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Le Programme August – September 2019

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Le Programme August – September 2019 CCS5-le-programme-AUG-SEP19-FINAL-PRINT.inddS5-le-programme-AUG-SEP19-FINAL-PRINT.indd 1 225/07/20195/07/2019 113:463:46 02 Contents/Highlights Ciné Lumière 3-12 Talks & Special Events 13 Music 14 Kids & Families 15-17 Germaine Dulac's shorts Dance on Screen In the Eyes of the Law with live music 19-30 Sept 25 Aug – 2 Oct 8 Sept p.8 pp. 10-12 Edinburgh Festivals 18 p.7 FranceDance UK 19 We Support / We Recommend 20 La Médiathèque / Culturethèque 22 French Courses 23 Open House Spanish Film Festival FranceDance UK General Information 24-27 21-22 Sept 25-29 Sept Aug – Nov p.13 p.9 p.19 Venues across the UK front cover image: The Shock of the Future by Mark Collin Programme design by dothtm CCS5-le-programme-AUG-SEP19-FINAL-PRINT.inddS5-le-programme-AUG-SEP19-FINAL-PRINT.indd 2 225/07/20195/07/2019 113:463:46 A New Cinema – A New Programme Building on the success of the 230-seat Ciné Lumière, the Institut français has opened Ciné Lumière II, a new 35-seat boutique cinema, to expand its exceptional programming. What will you get? We are broadening our programme to include more documentaries. In September, we’ll explore topics as diverse as the war in Syria (For Sama), endangered species (Sea of Shadows), contemporary dance (Dance on Screen season), and justice (In the Eyes of the Law new series). Our Dance on Screen season, accompanying our UK-wide festival FranceDance UK, kicks off a new strand of films about art forms and artist films, and experimental moving image practices (Germaine Dulac’s shorts). We are also introducing monthly relaxed screenings tailored for those who may be on the autism spectrum or with sensory difficulties (Playmobil: The Movie, 28 Sept). Among the novelties, also expect some golden oldies! Thanks to our new screen, we’ll offer additional weekly screenings of our popular Sunday Classics, under the new title Les Classiques, dedicated in September to the representation of justice. A programming expansion on two screens means a more flexible programme allowing more new released films (from Pedro Almodóvar’s latest opus to Louis Garrel’s new feature – pictured on this page), repeat screenings of the most popular titles and additional films and special events. What changes from now on? To allow the programme to be flexible, only the opening day for the NEW RELEASES is specified in this brochure. To get the detailed screenings (days & times) of each new release: - Visit www.institut-francais.org.uk - Pick up the New Release Weekly Calendar available at the box office every Wednesday (or download the pdf version online) - Sign up to our weekly cinema e-newsletter and follow us on our social media for regular updates InstitutFrancaisLondon ifru_london Sit back, relax, and enjoy! CCS5-le-programme-AUG-SEP19-FINAL-PRINT.inddS5-le-programme-AUG-SEP19-FINAL-PRINT.indd 3 225/07/20195/07/2019 113:463:46 04 Ciné Lumière New Releases Pain and Glory A Faithful Man Transit Dolor y Gloria L’Homme fidèle DEU | 2018 | 101 mins | dir. Christian Petzold, with Franz ESP | 2019 | 113 mins | dir. Pedro Almodóvar, with Antonio FRA | 2018 | 75 mins | dir. Louis Garrel, with Laetitia Casta, Rogowski, Paula Beer | cert. 12 | in German and French with Banderas, Penélope Cruz | cert. 15 | in Spanish with EN subs Lily-Rose Depp, Louis Garrel | cert. 15 | in French with EN EN subs subs In Almodóvar’s most personal film to date, Salvador The German troops are just outside Paris, a ‘cleansing’ of Mallo (Cannes 2019 Best Actor, Antonio Banderas), a film A heartbroken man (Louis Garrel) gets a second chance undesired people is underway. Assuming the identity of a director facing ill health, takes us through his recollection with his true love, Marianne (Laetitia Casta) after a long dead author, Georg manages to escape to Marseille and of love, breakups, art, cinema, mothers, the act of writing separation – only to get embroiled in all sorts of drama. obtain one of the few scarce visas and passages on a ship and making a film, and importantly the experience of A delightful romantic comedy inspired by the French to Mexico. Based on Anna Seghers’ eponymous novel and desire and pleasure that seem lost to him. A ‘sensuous New Wave, A Faithful Man features an impressive acting set in contemporary France where refugees from the past and deeply personal gem’ (The Guardian). ensemble, including Laetitia Casta and Lily-Rose Depp. meet refugees from today, Transit is a stark reminder of the perils of fascism. From Fri 23 Aug From Fri 23 Aug From Fri 23 Aug Screening on Friday 23 August at 6.30pm followed by a Q&A (TBC) For full runs (days & times) Visit www.institut-francais.org.uk Pick up the New Release Weekly Calendar available at the box office every Wednesday (or download the pdf online) InstitutFrancaisLondon ifru_london Sign up to our weekly cinema e-newsletter and follow us on our social media for regular updates CCS5-le-programme-AUG-SEP19-FINAL-PRINT.inddS5-le-programme-AUG-SEP19-FINAL-PRINT.indd 4 225/07/20195/07/2019 113:463:46 Ciné Lumière New Releases Notorious A Gentle Woman The Souvenir Rojo USA | 1946 | 102 mins | dir. Alfred Hitchcock, Une femme douce UK | 2019 | 120 mins | dir. Joanna Hogg, ARG | 2018 | 109 mins | dir. Benjamín with Cary Grant, Ingrid Bergman | cert. U FRA | 1969 | 88 mins | dir. Robert Bresson, with Honor Swinton Byrne, Tom Burke, Tilda Naishtat, with Dario Grandinetti, Andrea in English | New 4K restoration | Re-Release with Dominique Sanda, Guy Fragin, Jeanne Swinton | cert. 15 | in English Frigerio, Alfredo Castro | cert. TBC Lobre | cert. TBC | in French with EN subs in Spanish with EN subs Following the conviction of her Nazi father New 2K Digital restoration | Re-Release Chelsea, London in the early 1980s: film for treason, Alicia Huberman (Ingrid student Julie wants to use her camera Highly praised at the San Sebastián Film Bergman) takes to drink and men. She Adapted from Dostoyevsky’s short story to better understand the world. Anthony Festival, Benjamín Naishtat’s film Rojo is approached by a government agent, A Gentle Creature, Bresson’s first film in unexpectedly enters her bubble. He is recounts the fall from grace of Claudio, Devlin (Cary Grant), who asks her to spy colour is set in Paris. When his young wife older and more refined, but he harbours a middle-aged lawyer with a prosperous on a group of her father’s Nazi friends Elle (Dominique Sanda) commits suicide a dark secret. Joanna Hogg’s semi- life in 1975 Argentina. One night at a operating out of Rio de Janeiro. with no explanation, her husband Luc (Guy autobiographical new film is both a restaurant, he is verbally attacked by a A romance develops between Alicia and Frangin), an introspective pawnbroker, personal take on upper-class Britain mysterious stranger; an argument which Devlin, but she starts to get too involved in looks back on their life together. and an incisive exploration of spaces, will escalate to drastic consequences. her work at her own risk. landscapes, dependent relationships and, While Claudio tries to forget, a series From Sun 25 Aug not least, the medium of film. of circumstances forces him to face his From Sat 24 Aug actions. From Fri 6 Sept From Fri 6 Sept For full runs (days & times) Visit www.institut-francais.org.uk Pick up the New Release Weekly Calendar available at the box office every Wednesday (or download the pdf online) InstitutFrancaisLondon ifru_london Sign up to our weekly cinema e-newsletter and follow us on our social media for regular updates 05 CCS5-le-programme-AUG-SEP19-FINAL-PRINT.inddS5-le-programme-AUG-SEP19-FINAL-PRINT.indd 5 225/07/20195/07/2019 113:463:46 06 Ciné Lumière New Releases The Shock of the Future For Sama Sea of Shadows Le Choc du futur UK | 2019 | 97 mins | dir.s Waad al-Khateab, Edward Watts AUT | 2019 | 104 mins | dir. Richard Ladkani | doc | cert. TBC FRA | 2019 | 84 mins | dir. Marc Collin, with Alma Jodorowsky, doc | cert. TBC | in Arabic with EN subs in English Philippe Rebbot, Geoffrey Carey | cert. TBC | in French with EN subs Winner of l’Œil d’or for Best Documentary When Mexican drug cartels and Chinese traffickers at the 2019 Cannes Film Festival, For Sama is an intimate join forces to poach the rare Totoaba fish in the Sea Paris 1978. In a male-dominated industry, Ana uses her and epic journey into the female experience of war, a love of Cortez, their deadly methods threaten virtually all electronic gadgets to make herself heard, creating a letter from a young mother to her daughter, as we follow marine life in the region, including the endangered whale new sound that will mark the decades to come. Director Waad al-Kateab’s life through five years of the uprising in species, the vaquita porpoise. Sea of Shadow follows a Marc Collin (co-founder of the band Nouvelle Vague) has Aleppo in Syria, where she falls in love, gets married and team of dedicated scientists, investigative journalists created a poignant tribute to the unrecognised women gives birth to Sama. and undercover agents who put their lives on the line to pioneers of the electronica movement. save the last remaining vaquitas and bring the vicious From Fri 13 Sept international crime syndicate to justice. From Fri 13 Sept Preview screening on 5 Sept at 6.30pm, followed by a From Fri 27 Sept Screening on Fri 13 Sept at 6.30pm followed by a Q&A Q&A with directors Waad al-Kateab and Edward Watts with dir.
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  • Reportto the Community

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    REPORT TO THE COMMUNITY Public Broadcasting for Greater Washington FISCAL YEAR 2020 | JULY 1, 2019 – JUNE 30, 2020 Serving WETA reaches 1.6 million adults per week via local content platforms the Public Dear Friends, Now more than ever, WETA is a vital resource to audiences in Greater THE WETA MISSION in a Time Washington and around the nation. This year, with the onset of the Covid-19 is to produce and hours pandemic, our community and our country were in need. As the flagship 1,200 distribute content of of new national WETA programming public media station in the nation’s capital, WETA embraced its critical role, of Need responding with enormous determination and dynamism. We adapted quickly intellectual integrity to reinvent our work and how we achieve it, overcoming myriad challenges as and cultural merit using we pursued our mission of service. a broad range of media 4 billion minutes The American people deserved and expected information they could rely to reach audiences both of watch time on the PBS NewsHour on. WETA delivered a wealth of meaningful content via multiple media in our community and platforms. Amid the unfolding global crisis and roiling U.S. politics, our YouTube channel nationwide. We leverage acclaimed news and public affairs productions provided trusted reporting and essential context to the public. our collective resources to extend our impact. of weekly at-home learning Despite closures of local schools, children needed to keep learning. WETA 30 hours programs for local students delivered critical educational resources to our community. We significantly We will be true to our expanded our content offerings to provide access to a wide array of at-home values; and we respect learning assets — on air and online — in support of students, educators diversity of views, and families.
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward

    Index to Volume 29 January to December 2019 Compiled by Patricia Coward

    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard