'Marvellous Musical Podcasts' A

Total Page:16

File Type:pdf, Size:1020Kb

'Marvellous Musical Podcasts' A Year 9 Music and the Media Author and celebrity David Walliams has produced a series called ‘Marvellous Musical Podcasts’ and there is one all about John Williams’s film music. This week we would like you to listen to this episode to help you understand how and why film music is written. Task 1 Answer these questions about the podcast: 1 What year did John Williams write the music to Harry Potter and the Philosopher’s Stone? 2 What musical elements do Williams and the ghost say a film score needs? 3 What instrument gives the theme a touch of magic? Task 2 OK – now it’s your turn. You are going to choose ONE of the following pieces of film music and you are going to record your own podcast – with clips of music – to talk about it. You can choose from the following: He’s a Pirate (Pirates of the Caribbean) - Klaus Badelt Titanic – James Horner Jaws – John Williams Back to the Future – Alan Silvestri Halloween – John Carpenter (It helps if you’ve seen the film so you can relate the music to the film itself – and you can choose one of your own if there’s a film theme you really love. Avoid choosing a song – stick to instrumental music for now). In your recording, remember to include… • When it was written and who composed it • What mood it creates when you listen to it – and how it creates that mood • The genre of film it was written for • Musical information – eg the tempo, the dynamics, the instrument(s), how the music changes (you can refer to seconds and minutes if you want to talk about a specific moment) • Why you chose this piece of music • It must last for at least 2 minutes You can use your voice recorder on your phone/ipad to record it – have the music lined up on YouTube ready to play some clips. If you have another app to create a podcast with, go for it. If you want to share your work, email it to [email protected] or [email protected] – let us know if you want it to be uploaded to SoundCloud! .
Recommended publications
  • B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
    B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col.
    [Show full text]
  • Knowledge Organiser
    Key Composers Purpose Bernard Hermann James Horner Music in a film is there to set the scene, enhance the AoS3 – Film Music mood, tell the audience things that the visuals cannot, or John Williams Danny Elfman manipulate their feelings. Sound effects are not music! John Barry Alan Silvestri Jerry Goldsmith Howard Shore Key terms Hans Zimmer Leitmotif – A theme for a character Mickey-mousing – When the music fits precisely with action Musical Elements & Common Associations (Musical Cliche’s) Underscore – where music is played at the same time as action Tempo Fast Excitement, action or fast-moving things (eg. A chase scene) Slow Contemplation, rest or slowing-moving things (eg. A funeral procession) Fanfare – short melodies from brass sections playing arpeggios and often accompanied with percussion Melody Ascending Upward movement, or a feeling of hope (eg. Climbing a mountain) Descending Downward movement, or feeling of despair (eg. Movement down a hill) Instruments and common associations (Musical Clichés) Large leaps Distorted or grotesque things (eg. a monster) Woodwind - Natural sounds such as bird song, animals, rivers Harmony Major Happiness, optimism, success Bassoons – Sometimes used for comic effect (i.e. a drunkard) Minor Sadness, seriousness (e.g. a character learns of a loved one’s death) Brass - Soldiers, war, royalty, ceremonial occasions Dissonant Scariness, pain, mental anguish (e.g. a murderer appears) Tuba – Large and slow moving things Rhythm Strong sense of pulse Purposefulness, action (e.g. preparations for a battle) & Metre Harp – Tenderness, love Dance-like rhythms Playfulness, dancing, partying (e.g. a medieval feast) Glockenspiel – Magic, music boxes, fairy tales Irregular rhythms Excitement, unpredictability (e.g.
    [Show full text]
  • Alan Silvestri
    ALAN SILVESTRI AWARDS/NOMINATIONS EMMY NOMINATION (2014) COSMOS: A SPACETIME ODYSSEY Outstanding Music Composition for a Series / Original Dramatic Score and Outstanding Original Main Title Music WORLD SOUNDTRACK NOMINATION (2008) “A Hero Comes Home” from BEOWULF Best Original Song Written for Film* INTERNATIONAL FILM MUSIC CRITICS BEOWULF ASSOCIATION NOMINATION (2007) Best Original Score-Animated Feature GRAMMY AWARD (20 05) “Believe” from THE POLAR EXPRESS Best Song Written for a Motion Picture* ACADEMY AWARD NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* GOLDEN GLOBE NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* BRO ADCAST FILM CRITICS CHOICE “Believe” from THE POLAR EXPRESS NOMINATION (2004) Best Song* GRAMMY AWARD (2001) End Credits from CAST AWAY Best Instrumental Composition ACADEMY AWARD NOMINATION (1994) FORREST GUMP Best Original Score GRAMMY AWARD NOMINA TION (1994) “Feather” from FORREST GUMP Best Instrumental Performance GOLDEN GLOBE NOMINATION (1994) FORREST GUMP Best Original Score CABLE ACE AWARD (1990) TALES FROM THE CRYPT: ALL THROUGH Best Original Score THE HOUSE GRAMMY AWARD NOMINATION (1989) Suite from WHO FRAMED ROGER RABBIT? Best Instrumental Composition GRAMMY AWARD NOMINATION (1988) WHO FRAMED ROGER RABBIT? Best Album of Original Score Written for a Motion Picture GRAMMY AWARD NOMINATION (1985) BA CK TO THE FUTURE Best Instrumental Composition 1 The Gorfaine/Schwartz Agency (818) 260-8500 ALAN SILVESTRI GRAMMY AWARD NOMINATION (1985) BACK TO THE FUTURE Best Album of Original Score Written for a Motion Picture *shared nomination/award MOTION PICTURES RUN ALL NIGHT Roy Lee / Michael Tadross / Brooklyn Weaver, prods. Warner Brothers Jaume Collet-Serra, dir. RED 2 Lorenzo di Bonaventura / Mark Vahradian, prods.
    [Show full text]
  • Underwater Music: Tuning Composition to the Sounds of Science
    Underwater Music: Tuning Composition to the Sounds of Science The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Helmreich, Stefan. “Underwater Music: Tuning Composition to the Sounds of Science.” Oxford Handbooks Online (December 2, 2011). As Published http://dx.doi.org/10.1093/oxfordhb/9780195388947.013.0044 Publisher Oxford University Press Version Original manuscript Citable link http://hdl.handle.net/1721.1/114601 Terms of Use Creative Commons Attribution-Noncommercial-Share Alike Detailed Terms http://creativecommons.org/licenses/by-nc-sa/4.0/ OUP UNCORRECTED FIRST-PROOF 7/6/11 CENVEO chapter 6 UNDERWATER MUSIC: TUNING COMPOSITION TO THE SOUNDS OF SCIENCE stefan helmreich Introduction How should we apprehend sounds subaqueous and submarine? As humans, our access to underwater sonic realms is modulated by means fl eshy and technological. Bones, endolymph fl uid, cilia, hydrophones, and sonar equipment are just a few apparatuses that bring watery sounds into human audio worlds. As this list sug- gests, the media through which humans hear sound under water can reach from the scale of the singular biological body up through the socially distributed and techno- logically tuned-in community. For the social scale, which is peopled by submari- ners, physical oceanographers, marine biologists, and others, the underwater world —and the undersea world in particular — often emerge as a “fi eld” (a wildish, distributed space for investigation) and occasionally as a “lab” (a contained place for controlled experiments). In this chapter I investigate the ways the underwater realm manifests as such a scientifi cally, technologically, and epistemologically apprehensible zone.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • Gospel Christmas
    2017 2018 SEASON Kevin McBeth, conductor Thursday, December 14, 2017 at 7:30PM Dianne Reeves, vocalist Peter Martin, piano Romero Lubambo, guitar Reginald Veal, bass Terreon Gully, drums St. Louis Symphony IN UNISON Chorus Kevin McBeth, director CRAIG COURTNEY “Festival Gloria” St. Louis Symphony IN UNISON Chorus STEVEN AMUNDSON Rejoice! DAN FORREST “A Christmas Lullaby” St. Louis Symphony IN UNISON Chorus TIM HOSMAN “A King Is Born” arr. Robert Sterling Reginald Davis, bass St. Louis Symphony IN UNISON Chorus STYNE “Let It Snow! Let It Snow! Let It Snow!” arr. Peter Martin GUARALDI “Christmas Time Is Here” arr. Martin/Maness STYNE “Christmas Waltz” arr. Peter Martin WAYNE SHORTER “Infant Eyes” arr. Peter Martin Dianne Reeves, vocalist Peter Martin, piano Romero Lubambo, guitar Reginald Veal, bass Terreon Gully, drums St. Louis Symphony IN UNISON Chorus PAUL DAVID WILSON “Hallelujah” from Handel’s Messiah: A Soulful Celebration arr. Warren/Jackson/ Curtis McGruder, tenor Kibble/Hey/Chinn St. Louis Symphony IN UNISON Chorus INTERMISSION ISRAEL HOUGHTON “You Are Good” arr. Camp Kirkland arr. Bradley Knight “God Rest Ye Merry Gentlemen” Karen Hylton, soprano St. Louis Symphony IN UNISON Chorus ADAM “O Holy Night” arr. Smith Robert Jackson, tenor St. Louis Symphony IN UNISON Chorus arr. Floyd “Oh What a Wonderful Child (Glory to the Newborn King)” Cassandra Gilyard, alto Charles Stancil, bass St. Louis Symphony IN UNISON Chorus THAD JONES “A Child Is Born” arr. Peter Martin KENT “I’ll Be Home for Christmas” arr. Peter Martin TORMÉ “Christmas Song (Chestnuts Roasting on an Open Fire)” arr. Peter Martin DAVIS “The Little Drummer Boy” arr.
    [Show full text]
  • Alan Silvestri
    ALAN SILVESTRI AWARDS/NOMINATIONS THE SOCIETY OF COMPOSERS AND AVENGERS: ENDGAME LYRICISTS NOMINATION (2020) Outstanding Original Score for a Studio Film 67th ANNUAL GRAMMY AWARDS AVENGERS: ENDGAME NOMINATION (2020) Best Score Soundtrack for Visual Media 66th ANNUAL GRAMMY AWARDS AVENGERS: INFITINTY WAR NOMINATION (2019) Best Instrumental Composition ACADEMY OF SCIENCE FICTION, READY PLAYER ONE FANTASY & HORROR FILMS AWARD NOMINATION (2019) Best Music ACADEMY OF SCIENCE FICTION, AVENGERS: ENDGAME FANTASY & HORROR FILMS AWARD NOMINATION (2019) Best Music HOLLYWOOD MUSIC IN MEDIA (2019) AVENGERS: ENDGAME Original Score – Sci-fi/Fantasy INTERNATIONAL FILM MUSIC CRITICS READY PLAYER ONE ASSOCIATION NOMINATION (2019) Best Original Score for a Fantasy/Science Fiction/Horror Film INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (2019) Film Composer of the Year WORLD SOUNDTRACK AWARD WELCOME TO MARWEN NOMINATION (2019) AVENGERS: ENDGAME Film Composer of the Year HOLLYWOOD MUSIC IN MEDIA READY PLAYER ONE NOMINATION (2018) Original Score-Sci-Fi/Fantasy/Horror Film 1 The Gorfaine/Schwartz Agency (818) 260-8500 ALAN SILVESTRI INTERNATIONAL FILM MUSIC CRITICS ALAN SILVESTRI: WORLD SOUNDTRACK ASSOCIATION NOMINATION (2016) AWARDS Best Archival Release of an Existing Score – Compilation HOLLYWOOD MUSIC IN MEDIA THE WALK NOMINATION (2015) Original Score-Feature Film EMMY AWARD (2014) COSMOS: A SPACETIME ODYSSEY Outstanding Music Composition for a Series / Original Dramatic Score and Outstanding Original Main Title Music INTERNATIONAL FILM MUSIC
    [Show full text]
  • Movie & Tv Series Themes
    Movie & tv series themes Quiz Id: 3 # Artists Title # Artists Title 1. Pokémon Pokemon Theme 14. Carmen Twillie, Lebo M. Circle of Life - The Lion King 2. Dave Porter Breaking Bad Theme 15. John Williams Hedwig's Theme (Harry Potter) 3. Barenaked Ladies Big Bang Theory Theme 16. Green Day The Simpsons Theme 4. TV Soundtrack Orchestra Sex And The City Theme 17. Alan Silvestri Forrest Gump 5. John Barry Orchestra James Bond Theme (From 18. J. Robert Harris, Paul Francis Webster, Michael Giacchino, Spider Man Theme Dr. No) Marshall Bowen III 6. J.J. Abrams Fringe Theme 19. John Carpenter Halloween Theme 7. Jeff Beal House Of Cards Theme 20. Ramin Djawadi Main Title (From Game of Thrones: Season 3) 8. Henry Mancini Pink Panther Theme 21. Family Guy Family Guy Main Title 9. London Voices, London Symphony Orchestra, John Williams, New The Imperial March - Star 22. TV Theme Song Library Theme from the Flintstones London Children's Choir Wars 10. Michael Giacchino Mission: Impossible 23. Céline Dion My Heart Will Go On - Titanic Theme 11. Kyle Dixon & Michael Stein Stranger Things 24. Samuel E. Wright Under the Sea - The Little Mermaid 12. Alan Silvestri Back to the Future 25. Royal Philharmonic Orchestra The Lord of The Rings 13. Ray Parker, Jr. Ghostbusters Created with ♥ by 99musicquiz.com Quiz Id: 3 # Title Score # Title Score 1. 14. 2. 15. 3. 16. 4. 17. 5. 18. 6. 19. 7. 20. 8. 21. 9. 22. 10. 23. 11. 24. 12. 25. 13. Created with ♥ by 99musicquiz.com Instructions There are the game leader and the players.
    [Show full text]
  • Back to the Future Howard Shore:The Cell
    Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away.
    [Show full text]
  • Flight of the Navigator Digital Booklet
    ……uly 4th, 1978 and silver saucers sail over the Miami skyline. J…… For young David Freeman (Joey Cramer), the day began like any other holiday with a family outing at the park and a frisbee pet catching contest (Main Title). His disappointment with his dog Bruiser's inability to perform is compounded only by the further taunts of his irascible kid brother, Jeff. That night, David is told to escort his younger brother home from a friend's house (David In The Woods). David accidentally falls into a ravine, knocking himself out. When he awakens, David is terrified to discover his family no longer living at the house. In fact, the house has been entirely redecorated. Taken to the police station, the officer in charge discovers David has been declared legally dead! Eventually the boy is taken to a house where he is reunited with his mother (Veronica Cartwright) and father (Cliff DeYoung), only to discover that they're much older than when he saw them only hours before. Meanwhile, NASA scientist Lewis Faraday (Howard Hesseman) discovers an alien spacecraft, seemingly floating as if lighter than air, entangled in a high tension tower. He orders it taken away to the space center (Transporting The Ship). David is taken to a hospital for tests where he meets his “little” brother, Jeff, who now appears several years older than himself. Jeff reveals that it's 8 years later from the night David fell into the ravine. That night as the silver vehicle is being examined in a NASA hanger, David hears a voice calling out to him.
    [Show full text]
  • The Marvel Sonic Narrative: a Study of the Film Music in Marvel's the Avengers, Avengers: Infinity War, and Avengers: Endgame
    Graduate Theses, Dissertations, and Problem Reports 2019 The Marvel Sonic Narrative: A Study of the Film Music in Marvel's The Avengers, Avengers: Infinity arW , and Avengers: Endgame Anthony Walker West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Musicology Commons Recommended Citation Walker, Anthony, "The Marvel Sonic Narrative: A Study of the Film Music in Marvel's The Avengers, Avengers: Infinity arW , and Avengers: Endgame" (2019). Graduate Theses, Dissertations, and Problem Reports. 7427. https://researchrepository.wvu.edu/etd/7427 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Marvel Sonic Narrative: A Study of the Film Music in Marvel's The Avengers, Avengers: Infinity War, and Avengers: Endgame Anthony James Walker Dissertation submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree Doctor of Musical Arts in Music Performance Keith Jackson, D.M.A., Chair Evan A.
    [Show full text]
  • John Williams John Williams
    v8n01 covers 1/28/03 2:18 PM Page c1 Volume 8, Number 1 Original Music Soundtracks for Movies & Television Trek’s Over pg. 36 &The THE Best WORST Our annual round-up of the scores, CDs and composers we loved InOWN Their WORDS Shore, Bernstein, Howard and others recap 2002 DVDs & CDs The latestlatest hits hits ofof thethe new new year year AND John Williams The composer of the year in an exclusive interview 01> 7225274 93704 $4.95 U.S. • $5.95 Canada v8n01 issue 1/28/03 12:36 PM Page 1 CONTENTS JANUARY 2003 DEPARTMENTS COVER STORY 2 Editorial 14 The Best (& the Worst) of 2002 Listening on the One of the best years for film music in recent Bell Curve. memory? Or perhaps the worst? We’ll be the judges of that. FSM’s faithful offer their thoughts 4 News on who scored—and who didn’t—in 2002. Golden Globe winners. 5 Record Label 14 2002: Baruch Atah Adonei... Round-up By Jon and Al Kaplan What’s on the way. 6 Now Playing 18 Bullseye! Movies and CDs in By Douglass Fake Abagnale & Bond both get away clean! release. 12 7 Upcoming Film 21 Not Too Far From Heaven Assignments By Jeff Bond Who’s writing what for whom. 22 Six Things I’ve Learned 8 Concerts About Film Scores Film music performed By Jason Comerford around the globe. 24 These Are a Few of My 9 Mail Bag Favorite Scores Ballistic: Ennio vs. Rolfe. By Doug Adams 30 Score 15 In Their Own Words The latest CD reviews, Peppered throughout The Best (& the Worst) of including: The Hours, 2002, composers Shore, Elfman, Zimmer, Howard, Film scores in 2002—what a ride! Catch Me If You Can, Bernstein, Newman, Kaczmarek, Kent and 21 Narc, Ivanhoe and more.
    [Show full text]