Good 'N Country 3-13-2021 Playlist

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Good 'N Country 3-13-2021 playlist Artist Title Album Label Year Ned LeDoux Worth It Next In Line Powder River 2019 Emmylou Harris Bluebird Wine Pieces In The Sky Reprise 1975 Ray Price Danny Boy Columbia 1967 Jimmy Murphy That Old Guitar Of Mine RCA Victor 1952 Cowboy Copas An Old Farm For Sale King 1949 Dorsey Burnette (There Was A) Tall Oak Tree Era 1959 Stonewall Jackson Better Days For Mama Columbia 1970 Jann Browne Who's Gonna Be Your Next Love Curb 1991 Mel Tillis Okeechobee Ocean Let Me Talk To You (LP) Kapp 1968 The Carter Family My Home Among The Hills Columbia 1940 Jim Lauderdale New Cascade The Hummingbirds Dualtone 2002 Ernest Tubb Mr. Juke Box Decca 1963 Red Steagall Lone Star Beer And Bob Wills Music ABC Dot 1976 Rex Allen Til The Well Goes Dry Decca 1952 Carol Johnson Your Wild Life's Gonna Get You Down RCA Victor 1956 The Miller Brothers Back Roads 4 Star 1959 Sonny James Come On In Columbia 1976 Carrie Underwood & Randy Travis I Told You So (bonus track) Carnival Ride (Walmart Edition) Arista 2007 Jerry Reed You're Young Unbelievable Guitar And Voice RCA Victor 1966 Of Jerry Reed (LP) Carson Robison Settin' By The Fire MGM 1949 Hank Snow The Next Voice You Hear RCA Victor 1954 Merle Haggard Roots Of My Raising Capitol 1976 Willie Nelson My Heroes Have Always Been Cowboys Columbia 1980 Rosanne Cash Blue Moon With Heartache Columbia 1981 George Strait Ocean Front Property MCA 1987 The Dixie Chicks You Were Mine Monument 1999 Hank Williams I Can't Get You Off Of My Mind MGM 1948 Lefty Frizzell Give Me More, More, More Columbia 1951 (Of Your Kisses) Webb Pierce Saturday Night Decca 1969 The Sunny Cowgirls One Of You Dust Will Settle Compass Brothers 2008 Jeff Carson Do It Again Curb 1997 Bob Woodruff I'm Losing You Desire Road Imprint 1997 Jimmy Dean My World Is You Mercury 1955 Melba Montgomery Just Another Fool Nugget 1962 Suzy Bogguss (w/ Chet Atkins) One More For The Road Simpatico Liberty 1994 Restless Heart The Night Before Still Restless Koch 2004 Ricky Skaggs I'm Tired Epic 1988 Marty Robbins (The Girl With) Gardenias In Her hair Columbia 1967 Wynn Stewart Playboy Challenge 1960.

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“Clive Davis Said to Me, 'When Are You Going to Get Garth out of No. 1 So I
Turning Twenty he “good ol’ days” typically get a lot better press than they deserve. Unless, pretty easy to see where the potential on the roster was. of course, you’re talking about 1989, country music and Country radio. The Nobody knew big numbers here. I marketed the first album right along with the second one, which was what nobody got. NFL may have the quarterback class of ‘83 – Elway, Marino, Kelly, et al. – but When a new record comes out you force them to do catalog Nashville’s “Class of ‘89” tops even that illustrious group. and market them side-by-side. I was getting reorders of a T million units from one account. Amazing. You made them, “I remember this kind of stocky kid who kept coming into DuBois says. “I’d never run a record label so I can’t say it you shipped them and they disappeared.” the station because he had nothing else to do during the day,” changed all of a sudden, but radio was just so open to new The balloon was on the way up. “That Class of ‘89 says former KPLX/Dallas GM music. I used to call it the giant flush. All of a sudden there morphed into the ‘New Country’ explosion,” DuBois says. Dan Halyburton. “Garth Brooks in ‘89 and ‘90 there were a ton of artists, who had previously “I remember going from doing country fan rag interviews to would literally just hang out before been occupying chart positions, that just went away. When taking calls from Forbes and doing interviews with Business he played at a little honkytonk that that happened there was room for all this new stuff.” Week.
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TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much.
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CONGRESSIONAL RECORD— Extensions of Remarks E1611 HON. STEVE COHEN HON. DAVID YOUNG HON. CHRISTOPHER H. SMITH HON. DAVID YOUNG
November 28, 2017 CONGRESSIONAL RECORD — Extensions of Remarks E1611 PAYING TRIBUTE TO MEL TILLIS Cancer Awareness Month. As such, I would TRIBUTE TO BARBARA AND ARLIN like to help acknowledge all those affected by BELL HON. STEVE COHEN this type of cancer and to bring more aware- OF TENNESSEE ness to the medical research needed to help HON. DAVID YOUNG fight this disease. IN THE HOUSE OF REPRESENTATIVES OF IOWA In June 2017, the Pancreatic Cancer Action IN THE HOUSE OF REPRESENTATIVES Tuesday, November 28, 2017 Network reported that pancreatic cancer is Tuesday, November 28, 2017 Mr. COHEN. Mr. Speaker, I rise to pay trib- ranked the ninth most commonly diagnosed ute to country music’s stellar singer-songwriter cancer among women and the 11th among Mr. YOUNG of Iowa. Mr. Speaker, I rise Mel Tillis, the Country Music Association’s en- men, and is the third leading cause of cancer- today to recognize and congratulate Barbara tertainer of the year in 1976, who overcame a related death in the United States. and Arlin Bell of Council Bluffs, Iowa on the lifetime of stuttering through song. Lonnie Mel- In fact, I have been contacted by several very special occasion of their 60th wedding anniversary. They celebrated their anniversary vin Tillis died earlier this month at 85. He had constituents who have lost loved ones to pan- on September 15, 2017. six No. 1 country singles as a singer, including creatic cancer. Barbara and Arlin’s lifelong commitment to ‘‘Good Woman Blues’’ in 1976 and ‘‘Southern According to the Pancreatic Cancer Action Network, pancreatic cancer is often found in each other and their family truly embodies Rains’’ in 1981 and wrote such memorable Iowa values.
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JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide.
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Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
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Felice Bryant and Country Music Songwriting in the 1950S
Bridgewater Review Volume 39 Issue 1 Article 4 4-2020 Felice Bryant and Country Music Songwriting in the 1950s Paula Bishop Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/br_rev Part of the Composition Commons Recommended Citation Bishop, Paula (2020). Felice Bryant and Country Music Songwriting in the 1950s. Bridgewater Review, 39(1), 4-7. Available at: https://vc.bridgew.edu/br_rev/vol39/iss1/4 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Felice Bryant and Country Music Songwriting in the 1950s Paula Bishop f you were a country music artist working in Nashville in the 1950s, you might have found Iyourself at the home of Nashville songwriters, Felice and Boudleaux Bryant, enjoying one of Felice’s home-cooked meals. Boudleaux would present songs that he and Felice had written while Felice offered suggestions and corrections from the kitchen. On the surface this domestic scene suggests conventional gender roles in which the husband handles business Nashville image (Photo Credit: NiKreative / while the wife entertains the guests, but in fact, the Alamy Stock Photo) Bryants had learned to capitalize on Felice’s culinary the country music industry of the 1950s skills and outgoing personality in order to build their and build a successful career, becom- professional songwriting career. As she once quipped, ing what Mary Bufwack and Robert Oermann called the “woman who if they fed the artists a “belly full of spaghetti and ears ignited the explosion of women writers full of songs,” they were more likely to choose a song on music Row.” written by the Bryants.
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Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary.
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Captain Flashback
CAPTAIN FLASHBACK A fanzine composed for the 400th distribution of the Wait for the Bus: Turbo-Charged Party-Animal Amateur Press Association, from the joint membership of Andy The Sanguine Story Hooper and Carrie Root, residing at 11032 30th Ave. of Light Aviation NE Seattle, WA 98125. E-mail Andy at and Popular Music [email protected], and you may reach Carrie at [email protected]. This is a Drag Bunt Press Carrie and I have been watching Ken Burns’ Production, completed on 10/20/2019. latest documentary series on PBS, Country Music. It has been as fascinating and moving as CAPTAIN FLASHBACK is devoted to old the very best of Burns’ previous work, and fanzines, monster movies, garage bands and other somehow more effectively paced than most of his fascinating phenomena of the 20th Century. All films. We have found each of the chapters so written material by Andy Hooper unless indicated. engrossing that their endings come before we expect them. And this despite the fact that each Contents of Issue #11: of the first three segments ends with the death of Page 1: Wait for the Bus: The Sanguine Story of a Country music pioneer – Jimmie Rodgers at Light Aviation and Popular Music the end of part one, Hank Williams at the Page 2: Comments on Turbo-Apa #399 conclusion of chapter two, and the tragic end of Page 6: A Key to Interlineations in Issue #10 Patsy Cline, Hawkshaw Hawkins and Cowboy Page 6: Lettercoltrains Copas at the end of chapter three. Page 18: I Remember Entropy Department: Selections by Andy Young, Harlan Ellison, The deaths of Rodgers and Williams were not Ed Wood and Dean McLaughlin much of a surprise – Rodgers had tuberculosis, Page 19: Fanmail from Some Flounder: Letters of and Williams suffered from a raft of physical Comment on CAPTAIN FLASHBACK issues and addictions – but the small plane crash Page 20: Top Fanzine Auction Prices in 2019 that killed Cline, Copas and Hawkshaw was a terrible shock.
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BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
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Countrytime - Best of 320 Titel, 20,1 Std., 1,88 GB
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