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Blowing Your Mind À Couper Le Souffle
MUSIC[]MUSIQUE BLOWING YOUR MIND À COUPER LE SOUFFLE MICHAEL BLAKE IS THE BEST CANADIAN JAZZ SAXOPHONIST YOU’VE NEVER HEARD OF. HE AND HIS NEW YORK PARTNERS IN THE JAZZ COMPOSERS COLLECTIVE ARE MAKING THE MUSIC YOU SHOULD BE LISTENING TO. MICHAEL BLAKE EST LE MEILLEUR SAXOPHONISTE DE JAZZ CANADIEN DONT VOUS N’AVEZ JAMAIS ENTENDU PARLER. LA MUSIQUE QU’IL FAIT AVEC SES PARTENAIRES NEW-YORKAIS DU JAZZ COMPOSERS COLLECTIVE EST INCONTOURNABLE. TEXT | TEXTE PAUL WELLS PHOTOS MICHAEL A. NEMETH ENROUTE 11_2003 066 ENROUTE 12_2003 067 THE FASHION IN JAZZ CLUBS CHANGES IN MANHATTAN AS DANS LES CLUBS DE JAZZ DE MANHATTAN, LA MODE CHANGE AUSSI swinging out of both sides of his mouth. duos en jouant simultanément de ses saxophones soprano et ténor. rapidly as the fashion in everything else there. The Village Vanguard rapidement que dans n’importe quel autre domaine. Le Village Vanguard Blake’s reputation among the city’s younger and more adven- La réputation de Blake parmi ses jeunes confrères aventureux est is eternal, but all the other clubs you’d have run to 15 years ago – est indétrônable, mais tous les autres clubs où vous vous seriez précipité turous musicians is considerable, which explains why this inaugural considérable. C’est pourquoi la crème du jazz de Manhattan assiste Sweet Basil, Seventh Avenue South, Bradley’s – have closed. The il y a 15 ans – Sweet Basil, Seventh Avenue South, Bradley’s… – sont performance by his first big band has drawn the cream of au concert d’ouverture du Canadien et de son premier big band. -
Newsletter 09Feb.Pub
A P A PLACE FOR JAZZ O R February 2009 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY Looking Back, Forging Ahead by Tim Coakley ♦ The 2008 season of A Place VOLUNTEER HELP WANTED for Jazz was a rousing suc- Support Needed cess, especially in the vari- ety of styles and sounds we As always, and especially in We need help: were able to present. these difficult economic times, With publicity: distributing fliers we rely greatly on your support and posters • We began with the sparkling to continue presenting first-rate Writing music reviews for the news- letter trio of pianist Bill Charlap, jazz concerts for your enjoy- who gave us a great open- Greeting people and handing out ment. programs at the concerts ing concert. Please take a look at the mem- • Saxophonist Lee Russo bership form inside and decide If you can help, please call Tim helped us to continue show- Coakley at which level of support is com- 518-393-4011 casing the wealth of musical fortable for you. talent in the Capital Region. or e-mail him at Every contribution we get goes [email protected] • Bassist Ben Allison and vi- directly toward continuing the braphonist Joe Locke each legacy of Butch Conn, who offered their own very indi- founded A Place for Jazz in or- vidual takes on the jazz id- der to present the music in a iom, and each of them gave congenial, warm setting that is an inspirational master class conducive to listening and en- for Nat Phipps’ music stu- joying this great American art dents at Schenectady form. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
International Jazz News Festival Reviews Concert
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC INTERNATIONAL JAZZ NEWS TOP 10 ALBUMS - CADENCE CRITIC'S PICKS, 2019 TOP 10 CONCERTS - PHILADEPLHIA, 2019 FESTIVAL REVIEWS CONCERT REVIEWS CHARLIE BALLANTINE JAZZ STORIES ED SCHULLER INTERVIEWS FRED FRITH TED VINING PAUL JACKSON COLUMNS BOOK LOOK NEW ISSUES - REISSUES PAPATAMUS - CD Reviews OBITURARIES Volume 46 Number 1 Jan Feb Mar Edition 2020 CADENCE Mainstream Extensions; Music from a Passionate Time; How’s the Horn Treating You?; Untying the Standard. Cadence CD’s are available through Cadence. JOEL PRESS His robust and burnished tone is as warm as the man....simply, one of the meanest tickets in town. “ — Katie Bull, The New York City Jazz Record, December 10, 2013 PREZERVATION Clockwise from left: Live at Small’s; JP Soprano Sax/Michael Kanan Piano; JP Quartet; Return to the Apple; First Set at Small‘s. Prezervation CD’s: Contact [email protected] WWW.JOELPRESS.COM Harbinger Records scores THREE OF THE TEN BEST in the Cadence Top Ten Critics’ Poll Albums of 2019! Let’s Go In Sissle and Blake Sing Shuffl e Along of 1950 to a Picture Show Shuffl e Along “This material that is nearly “A 32-page liner booklet GRAMMY AWARD WINNER 100 years old is excellent. If you with printed lyrics and have any interest in American wonderful photos are included. musical theater, get these discs Wonderfully done.” and settle down for an afternoon —Cadence of good listening and reading.”—Cadence More great jazz and vocal artists on Harbinger Records... Barbara Carroll, Eric Comstock, Spiros Exaras, -
NEWS RELEASE Contact: Ann Braithwaite (781) 259-9600 [email protected]
NEWS RELEASE Contact: Ann Braithwaite (781) 259-9600 [email protected] Jazz at Princeton University inaugurates world’s newest jazz festival with headliner Dave Holland on Saturday, April 13 The first Princeton University Jazz Festival also features jazz superstars Donny McCaslin, Joel Frahm, Tia Fuller, Ingrid Jensen, Charenée Wade, Pedrito Martinez Jazz at Princeton University, helmed by acclaimed saxophonist/composer Rudresh Mahanthappa, presents the first Princeton University Jazz Festival on Saturday, April 13. The world’s newest jazz festival highlights a lineup featuring the bands of today’s top jazz stars as well as jazz greats playing with Princeton’s exceptional student groups. Free daytime performances, to be held outdoors at Alexander Beach in front of Princeton’s Richardson Auditorium, begin at noon. At 8 p.m., bassist Dave Holland will perform with Small Group I in a ticketed event at Richardson Auditorium in Alexander Hall, 68 Nassau Street. Tickets are $15, $5 students. For information please call 609-258-9220 or visit https://music.princeton.edu. Schedule of free performances: Noon-1 p.m.: Small Group X with Special Guest Joel Frahm, saxophone 1:20-2:20 p.m.: Small Group A with saxophonist Tia Fuller and trumpeter Ingrid Jensen 2:40-3:40 p.m.: Charenée Wade Quartet with Wade on vocals, pianist Oscar Perez, bassist Paul Beaudry, drummer Darrell Green 4-5 p.m.: Pedrito Martinez Group with Martinez on percussion and lead vocals; Isaac Delgado, Jr. on keyboards and vocals; Sebastian Natal on electric bass and vocals; Jhair Sala on percussion 5:20-6:30 p.m.: Donny McCaslin Quartet with McCaslin on saxophones, keyboardist Jason Lindner, bassist Jonathan Maron, drummer Zach Danziger “We are very excited to launch this new festival bringing together a wide array of today’s most creative and accomplished jazz artists performing with our remarkably talented students,” says Mahanthappa. -
Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step. -
Advance Program Notes
Advance Program Notes Maria Schneider Orchestra Friday, May 4, 2018, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. MARIA SCHNEIDER ORCHESTRA Program to be announced from the stage Reeds Guitar Steve Wilson Ben Monder Dave Pietro Rich Perry Accordion Jon Irabagon Gary Versace Scott Robinson Piano Trumpets Frank Kimbrough Greg Gisbert Bass Jonathan Heim Jay Anderson Nadje Noordhuis Jason Palmer Drums Terreon Gully Trombones Keith O’Quinn Sound Ryan Keberle Ken Jablonski Dion Tucker George Flynn Management Marie Le Claire This performance is supported in part by gifts received in memory of Michael Hyer, Ph.D. About Maria Schneider Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their first recording,Evanescence. There, Schneider began to develop her personal way of writing for what would become her 18-member collective, made up of many of the finest musicians in jazz today, tailoring her compositions to distinctly highlight the uniquely creative voices of the group. The Maria Schneider Orchestra has performed at festivals and concert halls worldwide. She, herself, has received numerous commissions and guest-conducting invites, working with over 85 groups from over 30 countries. Schneider’s music blurs the lines between genres, making her long list of commissioners quite varied, stretching from Jazz at Lincoln Center and the Saint Paul Chamber Orchestra to collaborating with David Bowie. -
Maria Schneider
JAZZ AT THE nATION'S lIBRARY THE CAROLYN ROYALL JUST FUND iN tHE LIBRARY oF CONGRESS THE REVA & DAVID LOGAN FOUNDATION MARIA SCHNEIDER rESIDENCY APRIL 12 - APRIL 16, 2016 LIBRARY OF CONGRESS WASHINGTON, DC The CAROLYN ROYALL JUST FUND in the Library of Congress, established in 1993 through a bequest of the distinguished attorney and symphony musician Carolyn Royall Just, supports the presentation and broadcasting of classical chamber music concerts. Made possible by The Reva and David Logan Foundation is a Chicago-based family foundation that provides strategic grants to support the arts, investigative journalism, scholarship and social justice. ***** Concerts from the Library of Congress has joined forces with the Logan Foundation to showcase some of the greatest figures and musicians in contemporary jazz. Bandleader and composer Maria Schneider, pianist and composer Abdullah Ibrahim, and scholar Dan Morgenstern will explore the Library's jazz collections and incorporate new discoveries into their perfor- mance and writing activities. Join us for an unprecedented focus on jazz at the nation's library. A live recording of the world premiere performance of Maria Schneider's Library of Congress commission will be available at q2music.org/libraryofcongress, as part of the ongoing collaboration between the Library of Congress and Q2 Music. Maria Schneider Residency Events Tuesday, April 12, 7 pm | Panel Discussion Artists' Rights and the Digital Marketplace Maria Schneider | John L. Simson | Spree Wilson | Jennifer Cutting Montpelier Room -
Frank Kimbrough Frank Kimbrough Solstice SOLS T ICE
PRESS CONTACT: PIROUET Records Grünwalder Weg 30 · 82041 Oberhaching · Germany Steffen Mayer press release www.pirouet.com · [email protected] phone: +49-89-55 077674 Spritzenplatz 12 22765 Hamburg Germany phone: +49-40-8817288-6 [email protected] www.herzogpromotion.com frank kimbrough Frank Kimbrough Solstice SOLS T ICE Frank Kimbrough · piano Jay Anderson · bass Jeff Hirshfield · drums Release date: November 25, 2016 Pirouet Records · PIT3097 Distribution: 1. Seven 2. Here Come the Honey Man 3. Solstice USA, Canada, Europe (except GB): NRW Distribution 4. The Sunflower 5. Albert’s Love Theme Digital: Believe Digital 6. Question’s the Answer 7. From California with Love 8. El Cordobes 9. Walking by Flashlight Press release Frank Kimbrough: Solstice 1 Release: November 25, 2016 Pirouet Records · PIT3097 PRESS CONTACT: PIROUET Records Grünwalder Weg 30 · 82041 Oberhaching · Germany Steffen Mayer press release www.pirouet.com · [email protected] phone: +49-89-55 077674 Spritzenplatz 12 22765 Hamburg Germany phone: +49-40-8817288-6 [email protected] www.herzogpromotion.com Solstice: exploring the boundaries of darkness and light Frank Kimbrough counts among a handful of New York-based pianists who have been refining and expanding the language of ensemble playing over the last few decades (this November he marks 35 years in New York and his sixtieth birthday). Declared a “a near-visionary whose piano-improvising, composing, and band-leading skills seek out the dark corners of untrod jazz terrain” by The New Yorker, Kimbrough is noted for his exquisite ensemble, trio and solo recordings as well as his duo work with Lee Konitz, Scott Robinson, Joe Locke and Paul Bley, his work as a sideman in Dewey Redman’s quartet, and his long-term involvement with the Jazz Composers Collective and the Maria Schneider Orchestra. -
Mcguinness 02-26-17 Flyer
Pete McGuinness Sextet With a salute to Mel Torme Sunday, February 26, 2017 Pete McGuinness is the Professor of Jazz Composition and Arranging at William Paterson University in Wayne, NJ. Since 1987, he has been an active New York City area jazz artist - trombonist, three-time Grammy-nominated composer-arranger, and award-winning jazz vocalist (semi-finals of the Thelonious Monk International Jazz Vocal Competition, 1st prize in the Jazzmo- bile Vocal Contest). Pete has performed as both a trombonist and vocalist with the Jimmy Heath, Maria Schneider and Woody Herman Orchestras. He work as an arranger has resulted in commissions from among others The Dave Liebman Big Band, The Swiss Jazz Orchestra and The National Endowment for the Arts. Pete appears on over 50 jazz CDs as a sideman and has released four recordings as a leader. He also leads his own small group and a big band, The Pete McGuinness Jazz Orchestra, which has appeared on numerous occasions at such venues as The Blue Note, Iridium, The Jazz Gallery and other NYC jazz clubs. He has appeared on the 2008 Downbeat Magazine Critics’ Poll in the ”Rising Star” category for Jazz Arranger, and in 2015 and 2016 “Rising Star” categories of both Male Jazz Vocalist and Jazz Arranger. He recently became a member of a new jazz vocal group “The Royal Bopsters”, which is currently appearing in jazz venues across the country. Andy Eulau is an active bass player on the New York music scene, his “drive and rich sound” (Downbeat Magazine) has led to associations with the Village Vanguard Orchestra, the BMI Jazz Orchestra, Gene Bertoncini, S.Y.O.T.O.S., and the Gary Morgan Pan-American Big Band, as well as several theater and symphony orchestras.He has performed in concert halls and jazz clubs in the USA, Europe, Asia, North Africa, and the Middle East with a long list of artists, most notably Ray Barretto, Anthony Braxton, Freddie Bryant, Bobby Sanabria, and many others. -
Ben Allison Resume 2017
B E N A L L I S O N 43 E 10th St, Apt 4B, New York, NY 10003 917-531-8994 • [email protected] • www.benallison.com twitter.com/benallisonmusic • facebook.com/benallisonmusic Award-winning Bassist, Composer, Arranger, Bandleader Internationally Recognized Educator and Clinician Palmetto Records Recording Artist (1998-2012) Sonic Camera Records Owner and Recording Artist (2013-present) Artistic Director & Composer-in-Residence, The Jazz Composers Collective President, NY Chapter, The Recording Academy PERFORMANCE EXPERIENCE Touring and Recording Bassist, Composer and Bandleader, 1990-present o Leader of the Ben Allison Band, Ben Allison & Think Free, The Easy Way Trio, Man Size Safe, Peace Pipe, Ben Allison & Medicine Wheel: o Featured bassist, composer, arranger and artistic producer on 16 award-winning albums of original compositions and/or arrangements of varied repertoire o Performed on and organized over 150 national and international tours as a bandleader o Headlined at countless national and international festivals, concert series and special events, including the North Sea Jazz Festival, San Francisco Jazz Festival, Carnegie Hall, Newport Jazz Festival, Atlanta Jazz Festival, Mito Settembre Musica, Seixal Jazz Festival, and London Jazz Festival, among many others o Composed, arranged and produced music for radio, television, film, and theater, including the theme for NPR’s On the Media (which is heard by over 2 million listeners weekly), the score for Two Days, a play by Pulitzer Prize winning playwright Donald Margulies, and themes -
Ben Allison Bassist • Composer • Band Leader • Educator • Advocate
Ben Allison Bassist • Composer • Band Leader • Educator • Advocate Bassist/Composer/Producer Ben Allison has garnered an international reputation as a leading voice of his generation. Known for his inspired arrangements, inventive grooves and hummable melodies, Ben has an instantly identifiable sound. He draws from the jazz tradition and a range of influences — from rock and folk to 20th century classical and world music — and seamlessly blends them into a cinematic, cohesive whole. With his groups Think Free, The Ben Allison Band, The Easy Way, Peace Pipe, and Medicine Wheel, Ben has toured extensively throughout the world, winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected. Recent performance highlights include Carnegie Hall (New York City), Teatro Manzoni (Milan, Italy), Thatro Roberto Cantoral (Mexico City, Mexico), Central Park’s SummerStage (New York, NY), Auditório Ibirapuera (Sao Paulo, Brazil), The Capitol Theater (Salt Lake City, NV), Walt Disney Concert Hall (Los Angeles, CA) and Queen Elizabeth Hall (London, England). In 2005, 2008 and 2013, Ben was a featured composer, arranger and performer with Jazz Sinfonica, an 80-piece orchestra based in Sao Paulo, Brazil. The orchestra performed Ben’s compositions Little Things Run the World, Riding the Nuclear Tiger, Roll Credits, Green Al, and others from his various albums. Ben performed his Carnegie Hall debut as a leader in February 2012. A multi-part short documentary of Ben preparing for the concert was filmed. Born in New Haven, Connecticut, Ben has performed and collaborated with an extremely diverse range of artists including oudist Ara Dinkjian, kora player Mamadou Diabate, saxophonists Lee Konitz and Joe Lovano, Cambodian chapei master Kong Nay, legendary performance artist Joey Arias, tap dancers Jimmy Slide and Gregory Hines and US Poet Laureate Robert Pinsky.