Pg0148 Layout 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
On Ways of Studying Tolkien: Notes Toward a Better (Epic) Fantasy Criticism
Journal of Tolkien Research Volume 9 Issue 1 Article 2 2020 On Ways of Studying Tolkien: Notes Toward a Better (Epic) Fantasy Criticism Dennis Wilson Wise University of Arizona, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Continental Philosophy Commons, Ethics and Political Philosophy Commons, Literature in English, British Isles Commons, and the Literature in English, North America Commons Recommended Citation Wise, Dennis Wilson (2020) "On Ways of Studying Tolkien: Notes Toward a Better (Epic) Fantasy Criticism," Journal of Tolkien Research: Vol. 9 : Iss. 1 , Article 2. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol9/iss1/2 This Peer-Reviewed Article is brought to you for free and open access by the Christopher Center Library at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Wise: On Ways of Studying Tolkien INTRODUCTION We are currently living a golden age for Tolkien Studies. The field is booming: two peer-reviewed journals dedicated to J.R.R. Tolkien alone, at least four journals dedicated to the Inklings more generally, innumerable society newsletters and bulletins, and new books and edited collections every year. And this only encompasses the Tolkien work in English. In the last two decades, specifically since 2000, the search term “Tolkien” pulls up nearly 1,200 hits on the MLA International Bibliography. For comparison, C. S. Lewis places a distant second at fewer than 900 hits, but even this number outranks the combined hits on Ursula K. -
Music 1000 Songs, 2.8 Days, 5.90 GB
Music 1000 songs, 2.8 days, 5.90 GB Name Time Album Artist Drift And Die 4:25 Alternative Times Vol 25 Puddle Of Mudd Weapon Of Choice 2:49 Alternative Times Vol 82 Black Rebel Motorcycle Club You'll Be Under My Wheels 3:52 Always Outnumbered, Never Outg… The Prodigy 08. Green Day - Boulevard Of Bro… 4:20 American Idiot Green Day Courage 3:30 ANThology Alien Ant Farm Movies 3:15 ANThology Alien Ant Farm Flesh And Bone 4:28 ANThology Alien Ant Farm Whisper 3:25 ANThology Alien Ant Farm Summer 4:15 ANThology Alien Ant Farm Sticks And Stones 3:16 ANThology Alien Ant Farm Attitude 4:54 ANThology Alien Ant Farm Stranded 3:57 ANThology Alien Ant Farm Wish 3:21 ANThology Alien Ant Farm Calico 4:10 ANThology Alien Ant Farm Death Day 4:33 ANThology Alien Ant Farm Smooth Criminal 3:29 ANThology Alien Ant Farm Universe 9:07 ANThology Alien Ant Farm The Weapon They Fear 4:38 Antigone Heaven Shall Burn To Harvest The Storm 4:45 Antigone Heaven Shall Burn Tree Of Freedom 4:49 Antigone Heaven Shall Burn Voice Of The Voiceless 4:53 Antigone (Slipcase - Edition) Heaven Shall Burn Rain 4:11 Ascendancy Trivium laid to rest 3:49 ashes of the wake lamb of god Now You've Got Something to Die … 3:39 Ashes Of The Wake Lamb Of God Relax Your Mind 4:07 Bad Boys 2 Soundtrack Loon Intro 0:12 Bad Boys 2 Soundtrack Bad Boys 2 Soundtrack Show Me Your Soul 5:20 Bad Boys 2 Soundtrack Loon Feat. -
Tolkien's Women: the Medieval Modern in the Lord of the Rings
Tolkien’s Women: The Medieval Modern in The Lord of the Rings Jon Michael Darga Tolkien’s Women: The Medieval Modern in The Lord of the Rings by Jon Michael Darga A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2014 © 2014 Jon Michael Darga For my cohort, for the support and for the laughter Acknowledgements My thanks go, first and foremost, to my advisor Andrea Zemgulys. She took a risk agreeing to work with a student she had never met on a book she had no academic experience in, and in doing so she gave me the opportunity of my undergraduate career. Andrea knew exactly when to provide her input and when it was best to prod and encourage me and then step out of the way; yet she was always there if I needed her, and every book that she recommended opened up a significant new argument that changed my thesis for the better. The independence and guidance she gave me has resulted in a project I am so, so proud of, and so grateful to her for. I feel so lucky to have had an advisor who could make me laugh while telling me how badly my thesis needed work, who didn’t judge me when I came to her sleep-deprived or couldn’t express myself, and who shared my passion through her willingness to join and guide me on this ride. Her constant encouragement kept me going. I also owe a distinct debt of gratitude to Gillian White, who led my cohort during the fall semester. -
Classifications List
Complied and Published by NORTH AMERICAN GLADIOLUS COUNCIL A Selected List of Gladiolus Cultivars Classified for Show Purposes 2021 NAGC GLADIOLUS CLASSIFICATION COMMITTEE James Otto-Chairman, 302 Sandpiper Court, Delano, MN 55328 (763) 972-2426, [email protected] Committee: Cliff Hartline, Sue Jackson, Dave Kollasch, Burton Scripture, Donald Selinger, Reg Powys-Lybbe, Lew Wallace, Karin McDougall, John Alleman, Lyle Madeson and John Meyer CLASSIFICATION LIST FOR A MORE COMPLETE LIST GO TO GLADWORLD.ORG/Classification Web Version Note: A seedling is any cultivar that has not been previously introduced by offering it for sale. The Classification List includes no seedlings even though they may have been named and registered with the North American Gladiolus Registry. A Recent Introduction is any cultivar introduced within the last five years with a termination of its showing in this category based upon its period of availability for purchase and growth by the North American buying public. KEY TO CULTIVAR LISTS Size and color classes are indicated by the code number. The first digit indicates the floret size group: the last two digits represent the color class. Originator’s name follows, and then the year the cultivar was first available at North American purchasers. Followed by a rough approximation of the blooming season. VE (Very Early) – under 70 days E (Early) – 70-74 days EM (Early Midseason) – 75-79 days M (Midseason) – 80-84 days LM (Late Midseason) – 85-90 days L (Late) – 91-99 days VL (Very Late) – 100 days or more These dates are for large corms. Smaller size corms will bloom somewhat later. -
TOLKIEN‟S the SILMARILLION: a REEXAMINATION of PROVIDENCE by David C. Powell a Thesis Submitted to the Faculty of the Dorothy
TOLKIEN‟S THE SILMARILLION: A REEXAMINATION OF PROVIDENCE by David C. Powell A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2009 Copyright by David C. Powell ii ABSTRACT Author: David C. Powell Title: Tolkien‟s The Silmarillion: A Reexamination of Providence Institution: Florida Atlantic University Thesis Advisor: Dr. Thomas Martin Degree Master of Arts Year 2009 Christian providence in the primary (real) world operates as the model for the spiritual movement of Eru/Illuvatar in Tolkien‟s secondary (imaginative) world. Paralleling the Christian God, Illuvatar maintains a relationship with his creation through a three-fold activity: preservation, concurrence, and government. Preservation affirms Eru‟s sovereignty as Creator, and concurrence guarantees creaturely freedom, while paradoxically, government controls, guides, and determines those wills in Time. The union of these three activities comprises the providential relationship of Illuvatar in Tolkien‟s imaginary world. The following thesis endeavors to carry the argument for providence into The Silmarillion with a declarative and analytical detail that distinguishes Illuvatar‟s providence from other temporal manifestations. Finally, the analysis reveals not only the author‟s authentic orthodox perspective, but Illuvatar‟s role in the imaginative world emerges as a reflection of Tolkien‟s authorial role in the real world. iv TOLKIEN‟S THE SILMARILLION: A REEXAMINATION OF PROVIDENCE ABBREVIATIONS . .vi INTRODUCTION . 1 CHAPTER ONE: PRESERVATION . 7 CHAPTER TWO: CONCURRENCE . 17 CHAPTER THREE: GOVERNMENT . 50 WORKS CITED . 66 NOTES . .71 v ABBREVIATIONS Aspects “Aspects of the Fall in The Silmarillion.” Eric Schweicher. -
The Existence of Religious Figures in J.R.R. Tolkien's the Silmarillion
[ VOLUME 5 I ISSUE 4 I OCT.– DEC. 2018] E ISSN 2348 –1269, PRINT ISSN 2349-5138 The Existence of Religious Figures in J.R.R. Tolkien’s The Silmarillion, The Lord of The Rings and The Hobbit N. Ravikumar1 & Dr. R. Chandrasekar2 & M. Selvam3 1PhD Research Scholar, Department of English, Sri Ramakrishna Mission Vidyalaya College of Arts and Science, Coimbatore- 641020. 2Associate Professor and Head, Department of English, Sri Ramakrishna Mission Vidyalaya College Of Arts and Science, Coimbatore- 641020. 3Assistant Professor of English, Department of English, Ramakrishna Mission Vidyalaya Educational Research Institute For Agricultural Education and Research, Coimbatore- 641020. Received: July 16, 2018 Accepted: August 27, 2018 ABSTRACT John Ronald Reuel Tolkien stands as the best selling fantasy novelists in twentieth- century literature. His major works are The Hobbit, The Lord of the Rings and The Silmarillion. This paper primarily focuses on religious figures in J.R.R. Tolkien’s The Silmarillion, The Lord of The Rings and The Hobbit. The religious figures at first glance, to play only a background role in the text’s narrative structure. However, their significance extends far beyond merely affecting the plot. There is a clear alignment between Tolkien’s real-life views and the qualities represented by his women characters. They draw attention to by depicting as powerful and wise. Tolkien was greatly influenced by the arts and crafts movement of the late 19th-century, which sought to provide a greater cultural emphasis on all forms of artistry and nature and a reduced emphasis on mechanized industry. Although this movement ended at the beginning of the 20th-century, branches of it continued, arguing that the correct sense of artistry and spirituality could be found by looking back to medieval England and that these qualities could be used to help heal the modern ravaged and industrialized country. -
Praise & Worship from Moody Radio
Praise & Worship from Moody Radio 04/28/15 Tuesday 12 A (CT) Air Time (CT) Title Artist Album 12:00:10 AM Hold Me Jesus Big Daddy Weave Every Time I Breathe (2006) 12:03:59 AM Do Something Matthew West Into The Light 12:07:59 AM Wonderful Merciful Savior Selah Press On (2001) 12:12:20 AM Jesus Loves Me Chris Tomlin Love Ran Red (2014) 12:15:45 AM Crown Him With Many Crowns Michael W. Smith/Anointed I'll Lead You Home (1995) 12:21:51 AM Gloria Todd Agnew Need (2009) 12:24:36 AM Glory Phil Wickham The Ascension (2013) 12:27:47 AM Do Everything Steven Curtis Chapman Do Everything (2011) 12:31:29 AM O Love Of God Laura Story God Of Every Story (2013) 12:34:26 AM Hear My Worship Jaime Jamgochian Reason To Live (2006) 12:37:45 AM Broken Together Casting Crowns Thrive (2014) 12:42:04 AM Love Has Come Mark Schultz Come Alive (2009) 12:45:49 AM Reach Beyond Phil Stacey/Chris August Single (2015) 12:51:46 AM He Knows Your Name Denver & the Mile High Orches EP 12:55:16 AM More Than Conquerors Rend Collective The Art Of Celebration (2014) Praise & Worship from Moody Radio 04/28/15 Tuesday 1 A (CT) Air Time (CT) Title Artist Album 1:00:08 AM You Are My All In All Nichole Nordeman WOW Worship: Yellow (2003) 1:03:59 AM How Can It Be Lauren Daigle How Can It Be (2014) 1:08:12 AM Truth Calvin Nowell Start Somewhere 1:11:57 AM The One Aaron Shust Morning Rises (2013) 1:15:52 AM Great Is Thy Faithfulness Avalon Faith: A Hymns Collection (2006) 1:21:50 AM Beyond Me Toby Mac TBA (2015) 1:25:02 AM Jesus, You Are Beautiful Cece Winans Throne Room 1:29:53 AM No Turning Back Brandon Heath TBA (2015) 1:32:59 AM My God Point of Grace Steady On 1:37:28 AM Let Them See You JJ Weeks Band All Over The World (2009) 1:40:46 AM Yours Steven Curtis Chapman This Moment 1:45:28 AM Burn Bright Natalie Grant Hurricane (2013) 1:51:42 AM Indescribable Chris Tomlin Arriving (2004) 1:55:27 AM Made New Lincoln Brewster Oxygen (2014) Praise & Worship from Moody Radio 04/28/15 Tuesday 2 A (CT) Air Time (CT) Title Artist Album 2:00:09 AM Beautiful MercyMe The Generous Mr. -
Clashing Perspectives of World Order in JRR Tolkien's Middle-Earth
ABSTRACT Fate, Providence, and Free Will: Clashing Perspectives of World Order in J. R. R. Tolkien’s Middle-earth Helen Theresa Lasseter Mentor: Ralph C. Wood, Ph.D. Through the medium of a fictional world, Tolkien returns his modern audience to the ancient yet extremely relevant conflict between fate, providence, and the person’s freedom before them. Tolkien’s expression of a providential world order to Middle-earth incorporates the Northern Germanic cultures’ literary depiction of a fated world, while also reflecting the Anglo-Saxon poets’ insight that a single concept, wyrd, could signify both fate and providence. This dissertation asserts that Tolkien, while acknowledging as correct the Northern Germanic conception of humanity’s final powerlessness before the greater strength of wyrd as fate, uses the person’s ultimate weakness before wyrd as the means for the vindication of providence. Tolkien’s unique presentation of world order pays tribute to the pagan view of fate while transforming it into a Catholic understanding of providence. The first section of the dissertation shows how the conflict between fate and providence in The Silmarillion results from the elvish narrator’s perspective on temporal events. Chapter One examines the friction between fate and free will within The Silmarillion and within Tolkien’s Northern sources, specifically the Norse Eddas, the Anglo-Saxon Beowulf, and the Finnish The Kalevala. Chapter Two shows that Tolkien, following Boethius’s Consolation of Philosophy, presents Middle-earth’s providential order as including fated elements but still allowing for human freedom. The second section shows how The Lord of the Rings reflects but resolves the conflict in The Silmarillion between fate, providence, and free will. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Fifth Sunday of Easter: Becoming… One with Christ (Mother’S Day/Festival of the Christian Home) (Christian Home Month)
MINI SERIES II: “BECOMING. .” FIFTH SUNDAY OF EASTER: BECOMING… ONE WITH CHRIST (MOTHER’S DAY/FESTIVAL OF THE CHRISTIAN HOME) (CHRISTIAN HOME MONTH) FULL SERVICE Replace the pulpit with a dining table for this service. If the pulpit is attached and to the side, place the dining table center stage, but not obstructing the Lord’s Table at some distance behind it. Read and preach from the table, leaving the center seat (facing the congregation) open. ENTRANCE “Big House” CCLI # 1414735 “Love Has Come” CCLI # 5423196 OR “And Can It Be” United Methodist Hymnal (UMH) 363 “Abide with Me” (st. 1, 3, 5) UMH 700 During the singing of the second song or the third stanza of “Abide with Me,” a group of people come and take seats at the dining table. A cross is placed at the center seat (facing the congregation). During the final chorus of “Love Has Come” or the final stanza of “Abide with Me,” one person leaves the table and walks out of the worship space. Shortly after that, another looks shocked, then sad, then places his/her head on the table. A deacon or the pastor approaches the table, and opens the Bible, preparing to start the reading. The reader looks first at the distraught person at the table, then at all the others gathered there, then begins the reading. WORD AND RESPONSE Reading John 14:1-3 Song Reprise “Love Has Come” (chorus-- slowly/acoustic) OR “Abide with Me” (tune only, no words) 1 During the song, all others leave the table. The pastor takes a seat to one side of the cross to offer the sermon. -
Pg0140 Layout 1
New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover. -
Spring Heights Song Book
Spring Heights Song Book Camper Edition CCLI License 11068700 Edited 2020 1 TABLE OF CONTENTS Indescribably…………………………….14 Lead Me Jesus……………………………14 All in All…………………………………..4 Jesus is the Rock…………………………14 Alive……………………………………….4 Light the Fire…………………………….15 Amazing Grace……………………………4 Lord be Glorified………………………...15 Amazing Love……………………………..4 Lord I Life Your Name of High………….15 Ancient of Days…………………………...5 Lord You Have My Heart………………..15 Ask Seek Knock…………………………...5 Lovely Noise……………………………...16 As the Deer………………………………..5 Love the Lord Your God…………………16 Be Glorified………………………………..5 Mighty to Save…………………………...17 Breath……………………………………...6 Must Be Done in Love…………………...17 Brighter……………………………………6 Nothing is Impossible……………………17 Build Your Kingdom……………………...6 One Name………………………………..18 Children Go Where I Send Thee…………7 Open the Eyes of my Heart……………...18 Days of Elijah……………………………...7 Open Up the Heavens…………………...18 Deep Cries Out……………………………7 Our God…………………………………18 Everlasting God…………………………...8 Peace Like a River………………………..19 Every Move I Make……………………….8 River of Life……………………………...19 Father I Adore You………………………..8 Place in the Choir………………………..19 Forever…………………………………….8 Sanctuary………………………………...20 Give it Away……………………………….9 Seek Ye First……………………………...20 Give Me Oil in My Lamp…………………9 Shine Jesus Shine………………………...20 God So Loved……………………………..9 God of Wonders…………………………10 Step By Step……………………………...20 He Is My Rock…………………………...10 Shout to the Lord………………………..21 Here I am Lord…………………………..10 Sing Wherever I Go……………………..21 Here I am to Worship……………………11