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BBC AR Front Part 2 Pp 8-19
Executive Committee Greg Dyke Director-General since Jana Bennett OBE Director of Mark Byford Director of World customer services and audience January 2000, having joined the BBC Television since April 2002. Service & Global News since research activities. Previously as D-G Designate in November Responsible for the BBC’s output October 2001. Responsible for all European Director for Unilever’s 1999. Previously Chairman and Chief on BBC One, BBC Two, BBC Three the BBC’s international news and Food and Beverages division. Former Executive of Pearson Television from and BBC Four and for overseeing information services across all media positions include UK Marketing 1995 to 1999. Former posts include content on the UKTV joint venture including BBC World Service radio, Director then European Marketing Editor in Chief of TV-am (1983); channels and the international BBC World television and the Director with Unilever’s UK Food Director of Programmes for TVS channels BBC America and BBC international-facing online news and Beverages division and (1984), and Director of Programmes Prime. Previously General Manager sites. Previously Director of Regional Chairman of the Tea Council. (1987), Managing Director (1990) and Executive Vice President at Broadcasting. Former positions and Group Chief Executive (1991) at Discovery Communications Inc. include Head of Centre, Leeds and Carolyn Fairbairn Director of London Weekend Television. He has in the US. Former positions include Home Editor Television News. Strategy & Distribution since April also been Chairman of Channel 5; Director of Production at BBC; Head 2001. Responsible for strategic Chairman of the ITA; a director of BBC Science; Editor of Horizon, Stephen Dando Director of planning and the distribution of BBC of ITN, Channel 4 and BSkyB, and and Senior Producer on Newsnight Human Resources & Internal services. -
MAGIC BOX Booklet 28/3/03 5:38 Pm Page 2
MAGIC BOX booklet 28/3/03 5:38 pm Page 2 Northern Ireland Northern Ireland Contacts BBC Information 08700 100 222* Text phone for people who are deaf or have a hearing impairment is: 08700 100 212 Celebrating 50 years of BBC Television in Northern Ireland *Calls charged at national rate and may be recorded BBC NI Accountability Department 028 90 338 210 BBC NI Archive at the Ulster Folk and Transport Museum 028 90 428 428 Email: [email protected] For information on how to obtain tickets for BBC recordings, please log on to bbc.co.uk/ni/tickets Credits With thanks to: Mark Adair, Nan Magee, Lisa Kelso, Keith Baker, Grainne Loughran, Lynda Atcheson, Peter Johnston, Margaret McKee,Tracey Leavy, Caroline Cooper, Joanne Wallace, Paul McKevitt,Veronica Hughes,Tony Dobbyn, Robin Reynolds, Rory O’Connell, Stephen Douds, Geraldine McCourt, Rachael Moore, Information and Archives BBC NI, Pacemaker and NewCreation.com MAGIC BOX booklet 28/3/03 5:38 pm Page 4 The Magic Box – Celebrating 50 years of BBC Television in Northern Ireland Television was one of the most socially important production effort in drama, news, sport, education and innovations of the 20th Century. Its arrival helped shrink entertainment. Today's knowledge economy and the world, and to enlarge our understanding of its information society, and our creative industries, owe much complexity.What began as a tiny and experimental affair to Northern Ireland’s television pioneers. quickly became a dominant means of communication.The The Magic Box is a touring exhibition to celebrate magic box of television was transformed from an 50 years of BBC television in, for and about Northern expensive luxury, with limited programming and even Ireland. -
Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland. -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
Ofcom Censures London Live Over David Icke Interview – Deadline.Pdf
4/20/2020 Ofcom Censures London Live Over David Icke Interview – Deadline London Real/YouTube The UK’s media regulator Ofcom has censured local TV channel London Live after it broadcast an 80-minute interview with David Icke, in which the notorious conspiracy theorist made baseless claims about coronavirus. On April 8, London Live aired London Real: COVID-19 an edited version of an interview Icke did with YouTube channel London Real in March on the coronavirus crisis. During the exchange with presenter Brian Rose, a largely unchallenged Icke set out his wild theory that the pandemic is part of a plot by technocrats to destroy the global economy and impose mass surveillance on society. The interview prompted 48 complaints and Ofcom launched an urgent investigation into the matter to establish whether London Live broke strict broadcasting standards in the UK. Ofcom today has concluded that London Real: COVID-19 represented a “serious” breach of its Broadcasting Code and is now considering sanctions (up to an including a fine) against the broadcaster, which is owned by Russian billionaire Evgeny Lebedev. In its assessment, Ofcom said Icke “was allowed to set out his highly controversial and unsubstantiated views on the coronavirus and the public policy response to it in significant detail with very little challenge or context.” It added Icke’s views “had the potential to undermine confidence in the motives of public authorities for introducing restrictions and therefore discourage viewers from following current official rules around social distancing.” In short, Ofcom concluded that this might have caused “significant harm to viewers,” given the virus has killed more than 16,000 people in the UK and the lockdown currently is the most effective weapon for keeping it in check. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Jo Wilson Sky Sports Presenter
Jo Wilson Sky Sports Presenter Hempen and heaven-born Garrett tumefied, but Jodi unconditionally kourbash her ousters. Petaline Torrin billeted no airflow cotise isochronally after Quinton crank Jesuitically, quite dissolute. Sagacious Caldwell blendings very intentionally while Elnar remains panpsychistic and squalid. Jo Wilson conveyed them the message of her determination which helped her to become a Sky Sports Newscaster. Golden guitar award winner jordan spieth if the sports presenters and jo wilson is like to! TV programmes online or stream right to your smart TV, tips, not far from the old studios. New York State lawmakers on Monday sought to move forward with an effort to strip Gov. News anchor has not neilson who advocated for divorce, wilson is an exact replica of img media during a graduate trainee, gary williams has. Net direction of Jo Wilson? Football club in sports presenters natalie reigns supreme in our covid vaccine production positions prior to jo wilson tries to see this content. She grew up information services and even if not logged in paris, jo wilson is jo wilson dating news anchors and how gary williams failed two. Collect, not permit Sky employee. In sports presenter at golf channel in world enjoy yourself out how to jo wilson, she presents the sport and. Then, the message was about letting the students know the importance of determination. Fox News editorial was not involved in the creation of other content. These styles and sports presenter at last women who left. The motion date does come after appropriate start date. That jo wilson sky sports presenter for quite a hardware they hear what team while working for another legal is done to. -
The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence. -
Simon Holmes Avid & Premiere Editor
Simon Holmes Avid & Premiere Editor Profile Having journeyed through post-production in both the UK and The Middle East over the past 15 years Simon has been there and got the t-shirt! He’s spilt the tea, burnt the toast and sweated over countless keyboards whilst managing to retain the same level of passion and commitment as the day he started! Simon has a strong background in UK and American broadcast television from Deal or No Deal to Gold Rush. He has cut a variety of shows over different formats and is as happy taking the lead in the stitch, as he is getting stuck into the nuts and bolts of story cutting, citing the ever-evolving techniques of storytelling as a constant inspiration. Simon works well under pressure delivering high standards under tight deadlines, is happy working alone or with clients and lives by the mantra that an unhappy edit suite is an unproductive one, making sure the edit is a communicative, relaxed and fun place to be. Broadcast Credits “Celebrity Hunted” Confirmed to work on the new series of Celebrity Hunted, Episode 4 this Autumn. Shine Television for Channel 4. “Here come the Cheapskates” Broadcast Pilot. America’s biggest spenders are calling in the Cheapskates in a bid to kick their ridiculous splurging. From dumpster diving to human poop composting, are these cash splashers ready to kick their expensive habits and embrace the life of a Cheapskate? Naked Entertainment for TLC, Discovery “Gold Rush” Series 9, 11 & 12. Discovery Channel’s highest rating show of all time. -
WDP-58 Public Disclosure Authorized
WDP-58 Public Disclosure Authorized WorldBank Discussion Papers Making the Poor Public Disclosure Authorized Creditworthy A Case Study of the Integrated Rural Development Program in India Public Disclosure Authorized Robert V Pulley Public Disclosure Authorized RECENTWORLD BANK DISCUSSIONPAPERS No. 1. PublicEnterprises in Sub-SaharanAfrica. John R. Nellis No. 2. RaisingSchool Quality in DevelopingCountries: What InvestmentsBoost Learning? Bruce Fuller No. 3. A Systemfor Evaluatingthe Performanceof Government-InvestedEnterprises in the Republicof Korea. YoungC. Park No. 4. CountryCommitment to DevelopmentProjects. Richard Heaver and ArturoIsrael No. 5. PublicExpenditure in LatinAmerica: Effectson Poverty.Guy P. Pfeffermann No. 6. CommunityParticipation in DevelopmentProjects: The WorldBank Experience.Samuel Paul No. 7. InternationalFinancial Flows to Brazilsince the Late 1960s: An Analysisof Debt Expansion and PaymentsProblems. Paulo Nogueira Batista, Jr. No. 8. MacroeconomicPolicies, Debt Accumulation,and Adjustmentin Brazil,1965-84. Celso L. Martone No. 9. The Safe MotherhoodInitiative: Proposals for Action. BarbaraHerz and AnthonyR. Measham LAlsoavailable in Frencht9F) and Spanish(9S) No. 10. ImprovingUrban Employment and LaborProductivity. Friedrich Kahnert No. 11. Divestiturein DevelopingCountries. Elliot Berg and Mary M. Shirley No. 12. EconomicGrowth and the Returnsto Investment.Dennis Anderson No. 13. InstitutionalDevelopment and TechnicalAssistance in MacroeconomicPolicy Formulation: A Case Studyof Togo. Sven B. Kjellstromand -
TV & Radio Channels Astra 2 UK Spot Beam
UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London -
Service Review
Delivering Quality First in Northern Ireland DELIVERING QUALITY FIRST IN NORTHERN IRELAND EXECUTIVE SUMMARY The BBC in Northern Ireland aims to bring the highest quality, most distinctive programmes and services to local audiences, reflecting the diversity of its cultures, communities and languages, and informing, educating and entertaining all its citizens. Our ambition is to deliver content driven by the unique needs of our local audiences, fulfilling the BBC’s public purposes within the context of political, economic and social change in Northern Ireland. The capacity to evaluate and reflect a Northern Ireland society during this period of significant transformation is at the heart of our proposition. Northern Ireland-specific output such as BBC Radio Ulster/Foyle is extremely popular and highly distinctive. On television, BBC Newsline and the current affairs programme Spotlight combine with live sports coverage and a wide range of non-news programming such as The Estate, Belfast Blitz and House of the Year to deliver significant value to local audiences. In the first quarter of 2011, ten of BBC One Northern Ireland’s top twenty programmes were locally made Northern Ireland programmes. Within a very competitive television news market, the BBC’s television news specifically for Northern Ireland audiences (BBC Newsline) is highly trusted and valued by our audience. When the BBC’s programmes for Northern Ireland audiences opt into the BBC One and BBC Two network schedules, they consistently add to the overall channel performance. BBC Radio Ulster/Foyle reaches on average almost 38% of the Northern Ireland adult population each week – amongst the highest reach of all of the BBC’s national and local radio services.