The Japanese Garden at Pocantico
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE TECTONIC FRAMEWORK of MINKA: MEANING THROUGH INTENSIFICATION in the JAPANESE FOLKHOUSE GUNTIS PLESUMS Chinese University of Hong Kong
1996 ACSA European Conference Copenhagen THE TECTONIC FRAMEWORK OF MINKA: MEANING THROUGH INTENSIFICATION IN THE JAPANESE FOLKHOUSE GUNTIS PLESUMS Chinese University of Hong Kong Minka, the Japanese folkhouse, uses a space-structur- ing principle that is fundamentally different from the style and construction of the sukiya-zukuri, the well-documented "Japa- nese house." A general framework defines an undifferentiated space, supports the roof structure, and carries the large roof. About two thirds of the plan is raised off the ground, and doma, an earthen floor area, is used as an enclosed kitchen, work space, and shelter for animals. The minkaspace-structuring method is used in farmhouses as well as townhouses. Regional factors determine variations in plan, massing, and roofstyles. All minka, however, share common characteristics. Rooms are partitioned off during initial construction or as necessary over time. Minka represents process-generated space, and the adaptability and survival of this building type is largely due to its hierarchical structure. Seven primary frame- work types' support the roofstructure, and a secondarystructure facilitates the building of walls, lean-tos, and other modifica- tions. In contrast, each spatial cell ofa sukiya-zukurihouse is defined by corner columns, and the ambiguous floor plan ofthis aggregation sits under an assortment of roofs and a hidden, complicated roofstructure. Most of the posts virtually disappear at wall intersections. The occasional free-standing posts in the sukiya-zukuri house underscore a structural minimalism-a dematerialization of structure. THE PRIMARY FRAMEWORK OF MINKA AND THE DIMENSION OF TIME It is easy to recognize the jikugumi, the primary framework, used in the dwelling, but identification of the framework type is sometimes only possible when the structure is disassembled. -
Fact Sheet a Look Inside the Portland Japanese Garden
Fact Sheet A look inside the Portland Japanese Garden Address: Hours: Key Personnel: 611 SW Kingston Ave Summer Public Hours (March 13 - Sept. 30): Stephen Bloom, Chief Executive Officer Portland, Oregon 97208 ● Monday: Noon - 7 p.m. Sadafumi Uchiyama, Garden Curator ● Tuesday - Sunday: 10 a.m. - 7 p.m. Diane Durston, Arlene Schnitzer Curator of Culture, Art & Education Website: japanesegarden.org Cynthia Johnson Haruyama, Deputy Director Phone: 503.223.1321 Winter Public Hours (Oct. 1 - March 12) Cathy Rudd, Board of Trustees President Email: [email protected] ● Monday: Noon - 4 p.m. Dorie Vollum, Board of Trustees President-Elect and Cultural ● Tuesday - Sunday: 10 a.m. - 4 p.m. Crossing Campaign Co-Chair Quick Facts: Pricing: ● Year Established: 1963 Adults: $14.95 ● Total Annual Attendance: 356,000 in 2016 (up 20% from 2015) Seniors (65+): $12.95 ● Total Acreage: 8 public gardens spread over 12 acres College Students (with ID): $11.95 ● Total Volunteer Hours: 7,226 in 2016 Youth (6 - 17): $10.45 ● Total Members: 11,000 Children 5 and under: free ● Total Staff: 83 regular employees, including eight full-time gardeners ● Total Operating Budget: $9.5 million Photos, Videos & Logos: ● Click here for Photos of the Garden in every season ● Click here for Photos of Cultural Programming & Art Exhibitions ● Click here for Videos & B-roll ● Click here for Logos Media Inquiries: Erica Heartquist | [email protected] | 503.542.9339 Page 1 of 3 About the Portland Japanese Garden For more than 50 years, the Portland Japanese Garden has been a haven of serenity and tranquility, nestled in the scenic West Hills of Portland, OR. -
Way to Grow News for Urban Gardeners
way to grow news for urban gardeners JUNE/JULY 2009 | VOLUME 32 | NUMBER 3 Do Goats Belong in Your Garden? Jennie Grant, President & Founder, Goat Justice League, and a Seattle Tilth instructor “The prudent man does not make the goat his gardener,” says an old Hungarian prov- erb, and it certainly is hard to imagine how a goat could beautify your garden. However, a farm animal “garden room” adds tremen- dous interest to your yard, and with a hand- some goat shed and lots of wood chips, it lends a certain charm. Goats are always up to something interesting–relaxing in the sun, chewing their cud, or trying figure out a way to break out of their yard and eat your prize rose bushes. While adding interest to the garden, for many Seattleites, the primary reason to keep goats is the milk they produce. There is Children pick flowers at our Teaching Peace Through Gardening program with the Atlantic something very satisfying about opting out Street Center. of the factory farm system and drinking a glass of milk from your own goat. Also, fresh Summer Partnerships Continued on page 3 Lisa Taylor, Children’s Program Manager Freeway Park, Occidental Square, Cascade Each week of the academy we will work Seattle Tilth will be collaborating with three Playground and Belltown Cottage Park. with 50 youth at Aki Kurose Middle School fantastic community partners this summer to grow a container garden, explore soils and to offer organic gardening education to tar- Atlantic Street Center composting and provide organic gardening geted populations in the Seattle area. -
The Lesson of the Japanese House
Structural Studies, Repairs and Maintenance of Heritage Architecture XV 275 LEARNING FROM THE PAST: THE LESSON OF THE JAPANESE HOUSE EMILIA GARDA, MARIKA MANGOSIO & LUIGI PASTORE Politecnico di Torino, Italy ABSTRACT Thanks to the great spiritual value linked to it, the Japanese house is one of the oldest and most fascinating architectural constructs of the eastern world. The religion and the environment of this region have had a central role in the evolution of the domestic spaces and in the choice of materials used. The eastern architects have kept some canons of construction that modern designers still use. These models have been source of inspiration of the greatest minds of the architectural landscape of the 20th century. The following analysis tries to understand how such cultural bases have defined construction choices, carefully describing all the spaces that characterize the domestic environment. The Japanese culture concerning daily life at home is very different from ours in the west; there is a different collocation of the spiritual value assigned to some rooms in the hierarchy of project prioritization: within the eastern mindset one should guarantee the harmony of spaces that are able to satisfy the spiritual needs of everyone that lives in that house. The Japanese house is a new world: every space is evolving thanks to its versatility. Lights and shadows coexist as they mingle with nature, another factor in understanding the ideology of Japanese architects. In the following research, besides a detailed description of the central elements, incorporates where necessary a comparison with the western world of thought. All the influences will be analysed, with a particular view to the architectural features that have influenced the Modern Movement. -
Delft University of Technology Tatami
Delft University of Technology Tatami Hein, Carola Publication date 2016 Document Version Final published version Published in Kyoto Design Lab. Citation (APA) Hein, C. (2016). Tatami. In A. C. de Ridder (Ed.), Kyoto Design Lab.: The tangible and the intangible of the Machiya House (pp. 9-12). Delft University of Technology. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. TATAMI Inside the Shōkin-tei, located in the garden of the Katsura Imperial Villa. A joint of three tatami. Tatami Carola Hein Use of the tatami mat reportedly goes back to the 8th century (the Nara period in Japan) when single mats began to be used as beds, or brought out for a high-ranking person to sit on. Over centuries it became a platform that has hosted all facets of life for generations of Japanese. From palaces to houses, from temples to spaces for martial art, the tatami has served as support element for life. -
NOVEMBER 21, 1976 POCANTICO HILLS, TARRYTOWN, NEW YORK TIME DAY 7:30 A.M
Scanned from the President's Daily Diary Collection (Box 85) at the Gerald R. Ford Presidential Library THE WHITE HOUSE THE DAILY DIARY OF PRESIDENT GERALD R. FORD PLACE DAY BEGAN DATE (Mo., Day, Yr.) KYKUIT NOVEMBER 21, 1976 POCANTICO HILLS, TARRYTOWN, NEW YORK TIME DAY 7:30 a.m. SUNDAY -PHONE TIME 1 ~ ACTIVITY c: ~ 1-----,----1 II II In Out 0. ~ The President and the First Lady were overnight guests at Kykuit, the residence of Vice President and Mrs. Nelson A. Rockefeller, Pocantico Hills, Tarrytown, New York. 7:30 The President awoke. 8:00 The president had breakfast. 8:50 The president went to the first tee on the grounds of Kykuit. 9:00 ? The President played golf with: Vice President Rockefeller John D. "David" Rockefeller III, Chairman of the Board of Trustees of the Rockefeller Foundation Laurance S. Rockefeller, Chairman of Rockefeller Brothers Fund, New York, New York The President returned to his suite. 10:50 The President and the First Lady went to their motorcade. 11:05 11:06 The President and the First Lady motored from Kykuit to Union Church of Pocanti~ Hills. They were accompanied by: -r Vice President Rockefeller Mrs. Rockefeller 11:08 The Presidential party was greeted by pastor of Union Church Rev. Marshall B. Smith. The President and the First Lady escorted by Vice President and Mrs. Rockefeller went inside Union Church. 11:10 12:02 The Presidential party attended worship services at Union Church of Pocantico Hills. 12:05 The Presidential party returned to their motorcade. 12:14 12:17 The Presidential party motored from Union Church of Pocantico Hills to Kykuit. -
Mizumoto Japanese Stroll Garden October, Open Daily 10 A.M.- 6 P.M
Hours Welcome to the April-September, open daily 10 a.m.- 7 p.m. IZUMOTO Mizumoto Japanese Stroll Garden October, open daily 10 a.m.- 6 p.m. M AN Admission Fees JAP ESE Adults: $3 Free admission, with member ID, ROLL GARDEN Children under 12: Free to members of Friends of the ST Garden or American Horticultural eene/Close Nathanael Gr Memorial Pa Koi fish food available: $1 Society reciprocal gardens. in ic Ave., Springfi eld, Miss rk 2400 S. Scen ouri 65807 Rentals & Tours The Mizumoto Japanese Stroll Garden and the * Stepping stones make it essential to look down and see adjacent Japanese Garden Pavilion are available for The Zig-Zag Bridge slows you down to where you are placing your feet. This act of slowing down rentals and weddings. Call 417-891-1515 or visit help create a meditative state. allows for a greater opportunity for contemplation. ParkBoard.org/Botanical/Rentals. Guided group tours and field trips may be scheduled through the Botanical Center or call 417-891-1515. Park Rules • Pets are permitted on a leash. • No swimming, wading, boating or fishing. • No harvesting of flowers, fruit, or plants. The Moon Bridge is curved to reflect the roundness of • No hammocks or attaching anything to trees. the rising moon. Japan is known as the Land of the Rising The Gazebo’s open-air design makes it • Weddings, special events and any activity including Sun. The moon is an important part of Japanese culture, ideal for meditation, tea ceremonies or 30 or more people requires a rental. -
Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs. -
Tarrytown Station Area Strategic Plan
Tarrytown Station Area Strategic Plan December 2014 Tarrytown Station Area Strategic Plan Village of Tarrytown, New York Prepared by Melissa Kaplan-Macey, AICP 917.836.6250 www.collaborativeplanningstudio.com November 2014 Acknowledgments Planning Board, Project Lead Stanley Friedlander, Planning Board Chair David Aukland, Project Co-Chair Joan Raiselis, Project Co-Chair Paul Birgy Ron Tedesco Steering Committee Village Board of Trustees Michael Blau, Village Administrator Drew Fixell, Mayor Bill Brady, Westchester County Planning Thomas Basher, Deputy Mayor Tom Butler, Board of Trustees Thomas Butler Fiona Galloway, Resident Robert Hoyt Joyce Lennart, Resident Mary McGee Michael McGarvey, Village Engineer Rebecca McGovern Douglas Zollo Special thanks to the stakeholders who participated in this project: • Bradley Bashears, Metro-North Railroad Commuter Council • Bill Brady, Associate Planner, Westchester County Department of Planning • Joe Cotter, President, National RE/Sources • Bill Donohue, Capital Planning and Programming, Metro-North Railroad • Tatiana Eck, Senior Strategist, Corporate Properties & Placemaking, Metro-North Railroad • Randy Fleischer, Vice President, Grand Central Terminal and Corporate Development, Metro-North Railroad • Sean Flynn, National RE/Sources • Anthony Giaccio, Village Manager, Village of Sleepy Hollow • Bridget Gomez, Resident, Asbury Terrace • Wilfredo Gonzalez, Executive Director, Tarrytown Housing Authority • Paul Janos, National RE/Sources • Naomi Klein, Director of Planning, Westchester County DPW -
Japonisme in Britain - a Source of Inspiration: J
Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933). -
The Rockefellers an Enduring Legacy
The Rockefellers An Enduring Legacy 90 / OCTOBER 2012 / WWW.WESTCHESTERMAGAZINE.COM alfway through a three-hour tour The views from Kykuit were astound- of the Kykuit mansion, the for- ing—possibly the best in Westchester. The mer home to four generations Hudson sparkled like a thousand stars lit up of Rockefellers, it became appar- in the night sky. Surrounding towns, includ- ent that I was going to need to ing Tarrytown and Sleepy Hollow, looked as Huse the bathroom—a large mug of iced coffee if civilization had yet to move in, the tree- purchased at a Tarrytown café was to blame. tops hiding any sign of human life. I felt like My guide, Corinne, a woman of perhaps 94, a time-traveler whisked back to a bygone era. Look around eagerly led me to a marble bathroom enclosed This must have been the view that had in- by velvet ropes, telling me this may have been spired John D. Rockefeller to purchase land you. How where John D. Rockefeller had spent a great in Westchester in 1893. New York City, where deal of his time. When, after several high- the majority of the Rockefeller family resided, much of decibel explanations, she gathered the nature was just 31 miles away and a horse-drawn car- of my request, I was ushered away from the riage could make the journey to the estate in the land, tour by two elderly women carrying walkie- less than two hours. It was the perfect family talkies, taken down a long flight of wooden retreat, a temporary escape from city life. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.