Official Code, Locked Down: an Analysis of Copyright As It Applies to Annotations of State Official Codes Shellea Diane Crochet

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Journal of Intellectual Property Law Volume 24 | Issue 1 Article 7 October 2016 Official Code, Locked Down: An Analysis of Copyright as it Applies to Annotations of State Official Codes Shellea Diane Crochet Follow this and additional works at: https://digitalcommons.law.uga.edu/jipl Part of the Intellectual Property Law Commons Recommended Citation Shellea D. Crochet, Official Code, Locked Down: An Analysis of Copyright as it Applies to Annotations of State Official Codes, 24 J. Intell. Prop. L. 131 (2016). Available at: https://digitalcommons.law.uga.edu/jipl/vol24/iss1/7 This Notes is brought to you for free and open access by Digital Commons @ Georgia Law. It has been accepted for inclusion in Journal of Intellectual Property Law by an authorized editor of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. Crochet: Official Code, Locked Down: An Analysis of Copyright as it Applie OFFICIAL CODE, LOCKED DOWN: AN ANALYSIS OF COPYRIGHT AS IT APPLIES TO ANNOTATIONS OF STATE OFFICIAL CODES Shellea Diane Crochet* TABLE OF CONTENTS I. INTRODUCTION .......................................................................................... 133 II. COPYRIGHT LAW PERTAINING TO STATE PRIMARY LAW .................. 135 III. COPYRIGHT PROTECTION ARGUMENTS ................................................ 138 A. SILENT PERMISSION ............................................................................ 139 B. ECONOMIC INNOVATION ARGUMENT ............................................ 142 C. AVAILABILITY OF UN-ANNOTATED CODE ...................................... 143 D. HISTORICAL CONSISTENCY/PROGRESS ARGUMENT ..................... 144 IV. PUBLIC ACCESS ARGUMENTS ................................................................... 145 A. SILENT PROHIBITION .......................................................................... 146 B. FAIR USE DOCTRINE ............................................................................ 147 C. DUE PROCESS ........................................................................................ 149 1. Copyright Misuse .............................................................................. 150 2. Introduction of Substantive Due Process ............................................ 150 D. PRIMARY PURPOSE ARGUMENT ......................................................... 151 E. WORK-FOR-HIRE VERSUS STATE ACTION ........................................ 151 V. GETTING TO THE FUNDAMENTAL ARGUMENT ................................... 152 VI. WHAT IS THE LAW? .................................................................................... 153 A. TEXTUALISM ......................................................................................... 153 1. Applying Textualism to Annotated Codes ........................................ 155 2. Equal Protection Clause ................................................................... 157 B. FIT AND JUSTIFICATION ..................................................................... 158 VII. ANALYSIS ...................................................................................................... 159 A. DEFINING “THE LAW” ........................................................................ 159 B. SUBSTANTIVE DUE PROCESS .............................................................. 160 * J.D. Candidate 2017, University of Georgia School of Law; B.A., University of Georgia, 2014. 131 Published by Digital Commons @ Georgia Law, 2016 1 Journal of Intellectual Property Law, Vol. 24, Iss. 1 [2016], Art. 7 132 J. INTELL. PROP. L. [Vol. 24:131 VIII. CONCLUSION ............................................................................................... 163 https://digitalcommons.law.uga.edu/jipl/vol24/iss1/7 2 Crochet: Official Code, Locked Down: An Analysis of Copyright as it Applie 2016] OFFICIAL CODE, LOCKED DOWN 133 I. INTRODUCTION In 2015, for the first time in history, a party filed a counterclaim challenging state-held copyright protection of annotated codes in court.1 The annotations of state codes are specifically grouped portions of judicial decisions relating to a specific code section that identify how courts have interpreted the statutory text in practice. To state supporters (supporters of copyright protection), copyright protection ensures the integrity of invaluable legal research aids by assuring compensation for those creating annotations. For challengers (public access supporters), prohibiting public access to annotated codes is a violation of a basic constitutional right to knowledge of the law. At the center of the two arguments is one fundamental issue: what makes up the law? Notably, in May 2016, both parties to the aforementioned Georgia suit filed for summary judgment on the notion that there is no genuine issue of material fact.2 If the court determines the issue the way my research leads me to believe that it will, both motions should be rejected. To accept that there is no genuine dispute of material fact is to ignore the central issue of this case: whether the annotations are “the law.” The parties disagree on this central element and should have the chance to take their case to a Judge or Jury. The parties are awaiting the court’s decision in spring of 2017. If the court rules that one of the two motions be granted, then I assert that the court has erred in the sense that it will have essentially foregone due process for efficiency. This is a case that should go before the court for the fact-finder to determine whether the annotations are part of “the law.”3 If the substantive case reaches the court and the supporters of copyright protection win in the current Georgia case, more than half of the States will be affected and could face future litigation. While states will be judged on a case- by-case basis, the decision in the pending Georgia case can drastically influence the future of state-held copyright to annotated codes. 1 Answer to Amended Complaint and Counterclaim of Defendant Public Resource.Org, Inc., Code Revision Comm’n v. Public.Resource.Org, Inc., 1:15cv2594 LEXIS, at *1, Doc. 16 (N.D. Ga. 2015). 2 See generally Defendant Public.Resource.Org, Inc.’s Memorandum of Law in Support of Its Motion for Summary Judgment, Code Revision Commission v. Public.Resource.Org, 1:15cv2594 LEXIS, at *1, Exhibit 4, Doc. 29-2 (N.D. Ga. 2015); Plaintiff’s Memorandum of Law in Support of Its Motion for Summary Judgment, Code Revision Commission v. Public.Resource.Org, 1:15cv2594 LEXIS, at *1, Exhibit 4, Doc. 30-1 (N.D. Ga. 2015). 3 Bill Donahue, Georgia Law Annotations Copyrightable, LAW360 (Mar. 27, 2017, 1:52 PM), https:// www.law360.com/articles/906378/georgia-law-annotations-copyrightable-court-says. Published by Digital Commons @ Georgia Law, 2016 3 Journal of Intellectual Property Law, Vol. 24, Iss. 1 [2016], Art. 7 134 J. INTELL. PROP. L. [Vol. 24:131 As of 2011, approximately twenty-eight states required courts to reference copyrighted official codes.4 As of 2014, two states alone, Montana and Illinois, had state statutes outlawing the copyright protection of state primary code material.5 After legislative hearings in Oregon, cases regarding primary materials in California, and constitutional analysis, the Supreme Court ultimately held that states may not hold the copyright to their statutory codes.6 However, many states still hold copyrights to their official codes by asserting that the annotations of the codes are subject to copyright protection. There are two ways states hold copyright to annotated codes. First, state legislators or staffers may create the annotations granting the author, the state, the copyright. Second, the state may create a work-for-hire contract with a private company, such as LexisNexis or Westlaw. A work-for-hire contract is a written contract by which the private company gains profits for their work in exchange for the state holding the copyrights to the annotations. Notably, there are areas other than annotated codes where states have been granted copyright protection of government-created and work-for-hire products. For example, the State of Florida holds the copyrights to Florida.Org, a government-created website that helps individuals find particular agencies or online government services.7 Additionally, in County of Suffolk v. First American Real Estate Solutions, the Second Circuit found that counties, like states, can hold the copyright to their tax maps created in a work-for-hire contract.8 This Note seeks to identify whether states can constitutionally hold copyright to annotated codes either as authors or through work-for-hire contracts. First, this Note will review the background of copyright law as it applies to copyright of state primary law. Second, this Note will analyze the arguments set out by supporters and rejecters of copyright protection for state annotated codes. Third, this Note will delve into the ideological question at hand and why defining the term “law” is the root of the entire issue. Following, this Note will explain different theoretical approaches to defining “the law.” 4 National Conference of State Legislature, State Statutes/Code: Holder of Copyright (Mar.–July 2011), http://www.ncsl.org/documents/lsss/Copyright_Statutes.pdf (surveying and explaining that out of the thirty-two states that responded to the survey, twenty-eight had copyrighted official codes, many of which likewise held official code annotations subject to copyright). 5 CoCommonLaw, States Who Assert a
Recommended publications
  • Winter Newsletter 2006

    Winter Newsletter 2006

    Volume 23 Number 1 LLAW NEWSLETTER Page 1 NEWSLETTER Law Librarians Association of Wisconsin A Chapter of the American Association of Law Libraries VOLUME 23 NUMBER 2 WINTER 2006 President’s Message WisBlawg (http://www.law.wisc.edu/blogs/wisblawg/) Bev Butula, Davis and Kuelthau just found a new home. Bonnie Shucha’s acclaimed legal blog is a regular read for an endless amount of Anyone else out there watch “Project Runway?” I am legal professionals. She has summed up her goal per- completely addicted to the program. If you have not fectly – “Searching Smarter….With a Little Help from seen it, it is a reality show where aspiring fashion de- a Law Librarian.” If you haven’t had a chance to take a signers must design and create a garment based on the tour, please do! Bonnie has spoke about Blogs and weekly challenge. One week they had to make a cos- RSS feeds at several different conventions/institutes/ tume for figure skater Sasha Cohen. The original and seminars. interesting outfits that go down the runway at the end of the show each week constantly amaze me. The My last stop in this “authorship” tour is the publication contestants have an extraordinary amount of talent. initiative launched by Carol Bannen and currently chaired by Susan O’Toole. Most of you know that Why am I writing about a television show? Well, the AALL/West awarded this project the Marketing Award answer is actually quite simple. The show highlights for the “Best Campaign” in 2004. So many individuals individual skill.
  • 01-618. Eldred V. Ashcroft

    01-618. Eldred V. Ashcroft

    1 IN THE SUPREME COURT OF THE UNITED STATES 2 - - - - - - - - - - - - - - - -X 3 ERIC ELDRED, ET AL., : 4 Petitioners : 5 v. : No. 01-618 6 JOHN D. ASHCROFT, ATTORNEY : 7 GENERAL : 8 - - - - - - - - - - - - - - - -X 9 Washington, D.C. 10 Wednesday, October 9, 2002 11 The above-entitled matter came on for oral 12 argument before the Supreme Court of the United States at 13 10:03 a.m. 14 APPEARANCES: 15 LAWRENCE LESSIG, ESQ., Stanford, California; on behalf of 16 the Petitioners. 17 THEODORE B. OLSON, ESQ., Solicitor General, Department of 18 Justice, Washington, D.C.; on behalf of the 19 Respondent. 20 21 22 23 24 25 1 Alderson Reporting Company 1111 14th Street, N.W. Suite 400 1-800-FOR-DEPO Washington, DC 20005 1 C O N T E N T S 2 ORAL ARGUMENT OF PAGE 3 LAWRENCE LESSIG, ESQ. 4 On behalf of the Petitioners 3 5 ORAL ARGUMENT OF 6 THEODORE B. OLSON, ESQ. 7 On behalf of the Respondent 25 8 REBUTTAL ARGUMENT OF 9 LAWRENCE LESSIG, ESQ. 10 On behalf of the Petitioners 48 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 2 Alderson Reporting Company 1111 14th Street, N.W. Suite 400 1-800-FOR-DEPO Washington, DC 20005 1 P R O C E E D I N G S 2 (10:03 a.m.) 3 CHIEF JUSTICE REHNQUIST: We'll hear argument 4 now in Number 01-618, Eric Eldred v. John D. Ashcroft. 5 Mr. Lessig. 6 ORAL ARGUMENT OF LAWRENCE LESSIG 7 ON BEHALF OF THE PETITIONERS 8 MR.
  • Illustrators' Partnership of America and Co-Chair of the American Society of Illustrators Partnership, Is One of Those Opponents

    Illustrators' Partnership of America and Co-Chair of the American Society of Illustrators Partnership, Is One of Those Opponents

    I L L U S T R A T O R S ‘ P A R T N E R S H I P 8 4 5 M O R A I N E S T R E E T M A R S H F I E L D , M A S S A C H U S E T T S USA 0 2 0 5 0 t 7 8 1 - 8 3 7 - 9 1 5 2 w w w . i l l u s t r a t o r s p a r t n e r s h i p . o r g February 3, 2013 Maria Pallante Register of Copyrights US Copyright Office 101 Independence Ave. S.E. Washington, D.C. 20559-6000 RE: Notice of Inquiry, Copyright Office, Library of Congress Orphan Works and Mass Digitization (77 FR 64555) Comments of the Illustrators’ Partnership of America In its October 22, 2012 Notice of Inquiry, the Copyright Office has asked for comments from interested parties regarding “what has changed in the legal and business environments during the past four years that might be relevant to a resolution of the [orphan works] problem and what additional legislative, regulatory, or voluntary solutions deserve deliberation at this time.” As rightsholders, we welcome and appreciate the opportunity to comment. In the past, we have not opposed orphan works legislation in principle; but we have opposed legislation drafted so broadly that it would have permitted the widespread orphaning and infringement of copyright-protected art. In 2008, the Illustrators’ Partnership was joined by 84 other creators’ organizations in opposing that legislation; 167,000 letters were sent to members of Congress from our website.
  • ELDRED V. ASHCROFT: the CONSTITUTIONALITY of the COPYRIGHT TERM EXTENSION ACT by Michaeljones

    ELDRED V. ASHCROFT: the CONSTITUTIONALITY of the COPYRIGHT TERM EXTENSION ACT by Michaeljones

    COPYRIGHT ELDRED V. ASHCROFT: THE CONSTITUTIONALITY OF THE COPYRIGHT TERM EXTENSION ACT By MichaelJones On January 15, 2003, the Supreme Court upheld the constitutionality of the Copyright Term Extension Act ("CTEA"), which extended the term of copyright protection by twenty years.2 The decision has been ap- plauded by copyright protectionists who regard the extension as an effec- tive incentive to creators. In their view, it is a perfectly rational piece of legislation that reflects Congress's judgment as to the proper copyright term, balances the interests of copyright holders and users, and brings the3 United States into line with the European Union's copyright regime. However, the CTEA has been deplored by champions of a robust public domain, who see the extension as a giveaway to powerful conglomerates, which runs contrary to the public interest.4 Such activists see the CTEA as, in the words of Justice Stevens, a "gratuitous transfer of wealth" that will impoverish the public domain. 5 Consequently, Eldred, for those in agree- ment with Justice Stevens, is nothing less than the "Dred Scott case for 6 culture." The Court in Eldred rejected the petitioners' claims that (1) the CTEA did not pass constitutional muster under the Copyright Clause's "limited © 2004 Berkeley Technology Law Journal & Berkeley Center for Law and Technology. 1. Sonny Bono Copyright Term Extension Act, 17 U.S.C. §§ 108, 203, 301-304 (2002). The Act's four provisions consider term extensions, transfer rights, a new in- fringement exception, and the division of fees, respectively; this Note deals only with the first provision, that of term extensions.
  • Copyright Law Revision

    Copyright Law Revision

    COPYRIGHT LAW REVISION REPORT OF THE REGISTER OF COPYRIGHTS ON THE GENERAL REVISION OF THE U.S. COPYRIGHT LAW JULY 1961 Printed for the use of the House-- Committee on the Judiciary U.S. GOVERNMENT PRINTING OFFICE 676682 WASHINGTON : 1961 For sale by the Superlntendent of Documents, U.S. Qo7cmment Prlntlug O5ce Wn~bington25, D.O. - Prlco 45 cent8 LETTER OF TRANSMITTAL THE LIBRAR~AWOF CORORESB, Washington, l).C. July 7, 1961. Hon. SAMRAYE~N, Igpealcw of the House of Representatices, Washington. D.C. SIB: As authorized by Congress, the Copyright Office of the =brary of Con- gress has in the past few years made a number of studies preparatory to a general revision of the copyright law, title 17 of the United States Code. That program bas now been completed. Thirty-four studies and a subject index have been published in a series of 12 committee prints issued by the Subcommittee on Patents, Trademarks, and Copyrights of the Senate Committee on the Judiciary. The studies have been widely circulated and interested persons were inrited to submit their comments and views. On the basis of the studies and the comments and views received. the Copy- right Ofece has prepared a report on the important issues to be considered and tentative recommendations for their solution in a general revision of the law. I am pleased to submit the report of the Register of Copyrights on general re vision of the copyright law to you find to the Vice President for consideration by the Congress. Very truly yours, L. QUINCYMUMFOBD, Librarian of Congress.
  • 13-485 Comptroller of Treasury of MD. V. Wynne (05/18/2015)

    13-485 Comptroller of Treasury of MD. V. Wynne (05/18/2015)

    (Slip Opinion) OCTOBER TERM, 2014 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus COMPTROLLER OF THE TREASURY OF MARYLAND v. WYNNE ET UX. CERTIORARI TO THE COURT OF APPEALS OF MARYLAND No. 13–485. Argued November 12, 2014—Decided May 18, 2015 Maryland’s personal income tax on state residents consists of a “state” income tax, Md. Tax-Gen. Code Ann. §10–105(a), and a “county” in- come tax, §§10–103, 10–106. Residents who pay income tax to anoth- er jurisdiction for income earned in that other jurisdiction are al- lowed a credit against the “state” tax but not the “county” tax. §10– 703. Nonresidents who earn income from sources within Maryland must pay the “state” income tax, §§10–105(d), 10–210, and nonresi- dents not subject to the county tax must pay a “special nonresident tax” in lieu of the “county” tax, §10–106.1. Respondents, Maryland residents, earned pass-through income from a Subchapter S corporation that earned income in several States. Respondents claimed an income tax credit on their 2006 Maryland income tax return for taxes paid to other States. The Mary- land State Comptroller of the Treasury, petitioner here, allowed re- spondents a credit against their “state” income tax but not against their “county” income tax and assessed a tax deficiency.
  • The Copyright Act of 1976 (As Amended and Codified)

    The Copyright Act of 1976 (As Amended and Codified)

    The Copyright Act of 1976 (as amended and codified) The Act of October 19, 1976 , Public Law Number 94-553 , 90 Stat. 2598, effective January 1, 1978. Chronology of Amendments Public Law No. 95-94 , 91 Stat. 653, 682 (Aug. 5, 1977) amended Sections 203 and 708. Public Law No. 95-598 , 92 Stat. 2676 (Nov. 6, 1978) amended Section 201. Public Law No. 96-517 , 94 Stat. 3028 (Dec. 12, 1980) amended Sections 101 and 117. Public Law No. 97-180 , 96 Stat. 93 (May 24, 1982) amended Section 506. Public Law No. 97-215 , 96 Stat. 178 (July 13, 1982) amended Section 601. Public Law No. 97-366 , 96 Stat. 1759 (Oct. 25, 1982) amended Section 110, 708. Public Law No. 98-450 , 98 Stat. 1727 (Oct. 4, 1984) amended Sections 109 and 115. Public Law No. 98-620 , 98 Stat. 3347 (Nov. 8, 1984) added Chapter 9 (§ § 901 et seq. ). Public Law No. 99-397 , 100 Stat. 848 (Aug. 27, 1986) amended Sections 111 and 801. Public Law No. 100-159 , 101 Stat. 900 (Nov. 9, 1987) amended Sections 902 and 914. Public Law No. 100-568 , 102 Stat. 2853 (Oct. 31, 1988) added Section 116A and amended Sections 101, 116, 205, 301, 401, 402, 403, 404, 405, 406, 407, 408, 411, 501, 504, 801, and 804. Public Law No. 100-617 , 102 Stat. 3194 (Nov. 5, 1988) amended Section 109 and 17 U.S.C. § 109 note. Public Law No. 100-667 , 102 Stat. 3949 (Nov. 16, 1988) added Section 119 and amended Sections 111, 501, 801, and 804.
  • Supreme Court of the United States

    Supreme Court of the United States

    (Slip Opinion) OCTOBER TERM, 2002 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus ELDRED ET AL. v. ASHCROFT, ATTORNEY GENERAL CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE DISTRICT OF COLUMBIA CIRCUIT No. 01–618. Argued October 9, 2002—Decided January 15, 2003 The Copyright and Patent Clause, U. S. Const., Art. I, §8, cl. 8, provides as to copyrights: “Congress shall have Power . [t]o promote the Progress of Science . by securing [to Authors] for limited Times . the exclusive Right to their . Writings.” In the 1998 Copyright Term Extension Act (CTEA), Congress enlarged the duration of copy- rights by 20 years: Under the 1976 Copyright Act (1976 Act), copy- right protection generally lasted from a work’s creation until 50 years after the author’s death; under the CTEA, most copyrights now run from creation until 70 years after the author’s death, 17 U. S. C. §302(a). As in the case of prior copyright extensions, principally in 1831, 1909, and 1976, Congress provided for application of the en- larged terms to existing and future copyrights alike. Petitioners, whose products or services build on copyrighted works that have gone into the public domain, brought this suit seeking a de- termination that the CTEA fails constitutional review under both the Copyright Clause’s “limited Times” prescription and the First Amendment’s free speech guarantee.
  • An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P

    An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P

    Kentucky Law Journal Volume 104 | Issue 1 Article 5 2016 An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P. Harris Temple University Beasley School of Law Follow this and additional works at: https://uknowledge.uky.edu/klj Part of the Constitutional Law Commons, and the Intellectual Property Law Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Harris, Donald P. (2016) "An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright," Kentucky Law Journal: Vol. 104 : Iss. 1 , Article 5. Available at: https://uknowledge.uky.edu/klj/vol104/iss1/5 This Article is brought to you for free and open access by the Law Journals at UKnowledge. It has been accepted for inclusion in Kentucky Law Journal by an authorized editor of UKnowledge. For more information, please contact [email protected]. An Unconventional Approach to Reviewing the Judicially Unreviewable: Applying the Dormant Commerce Clause to Copyright Donald P. Harris' "[B]y virtually ignoring the central purpose of the Copyright/Patent Clause ... the Court has quitclaimed to Congress its principal responsibility in this area of the law. Fairly read, the Court has stated that Congress' actions under the Copyright/Patent Clause are, for all intents and purposes, 2 judicially unreviewable." INTRODUCTION On July 15, 2014, the House Judiciary Committee, Subcommittee on Courts, Intellectual Property, and the Internet, held one of a number of hearings reviewing the Copyright Act.3 This particular hearing focused, among other things, on the copyright term (the length over which copyrights are protected).4 While it is not surprising that Congress is again considering the appropriate term for copyrights- Congress has reviewed and increased the copyright term many times since the first Copyright Act of 1791 5-it is troubling because Congress has unfettered discretion in doing so.
  • The Creative Employee and the Copyright Act of 1976 Rochelle Cooper Dreyfusst

    The Creative Employee and the Copyright Act of 1976 Rochelle Cooper Dreyfusst

    The Creative Employee and the Copyright Act of 1976 Rochelle Cooper Dreyfusst Debates on issues in copyright law have long exhibited a clash between alternative visions of the goal that copyright seeks to achieve. One group sees copyright as a means for enhancing the creative environment and so tends to suggest resolutions of open issues that are highly attuned to the interests of authors.' Another camp takes an economic approach centered on questions of public welfare. Under this view, public access emerges as a central con- cern, and the rights of authors are thought protectable only insofar as they are necessary to stimulate the optimal level of innovative production. 2 Ralph Brown has recently suggested that neither ap- proach fully captures the social interests that are at stake, and that greater insights might be obtained if the two views were somehow melded.3 This paper is an attempt to carry out Professor Brown's proposal. In merging the author-based and economic approaches, I con- t Associate Professor of Law, New York University School of Law. B.A., Wellesley Col- lege, 1968; M.S., University of California at Berkeley, 1970; J.D., Columbia University, 1981. I note with sadness the passing of my friend and colleague, Kate McKay. As copyright librarian, Kate was enormously helpful to everyone involved with intellectual property at New York University. The unaffected competence with which she carried out her many pub- lic and private roles inspired us all. I also wish to thank Harry First, Jane Ginsburg, Robert Gorman, and Diane Zimmerman for their thoughtful comments, and New York University law students Howard August and Michele Cotton for their research assistance.
  • Intellectual Property and the Presumption of Innocence Irina D

    Intellectual Property and the Presumption of Innocence Irina D

    Maurice A. Deane School of Law at Hofstra University Scholarly Commons at Hofstra Law Hofstra Law Faculty Scholarship 2015 Intellectual Property and the Presumption of Innocence Irina D. Manta Maurice A. Deane School of Law at Hofstra University Follow this and additional works at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship Part of the Law Commons Recommended Citation Irina D. Manta, Intellectual Property and the Presumption of Innocence, 56 1745 (2015) Available at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship/1120 This Article is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Faculty Scholarship by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. INTELLECTUAL PROPERTY AND THE PRESUMPTION OF INNOCENCE IRINA D. MANTA* ABSTRACT Our current methods of imposing criminal convictions on defen- dants for copyright and trademark infringement are constitutionally defective. Previous works have argued that due process under the Sixth Amendment requires prosecutors to prove every element of a crime beyond a reasonable doubt, including the jurisdictionalele- ment. Applying this theory to criminal trademark counterfeiting results in the conclusion that prosecutors should have to demon- strate that an infringing mark needs to have traveled in or affected * Associate Professor of Law and Director of the Center for Intellectual Property Law, Maurice A. Deane School of
  • Golan V. Holder

    Golan V. Holder

    THE JOHNIMARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW GOLAN v HOLDER: COPYRIGHT IN THE IMAGE OF THE FIRST AMENDMENT DAVID L. LANGE, RISA J. WEAVER & SHIVEH ROXANA REED ABSTRACT Does copyright violate the First Amendment? Professor Melville Nimmer asked this question forty years ago, and then answered it by concluding that copyright itself is affirmatively speech protective. Despite ample reason to doubt Nimmer's response, the Supreme Court has avoided an independent, thoughtful, plenary review of the question. Copyright has come to enjoy an all-but-categorical immunity to First Amendment constraints. Now, however, the Court faces a new challenge to its back-of-the-hand treatment of this vital conflict. In Golan v. Holder the Tenth Circuit considered legislation (enacted pursuant to the Berne Convention and TRIPS) "restoring" copyright protection to millions of foreign works previously thought to belong to the public domain. The Tenth Circuit upheld the legislation, but not without noting that it appeared to raise important First Amendment concerns. The Supreme Court granted certiorari. This article addresses the issues in the Golan case, literally on the eve of oral argument before the Court. This article first considers the Copyright and Treaty Clauses, and then addresses the relationship between copyright and the First Amendment. The discussion endorses an understanding of that relationship in which the Amendment is newly seen as paramount, and copyright is newly seen in the image of the Amendment. Copyright C 2011 The John Marshall Law School Cite as David L. Lange, Risa J. Weaver & Shiveh Roxana Reed, Golan v. Holder: Copyright in the Image of the First Amendment, 11 J.