 9:45am Judith Schaechter - “Nothing Personal” Sponsored by Cascade Metals 10:45am Ted Sawyer - “How did They do That? Methods in Kiln-” Sponsored by Bullseye Glass Company 11:45am Buffet Lunch 12:15pm General Assembly & First Business Meeting Sponsor Showcase & Silent Auction Open 1:30pm Special Presentation by Andrew Moor - “Architectural ” Sponsored by the School 2:30pm Freshen Up - Prepare for Bus Trips - Gather in Lobby for Departure Welcome Tour, Reception & Dinner 3:00pm First Bus Departs for Gamble House from the Westin Lobby* (see note above) 3:30pm Second Bus Loads & Departs for Gamble House from the Westin Lobby 3:45pm - 6:15pm Gamble House Self-Guided Tours and Welcome Reception 5:00pm First Bus Departs for Judson Studios 6:15pm Second Bus Departs for Judson Studios 5:15pm - 9:00pm Tours & Welcome Dinner at Judson Studios & Bullseye Resource Center LA** Sponsored by Bullseye Glass Company 9:15pm - 10:00pm Buses Return to Westin, Long Beach **At 8pm - one bus will provide transportation to and from the Judson Studios Garvanza building for an optional tour of that Studio. “Experience Glass” 2018 Tuesday, June 19, 2018 Westin 3rd Floor | Salon C & D 7:00am Registration & Sponsor Showcase Opens 7:30am Coffee with Sponsors & Vendors Silent Auction Open 8:30am Elizabeth Devereaux - From “New Glass” to Now - a 50 year Journey in Glass” Sponsored by St. Just Art Glass 9:30am Gordon Huether “Stained Glass & Beyond: 30 Years of Art Practice” 10:30am Lesley Elwood - “Contemporary Glass in Public Art” 11:30am Buffet Lunch 12:00pm General Assembly & 2nd General Business Meeting 1:00pm Silent Auction Closes 1:15pm Ariana Makau - “Taking the Lead in Lead Exposure Prevention: Mitigating Hazards in Stained Glass Conservation” Sponsored by DHD Metals 2:15pm Matthew Day Perez “At and Through: Considering Transparency and Reflection” Sponsored by Angel Gilding 3:15pm David Ruth “Internal Light, Melting Glass as a Tool of Artistic Expression” 4:30pm SGAA Board Meeting - Shanghai Room Freshen Up Awards Reception & Banquet - Ocean Ballroom 6:00pm Awards Reception - Ocean Terrace West Sponsored by Paul Wissmach Glass Co. 7:00pm Awards Banquet - Ocean Ballroom Sponsored by S.A. Bendheim 7:45pm Keynote Speaker: Lindsy Parrott “The Artistry & Innovation of Tiffany’s Stained Glass Mosaics” Sponsored by Franklin Art Glass 8:30pm Presentation of Awards 8:45pm Presentation of SGAA Officers for 2018-2019

Wednesday, June 20 LA Experience Glass Tour Gather for Departure in the Westin 1st Floor Lobby 8:00am-4:00pm SGAA Conference Tour 8:00am Tour Buses Leave the Westin Hotel 9:00am USC Caruso Catholic Center 10:00am Cathedral of Our Lady of the Angels 11:00am - 12:45pm Grand Central Lunch on your own at the Station 1:00pm ’s 3:00pm Downtown Long Beach 4:00pm Tour Buses Return to Westin Long Beach All conference events at the Hotel take place on the 3rd Floor of the Westin - a map can be found near the end of the program. 2018 Conference Sponsors

Bullseye Glass Co. 3722 SE 21st Ave, Portland, OR 97202 503-232-8887 www.bullseyeglass.com Cascade Metals JMW Metal Consult, Inc. / Amerway 1614 West 75th Avenue 3701 Beale Ave., Altoona, PA 16601 Vancouver BC V6P 6G2 800-829-6337 877-298-8884/604-261-8464 fax S. A. Bendheim www.amerway.com www.cascademetals.com 82 Totowa Road, Wayne, NJ 800-221-7379 www.bendheimartglass.com J. Sussman, Inc. 109-10 180th St., Jamaica, NY 11433 718-297-0228/718-297-3090 fax Franklin Art Glass Studios Inc. www.jsussmaninc.com Verrerie de Saint-Just 222 E. Sycamore St, Columbus, OH 43206 ZI de la Verrerie – 42176 Saint-Just 614-221-2972/614-221-5223 fax Saint-Rambert Cedex www.franklinartglass.com +33 477 362 101 www.saint-just.com Kokomo Opalescent Glass Co. P O Box 2265, Kokomo, IN 46904 765-457-8136 www.kog.com Imagilux LED Paul Wissmach Glass Company 2877 Chad Drive Unit B, Eugene, OR 97408 P O Box 228, Paden City, WV 26159 541-684-0013/541-228-3691 304-337-2253 www.lightbeaminc.com www.wissmachglass.com

Northwest Art Glass, Inc. 9003 151st Avenue NE, Redmond, WA 98052 Angel Gilding 800-888-9444 1945 Gardner Rd., Broadview, IL 60155 www.nwartglass.com Modern Litho-Print Company 1-866-341-3340 6009 Stertzer Road, Jefferson City, MO 65101 www.AngelGilding.com 800-456-5867/314-781-0551 www.modernlitho.com

Reusche & Co. of TWS, Inc. 1299 H Street, Greeley, CO 80631 970-346-8577/970-346-8575 fax www.reuscheco.com Judson Studios DHD Metals, Inc. 143 Pasadena Ave. P O Box 165, Conyers, GA 30012 South Pasadena, CA 91030 800-428-6693 1.800.445.8376 www.dhdmetalslead.com Bohle America SGAA Stained Glass School 10924 Granite St, Charlotte, NC 28273 255 Pratt St., Buffalo NY 14204 704-247-8400 816-737-2090 www.bohle-america.com www.stainedglassschool.org Our Gratitude for Your Support Each year, it is with the gracious financial support of our manufacturers, suppliers, and members, that special events are made possible at the Annual Summer Conference. Please show your support for these sponsors in the year to come with your stained glass purchases.

Patrons Bullseye Glass Co. - www.bullseyeglass.com S.A. Bendheim - www.bendheimartglass.com Stained Glass School - www.stainedglassschool.org Sponsors Sussman Architectural Products - www.jsussmaninc.com Amerway / JMW Metal Consult, Inc. - www.amerway.com The Judson Studios - www.judsonstudios.com Donors DHD Metals - www.dhdmetalslead.com Paul Wissmach Glass Co. - www.wissmachglass.com Modern Litho Printing - www.modernlitho.com Contributors ImagiLux Ultra-LED Panels - www.lightbeaminc.com Cascade Metals - www.cascademetals.com Franklin Art Glass - www.franklinartglass.com Verrerie de Saint-Just - www.saint-just.com Bohle America - www.bohle-america.com Northwest Art Glass - www.nwartglass.com Angel Gilding - www.AngelGilding.com

SGS Patrons Our very special thanks to the following companies whose generous support of the Stained Glass School through annual financial contributions and/or product donations has earned them the title of SGS Patron. To find out about becoming an SGS Patron, please speak to Sister Ann Therese Kelly, Director of the Stained Glass School. Reusche & Co. of TWS, Inc. - www.reuscheco.com S. A. Bendheim - www.bendheim.com Fuse Master Enamels - www.fusionheadquarters.com Victoria Millard in remembrance of Richard Millard Kokomo Opalescent Glass Co. - www.kog.com ImagiLux Ultra-LED Panels - www.lightbeaminc.com Judson Studios facilities - Top to Bottom: Garvanza Bldg Exterior & Pasadena Bldg Solstice Stained Glass - http://www.solsticestainedglass.com/ Exterior & Interior Presentations & Speakers Special Guest “Stained Glass and Beyond” Andrew Moor with Gordon Huether sponsored by the Stained Glass School Public Artist Gordon Huether “ARCHITECTURAL GLASS ART” will discuss the evolution of art glass through the lens of Where have we come from? his 30-year career. Through Where are we going? case studies, discussion of glass techniques and applications, Why are we here? as well as other materials the artist now works with, Huether The answers to all these minor questions will provide a thorough overview of what it means to be an will be revealed - in full! artist working in the public arena. Huether will also draw Andrew Moor has been a central figure in the Architectural upon a career of experiences and insights, as well as personal Glass world for nearly thirty years and has worked with well anecdotes in his lively and wide ranging talk. known artists and architects on projects at an international Gordon Huether has created public art installations for level using a variety of techniques. universities, hospitals, recreation centers, civic buildings, Andrew Moor Associates was founded in 1984 to assist libraries, museums, airports, transportation centers, parking architects in managing glass art projects. In only one year, garages, and private corporations throughout the world. He his practise became the international agent for Derix Glass has completed more than 250 art commissions over the course Studios, project managing artworks across the UK up to of his 30-year career. In addition, his fine artwork has been 1,000sqm. Andrew Moor Associates swiftly developed into an exhibited at museums and galleries, and is represented in international company, creating autonomous and architectural private collections throughout the and Europe. artworks in locations across Europe, as well as in Asia and the Inspired by his father, Huether made his first stained glass US. Andrew Moor is known throughout the glass art world piece at the family’s kitchen table and as his career progressed, as an authority on what can be achieved in glass, managing he began working with a wide variety of glass applications, Patrick Herron’s glass art project in the Tate Gallery as well as and other materials, including steel, aluminum, fabric and artworks by Christopher Le Brun and Henry Moore. composite materials. gordonhuether.com wwww.andrewmoor.co.uk

“Nothing Personal” “From “New Glass” to Now - a 50 year with Judith Schaechter Journey in Glass” sponsored by Cascade Metals with Elizabeth Devereaux sponsored by Verrerie de Saint-Just Judith will present a discussion of her work from age four, when she drew “Winston Times have significantly changed for the art Churchill In His Coffin” to the present. The glass world in the last 50 years. Influenced lecture will include discussion of how she by the German and other European masters, comes up with her ideas to how she designs many took different roads. My journey took them to how they are actualized. Judith the road of contemporary liturgical glass promises to go into depth about some of her stained glass and public art. Always site-specific, and techniques, which include sandblasting with hand cut and intentionally collaborative, nature is my symbolic language as photo stencils, engraving, and painting. I explore both the lushness of watercolor and the intriguing optical qualities of reflection, and light projection within Judith Schaechter has worked in stained glass for 35 years architectural space. since graduating from Rhode Island School of Design. Her work is collected internationally and is represented “The power of imagination and art is at the level of soul, in such museums as The Museum of Art, the where we do not consciously know what is happening. Therefore, Victoria and Albert Museum and the Renwick Gallery of the we cannot engineer it, do not need to understand it, nor can we Smithsonian. Judith’s work was included in the 2002 Whitney fully stop its effects! “(Richard Rohr) Biennial, a collateral exhibition of the Venice Biennale in 2012 “The imagination works through suggestion, not description. and she is a 2008 USA Artists Rockefeller Fellow. In 2013 Description is always direct and frequently closes off what it Judith was inducted to the American Craft Council College of names. Suggestion respects the mystery and richness Fellows. of a thing. All it offers are clues to its nature.” www.judithschaechter.com (John O Donahue) judithschaechterglass.blogspot.com/ http://devglas.com/ 109th Annual Summer Conference Keynote Speaker “At and Through: Considering “The Artistry and Innovation of Transparency and Reflection” Tiffany’s Glass Mosaics” with Matthew Day Perez sponsored by Angel Gilding with Lindsy Parrott sponsored by Franklin Art Glass Glass is a ubiquitous and often over looked material. We clad buildings with Lindsy R. Parrott is the executive director it, adorn interiors, look through it, and and curator of The Neustadt Collection of engage with it even in our mobile devices. Tiffany Glass in , . She This talk will be a short survey of glass has organized popular traveling exhibitions and mirror production as it relates to my drawn from The Neustadt’s permanent personal rapport with the material and collection. Among her recent projects, how I exploit its many properties in my Lindsy served as co-curator of the special studio practice. exhibition Tiffany’s Glass Mosaics and co- editor and co-author of the award-winning Day-Perez has received many awards including the companion publication, a project organized jointly by The Fulbright, the John Rena National Endowments for the Arts Neustadt and The Corning Museum of Glass. Scholarship, a U.S. State Department Grant for new works, a Lois Roth Grant as well as residencies at The Corning Lindsy previously held positions at The Charles Hosmer Museum of Glass, The Creative Glass Center of America, and Morse Museum of American Art in Winter Park and the Pilchuck glass School. He has lectured at several academic/ Norton Museum of Art in Palm Beach, both in . She creative institutions both domestically and abroad in addition is an adjunct faculty member in the Smithsonian–George to numerous exhibitions in the United States, Australia, Asia, University Master’s Program in the History and New Zealand. of Decorative Arts + Design in Washington, D.C. She has written and lectured extensively on various aspects of Tiffany’s MatthewDayPerez.com career. “How did They do That?” “Taking the Lead in Lead Exposure” with Ted Sawyer with Ariana Makau sponsored by Bullseye Glass Co. sponsored by DHD Metals Bullseye Studio, the fabrication Learning to navigate the realities of day-to- arm of Bullseye Glass Company, day stained-glass treatment with regulatory has a long history of taking on expectations is an ongoing process. Ariana large-scale projects for art and Makau will give an overview of select architecture that involve challenges examples of Health & Safety improvements as and risks that many studios would utilized at Nzilani Glass Conservation, to be otherwise avoid. This presentation implemented in your own studio. When we will be a series of case-studies are safe, we are freer to enjoy what we do, and detailing those challenges and how they were met through a the quality of our work improves. All stained range of solutions and technical innovations. glass workers should adhere to OSHA as well as Federal Ted Sawyer received his BA in art with a focus in ceramics and local construction regulations. While these may seem from Lewis and Clark College. From 1992-1993, he was the overwhelming at first, Ariana will breakdown best practices artist-in-residence at the Museum of Contemporary Craft in resulting in a safer environment for everyone. Portland, Oregon. In 1997, he joined Bullseye Glass Company, Ariana Makau has been involved in the field of where he leads the Research and Education Department, conservation for over 20 years, having worked at the J. Paul directing process, material, product and equipment Getty Museum, the Victoria & Albert Museum and the research through a variety of programs including large-scale Metropolitan Museum of Art. She is a Professional Associate fabrication and an artist in residence program. He teaches of the American Institute for Conservation of Historic and and lectures internationally and directs the production of Artistic Works (AIC), a member of the Women Presidents Bullseye’s online educational videos. His glass work has been Organization (WPO) and acts as an Independent Stained featured multiple times in Corning’s New Glass Review and Glass Conservator/Consultant with various is exhibited at galleries and museums Glass Review and is art institutions that do not have stained glass exhibited at galleries and museums around the world. conservators on staff. www.tedsawyer.com www.nzilani.com Presentations & Speakers Continued “Internal Light, melting glass as a “Contemporary Glass in Public Art” tool of artistic expression” with Lesley A. Elwood, Elwood & Associates with David Ruth Public Art Programs throughout the David Ruth will review his journey from United States are looking at ways in casting glass in Los Angeles in the 70’s which artists can integrate glass into their through his current architectural project of collections. This presentation will show cast glass geology. He has been a pioneer samples of completed projects and discuss in making arhitectural cast and fused glass issues and solutions for consideration when panels using kilns and furnaces to find working with a public agency. ways of extending the language of glass into Elwood & Associates (EA) was formed in sculpture and architecture. 1993 to assist governmental agencies in cultural planning to David Ruth is an independent artist in Oakland casting satisfy their public art requirement. All projects are overseen glass sculpture and architectural panels. Searching historical by Lesley A. Elwood, personally. techniques for lost opportunities and ways of thinking that facebook.com/ElwoodandAssociates were left behind he looks for early processes made obsolete by industry. Originally learning to melt glass from Los Angeles artist, Roger Darricarrere, David has perfected architectural scale fused and polished panels and mold cast sculpture. His work can bee seen in public and private commissions and museums around the world. www.davidruth.com

The Westin Long Beach Map of 3rd Floor Meeting Space

Because of the generous support of our Sponsors and the Stained Glass School silent auction at conference every year, we are able to offer intense, in-depth conference classes and demonstrations before each conference as well as at approved studio spaces around the country throughout the year. We are always looking to expand our offerings and work with new techniques and instructors. Please reach out and let us know what you would like to see at future conferences. The Stained Glass School offers annual scholarships which can be used any of our class offerings including pre-conference workshops and demos. Saturday & Sunday, June 16 & 17 | 9am-4pm ainting with Indre McCraw | Judson Studios 143 P Indre McCraw shares her process and tooling in this take on the traditional glass painting class. The class will focus on making “creature pieces”, creating playful and confident pieces using different glass painting techniques and tricks with the goal of taking away 2 to 3 fired samples. Indre has been a glass painter and designer for over twenty years; she graduated with a BFA in Illustration and Art Education in 1994 from Parsons School of Design. In 1996, after working as a textile designer in NYC’s fashion district, she became the third apprentice and Kress Foundation fellow of the St Ann’s stained glass conservation program where she had first been introduced to the field as an intern in 1993. While training in conservation techniques, it became clear that her interest and aptitude were specifically geared towards stained glass replication painting. Indre has replicated work for the Stanford White Cottage in Montauk; The Thomas Edison House in ; and the Metropolitan Museum of Art, most notably for the Langon Chapel at the Cloisters. She took on a painter position at Judson Studios in 2016. Her original painting and design work can be seen at Princeton University’s Ivy Club, Yale University, and at Temple Beth Or in Maple Glen, PA. (http://www.indremccraw.com) $400.00 | Limit 8 students

mage Making with Narcissus & Tim | Judson Studios 143 I Narcissus Quagliata & Tim Carey join forces again, this time to teach in their own studio space! Immerse yourself in The Judson Studios new, state-of-the art stained glass and kilnforming facility. This class will examine the relationship between painting on glass with vitreous enamels and fusing. Participants will learn about combining methods to make images that can be at once both very crisp and concrete while also having passages that seem to float or even dissolve. $725.00 | Limit 16 students Sunday June 17 | 1pm-4pm ngel Gilding & Mirroring Demonstration A Mirroring, in particular Angel Gilding, has long been part of the techniques employed by stained glass artists. Attend this session where we will discuss the history of the craft and demonstrate a variety of mirroring techniques. We will silver sheet glass, gild a globe and demonstrate antiquing techniques that are in growing demand in the glass art world. Many stained glass artists are finding that mirroring is a great way to expand out the options they can offer their customers and carry on a time honored craft. Sarah King was a stained glass artist in searching for a way to replicate the gold mirror in historic bungalow windows in the area. She connected with Rick Glawson, who had become skilled at angel gilding-the 19th century technique for chemical deposition of gold onto glass. After Rick’s sudden passing, Sarah founded the company Angel Gilding with her chemist husband Mike in 2003. Their daughter, Alix joined the team in 2015. Angel Gilding now provides mirroring supplies and techniques around the world. Free - Registration is Required | Limit 20 students

Saturday, June 16 9am-5pm & Sunday, June 17 9am-12pm amination with Rich Lamothe | Westin Long Beach L This introductory workshop presents a new method of combining the functionality of modern architectural glazing substrates, such as insulated glass and safety glass, with the tradition of stained glass artistry. Lamination techniques offer a practical solution for stained glass designs that can be efficiently combined with acid etching, painting, and abrasive etching processes to provide an economical architectural-design solution. Rich Lamothe established Glass Strategies in 2004 (glassstrategies. com). They quickly surged to the top of their industry thanks to their experienced team and cutting edge facilities. They serve a remarkable list of clients both national and international. “From the miniature to the monumental, we bond art and science as deftly and creatively as we bond glass. Now, there’s nothing glass can’t do.” Rich currently also works for Bohle America as technical support for UV Bonding and 2K Silicone. $225.00 | Limit 8 students

Saturday, June 16 | 9am-5pm estoration with Ralph Mills | Westin Long Beach R So, you’ve been doing this thing called stained glass for some time now and you’re pretty darn good at it. Then along comes “So-in-so” and asks you to re-lead their 100-year-old window. “Ahhhhhhhhh…… sure I can do it” you say. After all, how hard can it be? Truth be told, it’s not that hard if you know how to do it. It is however, a whole different animal compared to new work. No doubt about it, restoration work is more involved and more complicated. Not to worry. Join stained glass veteran Ralph Mills and learn the ABC’s of restoration. Topics include documentation, rubbings, disassembly, cleaning, glass conservation, glazing, cementing, finishing and many more “secrets” of restoration. No need to shy away from those lucrative restoration projects any longer! $200.00 | Limit 10 students San Antonio 2019 110th Annual Summer Conference

n An Sa ton “Celebrate Glass!” io • May 30 - June 6, 2019 T

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Joint Conference hosted by both SGAA & AGG

The Stained Glass Association of America (SGAA) and The S American Glass Guild (AGG) take great pride in announcing a joint 2019 e u m c conference. The conference will take place at the Wyndham in beautiful San Antonio, m e n e r C o n f e r May 30 - June 5, 2019. Both organizations will be working together to bring their memberships an incredible conference. This conference will prove to be one of high energy, great speakers and much camaraderie. The conference hotel is located directly on the famous San Antonio River Walk; a cypress covered walkway through the center of town with arched bridges and beautiful landscape and lined with cafés, hotels and shops. Learn Both organizations are firmly grounded in providing high quality education to their membership. A committee, made up of representatives from both organizations, is already lining up incredible speakers, workshops and demonstrations Network Attendees should also expect to expand their network by meeting new peers from all over the United States and the world. They will also discover how many people are actually members of both organizations! Share It’s great to attend a conference, but if you really want to increase the benefits, get involved. If you feel you have something to share or just want to help - this is your year. Contact your organization representative today to get involved. Enjoy But most of all it is a time to relax and share the love of this truly historic and magnificent art of stained glass that we all share. Whether your focus at the conference is workshops or sightseeing, many activities are being planned around San Antonio to provide opportunities to get to know one another and allow participants to go home inspired. Watch for updates and registration on both the SGAA and AGG’s websites. With excitement, David Judson, SGAA President & Tony Glander, AGG President Have more questions or comments? Would you like to get involved? Do you have an idea for a demo or presentation? Contact the SGAA Office at 816-737-2090 or [email protected] or reach out to the AGG Committee at 301-460-6404 or [email protected] - See you in Texas!