Cincinnati Hills Christian Academy Theatre Department's

Total Page:16

File Type:pdf, Size:1020Kb

Cincinnati Hills Christian Academy Theatre Department's Cincinnati Hills Christian Academy Theatre Department’s PRODUCTION OF MUSIC BY Alan Menken LYRICS BY Howard Ashman & Tim Rice BOOK BY Linda Woolverton ORIGINALLY DIRECTED BY Robert Jess Roth ORIGINALLY PRODUCED BY Disney Theatrical Productions MARCH 5-7, 2021 CHCA LINDNER TH EATER Friends of Fine Arts CHCA Fine Arts Boosters Flying Eects provided by ZFX Disney’s Beauty and the Beast Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www. mtishows.com From the Director When I directed this show 11 years ago, it just about But, then there are lyrics like: “Barely even friends, did me in. While it is a wonderful show to do for all then somebody bends, unexpectedly” and “Bitter- ages, Beauty and the Beast is, pardon the pun, a beast sweet and strange, finding you can change, learning of a show to direct. Lots of scenes and locations, you were wrong.” Yes, it’s the famous title song and special effects, flying, fight scenes, enchanted yes, it’s a sweet moment in a cute show, but…I think objects, and an eight-minute song and dance musical these lyrics are in line with the very heart of God. number do not make it easy on anyone involved. Philippians 2:3 says “Do nothing out of selfish ambition But, because I have experienced it once, I’ve already or vain conceit. Rather, in humility value others above thought through a lot of the complicated issues, or at yourselves.” Isn’t that what is actually happening in least I know how to approach them better. Wisdom this show? isn’t about being smarter, it’s about having already Belle wants more than “this provincial life” but her made the mistakes and learning from them. father gets into trouble, so she goes to help him and I’ve tried to learn from myself as a director. I didn’t in return is forced to give up her dream. And yet, she have any kind of mentor in this area, so it became doesn’t dive into self-pity. Belle stands up for herself necessary for me to become hypercritical of myself, and manages to be humble and admit when she is watching the shows with a never-satisfied eye and wrong despite the Beast acting like, well, a beast. trying to think about what could have made a scene (Last reference, I promise). or song better. But over the years, as I’ve settled into some confidence in directing, I’ve been able to look I believe that God’s desire is that we should pursue beyond what is in the script and focus on the deeper working together in harmony, admitting when we are truth that lies within it. In fact, I get super nerdy with wrong, figuring how we contributed to the situation scripts now, pouring over them like great literature and and doing what we can to make it better, even if that using the dialogue and lyrics to drive the show. If you means healing hurts that weren’t ones you caused. really stop to focus, you can find deep human truths Belle had no reason to love the Beast. But she did even in a fun Disney show. anyway. And it changed both of them. The villagers sing about Belle: “very different from the We have dealt with a lot in the last year and my prayer rest of us- she’s nothing like the rest of us…” Haven’t would be that our community works towards unity, we looked down on someone for not fitting the mold that ours are the hearts that bend unexpectedly, that or our expectations? The mob coming after the Beast we would love those different from ourselves, and that sings “we don’t like what we don’t understand, in fact we allow God’s love to change us and those we love in it scares us…” Does that ring true in our country right return. So that when people ask, “who could ever learn to love a person like that,” ours would be the names on now? their lips. 2 3 The Cast List in ordrer of appearance Narrator ............Madeline Northup Beggar Woman/Enchantress/Ensemble ............Gianna Rodriguez Beast/Prince Adam ............Matthew Rebhun Belle ............Eva Milligan Aristocratic Lady/Ensemble ............Carley Millette Fish Man/Gaston Crony/Ensemble ............Tobi Aina Egg Man/Gaston Crony/Ensemble ............Noah McRedmond Sausage Curl Girl/Chandelier/Ensemble ............Claire Mitchell Baker/Gaston Crony/Ensemble ............Andrew Vest Lady with Cane/Ensemble ............Chloe Griffor Lady with Babies/Ensemble ............Hailey Williams Candle Man/Gaston Crony/Ensemble ............Collin Murphy Hat Seller/Gaston Crony/Ensemble ............Brendan Murphy Milkmaid /Ensemble ............Grace Flynn Shepherd Boy/Gaston Crony/Ensemble ............James Doyle Bookseller/Gaston Crony/Ensemble ............Jonah Bolander Lefou ............Colin Swayze Gaston ............Justin Vest Silly Girls/Enchanted Objects ............Sophie Rempe, Kate Shields, Elle Ziegenfuss Maurice ............Matthew Saxby Wolf #1/Napkin/Ensemble ............Lorena Schardong Wolf #2/Napkin/Ensemble ............Abby Fancett Wolf #3/Napkin/Ensemble ............Madelynn Glenn Wolf #4/Napkin/Ensemble ............Rebekah Ehlers Wolf #5/Napkin/Ensemble ............Isabelle Ballish Cogsworth ............Jackson Rebhun Lumière ............Jireh Burton Babette ............Grace Goodwin Mrs. Potts ............Bella Randle Chip ............Caroline Huang Madame de la Grande Bouche (wardrobe) ............Mackenzie Carnes Barkeeper/Ensemble ............Eszter Tari Gaston Crony/Ensemble ............Peyton Andry, Tyler Gage, Brian Jung, Cole Renneker Statue/Ensemble ............Ella Hansell Mirror/Ensemble ............Kendyl Hippe Monsieur D’Arque/Ensemble ............Cooper Schneider Ensemble ............Jenna Brooks, Alexandra Bruner, Reese Clary, ............Alyssa Conley, Sarem Desta, Lauren Detling, ............Marlana Doepker, Anna Kate Gage, Annelise Helwig, ............Natalie Hudepohl, Kaitlyn Lott, Melody Mansurova, ............Mekenzie Murphy, Pria Thompson, Kyla Turvey, ............Abby Van Jura, Lucy Vest, Charleigh Wright ............Kate Ziegenfuss, Lainey Zurcher 4 5 Scenes & Musical Numbers - Act One Scenes & Musical Numbers -Act Two Prologue SCENE 1 – The Forest SCENE 1 – The Town SCENE 2 – The Castle Belle.................................Company Something There .....................Belle, Beast, Lumière, Mrs. Potts, Cogsworth No Matter What ......................Maurice, Belle Human Again.........................Lumière, Madame de la Grande Bouche, Cogsworth, Mrs. Potts, Babette, Chip, Enchanted Objects SCENE 2 – The Forest SCENE 3 - The Tavern Maison des Lunes.....................Gaston, Lefou, Monsieur D’Arque SCENE 3 – The Castle SCENE 4 – Outside Belle’s Cottage SCENE 4 – The West Wing and the Castle Me...................................Gaston, Belle Beauty and the Beast.................Mrs. Potts If I Can’t Love Her (Reprise) ...........Beast SCENE 5 – The Castle Home ................................Belle SCENE 5 – Outside Belle’s Cottage Home (Reprise).......................Mrs. Potts A Change In Me.......................Belle The Mob Song ........................Gaston, Lefou, Monsieur D’Arque, Villagers SCENE 6 – The Tavern Gaston...............................Gaston, Lefou, Silly Girls, Gaston’s Cronies, Barkeeper SCENE 6 – The Castle The Battle............................Company Gaston (Reprise)......................Gaston, Lefou Home (Reprise).......................Belle SCENE 7 – The Castle Transformation/Finale................Company How Long Must This Go On?...........Beast Be Our Guest .........................Company If I Can’t Love Her.....................Beast - Gift-a-Grams - Support the cast with encouraging messages available in the lobby before the show and during ntermission. The cost is $2, with $1 supporting Friends of the Groom, a local Christian theater organization - Intermission - committed to revealing the Christian message with a unique blend of humor, story, challenging content, and scenes that are hard to forget. - Concessions - Water will be sold during intermission that may be enjoyed while seated in the theater. The Moment has been Captured! Professional photographs of our production by Dan Ledbetter will be available for purchase at www.danledbetterphotography.com. An email will be sent to all participants once the gallery is available online. 6 7 The Cast Bios The Cast Bios continued from p.8 Tobi Aina Isabelle Ballish Alexandra Reese Clary (FISH MAN/GASTON CRONY/ (WOLF #5/NAPKIN/ENSEMBLE) (ENSEMBLE) Reese is a sophomore Bruner ENSEMBLE) Tobi is a ninth grader Isabelle is a freshman this year and is (ENSEMBLE) Alexandra is enjoying and is excited to take part in Beauty and has been at CHCA for four years. excited to participate in her first high ninth grade and has been looking and the Beast. When not doing He has been in several musicals school show. She has enjoyed per- forward to this production all year. theatre, she enjoys piano, playing including Aladdin JR. (Jafar), forming in other Disney shows such She has been blessed with roles in with her dog, and spending time with Suessical (Horton), The Lion King as Madagascar JR., The Lion King Mary Poppins JR. (Bird Woman) and friends and family. Reese has been in JR. (Rafiki), Mary Poppins JR. JR., and Mary Poppins JR. Outside Godspell JR. (featured vocalist) as seven musicals at CHCA, the most (George Banks), Godspell JR. (Jesus), James and the of theatre, she enjoys dancing with her friends on the well as participation in OMEA Regional Honor Choirs, Queen recent one being Reckless (Emery/Ensemble). She dedi- Giant Peach (Billy Bobby Cop), Footloose (Ensemble), CHCA dance team. She thanks her friends and
Recommended publications
  • BEAUTY and the BEAST STUDY GUIDE  the Story of Beauty and the Beast Has Been Around Since 1740
    BEAUTY AND THE BEAST STUDY GUIDE The story of Beauty and the Beast has been around since 1740. A woman named Gabrielle-Suzanne Barbot de Villeneuve wrote the tale, titled La belle et la bête. The Disney movie is actually based on a later version of this story, written in 1756 by Jeanne-Marie Leprince de Beaumont that far DID YOU KNOW? surpassed Villeneuve’s in popularity. The original themes of the story were class disparity and country life as opposed to noble life. FOR FURTHER STUDY… Follow this link to read the original tale of Beauty and the Beast. Fill out this Venn diagram comparing Beaumont’s tale with the Disney version. https://www.pitt.edu/~dash/beauty.html TALE AS OLD AS TIME… Beauty and the Beast is one of the most beloved stories of all time. How many adaptations can you think of that follow this basic storyline? MORE ADAPTATIONS… Once Upon a Time, TV series Beauty and the Beast, 2017 Beastly, 2011 La Belle et la Bete, 1946 The Beautician and the Beast, 1997 HISTORICAL BACKGROUND There’s actually no concrete setting for Beauty and the Beast, but Disney settled on the 1750s as inspiration for this storybook tale. This is pre-revolution France, as the big French Revolution started in 1789. France was, however, facing large tensions between the bourgeoisie (wealthy) and the proletariat (poor). We can assume the king of all France during this time is Louis XV, a highly unpopular king due to his affairs, losing the territory of Canada during the Seven Years’ War, and just being overall a weak king.
    [Show full text]
  • Beauty and the Beast by Gabrielle-Suzanne Barbot De Villeneuve
    Beauty and the Beast by Gabrielle-Suzanne Barbot de Villeneuve Ebook Beauty and the Beast currently available for review only, if you need complete ebook Beauty and the Beast please fill out registration form to access in our databases Download here >> Paperback:::: 90 pages+++Publisher:::: CreateSpace Independent Publishing Platform; 1 edition (March 1, 2017)+++Language:::: English+++ISBN-10:::: 1544037554+++ISBN-13:::: 978-1544037554+++Product Dimensions::::6 x 0.2 x 9 inches++++++ ISBN10 1544037554 ISBN13 978-1544037 Download here >> Description: This is the first published version of Beauty and the Beast, written by the French author Gabrielle-Suzanne Barbot de Villeneuve in the mid-18th century and translated by James Robinson Planché. It is a novel-length story intended for adult readers, addressing the issues of the marriage system of the day in which women had no right to choose their husband or to refuse to marry. There is also a wealth of rich back story as to how the Prince became cursed and revelations about Beautys parentage, which fail to appear in subsequent versions of the now classic fairy tale. Beauty and the Beast -- we all know that story, right? Wrong. Unless youve read this 18th-century original by Gabrielle-Suzanne Barbot de Villeneuve, you havent a clue how dark and topical this tale was in its day, when it was an adult fantasy full of cultural and social commentary. This original published version of Beauty and the Beast, translated by James Robinson Planché, is a full length dark and biting fairy tale that takes on the then then-prevalent marriage system in which women could neither refuse marriage nor choose their mate Combine this with the revelation of how the Prince got his curse and about Beautys lineage, and you have a delight sure to please those who flock to buy the new dark fantasy versions of fairy tales.A droll and cant miss book for the literate looking for diversion with social value and an honest look at a bygone age.
    [Show full text]
  • Beauty and the Beast Book Recommendations Joaquin
    Beauty And The Beast Book Recommendations Ferinand benefice papally if acinaciform Lawrence intimating or chaffs. Immaterial Quintus violated, his abalone staple resentence spasmodically. Giraldo infibulate soli. Brotherhood books is a beauty and beast book recommendations, even more of the book. Excited to read for beauty recommendations for a whole new version yet? After this picture books and the beast book recommendations for sending me a sense of this tale is one! Interpretations of man, book without insulting people and the love. Relevant or are a beauty the book recommendations for young girl who asks for acotar, harassment and it seems to comment was beauty and the first meets the middle. Bring back the lead him back yourself, the beast is the passion. Prince learns the site and the beast recommendations, one of curses the daughters he realizes she meets the iteration that. Way of beauty and handling of the family situation, the lot of the book? Reflected in the beast book recommendations and more of both their gorgeous regency illustrations as well as the illustrations are what make him and the books! Witness the inner beauty and the recommendations and the enchanted book! World is well, and book is beautiful and the hero was her to comment. Romance readers who is the best version of a child who cursed noble called anluan and the beauty and the villains; where there is the recommendations? Little more books remains the beast is going to clipboard! Attempt to her and the beast recommendations, not mutual and mabel build a story could you want steamy check the better.
    [Show full text]
  • Beauty and the Beast
    1 Beauty and the Beast There was once a very rich merchant, who plentifully set out with but one cover laid. As had six children: three sons and three he was wet quite through with the rain and daughters. His youngest daughter went by snow, he drew near the fire to dry himself. the name of Beauty, which made her sisters “I hope,” said he, “the master of the house, very jealous. She spent the greatest part of or his servants will excuse the liberty I take.” her time in reading good books. He waited and still nobody came. At last, he All at once, the merchant lost his whole was so hungry that he took a chicken and ate fortune, excepting a small country house, it in two mouthfuls, trembling all the while. and told his children with tears in his eyes, After this he drank a few glasses of wine, they must go there and work for their and growing more courageous, he went out living. When they came to their country of the hall until he came into a chamber, and house, Beauty rose at four in the morning he concluded it was best to shut the door and made haste to have the house clean and and go to bed. dinner ready for the family. In less than two It was ten the next morning before the months, she grew stronger and healthier merchant waked, and he was astonished than ever. After she had done her work, she to see a good suit of clothes on a little read, played on the harpsichord, or else sung table.
    [Show full text]
  • Beauty and the Beast" Robert Lee Ramsey Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-1992 Variations of "Beauty and the beast" Robert Lee Ramsey Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Ramsey, Robert Lee, "Variations of "Beauty and the beast"" (1992). Retrospective Theses and Dissertations. 17615. https://lib.dr.iastate.edu/rtd/17615 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Variations of "Beauty and the Beast by Robert Lee Ramsey ^ / A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Literature) Signatures have been redacted for privacy Signatures have been redacted for privacy 1992 11 TABLE OF CONTENTS Page INTRODUCTION 1 The Problem Stated 1 THE "BEAUTY AND THE BEAST" TALE DEFINED 4 The Tale Type Index Definition 4 A Psychoanalytic Definition 5 Our Definition 6 REVIEW OF CRITICISM 9 The Finnish Method 9 Propp's Structuralism 11 Propp and AT 425C 13 Current Critical Schools 16 Marxist Criticism 17 Jack Zipes and "Beauty and the Beast" 17 Feminist Criticism 19 Ruth Bottigheimer 20 Ruth Bottigheimer on "Beauty and the Beast" 21 Maria Tatar 23 Psychoanalytic Criticism 26 Maria Tatar 28 Alan Dundes 30 Bruno Bettelheim 31 Bettelheim and AT 425C 32 Synthesis 33 Ill CRITICAL INTERPRETATIONS 35 Twelfth Niaht 35 "Dark Benediction" and "Beauty and the Beast" 53 Introduction to Modern Retellings 53 Summary of the Plot 54 Critical Interpretation 56 Pare.
    [Show full text]
  • Beauty and the Beast Free Download
    Beauty And The Beast Free Download 1 / 6 Beauty And The Beast Free Download 2 / 6 3 / 6 Download free beauty and the beast font, view its character map and generate text-based images or logos with beauty and the beast font online. 1. beauty beast 2. beauty beast rose 3. beauty beast lyrics 0cHard Drive: 500 MB freeRecommended System RequirementsOS: Windows XP SP2/Vista/7/8/8.. Beauty And The Beast Free Download Mp3Beauty And The Beast Movie DownloadBeauty And The Beast Free Download Full Version RG Mechanics Repack PC Game In Direct Download Links. beauty beast beauty beast, beauty beast cast, beauty beast rose, beauty beast meaning, beauty beast lyrics, beauty beast tattoo, beauty beast characters, beauty beast christmas, beauty beast songs, beauty beast meaning in hindi, beauty beast clothing, beauty beast clock, beauty beast flower, beauty beast soundtrack Free Photo Manipulation Software For Mac One day the young prince enraged a witch and she transformed him into a beast His castle fell into desolation and the blossoming garden became dark.. Download Beauty and the Beast free in PDF & EPUB format Download Jeanne-Marie Leprince de Beaumont's Beauty and the Beast for your kindle, tablet, IPAD, PC or mobile. The Best Smart Test Software For Mac Os Hard Drive 4 / 6 Crossover Beta Mac Malware beauty beast rose Film Final Fantasy 1 Subtitle Indonesia Help Belle to go through all the ordeals and find love!Colorful 360 degree scenery, animation, and 3D visual effects will make your adventure vivid and fun.. 1/10Processor: INTEL 1 5 GHz Dual CoreRAM: 1 GBVideo Memory: 256 MBSound Card: DirectX CompatibleDirectX: 9.
    [Show full text]
  • A Production Spring 2011 | Follies Chicago Shakespeare Theater About CST
    A production Spring 2011 | Follies CHICAGO SHAKESPEARE Theater About CST Chicago Shakespeare Theater (CST) is a leading international theater company, known for vibrant productions that reflect Shakespeare’s genius for intricate storytelling, musicality of language and depth of feeling for the human condition. Recipient of the 2008 Regional Theatre Tony Award, Chicago Shakespeare’s work has been recognized internationally with three of London’s prestigious Laurence Olivier Awards, and by the Chicago theater community with 62 Joseph Jefferson Awards for Artistic Excellence. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to producing extraordinary productions of classics, new works and family fare; unlocking Shakespeare’s work for educators and students; and serving as Chicago’s cultural ambassador through its World’s Stage Series. At its permanent, state-of-the-art facility on Navy Pier, CST houses two intimate theater spaces: the 500-seat Jentes Family Courtyard Theater and the 200-seat Carl and Marilynn Thoma Theater Upstairs at Chicago Shakespeare. Through a year-round season encompassing more than 600 performances, CST leads the community as the largest employer of Chicago actors and attracts nearly 200,000 audience members annually—including 40,000 students and teachers through its comprehensive education programs. n BOARD OF DIRECTORS Raymond F. McCaskey William L. Hood, Jr. Glenn R. Richter Chair Stewart S. Hudnut Mark E. Rose Mark S. Ouweleen William R. Jentes Sheli Rosenberg Treasurer Gregory P. Josefowicz John W. Rowe James J. Junewicz Robert Ryan Frank D. Ballantine Jack L. Karp Carole B. Segal Brit J. Bartter John P.
    [Show full text]
  • Beauty and the Beast
    BEAUTY AND THE BEAST CHARACTER DESCRIPTIONS: BELLE (Stage Age: 18-30) Belle is the original fairy tale heroine–kind, gentle, and beautiful–but with an important 21st Century twist. She is a strong, intelligent, spirited and independent young woman. Belle is the moral conscience of the story, elevated by her thoughts and deeds. The maturity and depth of her character allow her to see the true beauty and spirit within The Beast, and to love him for it. This role requires a very strong singer who portrays innocence with her singing and speaking voice. MezzoSoprano: Low A-High F THE BEAST (Stage Age: 21-35) The Beast’s tortured soul is evident for all to see. He is paying the ultimate price for a moment of mean-spiritedness, and wishes beyond wishing that he could rectify his mistake. There is anger and menace in The Beast’s appearance and behavior, but increasingly we see his soft and endearing side as he interacts with Belle. It becomes clear that he is a loving, feeling, human being trapped within a hideous creature’s body. This role requires a very strong singer, and the actor must have a strong speaking voice and stage presence. Baritone: A–High F GASTON (Stage Age: 21-35) Gaston is the absolute antithesis of The Beast. Although he is physically handsome, he is shallow, completely self-centered, not very bright, and thrives on attention. However, when his ego is bruised he becomes a very dangerous foe for The Beast, Belle and Maurice. This role requires a strong singer and character actor who moves well.
    [Show full text]
  • A Feminist Perspective “Belle Is a Feminist,” Said Beauty and The
    A Feminist Perspective “Belle is a feminist,” said Beauty and the Beast’s screenwriter and book writer Linda Woolverton in a 1990 interview. “I wanted a woman of the ’90s, someone who wanted to do something other than wait for her prince to come." Twenty-five years after Disney introduced Belle to the world, debates still flare online and in numerous scholarly papers as to whether she’s a positive role model for girls. In a town that only praises her looks and scorns her intellect, Belle decisively remains true to her principles. But though Belle reads books, her favorite involves Prince Charming. Professor June Cummins of the National Center for the Study of Children’s Literature writes, “The trait that makes Belle different, more intelligent, and more ‘liberated’ than previous Disney heroines is that she likes to read books about Disney heroines.” Later, however, when she concludes that the Beast is “no Prince Charming,” she shares another one of her favorites, a tale that better reflects her determination: young King Arthur pulling the sword from the stone. Dissatisfied with her life, Belle doesn’t look for love as a solution, deftly rebuffing the bullying attention of Gaston. And while being held prisoner in a cursed castle isn’t the “adventure in the great wide somewhere” she dreamt about, Belle responds to a crisis admirably. She takes brave action to protect her father, who is weak and childlike, and she repeatedly defies her captor. That the Beast is Belle’s captor delivers the story’s most troubling message, summed up succinctly by freelance film critic Scott Mendelson: “I’ve long joked that I was able to ruin Disney’s Beauty and the Beast for others merely by uttering two words: Stockholm Syndrome.” Woolverton counters by viewing Belle in context, part of a continuum that has led to the heroines of Frozen and The Hunger Games, or to Disney’s 2010 Alice in Wonderland, which made Woolverton the first woman to get sole writing credit on a billion dollar movie.
    [Show full text]
  • Beauty and the Beast Jeanne-Marie Leprince De Beaumont
    Beauty and the Beast Jeanne-Marie LePrince de Beaumont There was once a very rich merchant, who had six children, three sons, and three daughters; being a man of sense, he spared no cost for their education, but gave them all kinds of masters. His daughters were extremely handsome, especially the youngest. When she was little everybody admired her, and called her "The little Beauty;" so that, as she grew up, she still went by the name of Beauty, which made her sisters very jealous. The youngest, as she was handsomer, was also better than her sisters. The two eldest had a great deal of pride, because they were rich. They gave themselves ridiculous airs, and would not visit other merchants' daughters, nor keep company with any but persons of quality. They went out every day to parties of pleasure, balls, plays, concerts, and so forth, and they laughed at their youngest sister, because she spent the greatest part of her time in reading good books. As it was known that they were great fortunes, several eminent merchants made their addresses to them; but the two eldest said, they would never marry, unless they could meet with a duke, or an earl at least. Beauty very civilly thanked them that courted her, and told them she was too young yet to marry, but chose to stay with her father a few years longer. All at once the merchant lost his whole fortune, excepting a small country house at a great distance from town, and told his children with tears in his eyes, they must go there and work for their living.
    [Show full text]
  • Beauty and the Beast
    Theatre 308 presents… Disney’s Beauty and the Beast Book by Linda Woolverton, Music by Alan Menken, Lyrics by Howard Ashman & Tim Rice Originally Directed by Robert Jess Roth, Originally Produced by Disney Theatrical Productions Artistic Director/Producer Musical Directors Nancy A. Herman Chris Andrade Dwayne Condon Production Manager Business Manager Alex Speiser Michael O’Brien Master Carpenter Stage Manager Lee Strecker Jen Chirles Lighting Designer Orchestra Conductor Dennis Tully Jonathon Grauer Choreographers Ass’t Student Musical Shmulik Gov‐Ari Director Kathryn Avery Collin Shay Lauren DiStefano Disney’s Beauty and the Beast is presented through special arrangement with Music Theatre International Cast List Act I Belle……………………………………………………….. Emily Elliott PROLOGUE Beast……………………………………………………... Alex Rankine SCENE ONE:…….....The Town Gaston……………...…………………….……..……. Jordan Washer SCENE TWO: ……...The Forest SCENE THREE: ....The Castle Interior LeFou………….……………………………………….. Robbie Florian SCENE FOUR: …….Exterior of Belle’s Cottage Cogsworth………………..……………………………....Collin Shay SCENE FIVE: ……...Castle Interior Lumiere……………………………………….…………...Max Hanau SCENE SIX: …..…….The Tavern SCENE SEVEN:... ..Castle Interior Mrs. Potts…………………………..…………Elizabeth Leimkuhler Babette…………………………………………………. Abby Leinroth Wardrobe………………………………….……….... Marin Amyotte Act II Chip………………………………………………......Alexandra Burke Maurice…………………………………………………. Reed Morgan SCENE ONE:………...The Forest SCENE TWO:………..Castle Interior D’Arque ……………………….……………….….…..Misha Kushnir SCENE THREE:
    [Show full text]
  • Study Guide Prepared by Jeri Hammond and Ann Sorvari
    Disney’s Beauty and the Beast a Wheelock Family Theatre Study Guide prepared by Jeri Hammond and Ann Sorvari 200 Riverway │ Boston, MA 02215-4176 box office: 617.879.2300 │ www.wheelockfamilytheatre.org Be Our Guest at Wheelock Family Theatre’s Production of Disney’s Beauty and the Beast The story of Beauty and the Beast brings to Wheelock Family Theatre audiences a spunky, intellectually curious heroine in Belle. She is admirable from the first for her loyalty to her eccentric father, her love of reading (even though it brands her as “different”), and her refusal to accept a proposal of marriage from an arrogant and boastful nobleman. Over the course of the play, she learns that love sometimes comes from the least likely and least romantic of sources, that the surface is not the whole truth, and that home is where the heart is. Her Beast learns that love cannot be forced, that love means freeing, not caging, your beloved, and that true power comes from giving it away. These two are surrounded by an entertaining collection of characters—some comic, some caring, some evil, some beastly, some silly—who add spice to the central story and help underscore the overall message about the unselfish generosity of love. Welcome to the heartwarming world of this wonderful tale! On Your Way to the Theatre… Beauty and the Beast is a story with which many, or even all, students are likely to be familiar, especially in the Disney animated film version, which is the basis for the WFT production. Some students may be curious to see how a live stage production will deal with Lumiere, Mrs.
    [Show full text]