Humanistic Generative Design
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MSC Apex Generative Design Brochure
Brochure MSC Apex Generative Design Bridge the gap between design and manufacturing with Smart Generative Design At a glance MSC Apex Generative Design is the fully automated generative design solution built on the most intuitive CAE environment in the world, MSC Apex. It exploits all the easy-to-use and easy-to-learn features of MSC Apex while employing an innovative generative design engine in the background. Thus, it dramatically decreases the effort required in the design optimisation workflow. Simplicity Import and validation No expert knowledge required for conducting Import existing geometries or mesh, find optimisations through a high user-focused optimised design candidates, and perform software design design validation - all inside a single CAE environment. Automated design Direct output Almost automatically generate multiple smoothed design candidates that all satisfy the Export geometry that can be directly design criteria while minimising the weight. manufactured and used immediately without manual re-work. One process Import the resulting geometries in Simufact Additive or Digimat AM to achieve cost-efficient first-time-right result for every part MSC Apex Generative Design Design for Additive Manufacturing (DfAM) without expert knowledge MSC Apex Generative Design is designed specifically to generate the detailed and highly complex structures that only additive processes can manufacture. The optimised designs exhibit perfect transitions between structure elements such as struts and shells as well as they contain usually self- supporting structures that ensure the results can be sent straight to print. However, in cases where further manufacturing and design validation is necessary, MSC Apex Generative Design is interoperable with Simufact Additive, Digimat AM, and MSC Nastran. -
Fundamentals of Machine Design
Module 1 Fundamentals of machine design Version 2 ME, IIT Kharagpur Lesson 1 Design philosophy Version 2 ME, IIT Kharagpur Instructional Objectives At the end of this lesson, the students should have the knowledge of • Basic concept of design in general. • Concept of machine design and their types. • Factors to be considered in machine design. 1.1.1 Introduction Design is essentially a decision-making process. If we have a problem, we need to design a solution. In other words, to design is to formulate a plan to satisfy a particular need and to create something with a physical reality. Consider for an example, design of a chair. A number of factors need be considered first: (a) The purpose for which the chair is to be designed such as whether it is to be used as an easy chair, an office chair or to accompany a dining table. (b) Whether the chair is to be designed for a grown up person or a child. (c) Material for the chair, its strength and cost need to be determined. (d) Finally, the aesthetics of the designed chair. Almost everyone is involved in design, in one way or the other, in our daily lives because problems are posed and they need to be solved. 1.1.2 Basic concept of machine design Decision making comes in every stage of design. Consider two cars of different makes. They may both be reasonable cars and serve the same purpose but the designs are different. The designers consider different factors and come to certain conclusions leading to an optimum design. -
Rational Design of Pore Size and Functionality in a Series of Isoreticular Zwitterionic Metal-Organic Frameworks
1 Rational Design of Pore Size and Functionality in a Series of Isoreticular Zwitterionic Metal-Organic Frameworks Darpandeep Aulakh,†,|| Timur Islamoglu,‡,|| Veronica F. Bagundes,† Juby R. Varghese,† Kyle Duell,† Monu Joy,† Simon J. Teat,§ Omar K. Farha‡,ǂ and Mario Wriedt*,† †Department of Chemistry & Biomolecular Science, Clarkson University, Potsdam, New York 13699, United States of America ‡Department of Chemistry, Northwestern University, 2145 Sheridan Road, Evanston, Illinois 60208, United States of America §Advanced Light Source, Lawrence Berkeley National Laboratory, Berkeley, California 94720, United States of America ǂDepartment of Chemistry, Faculty of Science, King Abdulaziz University, Jeddah 21589, Saudi Arabia ||D.A. and T.I. contributed equally to this work. * Tel.: +1(315) 268-2355 Fax: +1(315) 268-6610 Email: [email protected] 2 Abstract The isoreticular expansion and functionalization of charged-polarized porosity has been systematically explored by the rational design of eleven isostructural zwitterionic metal-organic frameworks (ZW-MOFs). This extended series of general structural composition {[M3F(L1)3(L2)1.5]·guests}n was prepared by employing the solvothermal reaction of Co and Ni tetrafluoroborates with a binary ligand system composed of zwitterionic pyridinium derivatives and traditional functionalized ditopic carboxylate auxiliary ligands (HL1·Cl = 1-(4- carboxyphenyl)-4,4′-bipyridinium chloride, Hcpb·Cl; or 1-(4-carboxyphenyl-3-hydroxyphenyl)- 4,4′-bipyridinium chloride, Hchpb·Cl; and H2L2 = benzene-1,4-dicarboxylic acid, H2bdc; 2- aminobenzene-1,4-dicarboxylic acid, H2abdc; 2,5-dihydroxy-1,4-benzenedicarboxylic acid, H2dhbdc; biphenyl-4,4’-dicarboxylic acid, H2bpdc; or stilbene-4,4’-dicarboxylic acid, H2sdc). Single-crystal structure analyses revealed cubic crystal symmetry (I-43m, a = 31-36 Å) with a 3D pore system of significant void space (73-81%). -
Introduction to Machine Design and Its Classifications
Introduction to Machine Design and its classifications Introduction to Machine Design Machine Design is the innovation of new and effective machines and improving the existing ones. A new or effective machine is one which is more economical in the overall cost of production and operation. The design is to formulate a plan for the satisfaction of a human need. In designing a machine component, it is necessary to have a good knowledge of many subjects such as Mathematics, Engineering Mechanics, Strength of Materials, Theory of Machines, Workshop Processes and Engineering Drawing. Classifications of Machine Design The machine design may be classified as follows: 1. Adaptive design: In this the designer’s work is concerned with adaptation of existing designs. The designer only makes minor alternation or modification in the existing designs of the product. 2. Development design: This type of design needs scientific training and design ability in order to modify the existing designs into a new idea by adopting a new material or different method of manufacture. 3. New design: This type of design needs lot of research, technical ability and creative thinking. Only those designers who have personal qualities of a sufficiently high order can take up the work of a new design. 4. Rational design: This type of design depends upon mathematical formulae of principle of mechanics. 5. Empirical design: This type of design depends upon empirical formulae based on the practice and past experience. 6. Industrial design: This type of design depends upon the production aspects to manufacture any machine component in the industry. 7.Optimum design: It is the best design for the given objective function under the specified constraints. -
Recent Advances in Automated Protein Design and Its Future
EXPERT OPINION ON DRUG DISCOVERY 2018, VOL. 13, NO. 7, 587–604 https://doi.org/10.1080/17460441.2018.1465922 REVIEW Recent advances in automated protein design and its future challenges Dani Setiawana, Jeffrey Brenderb and Yang Zhanga,c aDepartment of Computational Medicine and Bioinformatics, University of Michigan, Ann Arbor, MI, USA; bRadiation Biology Branch, Center for Cancer Research, National Cancer Institute – NIH, Bethesda, MD, USA; cDepartment of Biological Chemistry, University of Michigan, Ann Arbor, MI, USA ABSTRACT ARTICLE HISTORY Introduction: Protein function is determined by protein structure which is in turn determined by the Received 25 October 2017 corresponding protein sequence. If the rules that cause a protein to adopt a particular structure are Accepted 13 April 2018 understood, it should be possible to refine or even redefine the function of a protein by working KEYWORDS backwards from the desired structure to the sequence. Automated protein design attempts to calculate Protein design; automated the effects of mutations computationally with the goal of more radical or complex transformations than protein design; ab initio are accessible by experimental techniques. design; scoring function; Areas covered: The authors give a brief overview of the recent methodological advances in computer- protein folding; aided protein design, showing how methodological choices affect final design and how automated conformational search protein design can be used to address problems considered beyond traditional protein engineering, including the creation of novel protein scaffolds for drug development. Also, the authors address specifically the future challenges in the development of automated protein design. Expert opinion: Automated protein design holds potential as a protein engineering technique, parti- cularly in cases where screening by combinatorial mutagenesis is problematic. -
A Rational Design Process: How and Why to Fake It
A RATIONAL DESIGN PROCESS: HOW AND WHY TO FAKE IT David L. Parnas Computer Science Department University of Victoria Victoria BC V8W 2Y2 Canada and Computer Science and Systems Branch Naval Research Laboratory Washington DC 20375 USA and Paul C. Clements Computer Science and Systems Branch Naval Research Laboratory Washington DC 20375 USA I. THE SEARCH FOR THE PHILOSOPHER'S STONE: WHY DO WE WANT A RATIONAL DESIGN PROCESS? A perfectly rational person is one who always has a good reason for what he does. Each step taken can be shown to be the best way to get to a well defined goal. Most of us like to think of ourselves as rational professionals. However, to many observers, the usual process of designing software appears quite irra- tional. Programmers start without a clear statement of desired behavior and implementation constraints. They make a long sequence of design decisions with no clear statement of why they do things the way they do. Their rationale is rarely explained. Many of us are not satisfied with such a design process. That is why there is research in software design, programming methods, structured programming and related topics. Ideally, we would like to derive our programs from a statement of requirements in the same sense that theorems are derived from axioms in a published proof. All of the methodologies that can be con- sidered "top down" are the result of our desire to have a rational, systematic way of designing software. This paper brings a message with both bad news and good news. The bad news is that, in our opinion, we will never find the philosopher's stone. -
Rational Design" of Investment Treaties
Not the Least BIT Rational: An Empirical Test of the "Rational Design" of Investment Treaties Todd Allee Assistant Professor Department of Political Science University of Illinois 361 Lincoln Hall, 702 South Wright Street Urbana, Illinois 61801 [email protected] Clint Peinhardt Assistant Professor School of Economic, Political and Policy Sciences The University of Texas at Dallas 800 West Campbell Rd. GR31 Richardson, TX 75080 [email protected] Paper prepared for submission to the 1st Conference on the Political Economy of International Organizations Monte Verità, Switzerland 3-8 February 2008 Introduction In the 1990s a wave of bilateral investment treaties (BITs) were signed by numerous pairs of governments. In fact, nearly 200 of these treaties, which specify the rules governing foreign direct investment (FDI) between the signatories, were signed in 1994 alone. The United Kingdom (UK) was among the most active BIT signers that year and on March 1 st , 1994 it signed a BIT with Belarus. That BIT contained language stating that if a dispute between a multinational corporation from one state and the government of the other were to erupt, the multinational would be entitled to pursue remedies through the International Centre for the Settlement of Investment Disputes (ICSID), a neutral, prominent, and regularized judicial institution associated with the World Bank. In effect, what the UK-Belarus BIT said was that British firms would be able to directly challenge actions taken by the Belarusian government via the most public and well-known arbitration institution available, without any ability of the Belarusian government to prevent this course of action. -
Towards an Integrated Generative Design Framework
Towards an integrated generative design framework Vishal Singh, School of Architecture and Building, Deakin University, 1 Geringhap Street, Geelong, Victoria 3220, Australia Ning Gu, School of Architecture and Built Environment, University of Newcastle, New South Wales 2308, Australia Design creativity techniques encourage divergent thinking. But how well do the existing generative design techniques support this requirement? How can these general techniques be augmented for supporting design exploration and creativity? This paper investigates these questions through a review of five different generative design techniques used in architectural design that includes cellular automata, genetic algorithms, L-systems, shape grammars, and swarm intelligence. Based on the literature on design cognition and the recent theoretical works on digital design thinking, this paper proposes the need for an integrated generative design framework to enhance design exploration support for human designers. Potential challenges and strategies towards developing such an integrated framework are discussed. Ó 2011 Elsevier Ltd. All rights reserved. Keywords: generative design, architectural design, digital design, design cognition, reflective practise he main incentives for adopting generative design (GD) systems in Tarchitecture are to use computational capabilities to support human designers and (or) automate parts of the design process. The ability to explore larger design space and support design generation is one of the main objectives besides achieving efficiency -
TOOLS for CONVIVIALITY Transcribing Design
TOOLS FOR CONVIVIALITY Transcribing design elif Kendir, tim schork Spatial Information Architecture Laboratory School of Architecture and Design Royal Melbourne Institute of Technology Melbourne, Australia abstract: This paper presents the outcomes and findings of a semester long trans- disciplinary design studio recently taught at RMIT University, involving students from the disciplines of architecture, industrial design and landscape design. The focus of the studio was to investigate the creation and appropriation of tools for innovative design processes. Drawing on craft theory and theories of design and computation, this paper illustrates how tools can transgress disciplinary boundaries and investigates how an understanding of the intricate relationship between tools, techniques, the media they operate in and the design outcome is the premise of a more informed design approach. keywords: Craft Theory, Design and Computation, Design studio pedagogy, Tooling résumé : Cet article présente les résultats et conclusions d’un atelier de design transdiciplinaire donné à la RMIT University avec des étudiants en architecture, en design industriel et en design de paysage. L’objectif était d’examiner la création et l’appropriation d’outils consacrés aux processus innovateurs en design. S’appuyant sur la théorie des métiers et sur les théories en design et informatique, cet article illustre comment les outils peuvent dépasser les limites des disciplines qui leur sont propres, et il explore comment une compréhension de la relation com- plexe unissant outils, techniques et médias est la prémisse d’une approche de design mieux informée. mots-clés : Théorie des métiers, design et informatique, pédagogie en atelier de design, équi- pement CAAD Futures 2009_compile.indd 740 27/05/09 10:47:13 tooL for conviviaLitY 741 1. -
Substantial Changes in Graphic Design with the Emergence of Generative Design Processes 2019 I Index
Universidad Internacional de La Rioja Máster Universitario en Diseño Gráfico Digital Substantial Changes in Master in Digital Graphic design Graphic Design with the Emergence of Generative Design Processes Cambios profundos en Diseño Gráfico con la Aparición de los Procesos de Diseño Generativo Master’s thesis/ Trabajo fin de Máster (Trabajo Tipo 1) Presented by / Presentado por: Schimpf, Anna Veronica Donostia, 04.02.2019 Director / Directora: Moñivas Mayor, Esther “Design is where art and science break even.” – Robin Mathew 19/09/2018 Anna Veronica Schimpf _ Máster en diseño Gráfico Digital _Substantial changes in Graphic Design with the emergence of Generative Design processes _2019 i Index 0_ Abstract 1 0_ Resumen 2 1_ Introduction 1_ Introduction 3 1.1 Introduction 3 2_ Framework 1.2 Justification 4 1.3 Approach 6 3_ Goals & Method 1.3.1 Approach of solution 6 1.3.2 Scope and boundaries 7 1.3.3 Goals and focus 7 4_ Design Generative 1.4 Structure 8 2_ Basic Research Framework 9 5_ & Future Present 3_ Goals & Method 11 3.1 Initial hypothesis and general research goal 11 6_ Creation 3.2 Specific research questions 12 3.3 Method 12 3.3.1 A comprehensive literature review for goals 1 and 2 12 7_ Conclusions 3.3.2 A practical approach for goal 3 16 20/09/2018 8_ References Anna Veronica Schimpf _ Máster en diseño Gráfico Digital _Substantial changes in Graphic Design with the emergence of Generative Design processes _2019 ii 4_ Understanding the Generative Design phenomenon 19 4.1 Introduction to Generative Design 19 4.2 Key concepts -
Design Philosophy
Instructional Objectives At the end of this lesson, the students should have the knowledge of • Basic concept of design in general. • Concept of machine design and their types. • Factors to be considered in machine design. 1.1.1 Introduction Design is essentially a decision-making process. If we have a problem, we need to design a solution. In other words, to design is to formulate a plan to satisfy a particular need and to create something with a physical reality. Consider for an example, design of a chair. A number of factors need be considered first: (a) The purpose for which the chair is to be designed such as whether it is to be used as an easy chair, an office chair or to accompany a dining table. (b) Whether the chair is to be designed for a grown up person or a child. (c) Material for the chair, its strength and cost need to be determined. (d) Finally, the aesthetics of the designed chair. Almost everyone is involved in design, in one way or the other, in our daily lives because problems are posed and they need to be solved. 1.1.2 Basic concept of machine design Decision making comes in every stage of design. Consider two cars of different makes. They may both be reasonable cars and serve the same purpose but the designs are different. The designers consider different factors and come to certain conclusions leading to an optimum design. Market survey gives an indication of what people want. Existing norms play an important role. Once a critical decision is made, the rest of the design features follow. -
Generative Adversarial Network-Based Visual Aware Interactive
GENERATIVE ADVERSARIAL NETWORK-BASED VISUAL-AWARE INTERACTIVE FASHION DESIGN FRAMEWORK By Ashenafi Workie Dessalgn A Thesis Submitted to Department of Computer Science and Engineering School of Electrical Engineering and Computing Office of Graduate Studies Adama Science and Technology University October 2020 Adama, Ethiopia GENERATIVE ADVERSARIAL NETWORK-BASED VISUAL-AWARE INTERACTIVE FASHION DESIGN FRAMEWORK By Ashenafi Workie Dessalgn Advisor: Prof. Yun Koo Chung (Ph.D.) A Thesis Submitted to Department of Computer Science and Engineering School of Electrical Engineering and Computing Office of Graduate Studies Adama Science and Technology University October 2020 Adama, Ethiopia APPROVAL PAGE The author, the undersigned, members of the Board of Examiners of the final open defense by “Ashenafi Workie Dessalgn” have read and evaluated his thesis entitled “GENERATIVE ADVERSARIAL NETWORK-BASED VISUAL-AWARE INTERACTIVE FASHION DESIGN FRAMEWORK” and examined the candidate. This is, therefore, to certify that the thesis has been accepted in partial fulfillment of the requirement of the Degree of Masters in Computer Science and Engineering. Name Signature Date Ashenafi Workie Dessalgn Name of the Student Prof. Yun Koo Chung Advisor External Examiner Internal Examiner Chair Person Head of Department School Dean Post Graduate Dean DECLARATION I hereby declare that this MSc. a thesis is my original work and has not been presented for a degree in any other university, and all sources of material used for this thesis have been duly acknowledged. Name: Ashenafi Workie Signature: _____________________ This MSc. thesis has been submitted for examination with my approval as a thesis advisor. Name: Yun Koo Chung (Ph.D.) Signature: _____________________ Date of submission: ____________________ DEDICATION To those who lost their lives through the pandemic of COVID-19 and Mr.