Volume Xviii — Number 12 December 8, 1956
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Shock Entertainment Dealer Guide NOVEMBER 2019
DEALER GUIDE NOVEMBER 2019 JERRY LEWIS COLLECTION DEAN MARTIN COLLECTION JOHN WAYNE COLLECTION WESTERN 10 PACK COLLECTION CLASSIC ROMANCE COLLECTORS SET COVER TITLE: JERRY LEWIS COLLECTION DEALER GUIDE CONTENTS 03 JERRY LEWIS COLLECTION 04 DEAN MARTIN COLLECTION 05 JOHN WAYNE COLLECTION 06 WESTERN 10 PACK COLLECTION 07 CLASSIC ROMANCE COLLECTORS SET 08 AIR CRASH INVESTIGATION SEASON 1-18 COLLECTION 09 JEAN-CLAUDE VAN DAMME COLLECTION 10 LOVE BOAT SEASON 1 - 4 COLLECTION 11 THE GOLDBERGS SEASON 1 - 5 COLLECTION 12 RELIC HUNTER COLLECTION HD 13 MUTANT X COLLECTION HD 14 THE BEVERLY HILLBILLIES 1 - 5 COLLECTION 15 A TASTE OF CHRISTMAS / SNOWMANCE 16 ANGELS IN THE SNOW / BACK TO CHRISTMAS 17 MAGGIE'S CHRISTMAS MIRACLE / MR CHRISTMAS 18 MY CHRISTMAS LOVE / LOVE STRIKES TWICE 19 ON THE TWELFTH DAY OF CHRISTMAS / MY SANTA 20 A STAR-CROSSED CHRISTMAS / CHRISTMAS MAIL CATPLBD02PS_FRT WWW.SHOCK.COM.AU JERRY LEWIS COLLECTION RELEASE DATE 06.11.19 ARTWORK TBC SPECS LABEL: SHOCK RATING: PG DISCS: 20 DISCS RUN TIME: 1925 MINS SOUND: MONO JERRY LEWIS COLLECTION REGION: 4 ENJOY TWENTY CLASSICS FROM THE MAN DUBBED ‘HOLLYWOOD’S KING OF GENRE: COMEDY / CLASSIC COMEDY’, THE LEGENDARY JERRY LEWIS! ASPECT RATIO: WIDE SCREEN LANGUAGE: ENGLISH The great comedy legend Jerry Lewis left behind an unparalleled career filled with outrageous characters, SUBTITLES: NONE impeccable comedic timing and outright lunacy. This 20-DVD box set is a delight for anyone afflicted with a susceptibility to the fractured antics of Jerry Lewis. SALES & MARKETING KEY SELLING POINTS • Jerry Lewis is one of the best known comedians and actors of his time. -
Extended Program Notes on a Saxophone Recital
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 5-2021 Extended Program Notes on a Saxophone Recital Ruben Rios [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/gs_rp Recommended Citation Rios, Ruben. "Extended Program Notes on a Saxophone Recital." (May 2021). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. EXTENDED PROGRAM NOTES ON A SAXOPHONE RECITAL by Rubén Ríos B.S., Conservatorio de Música de Puerto Rico, 2006 A Research Paper Submitted in PartiaL FulfiLLment of the Requirements for the Master of Music School of Music in the Graduate School Southern IlLinois University CarbondaLe May 2021 RESEARCH PAPER APPROVAL EXTENDED PROGRAM NOTES ON A SAXOPHONE RECITAL by Rubén Ríos A Research Paper Submitted in PartiaL FulfiLLment of the Requirements for the Degree of Master of Music in the fieLd of Music Approved by: Dr. Richard KeLLey, Chair Dr. James Reifinger Professor Edward Benyas Graduate School Southern IlLinois University CarbondaLe ApriL 8, 2021 AN ABSTRACT OF THE RESEARCH PAPER OF Ruben Rios, for the Master of Music degree in Music, presented on ApriL 8, 2021, at Southern IlLinois University CarbondaLe. TITLE: EXTENDED PROGRAM NOTES ON A SAXOPHONE RECITAL MAJOR PROFESSOR: Dr. Richard KeLLey The purpose of this research paper is to present some of the essentiaL pieces written for the saxophone by a group of composers from different countries, different musicaL backgrounds, and, most of aLL, different compositionaL styles. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Unifying Elements of John Corigliano's
UNIFYING ELEMENTS OF JOHN CORIGLIANO'S ETUDE FANTASY By JANINA KUZMAS Undergraduate Diploma with honors, Sumgait College of Music, USSR, 1985 B. Mus., with the highest honors, Vilnius Conservatory, Lithuania, 1991 Performance Certificate, Lithuanian Academy of Music, 1993 M. Mus., Bowling Green State University, USA, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE STUDIES School of Music We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA February 2002 © Janina Kuzmas 2002 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. ~':<c It CC L Department of III -! ' The University of British Columbia Vancouver, Canada Date J/difc-L DE-6 (2/88) ABSTRACT John Corigliano's Etude Fantasy (1976) is a significant and challenging addition to the late twentieth century piano repertoire. A large-scale work, it occupies a particularly important place in the composer's output of music for piano. The remarkable variety of genres, styles, forms, and techniques in Corigliano's oeuvre as a whole is also evident in his piano music. -
Valley's Own Dean Martin Dies at 78
'HE INTELLIGENCER -Wheeling, W.Va. -Tuesday, December 26, 1995 AP Photn DeanMartinleft, sings alonp with fellow "Rat Pack" members Frank Shlatra,right, and Sammy Davis Jr., at a fund-raising reunion in Santa Mimica, Calif., May 22, 1978. Martin died at his Beverly Hills home Monday of acute respiratory failure, according to his agent. He was 78. Valley's Own Dean Martin Dies at 78 (Continued from Page One) bctorhecause of those two things." Hlis smooth baritone on stuch songs as "That's Amore" and "Volare" made him a favorite with record-buyers, He was one of the few non-rockers to top..41 charts-in 1964. when his "Everybody Loves Somebody" hit No. liedescribed his singingslyle wlil (vpi(;lhliumor: "I copied Bing Cros- by I00 percent." ' Theln.lieconquered television. In 1965, N13Cfirst presented "The Dean Martin Show." a musical variety hour through which Martin ambled with customary ease, often pretending to he soused. The spontaneousappearance of (lie show was for real. Martin's contract stilpulatedthat lie would appear onlyon the day of the show and then have themost rudimcntary or rehearsals. "TIhleD)call Martin Show" was high-rated for most ofits eight years. It was followed by -rheDean Martin Comedy Hour" in (he1973-74 season and Ilhena series of celebrity "roasts." More recently. a 1992 book by Nick Tosches. "Dino: Living High in the DirtyBusiness of Dreams," portrayed Martin as an ailing alcoholic who dined outalone everynight. Vinci- his manager, countercd: "I-e loves to go out torestaurants. What liedlr.sn't like is to be with alot of lpeople or attend parties, "As far as his health is concerned. -
Chico Hamilton Peregrinations Mp3, Flac, Wma
Chico Hamilton Peregrinations mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Peregrinations Country: Germany Released: 1975 Style: Jazz-Funk MP3 version RAR size: 1195 mb FLAC version RAR size: 1404 mb WMA version RAR size: 1571 mb Rating: 4.6 Votes: 481 Other Formats: DMF MMF AC3 MOD MP2 AA AUD Tracklist Hide Credits V-O A1 3:58 Soloist – Arthur Blythe, Barry FinnertyWritten-By – Steve Turre The Morning Side Of Love A2 5:18 Soloist – Barry Finnerty, Joe BeckWritten-By – Chico Hamilton Abdullah And Abraham A3 4:16 Written-By, Soloist – Arnie Lawrence Andy's Walk A4 4:15 Written-By – Chico Hamilton Peregrinations A5 3:16 Written-By – Chico Hamilton Sweet Dreams B1 5:53 Soloist – Arthur Blythe, Barry FinnertyWritten-By – Chico Hamilton Little Lisa B2 2:49 Written-By – Steve Turre Space For Stacy B3 3:06 Written-By – Chico Hamilton On And Off B4 2:56 Written-By – Chico Hamilton It's About That Time B5 0:57 Written-By – Chico Hamilton Companies, etc. Recorded At – A&R Studios Recorded At – Sound Factory West Mixed At – Westlake Audio Mastered At – Kendun Recorders Credits Art Direction, Design – Bob Cato Bass – Steve Turre Congas, Bongos, Percussion – Abdullah Drums, Percussion – Chico Hamilton Effects [Other Special Effects By] – Jerrell Ballard Engineer – Don Hahn, Steve Maslow Executive-Producer – George Butler Guitar – Barry Finnerty, Joe Beck Horns – Arnie Lawrence, Arthur Blythe, Steve Turre Keyboards – Jerry Peters Liner Notes – Stanley Crouch Mixed By, Mastered By – Baker Bigsby Producer, Effects [Other Special Effects By] – Keg Johnson Synthesizer [Programming] – Charlotte Politte Vocals – Julia Tillman*, Luther Waters, Maxine Willard*, Oren Waters Notes Rhythm tracks recorded at A&R Recording Studios, New York, NY. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Grassroots
UNIVERSITY OF CALIFORNIA, SAN DIEGO Grassroots Surrealism: The Culture of Opposition and the Crisis of Development in 1930s California A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Elizabeth E. Sine Committee in charge: Professor Luis Alvarez, Co-Chair Professor Daniel Widener, Co-Chair Professor Dayo F. Gore Professor David G. Gutiérrez Professor Sara Clarke Kaplan Professor Nancy H. Kwak Copyright Elizabeth E. Sine, 2014 All rights reserved. The Dissertation of Elizabeth E. Sine is approved, and it is accepted in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Co-Chair ________________________________________________________________________ Co-Chair University of California, San Diego 2014 iii DEDICATION For my grandma Eileen, mother Shelley, and Nicholas. iv “In some periods and circumstances, the given relationships, socially and politically, seem inert and fixed. Culture signifies the predictable and overpowering reproduction of what ‘is.’ It claims the verities of tradition and authorizes familiar futures from the repetitions of a naturalized past (‘what has always been the case’). -
Dean Martin, La Voce Di “That’S Amore”
Dean Martin, la voce di “That’s amore” Dean Martin, pseudonimo di Dino Paul Crocetti (Martin deriva da Martino, cognome della madre molisana), nasce a Steubenville, nello stato dell'Ohio, il 7 giugno 1917. Abbandonata la scuola a sedici anni, compie diversi lavori, compreso il pugile e il benzinaio, fino a quando, con il nome d'arte di Dean Martin, s'impone come cantante a New York. E' il 25 luglio 1946 quando Dean Martin si esibisce per la prima volta in coppia con Jerry Lewis al "Club 500" di Atlantic City. I due artisti danno vita ad un duo comico di successo, che dura per un decennio esatto, realizzando anche quindici film di successo, da "La mia amica Irma" di George Marshall (1949) a "Hollywood o morte!" (1956), passando per "Irma va a Hollywood", "Il sergente di legno", "Quel fenomeno di mio figlio" e "Attente ai marinai", tutti di Hal Walker, tra il 1950 e il 1951, quindi "Il caporale Sam", "Il cantante matto", "Occhio alla palla", "Più vivo che morto", "Il nipote picchiatello" e "Mezzogiorno di fifa", tutti di Norman Taurog, tra il 1952 e il 1955. Ancora: "Morti di paura" e "I figli del secolo" di George Marshall (1953-54), "Il circo a tre piste" di Joseph Pevney (1954), "Artisti e modelle" e "Hollywood o morte!" di Frank Tashlin (1955-56). La coppia è legata anche a programmi televisivi, come il varietà di successo "The Colgate Comedy Hour" (1950), di cui diventano anche conduttori. Il sodalizio artistico s'interrompe il 24 luglio 1956. La carriera di Martin, nonostante la rottura della coppia, continua a mietere successi. -
Paul Creston Collection Finding Aid (PDF)
University of Missouri-Kansas CityDr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 2 Scope and Content …………………………………………………………………… 4 Series Notes …………………………………………………………………………… 5 Series I: Manuscript Scores …………………………………………………………… 11 A. Works with Opus Numbers …………………………………………… 11 B. Works without Opus Numbers …………………………………………… 32 Series II: Published Scores …………………………………………………………… 40 A. Works with Opus Number …………………………………………… 40 B. Works without Opus Number …………………………………………… 50 Series III: Writings on his Works …………………………………………………… 52 Series IV: Writings on Music …………………………………………………… 57 A. Lectures …………………………………………………………………… 57 B. Unpublished and Draft Articles and Books …………………………… 58 C. Published Articles …………………………………………………………… 63 Series V: Writings Unrelated to Music …………………………………………… 64 Series VI: Correspondence …………………………………………………………… 65 A. Colleges and Schools …………………………………………………… 65 B. Conductors …………………………………………………………… 70 C. Orchestras …………………………………………………………………… 72 D. Organizations …………………………………………………………… 76 E. Personal Correspondence …………………………………………………… 80 F. Publishers …………………………………………………………………… 86 G. Radio Stations and Television Networks …………………………………… 90 H. Recording Companies …………………………………………………… 91 Series VII: Diaries and Autobiographical Information …………………………… 91 Series VIII: Foreign Language Notebooks …………………………………………… 92 Series IX: Address and Date Books …………………………………………………… 93 Series X: Biographical Information -
Deebee's Scrapbook # 1 Ict, Dentist Y Phoned INTERNATIONAL Me As Pro Anglo-American Herd Electioneer- What the Sound Would Be Like, Nobody Knew for Certain
Hamiltonians Reunite Jones, trumpet; Nat Adderley, cor cert, Reunald Jones, approaching It was like old on-the-road week net; Bill Harris, trombone; Charlie the microphone, stenped on Woody’s in the Hollywood recording studio. Byrd, guitar; Vince Guaraldi, piano; clarinet. Melody Maker said with Reunited for the occasion by Keeter Betts, bass; and Jimmy Camp British reserve that incident “upset World Pacific Records’ Dick Bock bell, drums. (Jones’) usual composure” during were the members of the original From among the British musicians, the solo. Chico Hamilton Quintet plus near Woody chose well: Bert Courtley, original Paul Horn. The musical Les Condon and Ken Wheeler, Jazz Junket proceedings: recording of bassist trumpets; Don Rendell and Art The standard dream for the Euro Carson Smith’s Ellington Suite. Ellefson, tenors; Eddie Harvev and pean jazz fan is a trip to America to Besides arranger Smith, who, in Ken Wray, trombones; Johnny Scott, hear all his favorites. This summer, addition to being one of the original tenor and flute; Ronnie Ross, bari fans in several countries will see the Hamiltonians, was also the first bass tone. Actually, two of the nine are dream come true in reverse: cornet- ist with the Gerry Mulligan Quartet, not English. Ellefson. whom the ist Rex Stewart is leading a group of the group assembled for this final Melody Maker called “one of U. S. tourists to Europe to hear jazz. World Pacific recording date (before Britain’s most promising jazzmen,” Arranged in conjunction with the Hamilton took up residence in the and Wheeler , whom the same American Tourist Bureau, Inc., of Warner Bros, stable) included cellist paper described as “among the two New York, Stewart’s International Freddv Katz, multi-reed man Buddy or three best lead trumpets in Eng Jazz Junket will arrive by air in mid Collette, guitarist Jim Hall and reed land,” are Canadians — two young July for the start of its 29-day Euro man Horn. -
The Complete Eddie Cochran
Stand: 25.09.2021 The Complete Eddie Cochran 2 © Uli Kisker 2021 Red passages: I'm not 1000% sure if Eddie is on this! Blue passages: Concerts, radio-, tv-performances Green passages: test pressing First Release Digitally Re-Release 1953 - 1955 Summer 1953 to 1954 Chuck Foreman - Eddie Cochran Chuck Foreman's house - Bellflower, Los Angeles, California ROCKSTAR RSRCD 011 Rockin' It Instrumental 1:46 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Gambler's Guitar Eddie Cochran 2:37 STAMPEDE SPRCD 5002 ROCKSTAR RSRCD 011 Jammin' With Jimmy Instrumental 1:42 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Tenderly Instrumental 2:48 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Steelin' The Blues Eddie Cochran 2:06 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Two Of A Kind Instrumental 1:51 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Two Of A Kind (backing track) Instrumental 1:37 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Stardust Instrumental 2:24 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Stardust (backing track) Instrumental 1:12 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Candy Kisses Eddie Cochran 1:43 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Chuck & Eddie's Boogie Instrumental 2:40 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 In The Mood Instrumental 1:16 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 I'll See You In My Dreams Instrumental 1:09 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Hearts Of Stone Eddie Cochran 1:51 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Water Baby Blues (short riff) Instrumental 0:41 ROCKSTAR RSRCD 011 ROCKSTAR RSRCD 011 Humourous conversation Eddie Cochran & Chuck Foreman 1:03 ROCKSTAR RSRCD 011 Musicians - Eddie Cochran: vocal and guitar - Chuck Foreman: vocal and steel guitar. -
Legends of West Brochure
JAZZ AID P U.S. POSTAGE presents WEST NONPROFIT ORG. PERMIT NO. 1260 LONG BEACH, CA. COAST 3 LEGENDS OF THE WEST 17 Concerts 8 Panel Discussions A Four Day 5 Film Showings Jazz Festival September 29 ~ October 2, 2005 8-0038 Four Points Sheraton-LAX NG BEACH, CA 9080 CA BEACH, NG .O. BOX 8038.O. BOX LO THE ANGELES LOS JAZZ INSTITUTE P WAY OUT WEST 1957 BY WILLIAM CLAXTON lajazzinstitute.org Bud Shank | Johnny Mandel | Chico Hamilton Quintet | Paul Horn BONUS EVENT Frank Morgan | Buddy Collette | Med Flory | Howard Rumsey In our continuing effort to pay tribute to the Lennie Niehaus | Jack Costanzo | Dave Pell Octet | Herb Geller brilliant artists who have Allyn Ferguson’s Chamber Jazz Sextet | Anthony Ortega | Bill Trujillo been significant figures of the Los Angeles Jazz Scene, FEATURING Claude Williamson | Chuck Flores | John Pisano | Fred Katz we are pleased to announce Jazz West Coast 3- ABOUT THE Legends of the West. Festival Los Angeles Legends of the West is a musical celebration of Facts Jazz Institute both the musicians and The Los Angeles Jazz Institute houses the behind the scenes people Dates and maintains one of the largest whose innovative explorations SEPTEMBER 29-OCTOBER 2, 2005 jazz archives in the world.All styles created a unique jazz scene and eras are represented with a here on the west coast. Place special emphasis on the preservation The Four Points Sheraton at LAX and documentation of jazz in southern In addition to 17 concerts, 9750 Airport Blvd., California. Many artists personal there will also be film showings, Los Angeles, CA 90045 collections are being preserved at panel discussions, photo exhibits The special convention rate is the Institute including the archives and special presentations where $82 and $92 per night.