Report on File Formats and Packages
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Sony Recorder
Sony Recorder www.ctlny.com 24 All prices subject to change DVCAM, J-Series, Portable & Betacam Recorders DVCAM Recorders J-Series Betacam Recorders SP Betacam Recorders Sony Model# DSR1500A Sony Model# J1/901 Sony Model# PVW2600 Sales price $5,680.08 Sales price $5,735.80 Sales price $12,183.36 Editing recorder also play Beta/SP/SX Player w/ Betacam SP Video Editing DVCPRO,SDI-YUV Component Output Player with TBC & TC optional 8-3/8 x 5-1/8 x 16-5/8 16-7/8 x 7-5/8 x 19-3/8 Model # List Sales price Model # List Sales price Model # List Sales price DSR1500A $7,245.00 $5,680.08 J1/901 $6,025.00 $5,735.80 PVW2600 $15,540.00 $12,183.3 Editing recorder also play DVCPRO,SDI-YUV optional Beta/SP/SX Player w/ Component Output Betacam SP Video Editing Player with TBC & TC 6 DSR1600 $6,975.00 $5,468.40 J1/902 $7,050.00 $6,711.60 PVW2650 $22,089.00 $17,317.7 Edit Player w/ DVCPRO playback, RS-422 & DV Output Beta/SP/SX Editing Player w/ SDI Output Betacam SP Editing Player w. Dynamic Tracking, TBC & TC8 DSR1800 $9,970.00 $7,816.48 J2/901 $10,175.00 $9,686.60 PVW2800 $23,199.00 $18,188.0 Edit Recorder w/DVCPRO playback,RS422 & DV Output IMX/SP/SX Editing Player w/ Component Output Betacam SP Video Editing Recorder with TBC & TC 2 DSR2000 $15,750.00 $13,229.4 J2/902 $11,400.00 $10,852.8 UVW1200 $6,634.00 $5,572.56 DVCAM/DVCPRO Recorder w/Motion Control,SDI/RS422 4 IMX/SP/SX Editing Player w/ SDI Output 0 Betacam Player w/ RGB & Auto Repeat Function DSR2000P $1,770.00 $14,868.0 J3/901 $12,400.00 $11,804.8 UVW1400A $8,988.00 $7,549.92 PAL DVCAM/DVCPRO -
FAQ Installation and First Steps
back FAQ Installation and First steps Getting Started How to install ViMP? (… How to perform an up… How to install module… How to install the ViM… Installing the Webserv… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to install the tran… How to compile ffmpe… How to compile ffmpe… Compile MPlayer/Men… An example of a "vho… confixx specifics Info about the Source… Installing the SourceG… Installing the SourceG… Installing the SourceG… Installing the SourceG… Installing the SourceG… Installing the SourceG… How to install the tran… Installing the pseudo… How to perform an up… How to upgrade from… ViMP Enterprise Ultim… Setting the transcodin… Changing the passwor… How to install the transcoding tools on Ubuntu 14.04 Editions: Community, Professional, Enterprise, Enterprise Ultimate, Corporate Versions: all This HowTo describes how to install the transcoding tools under Ubuntu 14.04 For Open Source Transcoding you have to install the transcoding tools (MPlayer, mencoder, ffmpeg, flvtool2, faststart). As the Ubuntu packages do not support all required formats, we have to compile the required tools. In most cases please just copy & paste the code into your shell and execute the commands as root. First we do some maintenance and remove some packages (if existing): cd /usr/src apt-get update apt-get upgrade apt-get remove x264 ffmpeg mplayer mencoder We install -
Sony Recognises That Your Needs As a Programme Maker Will Vary Depending Upon the Type of Pro- HDCAM Uses Intra-Frame DCT Compression Using a Gramme Being Made
HDW-M2000P/20 HDCAM video tape recorder with CineAlta record feature and multi-format playback A high definition VTR for prestige and mainstream Features programme production HDCAM recording and playback Sony recognises that your needs as a programme maker will vary depending upon the type of pro- HDCAM uses intra-frame DCT compression using a gramme being made. This has driven the develop- compression ratio of about 7:1. There are four chan- ment of a multi-format high definition product offer- nels of 48kHz digital audio at 20-bit resolution. ing, including HDV for entry-level high definition oper- ation, HDCAM for mainstream and prestige produc- Selectable frame rates tions, CineAlta for 24P applications, and HDCAM SR The HDW-M2000P/20 can record and replay at 1080/ for productions where only the ultimate quality will 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ suffice. 23.98P and 1080/24P. HDCAM has long been associated with the production Compatible replay of standard definition cassettes of the most prestigious movies, commercials and tele- Betacam, Betacam SP, Betacam SX, MPEG IMX and vision programmes. The recent expansion of the Digital Betacam cassettes can be replayed. The HDW- HDCAM product line up has transformed the econom- M2000P/20 is optimised for analogue 625/50 Betacam ics of HD for mainstream television production, with and Betacam SP playback, but can replay 525/60 new models such as the HDW-730S camcorder mak- Betacam and Betacam SP tapes and provide a monit- ing HD acquistion accessible to those working on oring quality output. -
Open SVC Decoder: a Flexible SVC Library Médéric Blestel, Mickaël Raulet
Open SVC decoder: a flexible SVC library Médéric Blestel, Mickaël Raulet To cite this version: Médéric Blestel, Mickaël Raulet. Open SVC decoder: a flexible SVC library. Proceedings of the inter- national conference on Multimedia, 2010, Firenze, Italy. pp.1463–1466, 10.1145/1873951.1874247. hal-00560027 HAL Id: hal-00560027 https://hal.archives-ouvertes.fr/hal-00560027 Submitted on 27 Jan 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Open SVC Decoder: a Flexible SVC Library Médéric Blestel Mickaël Raulet IETR/Image group Lab IETR/Image group Lab UMR CNRS 6164/INSA UMR CNRS 6164/INSA France France [email protected] [email protected] ABSTRACT ent platforms like x86 platform, Personal Data Assistant, This paper describes the Open SVC Decoder project, an PlayStation 3 and Digital Signal Processor. open source library which implements the Scalable Video In this paper, a brief description of the SVC standard is Coding (SVC) standard, the latest standardized by the Joint done, followed by a presentation of the Open SVC Decoder Video Team (JVT). This library has been integrated into (OSD) and its installation procedure. open source players The Core Pocket Media Player (TCPMP) and mplayer, in order to be deployed over different platforms 2. -
Understanding Digital Video
chapter1 Understanding Digital Video Are you ready to learn more about how digital video works? This chapter introduces you to the concept of digital video, the benefits of going digital, the different types of digital video cameras, the digital video workflow, and essential digital video terms. COPYRIGHTED MATERIAL What Is Digital Video? ........................................ 4 Understanding the Benefits of Going Digital ................................................6 Discover Digital Video Cameras .......................8 The Digital Video Workflow ............................10 Essential Digital Video Terms .........................12 What Is Digital Video? Digital video is a relatively inexpensive, high-quality video format that utilizes a digital video signal rather than an analog video signal. Consumers and professionals use digital video to create video for the Web and mobile devices, and even to create feature-length movies. Analog versus Digital Video Recording Media versus Format Analog video is variable data represented as The recording medium is essentially the physical electronic pulses. In digital video, the data is broken device on which the digital video is recorded, like down into a binary format as a series of ones and a tape or solid-state medium (a medium without zeros. A major weakness of analog recordings is that moving parts, such as flash memory). The format every time analog video is copied from tape to tape, refers to the way in which video and audio data is some of the data is lost and the image is degraded, coded and organized on the media. Three popular which is referred to as generation loss. Digital video examples of digital video formats are DV (Digital is less susceptible to deterioration when copied. -
Minimum Charqe F25.00 Minimum Charqe €20.00
We have specialisedin the preservationof familymemories since 1988.We are dedicated to reproducing your precious memories to the highest standard possiblefor you and your future generationsto enjoy. We are consciousof the responsibilityentrusted to us and take this responsibility seriously.All prices includeVAT. All ordersare processedto the U.K. PAL FromStandard Bmm, Super Bmm, 9.5mm & 16mmwith or withoutsound. format(except where the USA NTSCformat is requested). Standard Film Transfer to DVD: Each film is assessed, repaired(if needed) and transferredto DVD. The DVD will contain a basic menu pagewith chaplerbuttons that link to the startof each reel of film. Premium Film Transfer to DVD or Blu-rav: Each film is assessed, These DVD's are for playback on DVD-R compatible players. Your cleaned,repaired (if needed),colour corrected and edited as necessary. DVD'swill containregular chapter points throughout. DVD or Blu-raymenu pages and chapterbuttons are createdspecific to your production. FROM:VHS -VHS-C - S-VHS-VideoB - HiB- DigitalB- MiniDV Editinq. Streaminq and Storaqe Formats: Cine can be transferredto MinimumCharqe €20.00 computerfile formatsfor Editing,Storage and Streaming.The file format Firsthour of order....€20.00 - Additionalhours.... €7.00 per hour we supply is MP4, if you require a differenttype of file format simply informus when you place your order. Note: Additional to the Telecine price below will be the the Hard Drive Memory FROM:Mini DVD - DVD RAM - MicroMV - Hard DriveCamcorder - High cost of or Stick that your Definition- BelacamSP - DVCPRO- DVCAM- U-Matic- Betamax- V2000. files can be delivered on. You will be advised of this cost once we have received your order and calculated the data space needed. -
Operating Guide Version 7.5
35 Operating Guide Version 7.5 W1014HM8057 -YI VQT5K88A-8(E) f SDXC logo is a trademark of SD-3C, LLC. f MMC (Multi Media Card) is a registered trademark of InfineonTechnologies AG. f Microsoft® and Windows® are registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. f Screenshots are used according to Microsoft Corporation guidelines. f Apple, Macintosh, Mac OS, QuickTime, iPad, iPhone, and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries. f Java and all Java-based trademarks are trademarks or registered trademarks of Sun Microsystems, Inc. in the United States. f All other names, company names, product names, etc., contained in this document are trademarks or registered trademarks of their respective owners. f This product is licensed under the AVC Patent Portfolio License. All other acts are not licensed except private use for personal and non-profit purposes such as what are described below. - To record video in compliance with the AVC standard (AVC Video) - To play back AVC Video that was recorded by a consumer engaged in a personal and non-commercial activity - To play back AVC Video that was obtained from a video provider licensed to provide the video Visit the MPEG LA, LLC website (http://www.mpegla.com/) for details. f Use of DCF Technologies under license from Multi-Format, Inc. f The Apple ProRes codec module is used under license from Atomos. f Atomos is a trademark or registered trademark of Atomos Global Pty. Ltd. How to read this document r Illustrations f Screenshots or illustrations may differ from the actual product. -
HD DVD: Manufacturing Was Developed.This Recorder Is Equipped with a 257Nm Gas Laser (Frequency Doubled Ar+ Laser)
paper r& white d Six years ago, the LDM 3692 DUV recorder HD DVD: Manufacturing was developed.This recorder is equipped with a 257nm gas laser (frequency doubled Ar+ laser). All options with regards to future for- mats were still open at that time.The recorder features two recording spots, with a wobble The New Format option on both. This recorder is an adequate R&D tool to record HD DVD. BY DR. DICK VERHAART, from 740nm to 400nm. To read these smaller For HD DVD stamper manufacturing, a Singulus Mastering information structures, it is necessary to use recorder with a 266nm solid state laser was PETER KNIPS, blue diode lasers with a wavelength of 405nm developed. This system contains a stable and Singulus EMould instead of the 650nm red lasers used for CD easy to operate solid state laser, with a much DIETER WAGNER, and DVD. longer lifetime than the gas laser. As all pro- Singulus Technologies AG An advanced copy protection system will posed next-generation formats require only The third generation of optical disc formats is give better protection than what was avail- one spot, the system has a single recording set to arrive on the market by the end of this able for CD and DVD with mandatory serializ- spot. Spot deflection, required to create the year.As with Blu-ray Disc, the HD DVD format ing of each single HD DVD. The serialization groove wobble in the recordable and was developed to tremendously increase the will take place on the aluminum covered layer rewritable formats, is available as an option. -
XMP SPECIFICATION PART 3 STORAGE in FILES Copyright © 2016 Adobe Systems Incorporated
XMP SPECIFICATION PART 3 STORAGE IN FILES Copyright © 2016 Adobe Systems Incorporated. All rights reserved. Adobe XMP Specification Part 3: Storage in Files NOTICE: All information contained herein is the property of Adobe Systems Incorporated. No part of this publication (whether in hardcopy or electronic form) may be reproduced or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written consent of Adobe Systems Incorporated. Adobe, the Adobe logo, Acrobat, Acrobat Distiller, Flash, FrameMaker, InDesign, Illustrator, Photoshop, PostScript, and the XMP logo are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. MS-DOS, Windows, and Windows NT are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Apple, Macintosh, Mac OS and QuickTime are trademarks of Apple Computer, Inc., registered in the United States and other countries. UNIX is a trademark in the United States and other countries, licensed exclusively through X/Open Company, Ltd. All other trademarks are the property of their respective owners. This publication and the information herein is furnished AS IS, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies, makes no warranty of any kind (express, implied, or statutory) with respect to this publication, and expressly disclaims any and all warranties of merchantability, fitness for particular purposes, and noninfringement of third party rights. Contents 1 Embedding XMP metadata in application files . -
Delivery Specifications for Commercials and Billboards
DELIVERY SPECIFICATIONS FOR COMMERCIALS AND BILLBOARDS 1. General This document covers the technical requirements for commercials and billboards commissioned in High Definition (HD) which are to be transmitted by the broadcaster. The broadcaster offers the option of electronic delivery by means of transferring computer files via the Internet, further described in section 3. A submission always consists of two files: the file containing image and audio data, and a file containing metadata. Next to this document, the General Terms and Conditions and Sales Restrictions must be accepted by the supplier. If the requirements included in this document are not fulfilled, the broadcaster retains the right to refuse or adapt the received production. 2. Specifications for the computer file The content is packaged in an MXF file containing compressed image and audio data. The file must be delivered in MXF format using ‘Operational Pattern 1a’, which is specified in the following section. 2.1 References A submission must at least comply with the following standards and recommendations: SMPTE 377M-2009 Material Exchange Format (MXF) – File Format Specification. SMPTE 378M-2004 Material Exchange Format (MXF) – Operational pattern 1A. (Single Item, Single Package) SMPTE 379M-2010 Material Exchange Format (MXF) – MXF Generic Container. SMPTE 381M-2005 Material Exchange Format (MXF) – Mapping MPEG Streams into the MXF Generic Container. SMPTE 382M-2007 Material Exchange Format – Mapping AES3 and Broadcast Wave Audio into the MXF Generic Container. ITU-R BT.709-5-2004 Parameter values for the HDTV standards for production and international program exchange. ITU-R BT.1702-2005 Guidance for the reduction of photosensitive epileptic seizures caused by television. -
P2hdxag-Hpx500 Practical Guidebook P2hdxag-Hpx500 Practical Guidebook
P2HDXAG-HPX500 PRACTICAL GUIDEBOOK P2HDXAG-HPX500 PRACTICAL GUIDEBOOK The Next Generation of camcorder media is aimed at the professional market where with its use of Information Technology (IT) centric technologies including Solid State Recording, Hard Disk drives (HDD) and Blu-ray discs(BD) is proving to enhance the post-production workflow greatly. The main advantage in the IT domain is that the recording does not need to be digitized; meaning that it is ready for immediate use in non-linear editing (NLE) systems. Whereas HDD and BD choices both require specialized input devices (docking stations or dedicated drives), the solid-state recording system, P2 (Professional Plug-in), proposed by Panasonic provides the benefits of durability, portability and freedom from mechanical issues. This concept of no moving parts gives it numerous advantages over other media as a recording system for professionals because other systems can be impacted by the environment; P2 is robust in any environmental condition. In recent years, a key issue for all production has been insuring that their recording media works smoothly with their PC systems. P2 integrates almost seamlessly into PC and Mac systems alike. The recordings show up as files in the import windows and thus easily brought in a placed on a timeline. Panasonic's P2 cards offer an extremely convenient and efficient media system in comparison with other non-contact media as the files can be quickly accessed dynamically worked with either in the camera or on the desk-top. The 16 GB P2 card will hold approximately 16 minutes of High Definition 1080i signals using the DVCPRO HD codec, which was designed from the ground up for high end professional use. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.