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Ray Bradbury Center for the Book at the New Hampshire State Library BIBLIOGRAPHY October 2007 Ray Bradbury This bibliography was created as part of The Big Read: New Hampshire Reads Fahrenheit 451. All included titles are held by at least one library in New Hampshire. Many Bradbury titles are available in multiple editions; the edition most commonly owned by NH libraries was included in this list. Essays Bradbury Speaks: Too Soon from the Cave, Too Far from the Stars. New York: William Morrow, c2005. Yestermorrow: Obvious Answers to Impossible Futures. Santa Barbara, Calif. : Joshua Odell Editions, 1991. Zen in the Art of Writing: Essays on Writing & Creativity. Santa Barbara, Calif.: Joshua Odell Editions, 1989. Novels & Novellas Ahmed and the Oblivion Machines: A Fable. New York: Avon Books, c1998. Dandelion Wine: A Novel. New York: Avon Books, 1999. Death is a Lonely Business. New York: Knopf, c1985. Fahrenheit 451. New York: Ballantine Books [1953] Farewell Summer. New York: William Morrow, c2006. Fever Dream. New York: St. Martin's Press, c1987. From the Dust Returned: A Family Remembrance. New York: William Morrow, c2001. A Graveyard for Lunatics: Another Tale of Two Cities. New York: Knopf, 1990. Green Shadows, White Whale: A Novel. New York: Knopf, 1992. The Halloween Tree. New York: Knopf, 1999, c1972. Let's All Kill Constance: A Novel. New York: William Morrow, c2003. Now and Forever: Somewhere a Band is Playing and Leviathan 99. New York: Morrow, c2007. Something Wicked This Way Comes. New York: Avon Books, 1999. Plays The Anthem Sprinters, and Other Antics. New York: Dial Press, 1963. A Chrestomathy of Ray Bradbury: A Dramatic Selection. New York: Donald I. Fine, 1991. The Wonderful Ice Cream Suit, and Other Plays. New York: Bantam, 1972. 20 Park Street, Concord, NH 03301 • 603-271-2866 • www.nh.gov/nhsl/bookcenter Poetry The Complete Poems of Ray Bradbury. New York: Ballantine Books, 1982. The Haunted Computer and the Android Pope. New York: Knopf, 1981. When Elephants Last in the Dooryard Bloomed; Celebrations for Almost Any Day in the Year. New York: Knopf, 1973. Where Robot Mice and Robot Men Run Round in Robot Towns: New Poems, Both Light and Dark. New York: Knopf, 1977. Stories Bradbury Stories: 100 of His Most Celebrated Tales. New York: William Morrow, c2003. The Cat's Pajamas: Stories. New York: William Morrow, c2004. The Day it Rained Forever. London, Hart-Davis, 1966, c1959. Dinosaur Tales. New York: Bantam Books, 1983. Driving Blind. New York: Avon Books, c1997. The Golden Apples of the Sun and Other Stories. New York: Avon Books, 1997, c1990. I Sing the Body Electric! New York: Knopf, 1969. The Illustrated Man. New York: Bantam Books, c1951. Long After Midnight. New York: Knopf, 1976. The Machineries of Joy: Short Stories. New York: Simon and Schuster, 1964. The Martian Chronicles. New York: Bantam Books, 1979, c1958. A Medicine for Melancholy. New York: Bantam Books, 1960. A Memory of Murder. New York: Dell Publishing, c1984. The October Country. New York: Ballantine Books 1971, c1955. One More for the Road: A New Story Collection. New York: William Morrow, c2002. Quicker Than the Eye. New York: Avon Books, 1996. R is for Rocket. Garden City, NY: Doubleday, 1962. S is for Space. Garden City, NY: Doubleday, 1966. The Stories of Ray Bradbury. New York: Knopf, 1980. Switch on the Night. [A children's picture book] New York: Knopf, 2000, c1993. Timeless Stories for Today and Tomorrow. New York: Bantam Books, 1952. The Toynbee Convector: Stories. New York: Knopf, 1988. The Vintage Bradbury: Ray Bradbury's Own Selection of His Best Stories. New York: Vintage, 1990. Works ABOUT Ray Bradbury Bradbury, Ray, Donn Albright and Jonathan R. Eller. Match to Flame: The Fictional Paths to Fahrenheit 451. Colorado Springs, CO: Gauntlet Publications, 2006. Eller, Jonathan R., and William F. Touponce. Ray Bradbury: The Life of Fiction. Kent, OH: Kent State University Press, 2004. Weist, Jerry. Bradbury: An Illustrated Life. New York: William Morrow, 2002. Weller, Sam. The Bradbury Chronicles: The Life of Ray Bradbury. New York: William Morrow, 2005. The Big Read is an initiative of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and Arts Midwest. The Big Read: New Hampshire Reads Fahrenheit 451 is a project of the Center for the Book at the New Hampshire State Library in partnership with the New Hampshire Humanities Council. .
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  • Dandelion Wine
    Reading Guide Dandelion Wine By Ray Bradbury ISBN: 9780380977260 Introduction Twelve-year-old Douglas Spaulding arises on an early June morning in a small bedroom in the cupola of his grandparents' house. As Douglas looks out the window, the small town of Green Town, Illinois awakens, and Doug is filled with the joy of being alive. And so begins the summer of 1928 as re- imagined by Ray Bradbury in his novel Dandelion Wine, a rich, evocative tale of a summer long past and its memories, joys, and frustrations. The central metaphor of the novel is the creation of Dandelion Wine, which becomes a distillation of the summer's days and may be reopened and revisited during the bleak winter months to come. Throughout the summer, Douglas and his brother, Tom, also record, in a notepad, specific incidents and lessons learned. One of the first lessons Douglas learns is that adults and children are different species. The brothers also come to the conclusion that old people were never children. But while the summer seems idyllic, darker things, such as change and death, lurk in the background. Douglas is exposed to these through a series of events that include the loss of best friend (who moves away) and the death of his great-grandmother. The ravine and a serial killer called the "Lonely One" are embodiments of the fear of death and change. As a result of these events, Douglas falls into a fever, but is saved by the town's junk man, Mr. Jonas, who gives the boy two bottles of pure winter air, which break the fever.
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  • Questions to Accompany the Martian Chronicles
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  • Sherwood Anderson and the Contemporary Short-Story Cycle Jennifer J. Smith
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  • Dark Images of Cyberpunk
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  • Working Materials
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  • Zen in the Art of Writing – Ray Bradbury
    A NOTE ABOUT THE AUTHOR Ray Bradbury has published some twenty-seven books—novels, stories, plays, essays, and poems—since his first story appeared when he was twenty years old. He began writing for the movies in 1952—with the script for his own Beast from 20,000 Fathoms. The next year he wrote the screenplays for It Came from Outer Space and Moby Dick. And in 1961 he wrote Orson Welles's narration for King of Kings. Films have been made of his "The Picasso Summer," The Illustrated Man, Fahrenheit 451, The Mar- tian Chronicles, and Something Wicked This Way Comes, and the short animated film Icarus Montgolfier Wright, based on his story of the history of flight, was nominated for an Academy Award. Since 1985 he has adapted his stories for "The Ray Bradbury Theater" on USA Cable television. ZEN IN THE ART OF WRITING RAY BRADBURY JOSHUA ODELL EDITIONS SANTA BARBARA 1996 Copyright © 1994 Ray Bradbury Enterprises. All rights reserved under International and Pan-American Copyright Conventions. Owing to limitations of space, acknowledgments to reprint may be found on page 165. Published by Joshua Odell Editions Post Office Box 2158, Santa Barbara, CA 93120 Library of Congress Cataloging-in-Publication Data Bradbury, Ray, 1920— Zen in the art of writing. 1. Bradbury, Ray, 1920- —Authorship. 2. Creative ability.3. Authorship. 4. Zen Buddhism. I. Title. PS3503. 167478 1989 808'.os 89-25381 ISBN 1-877741-09-4 Printed in the United States of America. Designed by The Sarabande Press TO MY FINEST TEACHER, JENNET JOHNSON, WITH LOVE CONTENTS PREFACE xi THE JOY OF WRITING 3 RUN FAST, STAND STILL, OR, THE THING AT THE TOP OF THE STAIRS, OR, NEW GHOSTS FROM OLD MINDS 13 HOW TO KEEP AND FEED A MUSE 31 DRUNK, AND IN CHARGE OF A BICYCLE 49 INVESTING DIMES: FAHRENHEIT 451 69 JUST THIS SIDE OF BYZANTIUM: DANDELION WINE 79 THE LONG ROAD TO MARS 91 ON THE SHOULDERS OF GIANTS 99 THE SECRET MIND 111 SHOOTING HAIKU IN A BARREL 125 ZEN IN THE ART OF WRITING 139 .
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  • Fragmentary Futures: Bradbury's Illustrated Man Outlines--And Beyond
    2015 Fragmentary Futures: Bradbury's Illustrated Man Outlines--and Beyond Jonathan R. Eller Indiana University-Purdue University Indianapolis Indianapolis, Indiana, USA IUPUI ScholarWorks This is the author’s manuscript: This article was puBlished as Eller, Jonathan R. “Fragmentary Futures: Bradbury's Illustrated Man Outlines--and Beyond” The New Ray Bradbury Review 4 (2015): 70- 85. Print. No part of this article may Be reproduced, stored in a retrieval system, transmitted, or distriButed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Kent State University Press. For educational re-use, please contact the Copyright Clearance Center (508-744- 3350). For all other permissions, please contact Carol Heller at [email protected]. https://scholarworks.iupui.edu Fragmentary Futures: Bradbury’s Illustrated Man Outlines—and Beyond “I believe first drafts, like life and living, must be immediate, quick, passionate. By writing a draft in a day I have a story with a skin around it.” Ray Bradbury’s creative coda originated long before he fashioned this concise version of it for his December 1964 Show magazine interview. His daily writing habit had become a quotidian fever by the early 1940s, and he soon learned to avoid interruptions from any other voices—including his own rational judgments. Each day became a race between subconscious inspiration and the stifling effects of his own self-conscious thoughts—the more logical thought patterns that he desperately tried to hold at bay during the few hours it would take him to complete an initial draft. Bradbury was convinced that the magic would dissolve away if he failed to carry through on a story idea or an opening page at first sitting, and it’s not surprising that his Show interview coda came with a cautionary corollary: “If one waits overnight to finish a story, quite often the texture one gets the next day is different.
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  • Would You Visit the PAST If You Could?
    Video link at Comparing A Sound of Thunder thinkcentral.com Texts Short Story by Ray Bradbury From Here to There: The Physics of Time Travel Magazine Article by Brad Stone The Time Machine Movie Poster Would you visit the PAST if you could? Virginia Standards of Learning Imagine that you could board a time machine and travel into the 9.3f Extend general and specialized past. In “A Sound of Thunder,” the main character does just that. vocabulary through speaking, His journey, however, has unexpected consequences. reading, and writing. 9.4e Explain the relationship between and among elements of literature: characters, plot, setting, tone, point of view, and What’s the Connection? theme. 9.4m Use reading strategies You’ve probably already encountered time machines in books, to monitor comprehension throughout the reading process. comics, TV shows, movies, and other media. As you read the selections that follow, you will again ponder the phenomenon of time travel—as both a compelling premise for science fiction stories and a real scientific possibility. 36 VA_L09PE-u01s1-brAsth.indd 36 3/22/11 4:18:42 PM Meet the Author text analysis: foreshadowing Foreshadowing is a writer’s use of clues to hint at events that will Ray Bradbury happen later in a story. By using this technique Bradbury creates born 1920 suspense, the feeling of tension or excitement that readers Social Critic for the Future experience when they want to know what will happen next. A major writer in the genres of science Foreshadowing often occurs when a character makes an unusual fiction and fantasy, Ray Bradbury explores the statement or issues a strong warning, as in this example: future, outer space—and the human heart.
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  • Fahrenheit 451
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  • Gvantsa Jgushia Mrs. Corkern English III 1 March 2017
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  • Sound of Thu^^ A( 94 Br
    Sound of Thu^^ a( 94 Br he sign on the wall seemed to quaver under a film of sliding vvarm water. Eckels felt his eyelids blink over his stare, and the sign burned in this momentary darkness: TIME SAFARI, INC. SAFARIS TO ANY YEAR IN THE PAST. YOU NAME THE ANIMAL. WE TAKE YOU THERE. YOU SHOOT IT. dollars at the man behind the desk. 'Does this safari guarantee I come back alive?" "We guarantee nothing," said the oflicial,'"except the & dinosaurs." He turned. "This is Mr. Travis, your Safari Guide in the Past. Fle'll tell you what and where to shoot. If he says no shooting, Do shooting. If you disobey in- structions, there's a stiffpenalty of another ten thousand -¿/ 53 -_L_J DINOSAUR TALES your dollars, plus possible government action' on it up." I1{r. Eckels looked at the check for a long time' His fingers-'C*od twitched. luck," said the man behind the desk' "Mr' the room, taking their chine, toward the silver First a day and then a night and then a day and then u rrþt, then it was day-night-day-night-day' A we9-k ¡1 -o"if,,ã year, a decadé- o-õ. ZoSS. e.o- 2019' 1999! 1957! Gone!- - The Machine roared. itt"y put on their oxygen helmets and tested the DINOSAUR TALES 5i irtì R¡\Y BRADIIURY brain." here.. We have to pay big graft to keep our franchise. A The Machine howled. Time was a film run back- Time Machine is damn frnickybusiness. Not knowing it, u,ards.
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