Constructing Visual Literacy: an Investigation Into Upper Primary Teachers’ Construction of Visual Literacy Teaching
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Information Transliteracy”?
International Conference “Media and Information Literacy (MIL) for Knowledge Societies”, 24-28 June, 2012, Moscow, Russian Federation Can one speak of an “information transliteracy”? Vincent LIQUETE ( Bordeaux University – IMS/CNRS UMR 5218 [Human Engineering and Knowledge Engineering (Team CIH)] [email protected] / [email protected] Summary of paper: The issue of transliteracy in general and particularly informational transliteracy is increasingly being debated worldwide and from extremely varying perspectives. These concepts refer to highly varied cultural and professional realities and contexts. In this paper we will discuss three dimensions and issues. First, we will attempt to delineate the scope and range of current thinking by researchers in information and communication sciences in France with regard to informational transliteracy, and present its four main components. Second, we will lay the claim that the informational transliteracy approach goes beyond the “Media and Information Literacies (MIL)” approach, in particular by giving all due importance to issues related to learning with computers, i. e. “computation”. Finally, we will present some new thinking that is currently being implemented in the French education system and will present some research projects involving informational transliteracy (LIMIN-R project, Translit project, etc.). Key words: Transliteracy / Information culture / French educative system / Informational practice /Competencie / Forward For twenty years now, the notions of information literacy and thereafter Translitteracy have been the subject of a wide range of definitions and an extensive scientific literature, especially in the Anglo-Saxon world. We will attempt during this presentation to demonstrate some of the main dimensions in terms of skills and attitudes in the various literacies that are giving rise to the new forms of training and support required in the future. -
Critical Visual Literacy: Multimodal Communication Across the Curriculum
WAC, WID, ECAC, CAC, CXC, LAC — VAC? Critical Visual Literacy: Multimodal Communication Across the Curriculum Barb Blakely Duffelmeyer and Anthony Ellertson, Iowa State University and the University of Wisconsin Abstract: "Critical Visual Literacy: Multimodal Communication Across the Curriculum" makes the case for expanding the pedagogical space and communication possibilities in undergraduate communication-intensive and linked (learning community) courses by allowing students to create multimodal texts that deal with civic and cultural and/or discipline-specific themes. We argue that, rather than diluting the opportunities for rhetorical education—now comprised of critical literacy, visual literacy, and critical technological literacy in today's increasingly fast-moving visual and electronic cultural environment—multimodal composing more meaningfully reflects the environment in which students receive and generate text today. Using a theory base that draws from the literatures of composition and CAC, visual literacy, new media theory and ecology, and the theory and pedagogy of critical technological literacy, we make a case for this expansion of communication opportunities in undergraduate communication-intensive classes. Specifically, we show how multimodal composing reinforces and further develops at least three essential characteristics of a critically literate person, thus helping to lift what W.J.T. Mitchell (2002) so aptly called the "ideological veil": 1) understanding that a text is not a transparent window on reality, but is constructed; 2) developing and demonstrating rhetorical awareness both as a composer of text and as a reader of text; and 3) developing agency as a communicator and as a reader, rather than opting for the passivity that our popular media environment makes so easy. -
Engage and Excite All Learners Through a Visual Literacy Curriculum
Engage and Excite All Learners Through a Visual Literacy Curriculum Xiuwen Wu National-Louis University, Chicago Mark Newman National-Louis University, Chicago Please address all correspondence to: Xiuwen Wu National-Louis University National College of Education 5202 Old Orchard, Suite 300 Skokie, IL, 60077 Phone: 2242332774 Email: [email protected] Paper presented at the Annual Meeting of the American Educational Research Assocation New York City, March 24-28, 2008 Engage and Excite All Learners Through a Visual Literacy Curriculum Xiuwen Wu National-Louis University, Chicago Mark Newman National-Louis University, Chicago This paper discussed a study involving two groups of teacher candidates’ implementations of a visual literacy curriculum in their preclinical field experience. The purpose was to explore whether the curriculum provided a viable way for them to implement Universal Design for Learning (UDL) in teaching their diverse learners, including students with disabilities and English as a second language learners. Teacher and student surveys, reflection notes, lesson plans, and artifacts in the lessons were analyzed. Findings indicated that the visual literacy curriculum promoted universal access to learning and conversely, UDL principles provided valuable guidelines for creating lessons that maximize the effectiveness of the visual literacy tools. Background According to the National Center for Education Statistics (NCES, 2007), 52 percent of students with disabilities spent 80 percent of more of the school day in a general classroom in 2005. With the reauthorization of Individuals with Disabilities Education Improvement Act (2004) and No Child Left Behind Law (P.L. 107-110, U.S. Department of Education, 2004), more mephasis is put on ensuring the access and progress in the general education curriculum by students with disabilities. -
The Practice and Principles of Teaching Critical Literacy at the Educational Video Center
Blackwell Publishing Ltd.Oxford, UK and Malden, USAYSSEThe Yearbooks for the Society of the Study of Education0077-57622004 Blackwell Publishing Ltd20051041 Part Two: Doing Media Literacy in the Schoolsteaching critical literacy at the evcgoodman chapter 11 The Practice and Principles of Teaching Critical Literacy at the Educational Video Center steven goodman We did a documentary about homeless youth . It was an important topic for us to learn and research about because it will change not only the way we think about it, but whoever watches the video will also change their way of thinking about it. And it’s gonna make a difference in people’s lives. —(Vanessa, EVC Documentary Workshop) Overall, what I’ve learned from EVC and what I will take with me, is basically not only working with the camera and things like that and making a documentary, but all in all, how to go out and meet people. And how talk to people. —(Serena, EVC Documentary Workshop) Dialogue is the encounter between men, mediated by the world, in order to name the world. —Paulo Freire (1970, p. 69) Four high school students walk down a mid-Manhattan street as they talk excitedly about who will conduct the first interview. They have generated good questions to ask concerning the problem of homeless youth in New York City, but are not quite sure if anyone will stop to answer them. They pause at a street corner and work awkwardly to disentangle the cables connecting the digital video camera, microphone, and headphones they are holding. Once they sort out their equipment and their crew roles, the book bag and the camera change hands. -
Using Film and Critical Pedagogy in the Standards-Based Classroom
AN ABSTRACT OF THE THESIS OF John D. Divelbiss for the degree of Master of Arts in English presented on April 28, 2014. Title: Re-Viewing the Canon: Using Film and Critical Pedagogy in the Standards-based Classroom Abstract approved: __________________________________________________________________ Jon R. Lewis This thesis analyzes the efficacy of emancipatory (critical) pedagogical practices in an educational climate of standards-based reform. Using two films noir of the blacklist era—Body and Soul and Crossfire—as the core texts of a unit in a secondary school curriculum, I argue that an emphasis on student agency and a de-centering of curriculum and instruction is not only compatible with national reforms like the Common Core State Standards but is essential for English/language arts classrooms in the 21st century. In addition to a scholarly review of critical pedagogy and media literacy, and close readings of the two films themselves, this thesis also ends with an informal case study in which both films-as-texts were taught to 9th grade students. By combining theory and practice, I was able to model the praxis at the heart of critical pedagogy, what Paulo Freire calls in Pedagogy of the Oppressed, “reflection and action upon the world in order to transform it.” The films of the blacklist match current national mandates for relevant texts, for media and visual literacy, and for authentic and emancipatory pedagogy. Narrowing down even further on two highly-regarded films released in 1947, the same year the blacklist was initiated, allows for an analysis of the artistic and aesthetic complexities of the texts as well as the high-stakes terms of the political engagements of the blacklist. -
A Qualitative Study of Three Secondary Art Teachers' Conceptualizations of Visual Literacy As Manifested Through Their Teaching with Electronic Technologies
A QUALITATIVE STUDY OF THREE SECONDARY ART TEACHERS' CONCEPTUALIZATIONS OF VISUAL LITERACY AS MANIFESTED THROUGH THEIR TEACHING WITH ELECTRONIC TECHNOLOGIES BY CHING-CHIU LIN B. Ed., National Pingtung Teachers College, 1997 M. Ed., National Taipei Teachers College, 2003 DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art Education in the Graduate College of the University of Illinois at Urbana-Champaign, 2008 Urbana, Illinois Doctoral Committee: Associate Professor Elizabeth M. Delacruz, Chair Professor Bertram C. Bruce Professor Michael Parsons Associate Professor Klaus Witz ABSTRACT This qualitative case study examined and described three technologically competent, secondary-level visual arts teachers' insights into the notion of visual literacy in the information age, and how this notion manifests through these teachers' teaching praxis with art and technology in their classroom and school environments. The study participants included both the three art teachers and selected students who were in these teachers' art and technology courses at the time of the study. The study results indicate that these teachers interpret visual literacy as a collective term that describes what students should learn in contemporary society, but that they do not engage the visual literacy language as it is framed in academic discourse. Rather these teachers derive their idea of visual literacy from their own teaching experiences with students, from their conceptions about the schools and communities in which their students live, and to provide a unified learning experience and prepare students for their future. Hence, these teachers' achievements go beyond developing students' visual competencies to embrace a holistic experience of teaching and learning that involves such themes as student voices, trusting relationships with students, community engagement, lifelong skills, connections with lives, contexts of particular teaching praxis, and richness of teacher knowledge. -
Visual Literacy and Library Instruction: a Critical Analysis By
Visual Literacy and Library Instruction: A Critical Analysis By Nerissa Nelson University Library Abstract This paper discusses the concept of visual literacy and its implications for librarians teaching information literacy components. The author concludes that, while visual teaching methods should be incorporated in library instruction, teaching visual literacy competencies is most effectively done in connection with disci- pline-specific content and thus falls outside librarians’ role. Introduction In our fast-paced era of media blips and Visual literacy is not necessarily a “new” con- bytes, visual images and symbols have now cept, but it has transformed into a more for- more than ever an immediate and frequent malized area of study in both the K-12 envi- presence in our culture. Technological ad- ronment and higher education. From a theo- vances resulting in new media types have retical perspective, visual images and sym- dynamically altered traditional modes of bols have become so integrated and impor- communication. Choices for producing and tant in our social structure and identity that consuming information are vast, and formats understanding the effects of our image-rich from standard text to graphical interfaces, world has resulted in a new field of study in digitized images, streaming video and hyper- academe: Visual Culture Studies (Walker & media have created a complex and layered Chaplin, 1997). On a more practical level, vis- system of information flow. ual literacy has become part of the curriculum by virtue of technology-enhanced resources, Information is no longer bound by text or sim- thus expanding the range of visual teaching ple illustrations since technological innova- tools with graphics, videos or web sites being tions have created a rich visual culture, im- incorporated into classroom lectures and li- pacting business, education and social envi- brary instruction (Wiley & Hemmerich, 2003). -
Guidelines for the Preparation of Teachers of English Language Arts
NCTE Standing Committee on Teacher Preparation and Certification Chair: Lois T. Stover, St. Mary’s College of Maryland Dispositions Subcommittee Chair: Lois T. Stover, St. Mary’s College of Maryland Harold M. Foster, The University of Akron, Ohio Stephen Koziol Jr., University of Maryland, College Park David LeNoir, Western Kentucky University, Bowling Green Content Knowledge Subcommittee Chair: Charles J. Thomas, Ed.D., Columbia University Harold M. Foster, The University of Akron, Ohio Karen Herrington, The University of Akron, Ohio Stephen Koziol Jr., University of Maryland, College Park Pedagogical and Pedagogical Content Knowledge Subcommittee Co-Chair: Carol P. Harrell, Kennesaw State University, Georgia Co-Chair: Amy Smith, Western Oregon University, Monmouth Jim Charles, University of South Carolina Upstate, Spartanburg Bonnie Ericson, California State University, Northridge Harold M. Foster, The University of Akron, Ohio Katherine McFarland, Shippensburg University, Pennsylvania Building Excellent Programs Subcommittee Co-Chair: Charles Duke, Appalachian State University, Boone, North Carolina Co-Chair: Joseph Milner, Wake Forest University, Winston-Salem, North Carolina Kevin Morrison, Hazelwood East High School, St. Louis, Missouri Anna J. Roseboro, The Bishop’s School (retired), La Jolla, California Lisa Scherff, University of Alabama, Tuscaloosa Executive Committee Liaison: Randy Bomer, University of Texas at Austin NCTE Administrative Liaison: Linda Walters Guidelines for the Preparation of Teachers of English Language Arts 2006 Edition Prepared by Lois T. Stover, Chair, and Members of NCTE’s Standing Committee on Teacher Preparation and Certification National Council of Teachers of English 1111 W. Kenyon Road, Urbana, Illinois 61801-1096 Manuscript Editor: Jane Curran Staff Editor: Kurt Austin Cover Design: Joellen Bryant and Tom Jaczak © 2006 by the National Council of Teachers of English. -
Media Literacy Resources
Contents Introduction to Media Arts/Media Literacy Standards ..... 2 Visual Literacy (Images and Photographs) ................... 4 Advertising/Commercials .......................................... 13 Motion Pictures: Understanding The Language of Film .. 20 Introduction to Media Arts/Media Literacy Standards by Frank W. Baker (consultant, member of SCDE VPA curriculum writing team) Today’s students are the visual generation: they’re learning more through the visual medium than from print, so it is important for educators to know how to teach both with and about the media. Even though our young people are media savvy, they are not necessarily media-literate: they tend to believe everything they see, read and hear. We know that many of them do not have the critical thinking (and viewing) skills they need to be competent communicators in the 21st century. Our students know how to upload and download photos, music, video and movies seamlessly using mobile devices which have not yet been allowed into the classroom, but that is slowly starting to change. The new 21st century skills movement (www.21stcenturyskills.org) specifically references media literacy as one of the skills all students need to be attractive to employers in this new century. Several of its recommended activities are included in this document. Media literacy is defined simply as the ability to both analyze and create media messages. Visual literacy has been defined as "the ability to construct meaning from visual images." (Source: The Visual Literacy White Paper) So, in this document you will find activities which are designed to engage students in analyzing and deconstructing media messages, as well as creating and producing them. -
Media Literacy Approach 15
distribute or post,2 Getty/David Malan MEDIAcopy, LITERACY APPROACH Key Idea: Media literacy is a set of perspectives that we actively use to expose ourselves to the media and interpret the meaning of the messages we encounter. not It is multidimensional and a continuum. Do Media literacy is the ability to access and process information from any kind of transmission. 13 Copyright ©2020 by SAGE Publications, Inc. This work may not be reproduced or distributed in any form or by any means without express written permission of the publisher. 14 Part I ■ Introduction What Is Media Literacy? Advantages of Developing a Higher Degree The Three Building Blocks of of Media Literacy Media Literacy Appetite for a Wider Variety of Media Skills Messages Knowledge Structures More Self-Programming of Personal Locus Mental Codes The Definition of Media Literacy More Control Over Media The Development of Media Literacy Summary Further Reading Exercise s you learned in the first chapter, we are constantly flooded with a huge number of Amessages from the mass media. We must screen out all but a tiny percentage. To help us do this screening with the least amount of mental effort, we defaultdistribute to automaticity, where our minds quickly screen out messages without any conscious awareness of this process. This automatic filtering process is governed by a set of procedures—much like a computer program—that runs unconsciously until somethingor in a media message trig- gers our attention. While this filtering process is largely automatic, it is possible for us to gain greater control over it if we increase our media literacy. -
Evaluating the Le@Rning Federation's
Evaluating The Le@rning Federation’s Online Curriculum Content: A Literacy Educator’s Perspective Keynote address at Curriculum Corporation 13th National Conference, Adelaide, August 2006 Peter Freebody School of Education, University of Queensland 1 Abstract This paper is chiefly concerned with reporting an ongoing evaluation of the use of learning objects provided online by The Le@rning Federation, on the basis of a sample of Australian and New Zealand schools. The paper is framed by considerations that arise from a literacy- education perspective, in particular the need to reshape and reconfigure literacy capabilities throughout the primary and secondary school years within the context of the growing distinctiveness of school subjects. These subjects, and the disciplines that underlie them, make particular demands on text management and production for the growing repertoires of modalities delivered by a range of a relatively new technologies. The significance of The Le@rning Federation's initiatives in delivering learning objects online in a variety of curriculum areas is discussed in this context. Summaries of survey and case study data are presented, which indicate the extent of support for the use of learning objects in relation to students’ engagement in learning and their learning outcomes. As well, results of a preliminary report of a field experiment are presented, showing the effects of the use of learning objects on aspects of students’ performance in mathematics. Acknowledgement Most of the statistical analyses reported here were conducted by Dr Sandy Muspratt who provided substantial input into sections of this presentation. Evaluating The Le@rning Federation’s online curriculum content Page 2 of 22 The curriculum setting One of the significant benefits arising from the application of applied linguistics, sociology and anthropology to literacy education over the last 25 years has been a growing interest in the variety of literacy practices called upon as students move through their years of schooling. -
Judy King Rates A‑To‑E Reporting History: Choose Your Own Adventure
VOLUMe 5 • nUMBEr 4 • oCTOBER 2006 Professional Educator Judy King rates A-to-E reporting History: choose your own adventure Going bush at Warrego School ‘for the profession’ Join us at www.austcolled.com.au OCTOBER 2006 PROFESSIONAL EDUCATOR ABN 19 004 398 145 ISSN 1447-3607 PRINT POST APPROVED PP 255003/02630 Published for the Australian College of Educators by ACER Press EDITOR Dr Steve Holden [email protected] 03 9835 7466 JOURNALIST Rebecca Leech [email protected] 03 9835 7458 AUSTraLIAN COLLEGE OF EDUcaTOrs 2 EDITORIAL and LETTERS TO THE EDITOR ADVISORY COMMITTEE Prof Neil Dempster, Griffith University Dr Tom Karmel, NCVER 4 OPINION Prof Andrew Gonczi, UTS l Ian Broinowski on the astonishing impact of the Australian Quality Patrick Bourke, Gooseberry Hill PS, WA Training Framework Gail Rienstra, Earnshaw SC, QLD Peter Cole, Education Consultant l Ange Kenos explains why ‘those who can, teach’ Mike Horsley, University of Sydney prODUCTION Lesley Richardson 6 FEATURES [email protected] 03 9835 7470 Colin Baker tells the story behind the story of Warrego School Ralph Schubele [email protected] 03 9835 7469 NATIONAL MEDIA SALES Carolynn Brown 14 RESEARCH [email protected] 03 9835 7468 l StephenBillett reports on research into the use of students’ paid work ACER Press 347 Camberwell Road experiences to help them better understand post-school pathways (Private Bag 55), Camberwell VIC 3124 l Want to stop students who pretend they’re not really cheating? SUBSCRIPTIONS $87.00 4 issues per year BillvonHippelreports on research that may help you do just that Ph 03 9835 7470 Fax 03 9835 7425 [email protected] www.acer.edu.au/professionaleducator 24 THE PROFESSION – A-to-E reports ACE MEMBERSHIP JudyKing rates A-to-E reporting.