第 14 回アジア・フィルム・アワード the 14Th ASIAN FILM AWARDS NOMINATION LIST 第十四屆亞洲電影大獎入圍名單

Total Page:16

File Type:pdf, Size:1020Kb

第 14 回アジア・フィルム・アワード the 14Th ASIAN FILM AWARDS NOMINATION LIST 第十四屆亞洲電影大獎入圍名單 第 14 回アジア・フィルム・アワード The 14th ASIAN FILM AWARDS NOMINATION LIST 第十四屆亞洲電影大獎入圍名單 作品賞【BEST FILM/最佳電影】 作品名 国・地域 Film Title/電影名稱 Country / Region 國家 / 地區 蜜蜂と遠雷 日本 1 Listen to the Universe/蜜蜂與遠雷 Japan/日本 パラサイト 半地下の家族 韓国 2 Parasite/上流寄生族 South Korea/南韓 在りし日の歌 中国 3 So Long, My Son/地久天長 Mainland China/中國大陸 ひとつの太陽 台湾 4 A Sun/陽光普照 Taiwan/台灣 Thappad インド 5 Thappad India/印度 イラン、ドイツ There is No Evil 6 Iran/伊朗 There is No Evil/無邪 Germany/德國 監督賞【BEST DIRECTOR/最佳導演】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 ペマツェテン 気球 中国 1 Pema Tseden/萬瑪才旦 Balloon/氣球 Mainland China/中國大陸 ツァイ・ミンリャン Days 台湾 2 TSAI Ming Liang/蔡明亮 Days/日子 Taiwan/台灣 ポン・ジュノ パラサイト 半地下の家族 韓国 3 BONG Joon-ho/奉俊昊 Parasite/上流寄生族 South Korea/南韓 ワン・シャオシュアイ 在りし日の歌 中国 4 WANG Xiaoshuai/王小帥 So Long, My Son/地久天長 Mainland China/中國大陸 チョン・モンホン ひとつの太陽 台湾 5 CHUNG Mong Hong/鍾孟宏 A Sun/陽光普照 Taiwan/台灣 諏訪敦彦 風の電話 日本 6 SUWA Nobuhiro/諏訪敦彦 Voices in the Wind/想再聽見你 Japan/日本 1 主演男優賞【BEST ACTOR/最佳男主角】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 ハメド・ベフダド Castle of Dreams イラン 1 Hamed BEHDAD/哈穆德・貝哈德 Castle of Dreams/爸爸的城堡 Iran/伊朗 チェン・イーウェン ひとつの太陽 台湾 2 CHEN Yi Wen/陳以文 A Sun/陽光普照 Taiwan/台灣 窪田正孝 初恋 日本 3 KUBOTA Masataka/窪田正孝 First Love/初戀無限屈 Japan/日本 イ・ビョンホン The Man Standing Next 韓国 4 LEE Byung-hun/李秉憲 The Man Standing Next 南山的部長們 South Korea/南韓 タイ・ボー Suk Suk 香港 5 Tai Bo/太保 Suk Suk/叔・叔 Hong Kong /香港 ワン・ジンチュン 在りし日の歌 中国 6 WANG Jingchun/王景春 So Long, My Son/地久天長 Mainland China/中國大陸 主演女優賞【BEST ACTRESS 最佳女主角】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 チュティモン・ジョンジャルーンスックジン Chutimon ハッピー・オールド・イヤー タイ 1 CHUENGCHAROENSUKYING Happy Old Year/無痛斷捨離 Thailand/泰國 茱蒂蒙翠莎容素欣 82 年生まれ、キム・ジヨン チョン・ユミ 韓国 2 Kim Ji Young, Born 1982 JUNG Yu-mi/鄭裕美 South Korea/南韓 82 年生的金智英 筒井真理子 よこがお 日本 3 TSUTSUI Mariko/筒井真理子 A Girl Missing/失蹤女孩 Japan/日本 シンガポール、台湾 ヨー・ヤンヤン 熱帯雨 4 Singapore/新加坡 YEO Yann Yann/楊雁雁 Wet Season/熱帶雨 Taiwan/台灣 ヨン・メイ 在りし日の歌 中国 5 Yong Mei/詠梅 So Long, My Son/地久天長 Mainland China/中國大陸 香港、中国 ジョウ・ドンユー 少年の君 6 Hong Kong/香港 ZHOU Dongyu/周冬雨 Better Days/少年的你 Mainland China/中國大陸 2 助演男優賞【BEST SUPPORTING ACTOR 最佳男配角】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 チェ・ウシク パラサイト 半地下の家族 韓国 1 CHOI Woo-shik/崔宇植 Parasite/上流寄生族 South Korea/南韓 ジンパ 気球 中国 2 Jinpa/金巴 Balloon/氣球 Mainland China/中國大陸 旅のおわり世界のはじまり 加瀬亮 日本 3 To the Ends of the Earth KASE Ryo/加瀬亮 Japan/日本 旅程之終、世界之始 リウ・グァンティン ひとつの太陽 台湾 4 LIU Kuan Ting/劉冠廷 A Sun/陽光普照 Taiwan/台灣 ベン・ユエン Suk Suk 香港 5 Ben YUEN/袁富華 Suk Suk/叔・叔 Hong Kong /香港 助演女優賞【BEST SUPPORTING ACTRESS 最佳女配角】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 Patra AU Suk Suk 香港 1 Patra AU/歐嘉雯 Suk Suk/叔・叔 Hong Kong /香港 コー・シューチン ひとつの太陽 台湾 2 Samantha KO/柯淑勤 A Sun/陽光普照 Taiwan/台灣 イ・ジョンウン パラサイト 半地下の家族 韓国 3 LEE Jeong-eun/李姃垠 Parasite/上流寄生族 South Korea/南韓 田中裕子 ひとよ 日本 4 TANAKA Yuko/田中裕子 One Night/那一夜:母親是殺人犯 Japan/日本 香港、中国 ZHOU Ye 少年の君 5 Hong Kong/香港 ZHOU Ye/周也 Better Days/少年的你 Mainland China/中國大陸 3 新人監督賞【BEST NEW DIRECTOR 最佳新導演】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 ジョン・スー Detention 台湾 1 John HSU/徐漢強 Detention/返校 Taiwan/台灣 イ・サングン EXIT イグジット 韓国 2 LEE Sang-geun/李相槿 EXIT/EXIT: 極限逃生 South Korea/南韓 カザフスタン、ドイツ シャリバ・ウラズバエヴァ マリアム 3 Kazakhstan/哈薩克斯坦 Sharipa URAZBAYEVA Mariam Germany/ 德國 ノリス・ウォン 私のプリンス・エドワード 香港 4 Norris WONG Yee Lam/黃綺琳 My Prince Edward/金都 Hong Kong /香港 HIKARI 37 セカンズ 日本 5 HIKARI/宮崎光代 37 Seconds/缺氧 37 秒 Japan/日本 リャン・ミン 日光之下 中国 6 LIANG Ming/梁鳴 Wisdom Tooth/日光之下 Mainland China/中國大陸 新人賞【BEST NEWCOMER 最佳新演員】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 フェンディ・ファン We are Champions Taiwan 1 Fandy FAN/范少勳 下半場 台灣 Anong HOUNGHEUANGSY Days 台湾 2 Anong HOUNGHEUANGSY Days/日子 Taiwan/台灣 亞儂弘尚希 キム・ヘジュン 未成年 韓国 3 KIM Hye-jun/金慧峻 Another Child/再見,未成年 South Korea/南韓 小西桜子 初恋 日本 4 KONISHI Sakurako/小西櫻子 First Love/初戀無限屈 Japan/日本 香港、中国 ジャクソン・イー 少年の君 5 Hong Kong/香港 Jackson YEE/易烊千璽 Better Days/少年的你 Mainland China/中國大陸 4 脚本賞【BEST SCREENPLAY 最佳編劇】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 ペマツェテン 気球 中国 1 Pema Tseden/萬瑪才旦 Balloon/氣球 Mainland China/中國大陸 Mohammad DAVOUDI Castle of Dreams イラン 2 Mohsen GHARAIE Castle of Dreams/爸爸的城堡 Iran/伊朗 ポン・ジュノ、ハン・ジヌォン パラサイト 半地下の家族 韓国 3 BONG Joon-ho/奉俊昊 Parasite/上流寄生族 South Korea/南韓 HAN Jin-won/ 韓進元 アー・メイ、ワン・シャオシュアイ 在りし日の歌 中国 4 A Mei /阿美 So Long, My Son/地久天長 Mainland China/中國大陸 WANG Xiaoshuai/王小帥 チャン・ヤオシェン、チョン・モンホン ひとつの太陽 台湾 5 CHANG Yao Sheng/張耀升 A Sun/陽光普照 Taiwan/台灣 CHUNG Mong Hong/鍾孟宏 編集賞【BEST EDITING 最佳剪接】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 香港、中国 ZHANG Yibo 少年の君 1 Hong Kong/香港 ZHANG Yibo/張一博 Better Days/少年的你 Mainland China/中國大陸 ヤン・ジンモ パラサイト 半地下の家族 韓国 2 YANG Jin-mo/楊鎮模 Parasite/上流寄生族 South Korea/南韓 リー・チャータメーティクン 在りし日の歌 中国 3 Lee CHATAMETIKOOL So Long, My Son/地久天長 Mainland China/中國大陸 利・查泰米提古 ライ・シウシュン ひとつの太陽 台湾 4 LAI Hsiu Hsiung/賴秀雄 A Sun/陽光普照 Taiwan/台灣 Yasha RAMCHANDANI Thappad インド 5 Yasha RAMCHANDANI Thappad India/印度 5 撮影賞【BEST CINEMATOGRAPHY 最佳攝影】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 ルー・ソンイエ 気球 中国 1 LU Songye/呂松野 Balloon/氣球 Mainland China/中國大陸 ギリッシュ・ガンガダラン Jallikattu インド 2 Girish GANGADHARAN Jallikattu India/印度 LIM Won-geun 狩りの時間 韓国 3 LIM Won-geun Time to Hunt/狩獵的時間 South Korea/南韓 旅のおわり世界のはじまり 芦澤明子 日本 4 To the Ends of the Earth ASHIZAWA Akiko/蘆澤明子 Japan/日本 旅程之終、世界之始 鵞鳥湖の夜 中国、フランス トン・ジンソン 5 The Wild Goose Lake Mainland China/中國大陸 DONG Jinsong/董勁松 南方車站的聚會 France/法國 音楽賞【BEST ORIGINAL MUSIC 最佳原創音樂】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 カーシュ・カーレイ Karsh KALE ガリーボーイ インド 1 The Salvage Audio Collective Gully boy/嘰哩咕嚕喱 India /印度 プラシャント・ピライ Jallikattu インド 2 Prashant PILLAI Jallikattu India/印度 伴瀬朝彦、GRANDFUNK、澤部渡 音楽 BANSE Tomohiko/伴瀬朝彦 日本 3 On-Gaku: Our Sound GRANDFUNK Japan/日本 搖滾吧!中二樂團 SAWABE Wataru/澤部渡 チョン・ジェイル パラサイト 半地下の家族 韓国 4 JUNG Jae-il/鄭在日 Parasite/上流寄生族 South Korea/南韓 キム・テソン サバハ 韓国 5 KIM Tae-sung Svaha: the Sixth Finger/娑婆訶 South Korea/南韓 6 衣装デザイン賞【BEST COSTUME DESIGN 最佳造型設計】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 香港、中国 Dora NG 少年の君 1 Hong Kong/香港 Dora NG/吳里璐 Better Days/少年的你 Mainland China/中國大陸 チョ・サンギョン 世宗大王 星を追う者たち 韓国 2 JO Sang-gyeong/趙相慶 Forbidden Dream/天文:問天 South Korea/南韓 アージュン・バーシン、 Poornamrita SINGH ガリーボーイ インド 3 Arjun BHASIN Gully boy/嘰哩咕嚕喱 India /印度 Poornamrita SINGH Pacharin SURAWATANAPONGS ハッピー・オールド・イヤー タイ 4 Pacharin SURAWATANAPONGS Happy Old Year/無痛斷捨離 Thailand/泰國 宮本まさ江 キングダム 日本 5 MIYAMOTO Masae/宮本佐江 Kingdom/王者天下 Japan/日本 美術賞【BEST PRODUCTION DESIGN 最佳美術指導】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 スザンヌ・カブラン・メルワンジ ガリーボーイ インド 1 Suzanne Caplan MERWANJI Gully boy/嘰哩咕嚕喱 India /印度 Wenceslaus de ROZARI グンダラ ライズ・オブ・ヒーロー インドネシア 2 Wenceslaus de ROZARI Gundala/雷巡者:剛達拉 Indonesia/印尼 イ・ハジュン パラサイト 半地下の家族 韓国 3 LEE Ha-jun/李河俊 Parasite/上流寄生族 South Korea/南韓 LV Dong 在りし日の歌 中国 4 LV Dong/呂東 So Long, My Son/地久天長 Mainland China/中國大陸 GAO Ang 流転の地球 中国 5 GAO Ang/郜昂 The Wandering Earth/流浪地球 Mainland China/中國大陸 7 視覚効果賞【BEST VISUAL EFFECTS 最佳視覺效果】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 JIN Jong-hyun Ashfall 韓国 1 JIN Jong-hyun Ashfall/火山浩劫 South Korea/南韓 Tomi KUO、Renovatio Pictures Tomi KUO/郭憲聰 Detention 台湾 2 Renovatio Pictures/ Detention/返校 Taiwan/台灣 再現影像製作有限公司 太田垣香織 初恋 日本 3 OOTAGAKI Kaori /太田垣香織 First Love/初戀無限屈 Japan/日本 ホン・ジョンホ パラサイト 半地下の家族 韓国 4 HONG Jeong-ho Parasite/上流寄生族 South Korea/南韓 DING Yanlai 流転の地球 中国 5 DING Yanlai/丁燕來 The Wandering Earth/流浪地球 Mainland China/中國大陸 音響賞【BEST SOUND 最佳音響】 ノミネート者 作品名 国・地域 Nominee/入圍者 Film Title/電影名稱 Country / Region 國家 / 地區 チョ・テヨン Ashfall 韓国 1 CHOI Tae-young/崔泰英 Ashfall/火山浩劫 South Korea/南韓 久連石由分 蜜蜂と遠雷 日本 2 KUREISHI Yoshifumi/久連石由文 Listen to the Universe/蜜蜂與遠雷 Japan/日本 チョ・テヨン パラサイト 半地下の家族 韓国 3 CHOI Tae-young/崔泰英 Parasite/上流寄生族 South Korea/南韓 ワン・ダンロン 流転の地球 中国 4 WANG Danrong/王丹戎 The Wandering Earth/流浪地球 Mainland China/中國大陸 鵞鳥湖の夜 中国、フランス ZHANG Yang 5 The Wild Goose Lake/南方車站的 Mainland China/中國大陸 ZHANG Yang/張陽 聚會 France/法國 ※上段:日本語表記、日本語タイトル ※下段:英語表記、中国語(繁体字)表記 ※中国語表記は香港で使用されているものを表記 (中国、台湾では作品名など表記が異なる場合があります) 8 .
Recommended publications
  • AACTA AWARD for BEST ASIAN FILM Process and Eligibility Criteria
    AACTA AWARD FOR BEST ASIAN FILM Process and Eligibility Criteria PART 1: PROCESS 1. Entry into competition 1.1. Films from Tier One or Tier Two Asian countries (see definition under Part 2, 3.1), that meet one or more of the Eligibility Criteria (see Eligibility Criteria in Part 2) will be considered for entry into competition. 1.2. Invitations to enter into Formal Competition will be sent to select eligible films at AACTA’s discretion. All invitations will be extended in June via email. 1.3. All films that are invited and agree to pay the Entry Fee will then enter Formal Competition. 1.4. The Formal Competition List will comprise a total of 27 films that meet Regional Quotas (outlined below) based on the average number of films from each eligible country distributed in Australia for paid admission. Regional Quotas: (a) China: nine Chinese films may be included in Formal Competition. (b) India: nine Indian films may be included in Formal Competition. (c) Japan: three Japanese films may be included in Formal Competition. (d) South Korea: three South Korean films may be included in Formal Competition. (e) Tier Two countries: three films in total from Tier Two countries may be included in Formal Competition. 2. Preliminary Selection Committee 2.1. Three Preliminary Selection Committees will be appointed at AACTA’s discretion to determine the Nominees that progress from Formal Competition: (a) The Chinese Preliminary Selection Committee will determine three Nominees from the nine Chinese films in Formal Competition. (b) The Indian Preliminary Selection Committee will determine three Nominees from the nine Indian films in Formal Competition.
    [Show full text]
  • The Studies of HKIFF: an Overview of a Burgeoning Field of Its Establishment in the Current Years
    The studies of Hong Kong International Film Festival (HKIFF) : Title an overview of a burgeoning field of its establishment in the current years Author(s) Law, Pik-yu Law, P. E.. (2015). The studies of Hong Kong International Film Festival (HKIFF) : an overview of a burgeoning field of its Citation establishment in the current years. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Issued Date 2015 URL http://hdl.handle.net/10722/223429 The author retains all proprietary rights, (such as patent rights) and the right to use in future works.; This work is licensed under Rights a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. The Studies of HKIFF: An Overview of a Burgeoning Field of its establishment in the current years The University of Hong Kong Department of Sociology Assignment / Essay Cover Sheet1 Programme Title: Master of Social Sciences in Media, Culture and Creative Cities – MSocSc(MCCC) Title of Course: SOCI8030 Capstone Project Course Code: SOCI8030 Title of Assignment / Essay: The Studies of Hong Kong International Film Festival (HKIFF): An overview of a Burgeoning Field of its establishment in the current years Student Name: LAW, Pik Yu Eugenia Student Number: 2013932305 Year of Study: Year 2 Date of Resubmission2: Plagiarism Plagiarism is the presentation of work which has been copied in whole or in part from another person’s work, or from any other source such as the Internet, published books or periodicals without due acknowledgement given in the text. Where there are reasonable grounds for believing that cheating has occurred, the action that may be taken when plagiarism is detected is for the staff member not to mark the item of work and to report or refer the matter to the Department.
    [Show full text]
  • The 2Nd International Film Festival & Awards • Macao Unveils Festival
    The 2nd International Film Festival & Awards • Macao unveils festival programme, announces Laurent Cantet as head of jury Macao, 3 November, 2017 The 2nd International Film Festival & Awards • Macao (IFFAM) today announced its programme at a press conference in Macao. The Hong Kong/Macao premiere of Paul King’s Paddington 2 will open the IFFAM on Friday 8 December with the festival running until Thursday 14. The programme includes 10 competition films including the Asian premieres of Venice Film Festival prize winners Foxtrot by Samuel Maoz, and Custody, by Xavier Legrand, as well as Toronto Film Festival breakout Beast, by Michael Pearce and the London Film Festival hit Wrath of Silence, directed by Xin Yukun. For its second edition the IFFAM has exclusively dedicated the feature film competition to films by first and second time film makers with a $60,000 USD prize being awarded to the best feature. The prestigious competition jury comprises of: Laurent Cantet – Director (Jury President) Jessica Hausner - Director Lawrence Osborne - Novelist Joan Chen – Actress / Director Royston Tan – Director Representing the latest style of genre cinema to Asian audiences, highlights from the Flying Daggers strand features Cannes Film Festival smash A Prayer Before Dawn by Jean-Stéphane Sauvaire and Brian Taylor’s Toronto sensation Mom and Dad. The Asian premiere of Saul Dibb’s Journey’s End is screening as an Out-Of-Competition gala alongside Bong Joon-ho’s Okja, showing on the big screen for the first time in the region, and Pen-ek Ratanaruang’s latest movie Samui Song which will be screened with director and cast in attendance.
    [Show full text]
  • Un Affare Di Famiglia Di Kore-Eda Hirokazu
    Un affare di famiglia di Kore-eda Hirokazu uscita: 13 settembre 2018 durata: 121 minuti I materiali stampa sono scaricabili dall’area press del sito www.bimfilm.com UN AFFARE DI FAMIGLIA CAST ARTISTICO Shibata Osamu Lily Franky Shibata Nobuyo ANDO Sakura Shibata Aki MATSUOKA Mayu Shibata Hatsue KIKI Kilin Shibata Shota JYO Kairi Hojo Juri SASAKI Miyu CAST TECNICO Regia / Sceneggiatura / Montaggio KORE-EDA Hirokazu Musica Originale HOSONO Haruomi (Victor Entertainment) Direttore della Fotografia KONDO Ryuto Luci FUJII Isamu Suono TOMITA Kazuhiko Scenografia MITSUMATSU Keiko Aoi Pro. Inc. Produzione Aoi Pro. Inc. Produttori Esecutivi ISHIHARA Takashi Tom YODA NAKAE Yasuhito Produttori Associati OSAWA Megumi ODAKE Satomi Produttori MATSUZAKI Kaoru YOSE Akihiko TAGUCHI Hijiri 2 UN AFFARE DI FAMIGLIA Sinossi Dopo uno dei loro furti, Osamu e suo figlio si imbattono in una ragazzina in mezzo ad un freddo glaciale. Dapprima riluttante ad accoglierla, la moglie di Osamu acconsente ad occuparsi di lei dopo aver appreso le difficoltà che la aspettano. Benché la famiglia sia così povera da riuscire a malapena a sopravvivere commettendo piccoli reati, sembrano vivere felici insieme finché un incidente imprevisto porta alla luce segreti nascosti che mettono alla prova i legami che li uniscono... 3 UN AFFARE DI FAMIGLIA Intervista a Kore-eda Hirokazu Ha deciso di realizzare questo film dopo aver appreso di casi di famiglie che continuano a percepire illegalmente le pensioni dei genitori deceduti da anni. Il suo intento era quello di rappresentare una famiglia da un punto di vista diverso rispetto ai suoi precedenti film? La prima cosa che mi è venuta in mente è stata la frase: “Solo i crimini ci tenevano uniti”.
    [Show full text]
  • Table of Contents
    www.toprankers.com Table of Contents 01. INTERNATIONAL NEWS 02. NATIONAL NEWS 03. SPORTS 04. SCIENCE AND TECHNOLOGY 05. OBITUARY 06. APPOINTMENTS AND RESIGNATIONS 07. IMPORTANT DAYS 08. SUMMITS AND MOU’S 09. AWARDS AND RECOGNITION 10. RANKING 11. BOOKS AND AUTHORS 12. BANKING AND ECONOMY www.toprankers.com INTERNATIONAL NEWS India, Netherlands sign agreement to support decarbonisation NITI Aayog of India and the Embassy of the Netherlands in New Delhi have signed a Statement of Intent on September 28, 2020 to support decarbonisation and energy transition agenda in order to accommodate cleaner energy. The main objective of the partnership is to co-create innovative technological solutions. The SoI was signed by NITI Aayog CEO Amitabh Kant and Ambassador of the Netherlands to India Marten van den Berg. India extends $1 bn credit line to Central Asian countries The second meeting of the India-Central Asia Dialogue was held virtually, under the chairmanship of the External Affairs Minister of India Dr S Jaishankar. The foreign minister of all the five Central Asian countries- Kazakhstan, Tajikistan, Turkmenistan, Uzbekistan, and Kyrgyzstan– participated in the meeting. During the meeting, India announced US $1 billion line of credit for “priority developmental projects” in Central Asian countries in the fields of connectivity, energy, IT, healthcare, education, agriculture and offered to provide grant assistance for implementation of High Impact Community Development Projects (HICDP) for furthering socio-economic development in the countries of the region. Apart from this, the Acting Foreign Minister of the Islamic Republic of Afghanistan also attended the meeting as a special invitee. The first India-Central Asia Dialogue was held in Uzbekistan’s Samarkand in 2019.
    [Show full text]
  • Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
    INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America.
    [Show full text]
  • Fourth Southeast Asian Film Festival Returns with 20 Singapore Premieres – the Freshest and Most Compelling Cinematic Work Emerging from the Region
    MEDIA RELEASE For Immediate Release Fourth Southeast Asian Film Festival returns with 20 Singapore premieres – the freshest and most compelling cinematic work emerging from the region 11 April (Friday) to 4 May (Sunday) 2014, Moving Image Gallery, SAM at 8Q 19 March 2014, Singapore – Featuring the region’s best contemporary art expressed via the moving image, the Singapore Art Museum (SAM) is proud to present the fourth Southeast Asian Film Festival (SEAFF). Organised by SAM, along with prominent film critic Philip Cheah, veteran arts administrator Teo Swee Leng and SAM curator Sam I-shan, this annual Festival puts the spotlight on Southeast Asia through the compelling contemporary visual art genre of film. This year’s festival will highlight 20 films created by both established and up-and-coming directors from across the region including Cambodia, Indonesia, Malaysia, Myanmar, Philippines, Singapore and Thailand. All the films will be making their Singapore premieres at the Festival, including four Asian premieres and one world premiere. Festival-goers from the region will explore some of the most urgent contemporary challenges facing this diverse and rapidly developing region through the lenses of the directors, from the religious sectarian conflict in Mindanao to cross-border migration between Myanmar and China, to the hardship of ordinary families and more. Visitors will also get a glimpse of life in turbulent regions across Asia through War is a Tender Thing by Adjani Arumpac, The Journey of the Stars into the Dark Night by Arnel Mardquio, Letters of Solitude by Gutierrez ‘Teng’ Mangansakan II and Ice Poison by Midi Z, that tell the stories of communities that live through adversity.
    [Show full text]
  • Song Kang-Ho and the Uncanny Face of the Korean Cinema
    ACTA KOR ANA VOL. 14, NO. 1, JUNE 2011: 33–71 SOMEWHERE BETWEEN ANTI-HEROISM AND PANTOMIME: SONG KANG-HO AND THE UNCANNY FACE OF THE KOREAN CINEMA By BRIAN YECIES This article explores the trajectory of Song Kang-ho’s on-screen performances from the release of his fourth film, Number 3 (1997), to one of his most recent films, Thirst (2009). As a case study, it reveals new insights about this popular and representative actor’s numerous screen personae and how they have enabled audiences to peer into a cine- matic surface that reflects back a mixture of anti-heroism and pantomime. Beneath the many costumes and performance styles he adopts, audiences have come to see a human being with everyday problems and concerns. In a way reminiscent of the French panto- mime clown Pierrot, Song’s characters reflect a depth of human feeling and compassion modulated by a comic undercurrent—the tension between these overlapping layers is precisely what holds his various personae together. Key words: Song Kang-ho, Korean Cinema, stardom, Park Chan-wook, Kim Jee-woon INTRODUCTION Every actor and actress constructs a persona over the course of his or her career, but few become stars. A star is an actor whose persona transcends the sum total of his or her performances (Belton 1994: 89). Song Kang-ho is a classic movie star whose acting ability is well known to the film industry and whose performances are appreciated by audiences in South Korea (hereafter Korea) and abroad. He has acted in some of the contemporary Korean cinema’s most profitable and critically acclaimed feature films, productions which have contributed to the national film industry’s current global notoriety.
    [Show full text]
  • SHOPLIFTERS a FILM by KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION Et AOI PRO INC
    SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION et AOI PRO INC. present LILY FRANKY • ANDO SAKURA • MATSUOKA MAYU • KIKI KILIN SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU 121 MIN. – JAPAN – 2018 – 1.85 – 5.1 INTERNATIONAL PRESS Manlin STERNER Cell : +33 6 63 76 31 13 [email protected] JAPANESE PRESS Naeko YODA Cell: +81 50 3537 6138 (main) – +81 70 3330 2912 (sub) [email protected] Chieko NEMOTO Cell: +81 50 3537 6268 (main) – +81 70 3330 2920 (sub) [email protected] Kenji SASAKI Cell: +81 50 3537 6503 (main) – +81 70 3330 2927 (sub) [email protected] Presskit and stills downloadable from www.wildbunch.biz SYNOPSIS After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them… INTERVIEW WITH KORE-EDA HIROKAZU Director You decided to make this film after learning about incidents of families illegally receiving the pensions of parents who had already died years ago. Was your inten- tion to depict a family from a different angle compared to your previous films? The first thing that came to my mind was the tagline: “Only the crimes tied us together”. In Japan, crimes like pension frauds and parents making their children The later scenes showing the family being split up are heartbreaking.
    [Show full text]
  • Nathaniel Méchaly
    NATHANIEL MÉCHALY AWARDS ASIAN FILM AWARDS 2014 THE GRANDMASTER Best Composer *shared ASIA-PACIFIC FILM FESTIVAL THE GRANDMASTER NOMINATION 2013 Best Music *shared BMI FILM & TV AWARD 2013 TAKEN 2 Film Music BMI FILM & TV AWARD 2009 TAKEN Film Music FEATURE FILM THE O.G. Nick Gordon, Boyd Holbrook, Trevor HBO / Maven Pictures Matthews, Celine Rattray, Trudie Styler, prods. Composer Madeleine Sackler, dir. PERSONAE NON GRATA Emmanuel Agneray, prods. Studio Canal France Roschdy Zem, dir. Composer SWOON Esther Turan, Kristina Aberg, prods. Atmo Productions Mans Marlind, Bjorn Stein, dirs. Composer SEE YOU TOMORROW Jacky Yee Wah Pang, Kar-Wai Wong, Qiang Jet Tone Films Zhang, prods. Composer Jiajia Zhang, dir. STRATTON Guy Collins, Matthew Jenkins, prods. Atomic Arts Simon West, dir. Composer TAKEN 3 Luc Besson, prod. Canal+ / 20th Century Fox Olivier Megaton, dir. Composer LA VIE PURE Jeremy Banster, Olicier Compere, prods. Cantina Studio Jeremy Banster, dir. Composer The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 NATHANIEL MÉCHALY GET WELL SOON Louis Becker, prod. Canal+ Jean Becker, dir. Composer ANGELIQUE Ariel Zeitoun, dir. Europa Corp. Composer THE GRANDMASTER Jacky Pang Yee Wah, Kar Wai Wong, prods. Block 2 Pictures / Annapurna Pictures Kar Wai Wong, dir. Composer / Cello / Orchestrator LE NOIR VOUS VA SI BIEN Jacques Bral, dir. Thunder Films International Composer / Music Editor TAKEN 2 Luc Besson, prod. EuropaCorp / 20th Century Fox Olivier Megaton, dir. Composer LES PAPAS DU DIMANCHE Louis Becker, dir. Canal+ Composer COLOMBIANA Luc Besson, Pierre-Ange Le Pogam, prods. EuropaCorp / Tri Star Pictures Olivier Megaton, dir. Composer FINAL BALANCE Alain Benguigui, Jean-Jacques Neira, Hubert Sombrero Films Toint, prods.
    [Show full text]
  • HKTDC Organised The
    16 Feb 2017 Film Entertainment Industry in Hong Kong Overview Hong Kong has one of the largest and most dynamic film entertainment industries in the world. As one of the world's largest film and television content exporters, Hong Kong has captured a fair share of the regional market, in particular the market on the Chinese mainland. An increasing number of movies have been co-produced by Hong Kong and mainland film production companies in recent years, which accounted for 54 out of a total of 89 that were granted co-production shooting permits in 2016. Hong Kong acts as the hub of buying and selling Chinese mainland films and TV dramas through FILMART and it is increasingly seen as a remarkable platform to explore co-production in Asia. In 2016, there were over 200 Chinese exhibitors at FILMART. Hong Kong's audio-visual services industry has gained preferential access under CEPA to the huge media entertainment market on the Chinese mainland. The latest CEPA agreement concerning the Mainland’s Specific Commitments on Liberalisation of Trade in Services for Hong Kong was signed in December 2015 for implementation in mid-2016, providing further enhancement in market access for Hong Kong service suppliers to the mainland market. Hong Kong acts as the hub of buying and selling Chinese mainland films and TV dramas through FILMART and it is increasingly seen as a remarkable platform to explore co-production in Asia. In 2016, there were over 200 Chinese exhibitors at FILMART. Industry Data 1 Film Entertainment Industry in Hong Kong Service Providers Most local film companies deal directly with cinema chains for local screening on a revenue-sharing basis.
    [Show full text]
  • Magazine for the Month of December 2020
    66th MONTHLY ISSUE DECEMBER 2020 EDITION Vanik’s Current Affairs Banking | Railway | Insurance | SSC | UPSC | OPSC | PSU Contents Topics of the Month -------------------------------------------------------- 1 Economy -------------------------------------------------------- 14 RBI in News -------------------------------------------------------- 14 SBI in News --------------------------------------------------------- 15 Other Banks in News ------------------------------------------------ 16 Financial News ------------------------------------------------ 20 MOU and Agreement ------------------------------------------------ 22 Rating and Survey ------------------------------------------------ 24 Fund and Financial Allocation ------------------------------------- 25 Corporate Business and E-Business ------------------------------- 26 Committee and Its Head -------------------------------------------------------- 26 State News -------------------------------------------------------- 28 National -------------------------------------------------------- 39 International -------------------------------------------------------- 47 International and National Summits --------------------------------------- 49 Ranking and Index -------------------------------------------------------- 53 Bilateral -------------------------------------------------------- 54 Award -------------------------------------------------------- 57 Person in News/Newly Appointed -------------------------------------------- 60 Sports --------------------------------------------------------
    [Show full text]