Adam Cork Composer/Sound Designer/Lyricist
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Gregory Clarke Sound Designer
Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir. -
Gareth Owen Theatrical Sound Designer
Gareth Owen Theatrical Sound Designer Musical Theatre Sound Design Awards highlights include : Outer Critics Circle Award COME FROM AWAY Schoenfeld, New York Olivier Award MEMPHIS Shaftesbury Theatre, London Craig Noel Award COME FROM AWAY La Jolla Playhouse, San Diego Pro Sound Award MEMPHIS Shaftesbury Theatre, London Olivier Award MERRILY WE ROLL ALONG Comedy Theatre, London Olivier Nomination TOP HAT Aldwych Theatre, London Tony Nomination END OF THE RAINBOW Belasco Theatre, New York Olivier Nomination END OF THE RAINBOW Trafalgar Studios, London Tony Nomination A LITTLE NIGHT MUSIC Walter Kerr, New York Upcoming Sound Design highlights include : Susan Stroman’s YOUNG FRANKENSTEIN on London’s West End; Stephen Schwartz’s PRINCE OF EGYPT (World Premiere), and Des McAnuff’s DONNA SUMMER PROJECT both on Broadway; COME FROM AWAY in Toronto and on tour in the USA; Don Black’s THE THIRD MAN (World Premiere) in Vienna; BODYGUARD in Madrid; and the JERSEY BOYS International Tour. International Musical Sound Design highlights include : Lead Producer Director A BRONX TALE (World Première) Long Acre, Broadway Dodgers Theatrical Robert DeNiro COME FROM AWAY (World Première) Schoenfeld, Broadway Junkyard Dog Chris Ashley STRICTLY BALLROOM (European Première) Worldwide (2 versions) Global Creatures Drew McConie DISNEY’S HUNCHBACK OF NOTRE DAME Worldwide (5 versions) Disney Scott Schwartz SCHIKANEDER (World Premiere) Raimund, Vienna Stephen Schwartz & VBM Trevor Nunn CINDERELLA Rossia, Moscow Stage Entertainment Lindsay Posner SECRET GARDEN Lincoln -
E.M. Parry Designer
E.M. Parry Designer E.M. Parry is a transgender, trans-disciplinary artist and theatre- maker, best known for theatre design, specialising in work which centres queer bodies and narratives. They are an Associate Artist at Shakespeare’s Globe, a Linbury Prize Finalist, winner of the Jocelyn Herbert Award, and shared an Olivier Award for Outstanding Achievement as part of the team behind Rotterdam, for which they designed set and costumes. Agents Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes DORIAN Reading Rep Dir. Owen Horsley 2021 Written by Phoebe Eclair-Powell and Owen Horsley Theatre Production Company Notes STAGING PLACES: UK Victoria and Albert Museum Designs included in exhibition DESIGN FOR PERFORMANCE 2019 AS YOU LIKE IT Shakespeare's Globe Revival of 2018 production 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE STRANGE New Vic Theatre Dir. Anna Marsland UNDOING OF By David Grieg PRUDENCIA HART 2019 ROTTERDAM Hartshorn Hook UK tour of Olivier Award-winning production 2019 TRANSLYRIA Sogn og Fjordane Teater, Dir. Frode Gjerlow 2019 Norway By William Shakespeare & Frode Gjerlow GRIMM TALES Unicorn Theatre Dir. Kirsty Housley 2018 Adapted from Philip Pullman's Grimm Tales by Philip Wilson SKETCHING Wilton's Music Hall Dir. Thomas Hescott 2018 By James Graham AS YOU LIKE IT Shakespeare's Globe Dir. Federay Holmes and Elle While 2018 By William Shakespeare HAMLET Shakespeare's Globe Dir. -
Theater Latté Da Continues New Work Development and Awards $20,000 Next Generation Commission to Support New Musical Theatre by Women Artists and Artists of Color
TH 345 13 AVE NE / MINNEAPOLIS, MN 55413 / 612-339-3003 / latteda.org FOR IMMEDIATE RELEASE Contact: Andrew Leshovsky Apr 2, 2020 [email protected] 612-767-5646 office Kate Kilbane and Dan Moses (left), photo by Emily Sevin, Jessie Austrian and Noah Brody (right), photo by Walter McBride THEATER LATTÉ DA CONTINUES NEW WORK DEVELOPMENT AND AWARDS $20,000 NEXT GENERATION COMMISSION TO SUPPORT NEW MUSICAL THEATRE BY WOMEN ARTISTS AND ARTISTS OF COLOR (Minneapolis/St. Paul) Theater Latté Da today announces singer/songwriters Kate Kilbane and Dan Moses, who together form the musical duo, The Kilbanes, and actor/directors Jessie Austrian and Noah Brody as the recipients of the NEXT Generation Commission, a new opportunity for women artists and artists of color, funded in part by the NEA and designed to support the creation and development of new musical theatre projects. The creative team will share the $20,000 commission. The project will receive creative and developmental support over an 18-month period, including two developmental workshops and inclusion in Latté Da’s annual NEXT Festival. In addition to the NEXT Generation Commission, Theater Latté Da’s new works initiative is also supporting playwrights Steven Epp, Bradley Greenwald, Harrison David Rivers, Kate Sutton-Johnson and Joserra Zuniga to create new musicals. Throughout its history, Theater Latté Da has found ways to bring artists together to create new work, resulting in some of its most memorable and beloved productions from All is Calm: The Christmas Truce of 1914 and A Christmas Carol Peterson to Five Points. “Even in these uncertain times, we are investing in our future and the future of the art form by continuing to seed and support new work. -
The Representation, Interpretation and Staging of Magic in Renaissance Plays from the Sixteenth Century Onwards
Ghent University Faculty of Arts and Philosophy The representation, interpretation and staging of magic in Renaissance plays from the sixteenth century onwards. A case study of William Shakespeare’s The Tempest, Macbeth and Cristopher Marlowe’s Doctor Faustus. Supervisor: Paper submitted in partial Professor Doctor fulfilment of the requirements for Sandro Jung the degree of “Master in de Taal- en Letterkunde: English-Spanish” by Tine Dekeyser August 2014 Word count: 27334 Dekeyser i Acknowledgments First of all, I would like to thank my supervisor, Professor Doctor Sandro Jung, for granting me the opportunity to continue working on the same topic of my BA-dissertation and for guiding me towards a more profound investigation of magic and the Renaissance society. Also, I want to thank Professor Jung for reading the many versions of this dissertation and for providing a lot of helpful suggestions throughout the year. Secondly, I would like to thank The British Museum for giving me permission to use their highly detailed engravings, without which this dissertation would not exist. Thirdly, I would like to thank my boyfriend and my mother for supporting me, listening to my dilemmas and calming me down when stress got the better of me. Also, I want to thank my boyfriend for helping me track down the movies I needed for my analyses. Dekeyser ii Table of Contents Acknowledgments ....................................................................................................................... i List of Illustrations ................................................................................................................... -
Education at the Races
News GLOBE TO OPEN SAM WANAMAKER PLAYHOUSE NICHOLAS HYTNER WITH NON-SHAKESPEARE PERFORMANCES TO LEAVE NATIONAL Curriculum THEATRE IN 2015 focus with Patrice Baldwin Sir Nicholas Hytner is to step down as artistic director at the National Theatre after more than a decade at the helm. Announcing his Education at ‘the races’ departure, Hytner said: ‘It’s been a joy and a privilege to lead the At the education race course, tension is mounting. The subject horses National Theatre for ten years and I’m looking forward to the next two. that have been allowed to compete will all be running very soon. Some ‘I have the most exciting and most fulfilling job in the English- have the usual head start, some are kept lame and may not be allowed speaking theatre; and after 12 years it will be time to give someone to enter the main race at all. What happens behind the scenes in various else a turn to enjoy the company of my stupendous colleagues, who stables is already determining the subject and GCSE winners, and the together make the National what it is.’ odds are low on drama being allowed to compete fairly in the race. Hytner came to the National Theatre as the successor of Sir Trevor Drama continues to be held back. Michael Gove is apparently Nunn in 2003. He has since headed up some of the National’s most avoiding having to get an act of parliament passed, which is needed commercially successful work to date, including The History Boys, were he to change the basic structure of the current national curriculum One Man, Two Guvnors and War Horse. -
Rory Kinnear
RORY KINNEAR Film: Peterloo Henry Hunt Mike Leigh Peterloo Ltd Watership Down Cowslip Noam Murro 42 iBoy Ellman Adam Randall Wigwam Films Spectre Bill Tanner Sam Mendes EON Productions Trespass Against Us Loveage Adam Smith Potboiler Productions Man Up Sean Ben Palmer Big Talk Productions The Imitation Game Det Robert Nock Morten Tydlem Black Bear Pictures Cuban Fury Gary James Griffiths Big Talk Productions Limited Skyfall Bill Tanner Sam Mendes Eon Productions Broken* Bob Oswald Rufus Norris Cuba Pictures Wild Target Gerry Jonathan Lynne Magic Light Quantum Of Solace Bill Tanner Marc Forster Eon Productions Television: Guerrilla Ch Insp Nic Pence John Ridley & Sam Miller Showtime Quacks Robert Andy De Emmony Lucky Giant The Casual Vacancy Barry Fairbrother Jonny Campbell B B C Penny Dreadful (Three Series) Frankenstein's Creature Juan Antonio Bayona Neal Street Productions Lucan Lord Lucan Adrian Shergold I T V Studios Ltd Count Arthur Strong 1 + 2 Mike Graham Linehan Retort Southcliffe David Sean Durkin Southcliffe Ltd The Hollow Crown Richard Ii Various Neal Street Productions Loving Miss Hatto Young Barrington Coupe Aisling Walsh L M H Film Production Ltd Richard Ii Bolingbroke Rupert Goold Neal Street Productions Black Mirror; National Anthem Michael Callow Otto Bathurst Zeppotron Edwin Drood Reverend Crisparkle Diarmuid Lawrence B B C T V Drama Lennon Naked Brian Epstein Ed Coulthard Blast Films First Men Bedford Damon Thomas Can Do Productions Vexed Dan Matt Lipsey Touchpaper T V Cranford (two Series) Septimus Hanbury Simon Curtis B B C Beautiful People Ross David Kerr B B C The Thick Of It Ed Armando Iannucci B B C Waking The Dead James Fisher Dan Reed B B C Ashes To Ashes Jeremy Hulse Ben Bolt Kudos For The Bbc Minder Willoughby Carl Nielson Freemantle Steptoe & Sons Alan Simpson Michael Samuels B B C Plus One (pilot) Rob Black Simon Delaney Kudos Messiah V Stewart Dean Harry Bradbeer Great Meadow Rory Kinnear 1 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0. -
Saturday, March 14, 7:30Pm, Sunday, March 15, 3Pm, Friday, March 20, 7:30Pm & Saturday, March 21, 3Pm
Starring the future, today! Book by Music & Lyrics by JOHN CAIRD STEPHEN SCHWARTZ Based on a concept by CHARLES LISANBY Orchestrations by BRUCE COUGHLIN & MARTIN ERSKINE Saturday, March 14, 7:30pm, Sunday, March 15, 3pm, Friday, March 20, 7:30pm & Saturday, March 21, 3pm Children of Eden TMTO sponsored by Season sponsored by from CRATERIAN PERFORMANCES presents the the EXECUTIVE DIRECTOR ur story begins in the beginning, with God’s creative nature and desire to be in relationship with his children. OPerhaps you don’t believe in the Biblical narrative (with which Stephen Schwartz, as composer and storyteller, takes consider- production of able liberties), but you might have children and find “Father’s” hopes and desires for his children relatable. Or perhaps you have siblings. You certainly have parents. And so, one way or another, you’re included in this story. It’s about you. It’s about all of us. It’s about our frailties and foibles, our struggles and failures, and it’s about our curiosity, ambitions and determination to live life the way we choose. It is also, like the Bible itself, ultimately a story about hope, love and redemption. When we don’t measure up, it takes someone else’s love us to lift us up. The meaning and message in all of this is timeless, and so director Cailey McCandless cast a vision for the show that unmoors it from ancient settings. And you might notice there are very few parallel lines in the show’s design... mostly intersecting angles, because life and our relationships tend to work that way. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
Richard Cant
Richard Cant Photo: Wolf Marloh Stage 2019, Stage, Quentin Crisp, AFTER EDWARD, Globe Theatre, London, Brendan O'Hea 2019, Stage, Earl of Lancaster, EDWARD THE SECOND, Globe Theatre, London, Nick Bagnall 2018, Stage, Jeremy Crowther, MAYDAYS, Royal Shakespeare Company, Owen Horsley 2017, Stage, DeStogumber/ Poulengey, SAINT JOAN, Donmar, Josie Rourke 2016, Stage, One, STELLA, LIFT/Brighton Festival, Neil Bartlett 2015, Stage, Aegeus, MEDEA, Almeida, Rupert Goold 2015, Stage, Bernie, MY NIGHT WITH REG, Donmar Warehouse/ Apollo Theatre, Rob Hastie 2015, Stage, Tudor/Male Guard/Assistant, THE TRIAL, The Young Vic, Richard Jones 2013, Stage, Friedrich Muller, WAR HORSE, NT at New London Theatre, Alex Sims, Kathryn Ind 2010, Stage, Page of Herodias, SALOME, Headlong, Jamie Lloyd 2008, Stage, Thersites, TROILUS AND CRESSIDA, Cheek by Jowl, Declan Donnellan 2007, Stage, Pisanio, CYMBELINE, Cheek by Jowl, Declan Donnellan 2002, Stage, Lord Henry, ORIGINAL SIN, Sheffield Crucible Theatre, Peter Gill 2000, Stage, Darren, OTHER PEOPLE, Royal Court Theatre, Dominic Cooke 2000, Stage, Brian/Javid, PERA PALAS, Gate, Sacha Wares 2000, Stage, SHE STOOPS TO CONQUER, New Kent Opera, Hettie McDonald 2000, Stage, Sparkish, THE COUNTRY WIFE, Sheffield Crucible Theatre, Michael Grandage 1999, Stage, Prior, ANGELS IN AMERICA, Library, Manchester, Roger Haines 1997, Stage, Arviragus, CYMBELINE, Royal Shakespeare Company, Adrian Noble 1997, Stage, Rosencrantz, HAMLET, RSC, Matthew Warchus 1997, Stage, Balthasar, MUCH ADO ABOUT NOTHING, RSC, Michael Boyd 1996, Stage, -
Frank Grace – Interview Transcript
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frank Grace – interview transcript Interviewer: Clare Brewer 8 December 2008 Theatre goer. Anna Lucasta; Windsor Rep; The Gioconda Smile; September Tide; The Second Mrs Tanqueray; Oklahoma; Annie Get your Gun; Shakespeare; The Old Vic; Peter Brook; Olivier; Amateur Theatre; Woolford; Look back In Anger; Encore; Theatre Cruelty; Roots; Tis Pity She’s a Whore; A View From the Bridge; Censorship; Theatre Clubs; The Bald Prima Donna; Oh What a Lovely War; Arthur Miller. This transcript has been edited by the interviewee and thus differs in places from the recording. CB: How did you first become interested in theatre? FG: I suppose through [act]ing at school, but in terms of any serious theatre going I suppose it goes back to the late 1940’s... interestingly enough, when I re-looked at the [programmes] that I have got, the first play that I saw [in] the West End was most unusual for the late 1940’s, it was a play called Anna Lucasta,an American play; what was unusual for the 1940s was that it was an all black cast. CB: Really… FG: And it was about a prostitute and my parents took me [laughs] and I think they must have been slightly worried because I was fourteen at the time and it was one of my first experiences. But that was not typical of the first sort of phase of my theatre-going between that moment in 1949 and about 1951 I suppose and [after where] something dramatic begins to happen, I think. -
In Kindergarten with the Author of WIT
re p resenting the american theatre DRAMATISTS by publishing and licensing the works PLAY SERVICE, INC. of new and established playwrights. atpIssuel 4,aFall 1999 y In Kindergarten with the Author of WIT aggie Edson — the celebrated playwright who is so far Off- Broadway, she’s below the Mason-Dixon line — is performing a Mdaily ritual known as Wiggle Down. " Tapping my toe, just tapping my toe" she sings, to the tune of "Singin' in the Rain," before a crowd of kindergarteners at a downtown elementary school in Atlanta. "What a glorious feeling, I'm — nodding my head!" The kids gleefully tap their toes and nod themselves silly as they sing along. "Give yourselves a standing O!" Ms. Edson cries, when the song ends. Her charges scramble to their feet and clap their hands, sending their arms arcing overhead in a giant "O." This willowy 37-year-old woman with tousled brown hair and a big grin couldn't seem more different from Dr. Vivian Bearing, the brilliant, emotionally remote English professor who is the heroine of her play WIT — which has won such unanimous critical acclaim in its small Off- Broadway production. Vivian is a 50-year-old scholar who has devoted her life to the study of John Donne's "Holy Sonnets." When we meet her, she is dying of very placement of a comma crystallizing mysteries of life and death for ovarian cancer. Bald from chemotherapy, she makes her entrance clad Vivian and her audience. For this feat, one critic demanded that Ms. Edson in a hospital gown, dragging an IV pole.