A Judge for All Seasons
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Henry James and William Wetmore Story
“Interrogation of the Past”: Henry James and William Wetmore Story ELIZABETH POWERS Though artists of many nations made the journey to Italy, to partake of “the great Roman back - ground,” as Henry James described it in his biography of Nathaniel Hawthorne, very few of them were at home there. Winckelmann and Raphael Mengs both penetrated the high - est and homeliest circles of Italian life, but for most foreign - ers Italy was a vast museum or an imaginative home, das Land, wo die Zitronen blühn . Its unaccountable reality was a different matter, even for Goethe, a seemingly cosmopoli - tan man who nevertheless was not comfortable with Roman society and, while in Italy, consorted almost exclusively (with a few important exceptions) with other Germans. As he wrote to the duke in Weimar a few months after his ar - rival, interest in the living Rome ( das neue lebendige Rom ) would interfere with his imagination. Despite its suggestions of experience, the poem cycle Roman Elegies , begun in 1788 , is mediated through art and literature (the triumvir of Catullus, Propertius, and Tibullus), while the connection be - tween love and Rome was probably the result of his meeting with Christiane Vulpius shortly after his return to Weimar. Italian Journey (1813 –17 ) mentions meals taken but no Ital - ian food; in Rome Goethe ate at Caffè Greco (also known as Caffè Tedesco). The Roman Carnival , despite the beautiful hand-colored plates that accompanied its first publication in 1789 , is written by someone who suffered rather than ap - preciated the event. It was not principally the primitive nature of Italian do - mestic life or the byzantine political conditions that kept for - arion 16.2 fall 2008 52 “interrogation of the past” eigners in their enclaves. -
Ross E. Davies, Professor, George Mason University School of Law 10
A CRANK ON THE COURT: THE PASSION OF JUSTICE WILLIAM R. DAY Ross E. Davies, Professor, George Mason University School of Law The Baseball Research Journal, Vol. 38, No. 2, Fall 2009, pp. 94-107 (BRJ is a publication of SABR, the Society for American Baseball Research) George Mason University Law and Economics Research Paper Series 10-10 This paper can be downloaded without charge from the Social Science Research Network at http://ssrn.com/abstract_id=1555017 **SABR_BRJ-38.2_final-v2:Layout 1 12/15/09 2:00 PM Page 94 BASEBALL AND LAW A Crank on the Court The Passion of Justice William R. Day Ross E. Davies here is an understandable tendency to date the Not surprisingly, there were plenty of other baseball Supreme Court’s involvement with baseball fans on the Court during, and even before, the period Tfrom 1922, when the Court decided Federal covered by McKenna’s (1898–1925), Day’s (1903–22), Baseball Club of Baltimore v. National League of Pro- and Taft’s (1921–30) service. 13 Chief Justice Edward D. fessional Base Ball Clubs —the original baseball White (1894–1921) 14 and Justices John Marshall Har - antitrust-exemption case. 1 And there is a correspon - lan (1877–1911), 15 Horace H. Lurton (1910–14), 16 and ding tendency to dwell on William Howard Taft—he Mahlon Pitney (1912–22), 17 for example. And no doubt was chief justice when Federal Baseball was decided 2— a thorough search would turn up many more. 18 There is, when discussing early baseball fandom on the Court. -
2017 Stevens Helen 1333274
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Paradise Closed Energy, inspiration and making art in Rome in the works of Harriet Hosmer, William Wetmore Story, Elizabeth Barrett Browning, Nathaniel Hawthorne, Sophia Peabody Hawthorne, Elizabeth Gaskell and Henry James, 1847-1903 Stevens, Helen Christine Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Paradise Closed: Energy, inspiration and making art in Rome in the works of Harriet Hosmer, William Wetmore Story, Elizabeth Barrett Browning, Nathaniel Hawthorne, Sophia Peabody Hawthorne, Elizabeth Gaskell and Henry James, 1847-1903 Helen Stevens 1 Thesis submitted for the degree of PhD King’s College London September, 2016 2 Table of Contents Acknowledgements .................................................................................................... -
Return to Sender: Responses to Professor Carrington Et Al
FEATURE RETURN TO SENDER: RESPONSES TO PROFESSOR CARRINGTON ET AL. REGARDING FOUR PROPOSALS FOR A JUDICIARY ACT OF 2009 * David C. Dziengowski INTRODUCTION “Periodical appointments, however regulated, or by whomsoever made, would, in some way or other, be fatal to their necessary independence.”1 At the conclusion of the American Revolution in 1783, the average human lifespan was about thirty-five years.2 The Framers, dissatisfied with the Articles of Confederation, convened the Constitutional Convention in Philadelphia, Pennsylvania, on May 25, 1787. Article III of the resulting U.S. Constitution provided judges of the “supreme and inferior Courts” with presumptive life tenure.3 Fast-forward more than two centuries. The average human lifespan in the United States is now over seventy-seven years.4 Due in part to the increase in longevity, the average term of years a Supreme Court Justice serves is * Lieutenant Junior Grade, United States Navy JAG Corps; J.D., Rutgers School of Law–Camden, 2008; B.A. History, The College of New Jersey, 2005. I wish to thank the Honorable Joseph H. Rodriguez, Senior U.S.D.J., for reviewing an earlier draft of this Article and providing helpful thoughts and suggestions. The opinions expressed herein are entirely my own and do not necessarily reflect the views of the United States Navy or the Department of Defense. Any errors or omissions are similarly my own. 1. THE FEDERALIST NO. 78, at 471 (Alexander Hamilton) (Clinton Rossiter ed., 1961). 2. CHRISTOPHER WANJEK, BAD MEDICINE: MISCONCEPTIONS AND MISUSES REVEALED, FROM DISTANCE HEALING TO VITAMIN O 70 (2003). 3. -
Winter 2009 (Vol. 32 – Issue 2)
Humanitas Vol. 32 Winter 2009 Issue 2 A Message From the OCC Table of Contents President An Invitation to Attend the 3 Dear OCC Members, Ohio Junior Classical League Convention Please allow me to begin this message by thank- ing Gwen Compton-Engle of John Carroll Uni- William Wetmore Story and versity for her efforts in putting together this past year’s Ohio Classical Conference. All of “Black” Cleopatra Cynthia King, Wright State 4 those in attendance greatly enjoyed all of the presentations given throughout the weekend. University During discussions at the meeting, a common Vergil Week at Case Western 10 theme that emerged was the future of Classics Programs at the High School and University Reserve University Level in the state of Ohio. Many high school teachers expressed a concern about the recent OCC Scholarship Information 12 push to add courses in Chinese, potentially at the expense of the Latin programs at their in- OCC Offi cers and Council 16 stitutions. If you are aware of a High School Program whose existence is threatened, please contact the OCC President as soon as possible so that the OCC can take the appropriate ac- tion. During Saturday’s panel discussion on recruit- ing students, the participants put forth a num- ber of helpful suggestions to increase commu- nication between High School teachers and University professors of the Classics. Many University professors expressed a desire to be able to directly contact students potentially interested in studying Classics at their univer- sity. In an attempt to meet this need, please see inside this edition of Humanitas an invitation to college professors to attend the Ohio Junior Classical League Convention in 2009. -
Supreme Court Justices
The Supreme Court Justices Supreme Court Justices *asterick denotes chief justice John Jay* (1789-95) Robert C. Grier (1846-70) John Rutledge* (1790-91; 1795) Benjamin R. Curtis (1851-57) William Cushing (1790-1810) John A. Campbell (1853-61) James Wilson (1789-98) Nathan Clifford (1858-81) John Blair, Jr. (1790-96) Noah Haynes Swayne (1862-81) James Iredell (1790-99) Samuel F. Miller (1862-90) Thomas Johnson (1792-93) David Davis (1862-77) William Paterson (1793-1806) Stephen J. Field (1863-97) Samuel Chase (1796-1811) Salmon P. Chase* (1864-73) Olliver Ellsworth* (1796-1800) William Strong (1870-80) ___________________ ___________________ Bushrod Washington (1799-1829) Joseph P. Bradley (1870-92) Alfred Moore (1800-1804) Ward Hunt (1873-82) John Marshall* (1801-35) Morrison R. Waite* (1874-88) William Johnson (1804-34) John M. Harlan (1877-1911) Henry B. Livingston (1807-23) William B. Woods (1881-87) Thomas Todd (1807-26) Stanley Matthews (1881-89) Gabriel Duvall (1811-35) Horace Gray (1882-1902) Joseph Story (1812-45) Samuel Blatchford (1882-93) Smith Thompson (1823-43) Lucius Q.C. Lamar (1883-93) Robert Trimble (1826-28) Melville W. Fuller* (1888-1910) ___________________ ___________________ John McLean (1830-61) David J. Brewer (1890-1910) Henry Baldwin (1830-44) Henry B. Brown (1891-1906) James Moore Wayne (1835-67) George Shiras, Jr. (1892-1903) Roger B. Taney* (1836-64) Howell E. Jackson (1893-95) Philip P. Barbour (1836-41) Edward D. White* (1894-1921) John Catron (1837-65) Rufus W. Peckham (1896-1909) John McKinley (1838-52) Joseph McKenna (1898-1925) Peter Vivian Daniel (1842-60) Oliver W. -
Dc0261data.Pdf
Washington Monument HABS No. DC-428 Located on high ground west of 15th Street between Independence and Constitution Avenues, NW Washington District of Columbia PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA Historic American Buildings Survey National Park Service Department of the Interior r * f. ■ -ft -■-.-. , Washington, D.C. 20240 * . J MABS PC, Form 10-920 UNITED STATES DEPARTMENT OF THE INTERIOR (Jura 1983) NATIONAL PARK SERVICE i ARCHITECTURAL DATA FORM STATE COUNTY TOWN OR VICINITY District of Columbia Washington HISTORIC NAME OF STRUCTURE (INCLUDE SdURCE FOR NAME) HABS NO. Washington Monument DC-428 SECONDARY OR COMMON NAMES OF STRUCTURE COMPLETE ADDRESS (DESCRIBE LOCATION FOR RURAL SITES) Located on high ground west of 15th Street between Independence and Constitution Avesf( NW DATE OF CONSTRUCTION (INCLUDE SOURCE) ARCHITECTS) (INCLUDE SOURCE) Original design: Robert Mills 1848-1884 Design altered by: George Perkins Marsh SIGNIFICANCE (ARCHITECTURAL AND HISTORICAL, INCLUDE ORIGINAL USE OF STRUCTURE) Landmark monument, dedicated to the memory of George Washington, it serves as a centerpiece in the grand vista connecting the Capitol to the Lincoln Memorial. Designed by the noted architect, Robert Mills. STYLE (IFAPPROPRIATE) MATERIAL OF CONSTRUCTION (INCLUDE STRUCTURAL SYSTEMS) Maryland marble with granite backing APE AND DIMENSIONS OF STRUCTURE (SKETCHED FLOOR PLANS ON SEPARATE PAGES ARE ACCEPTABLE) 4*555'-tall four sided obelisk topped by pyramidion with observation windows; 55' square at base EXTERIOR FEATURES OF NOTE INTERIOR FEATURES OF NOTE (DESCRIBE FLOOR PLANS, IF NOT SKETCHED) Open central shaft contains cast-iron stairway and passenger elevator MAJOR ALTERATIONS AND ADDITIONS WITH DATES Construction begun 1848 but virtually halted in 1855 when the Washington National Monument Society was taken over by the Know-Nothing political party. -
The Seated Cleopatra in Nineteenth Century American Sculpture
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 1997 The Seated Cleopatra in Nineteenth Century American Sculpture Kelly J. Gotschalk Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the History of Art, Architecture, and Archaeology Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4350 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. APPROVAL CERTIFICATE The Seated Cleopatra in Nineteenth Century AmericanSculpture by Kelly J. Gotschalk Director of Graduate Studies � Dean, School of the Arts Dean, School of Graduate Studies �////PP? Date THE SEATED CLEOPATRA INNINETEENTH CENTURY AMERICAN SCULPTURE by Kelly J. Gotschalk B.F.A., Virginia Commonwealth University, 1990 Submitted to the Faculty of the School of the Arts of Virginia Commonwealth University in Partial Fulfillment of the Requirements forthe Degree Master of Arts Richmond, Virginia November, 1997 ACKNOWLEDGMENTS I would like to thank Dr. Fredrika Jacobs and Dr. Charles Brownell fortheir invaluable guidance andendless encouragement in the preparation of this thesis. I would also like to thank my husband, Tom Richards, and my family for their constant support and understanding. In addition, my sincere thanks to my co-workers, Amanda Wilson, Christin Jones and Laurel Hayward fortheir friendship, proofreadingand accommodating a few spur-of-the-moment research trips. ii CONTENTS ACKNOWLEDGMENTS.. .. .. .. .. .. .. 11 LIST OF ILLUSTRATIONS. iv ABSTRACT ......................................... V JNTRODUCTION. -
Proceedings in the Supreme Court of the United States in Memory of Justice Goldberg
~epartment of Wustite PROCEEDINGS IN THE SUPREME COURT OF THE UNITED STATES IN MEMORY OF JUSTICE GOLDBERG Monday, October 15, 1990 REMARKS OF THE ATTORNEY GENERAL OF THE UNITED STATES MR. CHIEF JUSTICE, and may it please the Court: The Bar of this Court met today to honor the memory of Arthur Joseph Goldberg, Associate Justice of the Supreme Court from 1962 to 1965. Arthur Goldberg served the Nation with distinction as a lawyer, soldier, Cabinet officer, Supreme Court Justice, and diplomat. Born in Chicago in 1908, he was educated in the Chicago public schools and at Northwestern University, where he , was first in his law school class and Editor-in-Chief of the Law Review. By special dispensation, Arthur Goldberg sat for the Illinois bar examination before he reached the age of 21. He was admitted 'to the Illinois bar in 1929 and began a general law I practice in Chicago. He opened his own law office in 1933, and soon began hanaling labor matters for clients such as the United Steelworkers and the Chicago Newspaper Guild. During World War II, Arthur Goldberg served under William J. Donovan as Chief of the Labor Division in the Office of strategic services. He carried out several intelligence missions to Europe, where he organized transportation workers into a valuable Allied intelligence network. After the war, he resumed his law practice and soon gained recognition as a preeminent labor lawyer. He served as general - 2 counsel to the United Steelworkers from 1948 to 1961. As general counsel to the Congress of Industrial Organizations, Arthur Goldberg played a major role in the merger of that organization and the American Federation of Labor in 1955. -
Restoring the Power of the Purse EARMARKS and RE-EMPOWERING LEGISLATORS to DELIVER LOCAL BENEFITS
Restoring the Power of the Purse EARMARKS AND RE-EMPOWERING LEGISLATORS TO DELIVER LOCAL BENEFITS Zachary Courser and Kevin R. Kosar FEBRUARY 2021 AMERICAN ENTERPRISE INSTITUTE Executive Summary n recent years, various senators and representatives spending through the less-transparent practice of let- Ihave discussed lifting Congress’ earmark morato- termarking. Perhaps most critically, this report’s anal- rium. The practice of earmarking—or allowing legisla- ysis shows how the earmark moratorium weakened tors to direct federal benefits in the forms of spending, the House of Representatives’ capacity to coalesce tax, or tariffs to their home districts and states—is as majorities to enact legislation, a constitutional duty old as the republic. Congress officially, but not actu- of the chamber. ally, swore off earmarks in 2011. This report’s analysis indicates that the House The moratorium was enacted in reaction to well- of Representatives should revisit the earmark mor- publicized incidents of scandal and abuse related atorium and craft a means to allow legislators to to earmarking and at a moment of fiscal crisis that request appropriated spending for particular proj- focused national attention on deficit spending and ects in their districts. The process for requesting this debt. The purpose was an attempt to end a practice directed spending should be transparent from initi- that was popularly understood to occasion corruption ation to conclusion and be subsequently audited to and wasteful spending. ensure funds were not wasted or misused. Access to However well-intentioned, the earmark morato- directed spending should be made more equitable to rium has had real shortcomings. As various observers legislators; senior members of the chamber too often have noted, forbidding earmarks has shifted spending have received a disproportionate share of earmarks. -
Thomas Seir Cummings Correspondence and Printed Material [Microfilm]
Thomas Seir Cummings correspondence and printed material [microfilm] Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Thomas Seir Cummings correspondence and printed material [microfilm] AAA.cummthom Collection Overview Repository: Archives of American Art Title: Thomas Seir Cummings correspondence and printed material [microfilm] Identifier: AAA.cummthom Date: 1826-1893 Creator: Cummings, Thomas Seir, 1804-1894 Extent: 1 Microfilm reel Language: English . Administrative Information Acquisition Information Lent for microfilming 1958 by the Century Association. -
Mackenzie, Donald Ralph. PAINTERS in OHIO, 1788-1860, with a BIOGRAPHICAL INDEX
This dissertation h been microfilmed exactly as received Mic 61—925 MacKENZIE, Donald Ralph. PAINTERS IN OHIO, 1788-1860, WITH A BIOGRAPHICAL INDEX. The Ohio State University, Ph.D., 1960 Fine A rts University Microfilms, Inc., Ann Arltor, Michigan Copyright by Donald Ralph MacKenzie 1961 PAINTERS IN OHIO, 1788-1860 WITH A BIOGRAPHICAL INDEX DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Donald Ralph MacKenzie, B. A., M. S. ****** The Ohio State University 1960 Approved by /Adviser* School oC Fine and Applied Arts PREFACE In 1953, when the author was commissioned to assemble and catalogue the many paintings owned by the Ohio Historical Society, it quickly became apparent that published reference works on early mid- western painters were sadly lacking. At that time the only source books were the standard biographical indexes of American artists, such as Mallett's Index of Artists and Mantle Fielding's Dictionary of Amer ican Painters. Sculptors and Engravers. The mimeographed WPA Histori cal Survey American Portrait Inventory (1440 Early American Portrait Artists I6b3-1860) furnished a valuable research precedent, which has since been developed and published by the New York Historical Society as the Dictionary of Artists in America 1564-1860. While this last is a milestone in research in American art history, the magnitude of its scope has resulted in incomplete coverage of many locales, especially in the Middlewest where source material is both scarce and scattered. The only book dealing exclusively with the Ohio scene is Edna Marie Clark's Ohio Art and Artists, which was published in 1932.