MUSIC for the 21St CENTURY

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THE WOOLLEY FUND OF BENNINGTON COLLEGE and the BENNINGTON COLLEGE MUSIC DMSION JPresent: MUSIC FOR THE 21st CENTURY Milford Graves, percussion Charles Gayle, reeds lBiugh Glover, reeds William IParker, bass WEDNESDAY, (Q)CTOBER li~, 1991 3:li5 p.m. GREENWALL MUSIC WORKSHOP - Program Notes - Percussionist Milford Graves has performed in Europe, Japan, Africa, and across the United States, including four appearances at the Newport Jazz Festival. He has been a member of the Bennington College faculty since 1973. Since winning Down Beat Magazine's Drum Poll in 1967, he has appeared on many recordings, and last summer WKCR-FM radio in New York broadcast a 14-hour birthday tribute of his music. Charles Gayle taught in the State University System of New York and has performed throughout the United States and Europe. He is acknowledged to be one of the great saxophone players in contemporary jazz, and has recorded for Silkheart Records. After attending Goddard College and the Mannes College of Music, Hugh Glover became music director for the Black Arts Theatre in Harlem. His recordings include BABI Music and New Music America. Bassist William Parker was born in the Bronx, New York, and studied with Wilbur Ware, Jimmy Garrison, Richard Davis, and Milt Hinton. Since 1981 he has performed with the Cecil Taylor group, and has also performed with Bill Dixon, Don Cherry, and Jimmy Lyons. The Woolley Fund of Bennington College was created in 1953. Honoring Founder Isabelle Baker Woolley, its purpose is to contribute to the enrichment of the musical life and experience of the Bennington Community. With small stipends distributed twice annually, the Woolley Fund of Bennington College supports a variety of musical projects undertaken by College students and faculty and by residents of the Bennington area,and provides seed money for diverse musical endeavors. .

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December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F.
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DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
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so important to so many drummers? InterviewInterview AC: Joe was a very charismatic personality. He was somebody that was very beguiling. He was another showman, and he would do certain things, and you would try to figure out why he Andrew Cyrille did it the way he did. But the thing about Joe was that his musicianship was at such a high Interview & Photo by Ken Weiss caliber and he had such high intellect. He knew how to play certain things — we call them rudi- ments — in a particular way, so that they would schul are no slouches. It’s a great compliment come up representing the music he was playing Hear Andrew Cyrille with Andy Milne that he wrote that and I’ve been aware of it. I so exactly. He was a heavy point of light within Monday, August 26, 7:30pm & 9:30pm accept the praise but I don’t necessarily agree. a certain period of this music. He used to take Dizzy’s Club Coca Cola All music is based on mathematics and I don’t me to sessions with Stan Getz, Bud Powell and Jazz At Lincoln Center, 60th & Broadway, NYC know that my mathematics is better than anyone Miles Davis and my tongue would be hanging www.jalc.org/dizzys else’s. A lot of times I hear drummers play and I out just checking them out. I remember one time, say, ‘How come I couldn’t think of that?’ and Gary Bartz always teases me about this, he and I were at Julliard and we’d go down and Andrew Cyrille (November 10, 1939) grew up in JI: The critics have been impressed that you’ve listen at the old clubs — like the original Bird- Brooklyn to become one of the preeminent free studied the great past drum masters such as Baby land.
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