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Milwaukee Art Museum – Restored. Reinstalled. Reimagined
Milwaukee Art Museum – Restored. Reinstalled. Reimagined. The Milwaukee Art Museum, the largest visual art institution in Wisconsin and one of the oldest art museums in the nation, will reopen its Collection Galleries to the public November 24. The reopening is the culmination of a 6-year, $34 million project to transform the visitor experience through dramatically enhanced exhibition and public spaces and bright, flowing galleries. “The new Milwaukee Art Museum is poised to set the standard for a twenty-first-century museum at the heart of a great city,” said Museum Director Daniel Keegan. “What began as a desire to preserve the space and Collection grew into a significant expansion that rejuvenates and sets the future course for the entire institution.” Lewis Wickes Hine American, 1874?1940 A Carolina Spinner 1908 Gelatin silver print 4 11/16 x 6 5/8 in. (11.91 x 16.83 cm) Milwaukee Art Museum, Gift of the Sheldon M. Barnett Family M1973.83 Photo by John R. Glembin Herzfeld Center for Photography and Media Arts Makes Milwaukee Hub for Growing Art Field As part of its November 24, 2015, grand reopening, the Milwaukee Art Museum will debut the new Herzfeld Center for Photography and Media Arts, a 10,000-square-foot space devoted to a global array of photography, film, video installation, and media art. Unparalleled in size and scope for the region, the Center will present the Museum’s rarely seen photography collection of 3,800 works, and will host exhibitions by world- renowned artists working in photography, film, video and digital media. -
Jan Feb Mar 2018
JAN FEB MAR 2018 FROM THE DIRECTOR A collaborative effort between Findley Elementary School students, their teacher Lisa Hesse, and artist Dave Eppley, whose major site-specific installation is included in the In late September, The Links, Drawing in Space exhibition, resulted in Mile-a-Minute Rainbow Incorporated, a not-for-profit corporation Ivy, 2017, being installed on the Richard Meier building during of African-American women leaders, held the month of November. their 60th anniversary celebration at the Art Center. The evening also showcased the many works by African-American artists in our permanent collections. It was an especially rewarding collaboration for everyone involved. The Links is now continuing this special partnership with a gift of $1,000 to support an education- based internship at the Art Center in 2018 for African-American students. The Art Center, like many museums across the country, is striving to introduce young persons of color to employment in the field in an attempt to increase their numbers in the museum career pipeline. This project will help do so. Another exciting partnership occurred in October with the Iowa Civil Rights Commission. The group held a board meeting at the Art Center where the members toured our recent exhibition, I, too, am America, with Assistant Curator Jared Ledesma. Later in October, the Iowa Civil Rights Commission organized a public symposium, which featured a break-out session entitled, I, too, am America, inspired by the show. This is a wonderful example of the power of art to inspire, illuminate understanding, and engage broad audiences. In early November, the Art Center celebrated the creation of a temporary, large-scale mural on the exterior of the Richard Meier building with a public reception. -
Biography • Paul Mccarthy Paul Mccarthy • Biography
BIOGRAPHY • PAUL MCCARTHY PAUL MCCARTHY • BIOGRAPHY 1945 Born in Salt Lake City, UT 1973 University of Southern California, Los Angeles, CA 1969 San Francisco Art Institute, San Francisco, CA 1966-1968 University of Utah, Salt Lake City, UT Lives and works in Los Angeles, CA Solo exhibitions: 2017 Kukje Gallery, ‘Cut Up and Silicone, Female Idol, WS’, Seoul, South Korea Hauser & Wirth 'WS Spinoffs, Wood Statues, Brown Rothkos’ Los Angeles, CA Fundació Gaspar, 'WS & CSSC, Drawings and Paintings', Barcelona, Spain Fondazione Giorgio Cini, ‘Paul McCarthy and Christian Lemmerz: New Media (Vir- tual Reality Art)’, Venice, Italy Deitch Projects, ‘Paul McCarthy and Mike Kelley: Heidi, Midlife Crisis Trauma Center and Negative Media-Engram Abreaction Release Zone 1992’, New York, NY 2016 Hauser & Wirth, 'Paul McCarthy. Raw Spinoffs Continuations', New York, NY Xavier Hufkens, 'Paul McCarthy. White Snow & Coach Stage Stage Coach Spin- offs', Brussels, Belgium Lokremise, 'Paul McCarthy', St. Gallen, Switzerland Henry Art Gallery, 'Paul McCarthy: White Snow, Wood Sculptures', Seattle, WA 2015 Nasher Museum of Art at Duke University, 'Full Exposure: Paul and Damon Mc- Carthy's Pirate Party', Durham, NC The Renaissance Society, 'Paul McCarthy. Drawings', Chicago, IL Volksbühne, 'Paul McCarthy and Damon McCarthy. Rebel Dabble Babble', Berlin, Germany Schinkel Pavillon, 'Paul McCarthy', Berlin, Germany Economou Collection, ‘Inbetween. Baselitz – McCarthy’, Athens, Greece Hauser & Wirth, ‘Paul McCarthy: Spin Offs: White Snow WS, Caribbean Pirates CP’, -
The Museum of Modern Art
The Museum of Modern Art For Immediate Release January 1988 FACT SHEET TITLE GARRY WINOGRAND DATES May 15 - August 16, 1988 ORGANIZATION John Szarkowski, Director, Department of Photography, The Museum of Modern Art SPONSORSHIP The exhibition and its accompanying publication are part of the Springs Industries Series on the Art of Photography at The Museum of Modern Art and are generously supported by a grant from Springs Industries, Inc. Additional support for the exhibition has been provided for by the National Endowment for the Arts. CONTENT This retrospective of the photography of Garry Winogrand (1930-1984), perhaps the most influential photographer of his generation, is comprised of more than 200 photographs. The exhibition is presented in nine segments: Eisenhower Years; The Street; Women; The Zoo; On the Road; The Sixties, Etc.; The Fort Worth Fat Stock Show and Rodeo; Airport; and Unfinished Work. The last section shows a fragment of the work that was unedited at the time of his death. This work, which exceeded one-third of a million exposures, was developed posthumously, aided by a grant to the Museum from Springs Industries, Inc. The Museum first exhibited a substantial body of Winogrand's work in 1962 in FIVE UNRELATED PHOTOGRAPHERS. This was followed by the influential NEW DOCUMENTS (1967), with Lee Friedlander and Diane Arbus; THE ANIMALS (1969-70), his first one-man show; and PUBLIC RELATIONS (1977), which generated an exceptional range of critical opinion. The complexity of Winogrand's photographs and his disregard for conventional ideas of good design resulted 1n what looked to many like extraordinarily busy snapshots. -
From the Museum to the Street: Garry Winogrand's Public Relations and the Actuality of Protest
arts Article From the Museum to the Street: Garry Winogrand’s Public Relations and the Actuality of Protest Simon Constantine Department of History of Art, University College London, London WC1E 6BT, UK; [email protected] Received: 12 March 2019; Accepted: 16 April 2019; Published: 3 May 2019 Abstract: Focusing on Garry Winogrand’s Public Relations (1977), this article explores the problematic encounter between street photography and protest during the Vietnam War era. In doing so, it considers the extent to which Winogrand’s engagement with protest altered the formalist discourse that had surrounded his practice and the ‘genre’ of street photography more broadly since the 1950s. It is suggested that, although Winogrand never abandoned his debt to this framework, the logic of protest also intensified its internal contradictions, prompting a new attitude towards the crowd, art institution, street and mass media. By exploring this shift, this article seeks to demonstrate that, while the various leftist critiques of Winogrand’s practice remain valid, Public Relations had certain affinities with the progressive artistic and political movements of the period. Keywords: street photography; Winogrand; formalism; protest; Vietnam War; documentary 1. Introduction In her 1981 essay, ‘In, Around and Afterthoughts (on Documentary Photography)’, Martha Rosler sought to reinvent documentary practice through a Marxist critique of its traditions, truth claims and political assumptions. However, in doing so, she also stressed the difference between this project and a second, reactionary attack upon photographic credibility; one conducted by a postwar art establishment, which sought to secure ‘the primacy of authorship’ and avoid the social by isolating images ‘within the gallery–museum–art–market nexus’ (Rosler 1992, p. -
Patrick Painter, Inc
PATRICK PAINTER, INC MAR NIE W EBE R Lives and works in Los Angeles, CA EDU CAT IO N 1981 B.A. University of California, Los Angeles, CA 1977-79 University of Southern California, Los Angeles, CA R ECE NT S EL EC TED SO LO EXH IBI TIO NS 2010 The Truth Speakers, Sea of Silence, Simon Lee Gallery, London, UK Magasin Centre National d’Art Contemporain de Grenoble, Grenoble, France 2009 The Bondage of Decay, Marc Jancou Contemporary, New York, NY The Truth Speakers, The Sea of Silence, Simon Lee Gallery, London Campfire Song, Sint-Lukasgalerie Brussels 2008 One Shot: 100x100: 100 Angelenos Take 100 Photographs of LA for a Ticketed Event to Support LA><ART Programs, LA><ART, Los Angeles, CA The Melancholy Circus, Praz-Delavallade, Paris, France Saving the Farm, Bernier/Eliades Gallery, Athens, Greece 2007 A Western Song, Utställningar Hösten 07, Vita Kuben, Umea, Sweden Sing Me A Western Song, Patrick Painter Inc., Los Angeles, CA From a Western Song, Emily Tsingou Gallery, London, England Variations on a Western Song, Fredericks & Freiser Gallery, New York, NY 2005 Fom the Dust Room, Luckman Gallery, California State University Los Angeles, CA (curated by Julie Joyce, catalogue) Ghost Love, The Spirit Girls, Rosamund Felsen Gallery, Los Angeles, CA Spirit Girls, Songs that Never Die, Galerie Praz-Delavallade, Paris, France 2004 Ten Year Survey of Collage, Emily Tsingou Gallery, London, England 2002 The Dollhouse, Fredericks & Freiser Gallery, New York, NY Collages and Videos, Marella Arte Contemporanea, Milan, Italy 2001 Forever More, Galerie -
PAUL Mccarthy
PAUL McCARTHY Born in 1945 in Salt Lake City (Utah, USA) Lives and works in Los Angeles (California, USA) SELECTED SOLO EXHIBITIONS 2012 Propo, Hauser & Wirth, Zurich, Switzerland White Snow, Peder Lund, Oslo, Norway Paul McCarthy. The Box, Neue Nationalgalerie, Berlin, Germany Rebel Dabble Babble, Los Angeles CA, USA Paul McCarth, Nine Dwarves, Kukje Gallery, Seoul, South Korea 2010! Fondazione Trussardi, Milan, Italy 2009! White Snow, Hauser & Wirth New York, New York, NY, USA Paul McCarthy – Air Pressure, De Uithof, City of Utrecht, The Netherlands! Paul McCarthy, Hauser & Wirth, Zurich, Switzerland! Paul McCarthy & Benjamin Weissman – Quilting Sessions, KUMU Eesti Kunstimuuseum, Tallinn, Estonia (Travelling Exhibition)! Contemporary trends in video art – Paul McCarthy, Salt Lake Art Center, Salt Lake City UT, USA Paul McCarthy & Benjamin Weissman – Quilting Sessions, Zacheta National Gallery of Art, Warsaw, Poland (Travelling Exhibition) 2008! Three Installations, Two Films, Whitney Museum of American Art, Central Symmetrical Rotation Movement, New York, NY, USA! Paul McCarthy & Benjamin Weissman – Quilting Sessions, Galleria Civica di Arte Contemporanea, Trento, Italy (Travelling Exhibition) ! 2007 Paul McCarthy’s Chocolate Factory, Maccarone Gallery, New York, NY, USA Head Shop/Shop Head, S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent, Belgium; Paul McCarthy – Head Shop / Shop Head, Moderna Museet, Stockholm, Sweden; ARoS – Aarhus Museum of Art, Denmark (Travelling Exhibition) Paul McCarthy: Tokyo Santa, The Essl Collection, -
Bortolami Gallery
BORTOLAMI Eric Wesley (b. 1973 in Los Angeles, California) Lives and works in Los Angeles, California Education B.A., University of California, Los Angeles, CA Co-founder of MSA (Mountain School of Art), Los Angeles, CA Solo Exhibitions 2019 Timbuctoo, Pio Pico, Los Angeles, CA Reputation, Sprovieri, London, United Kingdom 2018 Eric Wesley: BUG (A Proposal 2018), Redling Fine Art, Los Angeles, CA The Bell, Mannahatta, Red Bull Arts New York, NADA New York 2018, New York, NY Reputation, Galleria Fonti, Naples, Italy 2016 Isosceles Trapezoid Arch, Midway Contemporary Arts, Minneapolis, MN Eric Wesley/St. Louis, Bortolami Gallery, Cahokia, IL 2015 Some Work, 356 Mission, Los Angeles, CA 2014 Daily Progress Status Reports, Bortolami Gallery, New York, NY 2013 Hybrid Naples: L’Ordine delle Idee Deve Procedere Secondo L’Ordine Delle Cose, solo projects by Eric Wesley and Christian Waldvogel, curated by Jörg Heiser, Fondazione Morra Greco, Naples, Italy 2012 The Natural Order of Things, Galleria Fonti, Naples, Italy 2 new works, Bortolami Gallery, New York, NY 2011 The Same ‘Ol New Frontier, China Art Objects, Los Angeles, CA 2010 D’Carts Blanche and New Paintings, Bortolami Gallery, New York, NY 2009 New Realistic Figures, Maureen Paley, London, United Kingdom 2008 Ship Shape Shit Shelf and the Empfang Box, Feurig59, Berlin, Germany 2007 Spaference Room, Bortolami Gallery, New York, NY Spafice, Foundation Morra Greco, Naples, Italy 2006 Audi, Meyer-Riegger Gallery, Karlsruhe, Germany You say Tomato, I say Tomato, Galleria Fonti, Naples, Italy -
Steidl WWP SS18.Pdf
Steidl Spring/Summer 2018 3 Index Contents Artists/Editors Titles Adams, Shelby Lee 63 1968 99 Paris Reconnaissance 113 3 Editorial 81 Orhan Pamuk Balkon Adams, Bryan 93 200 m 123 Paris, Novembre 95 4 Index 85 Christer Strömholm Lido Adolph, Jörg 14-15 42nd Street, 1979 61 Park/Sleep 49 5 Contents 87 Guido MocaficoLeopold & Rudolf Blaschka, The Bailey, David 103-109 8 Minutes 107 Partida 51 6 How to contact us Marine Invertebrates Baltz, Lewis 159 Abandoned Moments 133 Pictures that Mark Can Do 105 Press enquiries 89 Timm Rautert Germans in Uniform Bolofo, Koto 135-139 Abstrakt 75 Pilgrim 121 How to contact our imprint partners 91 Sory Sanlé Volta Photo Burkhard, Balthasar 71 Andreas Gursky 69 Poolscapes 131 93 Bryan Adams Homeless Callahan, Harry 151 Asia Highway 167 Printing 137 95 Sze Tsung, Nicolás Leong Paris, Novembre Clay, Langdon 61 B, drawings of abstract forms 25 Proving Ground 169 DISTRIBUTION 97 Shelley Niro Cole, Ernest 157 Bailey’s Democracy 104 Reconstruction. Shibuya, 2014–2017 19 99 Robert Lebeck 1968 7 Germany, Austria, Switzerland Collins, Hannah 149 Bailey’s East End 108 Regard 127 101 Andy Summers The Bones of Chuang Tzu 8 USA and Canada Davidson, Bruce 165 Bailey’s Naga Hills 109 Seeing the Unseen 153 103 David Bailey’s 80th Birthday 9 France Devlin, Lucinda 147 Balkon 81 Shelley Niro 97 104 David Bailey Bailey’s Democracy All other territories Dine, Jim 113 Ballet 145 Stories 5–7, Soweto—Dukathole—Johannesburg David Bailey Havana Edgerton, Harold 153 Balthasar Burkhard 71 129 105 David Bailey NY JS DB 62 11 Steidl Bookshops Eggleston, William 37-41 Binding 139 Structures of Dominion and Democracy 73 David Bailey Pictures that Mark Can Do 13 Book Awards 2017 Elgort, Arthur 145 Bones of Chuang Tzu, The 101 Synchrony and Diachrony, Photographs of the 106 David Bailey Is That So Kid Fougeron, Martine 119 Book of Life, The 63 J. -
Lari Pittman
LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms, -
Rosamund's Choice
EVENT ANNOUNCEMENT FOR IMMEDIATE RELEASE PAGE 1 OF 2 DATE: October 29, 2019 CONTACT: Molly Barnes, WLAC Artist in Residence (310) 553-7626 I [email protected] 9000 Overland Ave. - Culver City, CA 90230 ROSAMUND’S CHOICE WLAC Hosts A Rosamund Felsen Exhibit PUBLIC RECEPTION NOVEMBER 7 A mini Rosamund Felsen Gallery will be on display from November 7 – December 20 at the Fine Arts Gallery at picturesque West Los Angeles College overlooking Culver City. The show – Rosamund’s Choice – is co-curated by Rosamund Felsen and Molly Barnes. Felsen is the co-founder of the Gemini Print Workshop and the founder of the afore mentioned Rosemund Felsen Gallery, one of the longest-running art galleries in Los Angeles. Over her long career, Felsen was involved in and influenced the broader American art community. She has represented key California artists at crucial points in their careers including: Chris Burden, Paul McCarthy, Mike Kelley, Lari Pittman, Karen Carson, Jason Rhoades and many others. While technically not part of the show, visitors will see War Baby on the walk into the gallery. This large aluminum sculpture is by Guy Dill, one of the first artists Felsen ever showed. A public reception will be held Thursday, November 7 from 5:00 – 8:00pm in the gallery. There is no charge for admission. Parking is available in the adjacent Parking Structure for $2.00 (exact change needed). Featured artists include Les Biller, Ruth Greene, Steven Hull, Jean Lowe, Kim MacConnel, Grant Mudford and C.K. Wilde. Co-curator Barnes is a well-known art dealer and broadcaster. -
Reflections in the Helmet Shield
Alec Soth's Archived Blog July 17, 2007 Reflections in the helmet shield Filed under: aesthetics,photo tech,quotes — alecsothblog @ 10:27 pm On the cover of this month’s Vanity Fair is a typical bland celebrity photograph. The only interesting element in the picture is the reflection in the helmet: I’m glad I didn’t have to take this picture. All of that equipment looks like a drag. In the current issue of PDN, Joseph Kudelka talks about making pictures. “For me photography is playing,” he says, “I go out and I play and I try to discover.” Later in the interview he tells this story of showing pictures to John Szarkowski. My sister lived in Canada. I was on my way to visit my sister because my mother had gotten permission to go there. I brought with me little prints that, when I traveled, I would show. I missed my plane and went over to Elliot Erwitt’s place. He said, “You are here, so why not show your pictures to this guy from the Museum of Modern Art who once published one of your photographs, John Szarkowski?” I went there and said I have some pictures that I was going to show my sister and mother so they could see the places I’ve been, and he looked through them and John said – this I’ll never forget – “I feel I’d like to go out and take pictures again. And I would like to make your show.” In Szarkowski’s 1979 book/exhibition, Mirrors and Windows, he divides photographic practice into two categories.