DOCSLIB.ORG

Pixelatl Presenta El Elenco De Estudios Y Televisoras De La Edición

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pixelatl Presenta El Elenco De Estudios Y Televisoras De La Edición Cuernavaca, Morelos, julio 18 de 2019 Pixelatl presenta el elenco de estudios y televisoras de la edición 2019 ➢ Al momento están confirmadas 54 marcas, entre cadenas y estudios asistirán a Cuernavaca del 3 al 7 de septiembre ➢ Anualmente, durante El Festival se contrata a más de 20 estudios y talentos mexicanos para maquilar producciones extranjeras Pixelatl presentó la primera alineación de estudios y cadenas de distribución invitadas que formarán parte de su Festival de Animación, Videojuegos y Cómic a celebrarse del 3 al 7 de septiembre en Cuernavaca, Morelos. En este año se suman a la lista ejecutivos de Paramount Animation así como de Disney Animation TV, además de estudios internacionales que acaparan mucha de la producción actual y que acuden por primera vez, como Gaumont Animation de Francia y Bardel y Titmouse de Estados Unidos, para sumar un total de 54 marcas (cadenas y estudios), que son las principales en el mercado global. El Festival se ha convertido en el vinculante entre el talento mexicano y las industrias globales del arte audiovisual. Desde hace siete años acuden regularmente ejecutivos de alto nivel (CEO, vicepresidentes, directores de compras) de las principales cadenas de distribución internacional de entretenimiento infantil, como Cartoon Network, Disney, Discovery Kids, Netflix, Pixar, Warner Bros. y Nickelodeon, entre otros, además de directores de los principales estudios internacionales que más producen animación. El objetivo de la presencia de tantos actores de peso, es organizar reuniones de negocios con estudios y creadores mexicanos, tanto para presentar propiedades intelectuales originales en busca de financiamiento y distribución, como para obtener contratos de servicios creativos o favorecer la contratación de talento nacional e impartir conferencias o talleres de formación para las nuevas generaciones. “Los resultados de estos encuentros de negocios que suceden cada año, ya están a la vista”, explicó José Iñesta, director de Pixelatl. “Al momento hay cuatro propiedades que han surgido del festival, que están ya en la producción de su primera temporada, pero tenemos la adquisición de otras nueve, de las cuales seis han producido o están produciendo su piloto”. Iñesta agregó que, además de las propiedades, son un par de decenas de contratos de servicios los que se cierran cada año, donde un estudio o cadena internacional contrata estudios y talento mexicano para maquilar alguna parte de la producción. “En el evento ocurren los primeros contactos y negociaciones. Los contratos vienen unos meses después y por eso el número exacto es más difícil de documentar, pero sabemos de al menos sesenta contratos en los últimos tres años, y cada año es mayor el volumen de trabajo internacional que ha surgido del festival”. Los estudios y televisoras que han confirmado su participación son: 3D Wire, Able & Baker studio, Adult Swim, AI animation, Alchemy Ink, Amazon Studios, Annecy, Ánima, anthrox studio, Atomic Cartoons, Bardel, Bento Box, Citizen Skull, Cartoon Network, Clayographies, Crunchyroll, Cuphead, DC comics, Discovery Kids, Disney EMEA, Disney Junior, Disney Television Animation, Double Fine Games, Facebook, Fiddlesticks, Hyperbeard games, Kraneo Estudio, Gaumont Animation, Lab Zero Games, Les Films d'Ici, Lunes Animation Studio, Mattel, Mighty, Netflix, Nickelodeon, Oculus, On Animation, Panadería, Paramount Animation, Paramotion Films, PBS, Pixar, ReelFX, RTVE, Shadowmachine, Sonic The Hedgehog, Televisa, Titmouse, Toomboom, Ubisoft, Unity, Walt Disney Animation Studios, Warner Bros. Animation y Zumbastico. Para finalizar, José Iñesta, director de Pixelatl advirtió: “los pasaportes para asistir al festival ya están a la venta en elfestival.mx y sugerimos adquirirlos a la brevedad, ya que el cupo es limitado y a veces la demanda nos sobrepasa”. Hay cuatro tipos de pasaportes: Pantallas, Feria, Foro y Mercado, para el gusto de cada quien. - Sobre Pixelatl Pixelatl es una plataforma para promover las industrias creativas de Latinoamérica y el desarrollo de propiedades intelectuales originales. Inició en 2011 con el objetivo de profesionalizar y vincular internacionalmente la industria mexicana para convertirla en una palanca de dignificación, desarrollo y reconciliación para México. Algunas de sus iniciativas son el Festival Pixelatl (7 ediciones), Ideatoon (6 Propiedades Intelectuales en producción y más de 50 acuerdos de opción o servicios), SecuenciArte (20 títulos de cómic independientes publicados). Desde 2013 ha curado contenidos en el festival de Annecy en Francia, promovido delegaciones en los principales eventos y conectado talento con cadenas de distribución y estudios alrededor del mundo. Más información en: www.elfestival.mx | www.pixelatl.com Facebook | https://www.facebook.com/Pixelatl/ Instagram | https://www.instagram.com/pixelatl/ Contacto de Prensa: Alejandro Torres | email: [email protected] | móvil: 55-1003-1899 .
Load more

Recommended publications
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • Jessica Dalva
    Jessica Dalva RECENT ACHIEVEMENTS: “Home” Group Show- July 2014 “Grotesque” Group Show - February 2014 “Wanderlust” Group Show - December 2013 Nomination for Award, Dimensional Category, Spectrum Fantastic Art Book 21, 2014 Arch Enemy Arts Gallery, Philadelphia: “Imaginary Menagerie II” Group Show - September 2015 EDUCATION: “Equinox” - Seven person Group Show - April 2014 Alexi Era Gallery, Mascoutah, Illinois Otis College of Art and Desgin Graduated with Honors with a BFA, emphasis in “Victoriana” Group Show - August 2015 Illustration 2009 Gallery 309, Philadelphia: Los Angeles, CA 310.665.6800 “Summer Spell” - Group show - September 2012 WWA Gallery, Culver City: GALLERY SHOWS: “Horrorwood” - Group Show- November 2013 “Time Will Tell” - Group Show - La Luz de Jesus Gallery, Los Angeles: “All Eyes Averted” - Six-person show - February 2012 “Horrorwood” - Group show - October 2010 “Mess” - Solo Show November 2017 “Hapax Legomena” - Solo Show - May 2015 Busted Foundation, Los Angeles: The Coaster Show II - Sept. 2014 “Art in Support of Busted” - charity art auction to benefit “Laluzapalooza” - February 2014 breast cancer patients - October 2010 “Beer is Art” Coaster show- Sept. 2013 “These Days” - Solo Show - February 2013 323 East Gallery, Detroit: “LaLuzapalooza” - Group Show - March 2012 “La Luz de Jesus 25th Anniversary Show” - “Glass, Cinder & Thorns” - March 2010 Group Show and catalogue book - November 2011 Nucleus Gallery, Los Angeles: “Tie Strings Into Knots” - Five Person Show - June 2010 “Power In Numbers 4” Group Show - December
    [Show full text]
  • Paramount Pictures and Dreamworks Pictures' "GHOST in the SHELL" Is in Production in New Zealand
    April 14, 2016 Paramount Pictures and DreamWorks Pictures' "GHOST IN THE SHELL" is in Production in New Zealand HOLLYWOOD, Calif.--(BUSINESS WIRE)-- Paramount Pictures and DreamWorks Pictures have announced that production is underway on "GHOST IN THE SHELL," starring Scarlett Johansson ("AVENGERS: AGE OF ULTRON," "LUCY") and directed by Rupert Sanders ("SNOW WHITE AND THE HUNTSMAN"). The film is shooting in Wellington, New Zealand. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20160414005815/en/ Paramount Pictures will release the film in the U.S. on March 31, 2017. The film, which is based on the famous Kodansha Comics manga series of the same name, written and illustrated by Masamune Shirow, is produced by Avi Arad ("THE AMAZING SPIDER-MAN 1 & 2," "IRON MAN"), Ari Arad ("GHOST RIDER: SPIRIT OF VENGEANCE"), and Steven Paul ("GHOST RIDER: SPIRIT OF VENGEANCE"). Michael Costigan ("PROMETHEUS"), Tetsu Fujimura ("TEKKEN"), Mitsuhisa Ishikawa, whose animation studio Production I.G produced the Japanese "GHOST IN THE SHELL" film and television series, and Jeffrey Silver ("EDGE OF TOMORROW," "300") will executive produce. Scarlett Johansson plays the Major in Ghost in the Shell from Paramount Pictures Based on the internationally-acclaimed sci-fi and DreamWorks Pictures in Theaters March 31, 2017. (Photo: Business Wire) property, "GHOST IN THE SHELL" follows the Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic's advancements in cyber technology.
    [Show full text]
  • Max Aruj Composer
    MAX ARUJ COMPOSER MOTION PICTURES THE SPONGEBOB MOVIE: Tim Hill, dir. SPONGE ON THE RUN (additional music) Paramount Animation REBUILDING PARADISE (additional music) Ron Howard, dir. Imagine Documentaries LOVE WEDDING REPEAT (additional music) Dean Craig, dir. Netflix BAD BOYS FOR LIFE (additional music) Adil El Arbi, Bilall Fallah, dirs.. SONY 6 UNDERGROUND (additional music) Michael Bay, dir. Netflix GEMINI MAN (additional arrangements) Ang Lee, dir. Paramount AD ASTRA (additional music) James Gray, dir. New Regency Pictures CRAWL Alexandre Aja, dir. Paramount GEORGETOWN (additional music) Christophe Waltz, dir. Cornerstone Films WHERE’S MY ROY COHN? (additional music) Matt Tyrnauer, dir. Sony Pictures Classics DRIVEN (additional music) Nick Hamm, dir. Universal STUDIO 54 (additional music) Matt Tyrnauer, dir. A&E IndieFilms 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Aruj 1 of 3 MAX ARUJ COMPOSER MOTION PICTURES (continued) WARNING SHOT Dustin Fairbanks, dir. Cinespots THE SILK ROAD Sandu Negrea, dir. PACIFIC RIM: UPRISING (score producer) Steven S. DeKnight, dir. Universal Pictures THE HURRICANE HEIST (additional music) Rob Cohen, dir. Foresight Unlimited 12 STRONG (score producer) Nicolai Fuglsig, dir. Warner Bros. THE LEGO BATMAN MOVIE (score producer) Chris McKay, dir. Warner Bros. iBOY Adam Randall, dir. Netflix THE LAST FACE (additional music) Sean Penn, dir. Saban Films WAR ON EVERYONE (additional music) John Michael McDonagh, dir. Bankside Films AMERICAN KILLING Justyn Ah Chong, Matthew D. Ward, dirs.. High Octane Pictures THE ABANDONED Eytan Rockaway, dir. Arclight Films 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Aruj 2 of 3 MAX ARUJ COMPOSER TELEVISION EMPIRES OF NEW YORK Eli Holzman, prod.
    [Show full text]
  • Bradley Farmer CV 2020-01-29
    B RADLEY FARMER – C.V. T +44 (0)7702 193975 E [email protected] W http://www.Bradleyfarmer.com/ A 277a Martin Way, London, SW20 9BU E MPLOYMENT Director: 2nd Foundation Music & Arrow Production Music (Music Publishing Co) || No Limits Music Limited (Music Production Co.) Year Project (Type) Role Employer (Production Company) 2019 The Aeronauts (Feature) Music Editor Amazon Studios (Dir. Tom Harper) Over The Moon (Feature) Music Editor Pearl Studios (Dir. Glen Keane) Archive (Feature) Music Editor Independent (Dir. Gavin Rothery) 2018 Our Planet (Doc.) Score Editor Steven Price (Netflix/Silverback Films) Wonder Park (Feature) Music Editor Paramount Animation Disneynature: Blue (Feature) Score Editor Steven Price (Disneynature/ Silverback Films) Walk Like A Panther (Feature) Music Editor Fox International Productions (Dir.: Dan Cadan) Ophelia (Feature) Music Editor (Dir.: Claire McCarthy) 2017 American Assassin (Feature) Score Editor Steven Price (CBS) Baby Driver (Feature) Music Editor Sony / MPC / Working Title (Dir.: Edgar Wright) 2nd Foundation Music Albums (LiBrary) Composer 2nd Foundation Music 2016 Suicide Squad (Feature) Score Coordinator Steven Price (Warner Bros) 2nd Foundation Music Albums (LiBrary) Composer 2nd Foundation Music Human Origins, Pop Strings & Beats, Orchestral Orchestrator Stuart Roslyn (WPCM, Sony ATV) Spaces and Modern Luxury (LiBrary) 2015 The Hunt (Doc.) Score Editor Steven Price (BAFTA Winner) Mangled Acoustics, Textural Strings, Cinematic Composer 2nd Foundation Music Folklore (LiBrary) Kepler’s Dream
    [Show full text]
  • Nomination Press Release
    Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick,
    [Show full text]
  • Increasing Inclusion in Animation
    INCLUSION IN ANIMATION? INVESTIGATING OPPORTUNITIES, CHALLENGES, AND THE CLASSROOM TO THE CSUITE PIPELINE USC ANNENBERG INCLUSION INITIATIVE @Inclusionists @wia_animation FEMALES ON SCREEN IN ANIMATED STORYTELLING Percentage of animated films with a female lead or co lead and female cast in TV series 120 Animated Films 100 Animated TV Series % of roles for women of color 3% Film 1717% 39% 12% TV Depicted a Female Female Lead or Cast Co Lead ANIMATED AND LIVE ACTION FEMALE PRODUCERS Percentage of female producers across 1,200 films Animation Live Action 64 52 50 50 40 37 33 34 31 26 22 12 13 15 16 14 13 14 15 16 17 15 19 17 ‘07 ‘08 ‘09 ‘10 ‘11 ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 OVERALL WOMEN OF COLOR 37% 15% 5% 1% ANIMATION LIVE ACTION ANIMATION LIVE ACTION © DR. STACY L. SMITH FEMALE DIRECTORS ARE RARE IN ANIMATION Directors by platform across film & TV FILM DIRECTORS TV DIRECTORS 3% 13% WOMEN WOMEN 1% 2% WOMEN OF COLOR WOMEN OF COLOR PIPELINE PROBLEMS: CAREER PROGRESS STALLS FOR FEMALES Percentage of Females in the pipeline to directing animated feature films 3% DIRECTORS 7% 8% 9% HEAD OF STORY HEAD OF ANIMATION WRITERS 18% 16% STORY DEPT. ANIMATORS © DR. STACY L. SMITH WOMEN BELOW THE LINE IN TOP ANIMATED TV SERIES WOMEN WOMEN OF COLOR STORY EDITOR 28% 1% HEAD OF EDITING 18% 4% ANIMATION DIRECTOR 16% 8% LEAD ANIMATOR 20% 13% LEAD CHARACTER DESIGNER 24% 7% LEAD STORYBOARD ARTIST 11% 3% TOTAL 19% 7% FEMALE PRODUCERS BY POSITION Percentage of female producers across 100 top animated series of 2018 % % % % CREATED BY EXEC COEXEC PRODUCERS DEVELOPED BY PRODUCERS PRODUCERS 24 women 71 women 10 women 64 women 3 women of color 6 women of color 0 women of color 16 women of color © DR.
    [Show full text]
  • Star Trek Beyond Is a Knockout” –Peter Travers, Rolling Stone
    “Star Trek Beyond is a knockout” –Peter Travers, Rolling Stone “A total blast!” –Scott Mantz, “Access Hollywood” FROM DIRECTOR JUSTIN LIN AND PRODUCER J.J. ABRAMS COMES ONE OF THE BEST-REVIEWED ACTION MOVIES OF THE YEAR The All-New Star Trek Adventure Takes Off on 4K Ultra HD™, Blu-ray™ and Blu-ray 3D™ Combo Packs November 1, 2016 Get it on Digital HD Four Weeks Early on October 4! HOLLYWOOD, Calif. – The intrepid crew of the USS Enterprise returns in “the best action movie of the year” (Scott Mantz, “Access Hollywood”). The “highly entertaining” (David Rooney, Hollywood Reporter) new installment in the iconic franchise, STAR TREK BEYOND sets a course on 4K Ultra HD, Blu-ray 3D and Blu-ray Combo Packs, DVD and On Demand November 1, 2016 from Paramount Home Media Distribution. The sci- fi adventure will also be available as part of the STAR TREK TRILOGY Blu-ray Collection. The film warp speeds to Digital HD four weeks early on October 4, 2016. Director Justin Lin (Fast & Furious) delivers “a fun and thrilling adventure” (Eric Eisenberg, Cinemablend) with an incredible all-star cast including Chris Pine and Zachary Quinto, as well as newcomers to the STAR TREK universe Sofia Boutella (Kingsman: The Secret Service) and Idris Elba (Pacific Rim). In STAR TREK BEYOND, the Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test. The STAR TREK BEYOND 4K Ultra HD, Blu-ray 3D and Blu-ray Combo Packs are loaded with over an hour of action-packed bonus content, with featurettes from filmmakers Page 1 of 4 and cast, including J.J.
    [Show full text]
  • Arts: Food: Feature
    FEATURE: VOLUME 28 | ISSUE 15 | APRIL 11-17, 2019 | FREE 2019 | ISSUE 15 APRIL 11-17, 28 VOLUME SEEKING ASYLUM FINDING MERCY PAGES 8 AND 9 PHOTO BY ERIC WILLIAMS BY PHOTO THE INESCAPABLE STORY VEGAN SOUP BoBM WINNER OF ONE IN TWO FOR THE SOUL M.O. MUSIC ARTS: PAGE 19 FOOD: PAGE 21 MUSIC: PAGE 27 STIRRING THE MELTING POT SINCE 1992 SINCE 1992 POT THE MELTING STIRRING [ 2] WEEKLY ALIBI APRIL 11-17, 2019 APRIL 11-17, 2019 WEEKLY ALIBI [3] alibi VOLUME 28 | ISSUE 15 | APRIL 11-17, 2019 EDITORIAL MANAGING EDITOR/ FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] MUSIC EDITOR/NEWS EDITOR: August March (ext. 245) [email protected] FOOD EDITOR: Email letters, including author’s name, mailing address and daytime phone number to [email protected]. Dan Pennington (Ext. 255) [email protected] Letters can also be mailed to P.O. Box 81, Albuquerque, N.M., 87103. Letters—including comments posted ARTS AND LIT.EDITOR: Clarke Condé [email protected] on alibi.com—may be published in any medium and edited for length and clarity; owing to the volume of COPY EDITOR: correspondence, we regrettably can’t respond to every letter. Samantha Carrillo (ext. 223) [email protected] CALENDARS EDITOR: Ashli Kesali [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] Methane Goes Bust the gas pump. Why should citizens have to SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] have lung-destroying toxics forming in New CONTRIBUTING WRITERS: Dear Editor, Mexico’s air? Those are fugitive emissions Robin Babb, Rob Brezsny, Carolyn Carlson, Samantha On “Methane Goes Boom!” [Alibi v28 i14]: Carrillo, Desmond Fox, Maggie Grimason, Steven Luthy, going on for decades.
    [Show full text]
  • Only One Name Defines the Ultimate Hero ... Only One Format Delivers the Ultimate Experience
    Only One Name Defines the Ultimate Hero ... Only One Format Delivers the Ultimate Experience ... Indiana Jones Blu-ray Collection For The First Time Ever, The Complete Indiana Jones Film Collection Comes To Blu-ray! SAN FRANCISCO, Feb. 29, 2012 /PRNewswire/ -- The man with the hat is back — and looking better than ever! The world's favorite globe-trotting archaeologist is, at long last, embarking on his greatest adventure — when The Complete Indiana Jones Blu-ray Collection comes to Blu-ray Disc from Lucasfilm Ltd. and Paramount Home Media Distribution. The Complete Indiana Jones Blu-ray Collection will be excavated in the fall of 2012 and will include all four of Indy's thrilling adventures, using the highest possible high definition picture and audio presentation — along with a "best of" collection of documentaries, interviews, featurettes and a few new surprises. (Photo: http://photos.prnewswire.com/prnh/20120229/LA61727) About Paramount Home Media Distribution Paramount Home Media Distribution (PHMD) is part of Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment. PPC is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. The PHMD division oversees PPC's home entertainment, digital and television distribution activities worldwide. The division is responsible for the sales, marketing and distribution of home entertainment content on behalf of Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV, Nickelodeon, Comedy Central, CBS and PBS and for providing home entertainment fulfillment services for DreamWorks Animation Home Entertainment. PHMD additionally manages global licensing of studio content and distribution across worldwide digital and television distribution platforms including online, mobile and portable devices and emerging technologies.
    [Show full text]
  • PANTAFLIX AG Enters Content Licensing Deal with Viacomcbs Global Distribution Group for Advertising-Based Streaming on PANTAFLIX
    PANTAFLIX AG enters content licensing deal with ViacomCBS Global Distribution Group for advertising-based streaming on PANTAFLIX Munich, March 12, 2020. PANTAFLIX AG (GSIN: A12UPJ, ISIN: DE000A12UPJ7) is further expanding its content offering through an agreement with the ViacomCBS Global Distribution Group on the licencing of content for the advertising-based AVoD offering of the group's own streaming platform PANTAFLIX. Users can already access a wide array of television series and films from Paramount Pictures' extensive library such as the groundbreaking comedy "Freaks and Geeks", the sci-fi mini-series "Steven Spielberg Presents Taken", the Academy® Award-winning "Rango" and the German action/comedy "Offroad" – free of charge and without registration. Further content will be continuously added in the upcoming months. Manuel Uhlitzsch, CCO of PANTAFLIX AG: "We are pleased to be able to provide our users with more high-quality content free of charge. This deal improves our position in the dynamically growing streaming market, giving us more premium entertainment to attract additional users." Bernhard Schwab, Senior Vice President, ViacomCBS Global Distribution Group: "PANTAFLIX has exceptional experience and expertise and we are thrilled to be working with them to deliver our world-class content to fans throughout Germany." Through this new agreement, the content offering on PANTAFLIX will be expanded with global hits from one of the world's largest studios and affirms the company’s position as a leading distributor. The PANTAFLIX VoD platform with its TVoD and AVoD access channels offers film fans the right model for their needs. About PANTAFLIX AG: PANTAFLIX AG (GSIN: A12UPJ, ISIN: DE000A12UPJ7) is a media and technology company with a clear growth strategy.
    [Show full text]
  • Shawn Patterson
    SHAWN PATTERSON SELECTED CREDITS MAKING APES: THE ARTISTS WHO CHANGED FILM (2019) THE LEGO MOVIE (2014) SUPERMANSION (2015-2019) THE ADVENTURES OF PUSS IN BOOTS (2015-2018) ROBOT CHICKEN (2010-2014) BIOGRAPHY Shawn Patterson is an Academy Award, Emmy and Grammy nominated Composer, Songwriter and Music Producer. Originally hailing from Athol, Massachusetts, Patterson's lifelong passion for music started with his late father, Ronald Patterson, a multi-instrumentalist musician. As a child, Shawn was exposed to television shows whose music scores (and sometimes songs) became engrained in his head: ‘Star Trek’, ‘The Six Million Dollar Man’, ‘Lost In Space’, and ‘Starsky & Hutch’. But it was his introduction to John Williams' legendary scores of ‘Star Wars’ and ‘Superman’ that initiated Patterson's profound life long journey to become a score composer and a part of cinematic storytelling through music. Shawn attended Berklee College of Music and the University of Massachusetts, Amherst; where he was selected to study privately and perform with legendary jazz musicians Dr. Billy Taylor and Max Roach. As a jazz, blues, rock guitarist and bandleader, Shawn played shows and lead various bands (including trio, duo and solo settings) while writing compositions in his free time. In 1987, Patterson attended and graduated from the Grove School of Music in Studio City, California. While attending Grove, Shawn studied orchestration and arranging privately with Roger Steinman. After relocating to Los Angeles in 1990, Patterson studied composition and orchestration privately with legendary Los Angeles Composer and Orchestrator, Jack Smalley. Patterson soon found success writing music for film trailers around town. Over the years, Shawn has composed score and written songs in an enormous wide range of styles for a number of award winning episodic television shows.
    [Show full text]