Crossovers Volume Two: 1940-The Future
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Tarzan's Yell
OFFICE FOR HARMONIZATION IN THE INTERNAL MARKET (TRADE MARKS AND DESIGNS) The Boards of Appeal DECISION of the Fourth Board of Appeal of 27. September 2007 In Case R 708/2006-4 Edgar Rice Burroughs, Inc. 18354 Ventura Boulevard Tarzana, California 91357 United States of America Applicant/Appellant represented by R.G.C. JENKINS & CO, 26 Caxton Street, GB - London SW1H 0RJ, United Kingdom APPEAL relating to Community trade mark application No 3 661 329 THE FOURTH BOARD OF APPEAL composed of D. Schennen (Chairman and Rapporteur), I. Mayer (Member) and F. López de Rego (Member) Registrar: N. Semjevski gives the following Language of the case: English DECISION OF 27 SEPTEMBER 2007 – R 708/2006-4 – TARZAN YELL (SOUND MARK) 2 Decision Summary of the facts 1 By an application received by the Office by regular mail on 11 February 2004, the applicant filed a Community trade mark application for the following goods and services: Class 9 - Electrical and electronic communications and telecommunications apparatus and instruments; optical, electro-optical, monitoring (other than in-vivo monitoring), radio, television, electrical control, testing (other than in-vivo testing), signalling, checking (supervision), radio paging, radio-telephone and teaching apparatus and instruments, telephones, mobile telephones and telephone handsets; paging apparatus, radio paging apparatus; radio telephone apparatus; computerised personal organisers, telecommunications apparatus and instruments; communications apparatus and instruments; apparatus and instruments for -
Author-As-Franchise-Product: Edgar Rice Burroughs Inc and Tarzan As Historical Branded Entertainment
53 Chapter 3 Author-as-Franchise-Product: Edgar Rice Burroughs Inc and Tarzan as Historical Branded Entertainment Matthew Freeman University of Nottingham, UK ABSTRACT This chapter explores the historical relationship between the branded media entertainment of Tarzan and the rise of consumer culture in the 1920s and 1930s. It argues that the transmedia licensing of this property across pulp magazines, comics, and radio reflected the growing embrace of brand-franchise logics throughout the business landscape of America at that time. I offer the metaphor of ‘stepping stones’ to understand the brand linkages between these different media products in which consumption of one product led to the consumption of another. More importantly, I analyse the function of Tarzan creator Edgar Rice Burroughs and his company, suggesting that his visibility as franchise-author played a crucial role in constructing these brand linkages between media products. Contextualised as part of the very different cultural landscape of 1920s and 1930s consumer culture, I demonstrate how an autho- rial name operated commercially as much as a corporatised component of the branded entertainment products of Tarzan as the Tarzan character himself. INTRODUCTION By 1975, Edgar Rice Burroughs, Inc., a family-owned corporation founded in March 1923, was reported to be earning in the region of $1 million annually from the sales of texts and products based on the fic- tional character Tarzan. ‘The world-wide gross of Tarzan products sold under license to us is at least $50 million a year,’ asserted Robert M. Hodes, the man in charge of the Tarzan empire at that time (The New York Times, 1975, p. -
2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
Books at List Price, Except Myths for the Modern Age
All books signed (personalized if desired) Inquiries & PayPal to: [email protected] CURRENTLY IN STOCK The Peerless Details: $9.95 plus shipping Peer by Philip José Farmer http://www.amazon.com/gp/product/0857681206/ 2 copies available Holmes and Watson take to the skies in the quest of the nefarious Von Titan Books, 2011 Bork and his weapon of dread... A night sky aerial engagement with the deadly Fokker nearly claims three brilliant lives... And an historic alliance is formed, whereby Baker Street’s enigmatic mystery-solver and Greystoke, the noble savage, peer of the realm and lord of the jungle, team up to bring down the hellish hun! New Afterword by Win Scott Eckert. The Other Log Details: $9.95 plus shipping of Phileas Fogg by Philip José http://www.amazon.com/Other-Log-Phileas-Fogg/dp/0857689649/ 7 copies available Farmer In a delicious slice of sci-fi whimsy that sits cleverly alongside Verne's Titan Books, 2012 original tale, Phileas Fogg's epic global journey is not the product of a daft wager but, in fact, a covert mission to chase down the elusive Captain Nemo - who is none other than Professor Moriarty. A secret alien war has raged on Earth for years and is about to culminate in this epic race. First in Titan Books’ series of reissues of Farmer’s novels under the Wold Newton banner! New Afterword & Chronology by Win Scott Eckert. Time’s Last Gift Details: $9.95 plus shipping by Philip José Farmer http://www.amazon.com/Times-Last-Gift-Philip-Farmer/dp/0857689657 2 copies available Three men and a woman onboard a timeship travel from 2070 AD to Titan Books, 2012 12,000 BC—a journey that could never be repeated. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Feminine Charm
THE GREAT DYING A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Fine Arts in Creative Writing by Amy Purcell August, 2013 Thesis written by Amy Purcell B.S., Ohio University, 1989 M.F.A., Kent State University, 2013 Approved by Varley O’Connor, Advisor Robert W. Trogdon, Chair, Department of Psychology Raymond A. Craig, Dean, College of Arts and Sciences ii CHAPTER ONE Lucy Sullivan first noticed she was disappearing on Monday morning as she prepared to return to work at the Field Museum. This was two weeks after Sean had died, at the peak of Chicago’s worst heat wave in history, and two weeks after she had asked, politely, for time and space alone. The apartment smelled of the worn-out sympathies of friends. Baskets of shriveled oranges and pears and wilting lilies and roses moldered on the coffee table and mantle above the fireplace in the living room and anywhere else Lucy had found room to place them. She was certain there were even more baskets waiting for her outside the door of the apartment. She hadn’t opened the door during her seclusion, hadn’t touched the fruit or watered the plants. The idea that a dozen oranges or a clichéd peace plant would alleviate her grief brought on such an unreasonable rage that she’d decided it was best to ignore the whole lot. Outside it was pitch black, except for the sickly yellow-white pools of light illuminating the empty, elevated train tracks above North Sedgwick Avenue. -
Tarzan the Untamed
TARZAN THE UNTAMED I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R. -
Comunicado De Novedadesfebrero 2012
TM & © DC Comics COMUNICADO DE NOVEDADES FEBRERO 2012 TM & © DC Comics La serie original Batman and Robin concluye en Batman núm. 58. En este cuaderno, se resuelve la trama relacionada con Capucha Roja y también se incluye una aventura escrita por David Hine y dibujada BATMAN núm. 58 por Greg Tocchini en la cual el Dúo Dinámico se traslada a París. El motivo • Guión: Judd Winick, David Hine es una fuga masiva de Le Jardin Noir, una • Dibujo: Greg Tocchini, Andrei Bressan cárcel local. La situación ha sobrepasado • Edición original: Batman and Robin núms. 25-26 (09/2011-10/2011) al representante francés de Batman Inc., USA – DC Comics pero puede que los héroes de Gotham • Periodicidad: Mensual tampoco sean capaces de enfrentarse a un • Formato: Grapa, 48 págs. Color. 168x257 mm enemigo de lo más surrealista. • PVP: 3,50 € WWW.eccediciones.com 9 7 8 8 4 9 3 9 7 7 3 9 9 TM & © DC Comics Convertidos en las nuevas encarnaciones de Batman y Robin, Dick Grayson y Damian Wayne abordan su primer caso: la irrupción en Gotham City del Circo de lo Extraño. Una pintoresca banda criminal que, liderada por el Profesor Pyg, pondrá en jaque al Dúo Dinámico. Sin apenas tiempo para limar asperezas y definir los términos de su colaboración, el Hombre Murciélago y el Chico Maravilla tendrán que enfrentarse a Capucha Roja, decidido a imponer su propia noción de justicia. BATMAN y ROBIN Tras asombrar a los lectores con obras de la talla de All Star Superman o WE3, Grant • Guión: Grant Morrison Morrison y Frank Quitely se reencontraron • Dibujo: Frank Quitely, Philip Tan en el arco argumental inaugural de Batman • Edición original: Batman and Robin núms. -
Lorne Bair :: Catalog 21
LORNE BAIR :: CATALOG 21 1 Lorne Bair Rare Books, ABAA PART 1: AFRICAN-AMERICAN HISTORY & LITERATURE 2621 Daniel Terrace Winchester, Virginia USA 22601 (540) 665-0855 Email: [email protected] Website: www.lornebair.com TERMS All items are offered subject to prior sale. Unless prior arrangements have been made, payment is expected with order and may be made by check, money order, credit card (Visa, MasterCard, Discover, American Express), or direct transfer of funds (wire transfer or Paypal). Institutions may be billed. Returns will be accepted for any reason within ten days of receipt. ALL ITEMS are guaranteed to be as described. Any restorations, sophistications, or alterations have been noted. Autograph and manuscript material is guaranteed without conditions or restrictions, and may be returned at any time if shown not to be authentic. DOMESTIC SHIPPING is by USPS Priority Mail at the rate of $9.50 for the first item and $3 for each additional item. Overseas shipping will vary depending upon destination and weight; quotations can be supplied. Alternative carriers may be arranged. WE ARE MEMBERS of the ABAA (Antiquarian Bookseller’s Association of America) and ILAB (International League of Antiquarian Book- sellers) and adhere to those organizations’ standards of professionalism and ethics. PART ONE African American History & Literature ITEMS 1-54 PART TWO Radical, Social, & Proletarian Literature ITEMS 55-92 PART THREE Graphics, Posters & Original Art ITEMS 93-150 PART FOUR Social Movements & Radical History ITEMS 151-194 2 PART 1: AFRICAN-AMERICAN HISTORY & LITERATURE 1. CUNARD, Nancy (ed.) Negro Anthology Made by Nancy Cunard 1931-1933. London: Nancy Cunard at Wishart & Co., 1934. -
Farmerfan Volume 1 | Issue 1 |July 2018
FarmerFan Volume 1 | Issue 1 |July 2018 FarmerCon 100 / PulpFest 2018 Debut Issue Parables in Parabolas: The Role of Mainstream Fiction in the Wold Newton Mythos by Sean Lee Levin The Wold Newton Family is best known for its crimefighters, detectives, and explorers, but less attention has been given to the characters from mainstream fiction Farmer included in his groundbreaking genealogical research. The Swordsmen of Khokarsa by Jason Scott Aiken An in-depth examination of the numatenu from Farmer’s Ancient Opar series, including speculations on their origins. The Dark Heart of Tiznak by William H. Emmons The extraterrestrial origin of Philip José Farmer's Magic Filing Cabinet revealed. Philip José Farmer Bingo Card by William H. Emmons Philip José Farmer Pulp Magazine Bibliography by Jason Scott Aiken About the Fans/Writers Visit us online at FarmerFan.com FarmerFan is a fanzine only All articles and material are copyright 2018 their respective authors. Cover photo by Zacharias L.A. Nuninga (October 8, 2002) (Source: Wikimedia Commons) Parables in Parabolas The Role of Mainstream Fiction in the Wold Newton Mythos By Sean Lee Levin The covers to the 2006 edition of Tarzan: Alive and the 2013 edition of Doc Savage: His Apocalyptic Life Parables travel in parabolas. And thus present us with our theme, which is that science fiction and fantasy not only may be as valuable as the so-called mainstream of literature but may even do things that are forbidden to it. –Philip José Farmer, “White Whales, Raintrees, Flying Saucers” Of all the magnificent concepts put to paper by Philip José Farmer, few are as ambitious as his writings about the Wold Newton Family. -
Tales of the Shadowmen 6: Grand Guignol Tales of the Shadowmen 6: Grand Guignol
(Mobile library) Tales of the Shadowmen 6: Grand Guignol Tales of the Shadowmen 6: Grand Guignol 7CeyUnrW2 Tales of the Shadowmen 6: Grand Guignol GfIS03kGC ZO-91143 01oyjWnvv USmix/Data/US-2009 rTx0l7Owh 4.5/5 From 337 Reviews 6nR3TjMSb From Jean Marc Lofficier WM5ceKf3L ePub | *DOC | audiobook | ebooks | Download PDF CRAL80cRu H7h6zM4ui KguWlMmOm FLTBn12Mx so8BosEpl Rob5IzzRx x21FHFDVe LtY2xOrJy 2 of 2 people found the following review helpful. Another in this eclectic 7gHLAPcZs collection of stories using literary characters from French pulps and more!By 0WgVGtgun Michael R. Brown[a preliminary review until I finish it. read it a while wjXLGpZwV ago.]Tales of the Shadowmen v9 is the latest volume of this eclectic anthology mqmo6SPAv series from Black Coat Press. It makes use of a concept of Philip Jose Farmer PKReX1Ix1 that has various fictional characters set in the same 'universe', thus able to met GI8X27IWt and interact. Don't make the assumption that all the stories are linked. They nLrKXVizu often are not. Most are standalone, can usually be read in any order.What can pgJbbsYil be daunting is that this series uses characters of popular literary culture jA3UTHqT8 (mainly written, but sometimes film and tv), and not 'high brow' characters. And vIZYAAGOO the characters are taken from American, British, French, and other countries, AbRNGbB8h so often if you're not familiar with those characters, it can be confusing. OR, it DoxckZ3kS could lead you to start reading the original stories of these characters, which 1tMF2WOOI BCP does (such