Christmas Music Trivia This Program Includes Trivia Questions About Christmas Songs
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
CHRISTMAS-CAROLS-Notes-Rev.Pdf
CHRISTMAS CAROLS Although any Christmas song might be called a ‘carol’ these days, the word actually refers to an ancient English song-form where a refrain or chorus repeated after every stanza (or verse) and is often connected to celebrations like Christmas or Easter. The word carol is derived from the Old French word carole, a circle dance accompanied by singers (in turn derived from the Latin choraula). Carol’s origins are complex and disputed. Some of our familiar Christmas carols were originally pagan songs, sung at the Winter Solstice celebrations They were very popular as dance songs from the 1150s to the 1350s, after which their use expanded as processional songs sung during festivals, while others were written to accompany religious mystery plays. Whatever the origin, composers all over Europe started writing carols but most people could not understand them since they were written and sung in Latin. This changed in the early 13th century when St. Francis of Assisi introduced Christmas songs in church services in Italy for the first time — and true Christmas carols were officially born. In Assisi’s Nativity plays, which began in 1223, actors sang songs that described the scenes in the plays. Although the choruses were sometimes in Latin, the songs were usually written in the language that people could understand. The actors composed Christmas carols to sing during their Nativity plays and, later, they would walk through the streets still singing. It didn’t take long for these plays to spread to France, Spain and the rest of Europe. The tradition of singing Christmas songs in native languages became well established. -
Music, Dance and Theatre (MDT) 1
Music, Dance and Theatre (MDT) 1 MDT 510 Latin American Music (3 Credits) MUSIC, DANCE AND THEATRE A course in the music of selected Latin America countries offering music and Spanish-language majors and educators perspectives into the (MDT) musical traditions of this multifaceted region. Analysis of the music will be discussed in terms that accommodate non specialists, and all lyrics MDT 500 Louis Armstrong-American Hero (3 Credits) will be supplied with English translations. A study of the development of jazz with Louis Armstrong as the vehicle: MDT 511 Vocal Pedagogy (3 Credits) who he influenced and how he did it. Comparative analytical studies with This course is to provide the student of singing a deeper understanding his peers and other musicians are explored. of the vocal process, physiology, and synergistic nature of the vocal MDT 501 Baroque Music (3 Credits) mechanism. We will explore the anatomical construction of the voice as This course offers a study of 17th and 18th century music with particular well as its function in order to enlighten the performer, pedagogue and emphasis on the works of Johann Sebastian Bach, Dietrich Buxtehude, scholar. Each student will learn to codify a practical knowledge of, and Arcangelo Corelli, Francois Couperin, Andrea and Giovanni Gabrieli, skill in, teaching voice. George Frederick Handel, Jean-Baptiste Lully, Claudio Monteverdi, Jean- MDT 520 Musical On B'Way&Hollywood I (3 Credits) Philippe Rameau, Alessandro and Domenico Scarlatti, Gerog Telemann, This course offers an analysis of current Broadway musicals with special and Antonio Vivaldi. seminars with those connected with one or two productions. -
A Quantitative Analysis of the Songs of Cole Porter and Irving Berlin
i DEVELOPMENT OF CREATIVE EXPERTISE IN MUSIC: A QUANTITATIVE ANALYSIS OF THE SONGS OF COLE PORTER AND IRVING BERLIN A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Richard W. Hass January, 2009 ii ABSTRACT Previous studies of musical creativity lacked strong foundations in music theory and music analysis. The goal of the current project was to merge the study of music perception and cognition with the study of expertise-based musical creativity. Three hypotheses about the nature of creativity were tested. According to the productive-thinking hypothesis, creativity represents a complete break from past knowledge. According to the reproductive-thinking hypothesis, creators develop a core collection of kernel ideas early in their careers and continually recombine those ideas in novel ways. According to what can be called the field hypothesis, creativity involves more than just the individual creator; creativity represents an interaction between the individual creator, the domain in which the creator works, and the field, or collection of institutions that evaluate creative products. In order to evaluate each hypothesis, the musical components of a sample of songs by two eminent 20 th century American songwriters, Cole Porter and Irving Berlin, were analyzed. Five separate analyses were constructed to examine changes in the psychologically salient musical components of Berlin’s and Porter’s songs over time. In addition, comparisons between hit songs and non-hit songs were also drawn to investigate whether the composers learned from their cumulative songwriting experiences. Several developmental trends were found in the careers of both composers; however, there were few differences between hit songs and non-hit songs on all measures. -
ABSTRACT Savannah Dehart. BRACTEATES AS INDICATORS OF
ABSTRACT Savannah DeHart. BRACTEATES AS INDICATORS OF NORTHERN PAGAN RELIGIOSITY IN THE EARLY MIDDLE AGES. (Under the direction of Michael J. Enright) Department of History, May 2012. This thesis investigates the religiosity of some Germanic peoples of the Migration period (approximately AD 300-800) and seeks to overcome some difficulties in the related source material. The written sources which describe pagan elements of this period - such as Tacitus’ Germania, Bede’s Ecclesiastical History of the English People, and Paul the Deacon’s History of the Lombards - are problematic because they were composed by Roman or Christian authors whose primary goals were not to preserve the traditions of pagans. Literary sources of the High Middle Ages (approximately AD 1000-1400) - such as The Poetic Edda, Snorri Sturluson’s Prose Edda , and Icelandic Family Sagas - can only offer a clearer picture of Old Norse religiosity alone. The problem is that the beliefs described by these late sources cannot accurately reflect religious conditions of the Early Middle Ages. Too much time has elapsed and too many changes have occurred. If literary sources are unavailing, however, archaeology can offer a way out of the dilemma. Rightly interpreted, archaeological evidence can be used in conjunction with literary sources to demonstrate considerable continuity in precisely this area of religiosity. Some of the most relevant material objects (often overlooked by scholars) are bracteates. These coin-like amulets are stamped with designs that appear to reflect motifs from Old Norse myths, yet their find contexts, including the inhumation graves of women and hoards, demonstrate that they were used during the Migration period of half a millennium earlier. -
The New Sound Orchestra the Music of Richard Rodgers and Irving Berlin Mp3, Flac, Wma
The New Sound Orchestra The Music Of Richard Rodgers And Irving Berlin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Pop Album: The Music Of Richard Rodgers And Irving Berlin Country: Switzerland Released: 1972 Style: Easy Listening MP3 version RAR size: 1308 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1839 mb Rating: 4.7 Votes: 874 Other Formats: VQF AA MP1 MPC ASF AHX AIFF Tracklist Richard Rogers A1 With A Song In My Heart A2 The Lady Is A Tramp A3 Blue Moon A4 Bewitched A5 Where Or When A6 My Funny Valentine A7 There Is A Small Hotel A8 I Didn't Know What Time It Was A9 If I Loved You A10 Blues From "Slaugther On Tenth Avenue" A11 It Might As Well Be Spring A12 Lover Irving Berlin A1 Easter Parade A2 Cheek To Cheek A3 Let's Face The Music And Dance A4 Isn't It A Lovely Day A5 Always A6 Play A Simple Melody A7 Blue Skies A8 Alexander's Ragtime Band A9 How Deep Is The Ocean A10 I've Got My Love To Keep Me Warm A11 The Girl That I Marry A12 They Say It's Wunderful Notes Made in Switzerland. Barcode and Other Identifiers Rights Society: BIEM Matrix / Runout (Label Side A): EL 363-A Matrix / Runout (Label Side B): EL 363-B Related Music albums to The Music Of Richard Rodgers And Irving Berlin by The New Sound Orchestra Claude Bolling - Joue Irving Berlin "I Love A Piano" Geraldo And His Orchestra - Dance, Dance, Dance! Vol. -
“White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell
“White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell Crosby’s 1945 holiday album Original release label “Holiday Inn” movie poster With the possible exception of “Silent Night,” no other song is more identified with the holiday season than “White Christmas.” And no singer is more identified with it than its originator, Bing Crosby. And, perhaps, rightfully so. Surely no other Christmas tune has ever had the commercial or cultural impact as this song or sold as many copies--50 million by most estimates, making it the best-selling record in history. Irving Berlin wrote “White Christmas” in 1940. Legends differ as to where and how though. Some say he wrote it poolside at the Biltmore Hotel in Phoenix, Arizona, a reasonable theory considering the song’s wishing for wintery weather. Some though say that’s just a good story. Furthermore, some histories say Berlin knew from the beginning that the song was going to be a massive hit but another account says when he brought it to producer-director Mark Sandrich, Berlin unassumingly described it as only “an amusing little number.” Likewise, Bing Crosby himself is said to have found the song only merely adequate at first. Regardless, everyone agrees that it was in 1942, when Sandrich was readying a Christmas- themed motion picture “Holiday Inn,” that the song made its debut. The film starred Fred Astaire and Bing Crosby and it needed a holiday song to be sung by Crosby and his leading lady, Marjorie Reynolds (whose vocals were dubbed). Enter “White Christmas.” Though the film would not be seen for many months, millions of Americans got to hear it on Christmas night, 1941, when Crosby sang it alone on his top-rated radio show “The Kraft Music Hall.” On May 29, 1942, he recorded it during the sessions for the “Holiday Inn” album issued that year. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Martin Cloonan Introduction an Attack on the Idea of America
MUSICAL RESPONSES TO SEPTEMBER 11TH: FROM CONSERVATIVE PATRIOTISM TO RADICALISM Martin Cloonan Introduction I want to propose something very simple in this paper: that the attacks which took place on 11 September 2001 were attacks on the very idea of America. This is not a new idea. It was cited by the New York Times soon after the attack and subsequently by the cultural critic Greil Marcus (2002). But what I want to add is that as time went on it became clear that the mu- sical responses which were made were defences of America. However, there were not uniform responses, but diverse ones and that is partly be- cause the idea of America is not settled, but is open to contestation. So what I want to do in the rest of this paper is to first examine notion that the attacks on 11 September were an attack on the idea of America, look briefly at the importance of identity within popular music, chart initial musical reactions to the events and then look at longer term reactions. An attack on the idea of America The attacks on 11 September were strategically chosen to hit the symbols of America as well as the reality of it. The Twin Towers symbolised American economic power, the Pentagon its military might. This was an attack on the psyche of America as well as its buildings and people. Both the targets were attacked for propaganda purposes as much as military ones. What more devastating way could have been found to show rejection of America and all it stands for? But the point I want to note here is that America itself is a contested notion. -
Advent/Christmas
Theme: Advent/Christmas Objective To experience the Christmas story through song and movement Overview In this event, families gather to focus on the birth of Jesus through the singing and acting out of traditional Christmas songs. Groups of families will be assigned a Christmas song, prepare the presentation of the song using props, drama, etc., and lead the large group in song while acting it out. The event will close with singing of Happy Birthday to Jesus, and sharing of cake and refreshments. EVENT PLAN Prior to Family Faith Event 1. Invite all families with kindergarteners to register. 2. Choose a location that has a large enough meeting space for your group, with space for small groups to plan their part of the evening festivities, and a stage area for the song dramatizations. 3. Decorate the gathering space for Christmas, including a Christmas tree, crèche, and other symbols of the season. 4. Gather dress-up or costume options, materials for make-shift props, and art supplies for the families to use in presenting their songs. Remember, this is not a Hollywood production; kindergarteners are very creative and they love to play dress-up. Try not to give in to the temptation to provide “ready-made” costumes and props. Part of the fun of this event is in the planning and creating that the family groups will do together to present their songs. 5. Create a workshop area in the event space for costume creation, art, and props. 6. Make song booklets that contain the lyrics for the Christmas songs you have chosen. -
Pucker Up! It's That Time of Year. Once Again the Airwaves Are Filled with Beautiful Christmas Songs. Most Convey a Message
Yard and Garden – 12-19-2015 – Ted Griess/Extension Horticulture Assistant Pucker up! It’s that time of year. Once again the airwaves are filled with beautiful Christmas songs. Most convey a message of joy and peace on earth to all humankind. However, some Christmas tunes include in their lyrics the name of a certain plant that conveys a reason to start kissing. For example, take the song I Saw Mommy Kissing Santa Claus, or how about The Christmas Song better known as Chestnuts Roasting on an Open Fire? Then, there is the song I’ll Be Home for Christmas. These are just a few Christmas tunes that have in their lyrics the name of a plant scientifically known as Viscum album. Most of us know it as mistletoe. Throughout history, mistletoe has inspired all sorts of mystique and charm. It is perceived to hold magical properties. When mistletoe is in our presence, it supposedly creates an amorous atmosphere for us humans to start kissing. In contrast, this plant is actually parasitic. A parasite is defined as an organism that lives in or on another organism (its host) and benefits by deriving nutrients at the host’s expense. Mistletoe has leathery evergreen leaves with waxy white berries. It grows primarily on the branches of deciduous trees such as ash, hawthorn and oak. Deemed somewhat tropical, it is found growing mostly in areas of California and Florida. When a seed from the berry of mistletoe comes in contact with the bark of a host tree, it germinates, sending out fine thread-like roots penetrating the bark anchoring firmly into the living tissue of the host, and absorbing its nutrients. -
December 2020
Warbler DECEMBER 2020 What We Accomplished Together 4 Year in Review 5 Portland Audubon Gift Guide 7 Nature Store Specials IN THIS ISSUE 3 A Year in Review: What We Accomplished Together 5 The Portland Audubon Gift Guide Elections Sunrise from Mt.Tabor, November 4, 2020. 6 Nature Store Sales & Specials FROM OUR EXECUTIVE DIRECTOR 7 10 Business Alliance 2020 Raised 11 Events & Education Questions but Points to a Stronger Tomorrow by Nick Hardigg As the solstice approaches and daylight hours dwindle, we hope you feel a newfound sense of light and hope. We have all been challenged this year. Yet time and time again, the questions we’ve had to ask—about what we can achieve and how to weather these historic event—have been answered in the affirmative. Yes, we can. Our success rings true not only through inspirational programs and conservation successes, but also through the steadfast support we’ve received in these difficult times. In March, when we closed our doors and ceased programs that bring in revenue, we launched an urgent campaign to stay strong through the pandemic. We raised over $150,000 in new and increased gifts that were matched dollar 6 for dollar by a generous donor. In May, when faced 5 with cancellation, Birdathon was reimagined with solo birding and virtual teams and safely raised over $130,000. And just last month, we held our 40th Wild Arts Festival—completely online, with a celebration, live auction, and fundraiser. We have placed the health of the community first and are continually adapting and improving. -
Youth Ballet's the Nutcracker: COVID-19 Style
THE GLEANER HOLIDAY FEATURES 4 DECEMBER 18, 2020 Youth Ballet’s The Nutcracker: COVID-19 style by Ava Hoelscher The dancers have of The Gleaner certainly felt the effects of COVID this Nutcracker The Dubuque City season. Noah Ripperger, Youth Ballet’s production ‘23, dancing the role of of The Nutcracker is an the Nutcracker, said, “The annual holiday tradition quality of the show will be for dancers and their fans. different; that’s not because Christmas would not of the dancers’ talents. It’s feel the same without the simply because we are in whimsical storytelling, a pandemic and have had beautiful dancing, colorful a hard time working with costumes, and familiar restrictions.” melodies. Though the company This year, the high typically has a strict one- miss policy for rehearsals, number of COVID cases in Falling into the 2020 Nutcracker the Dubuque community that has been altered this created fear that the ballet The Nutcracker cast of 2019 performing their last snow dance routine during last year’s holi- year to allow for proper would be cancelled. day season. quarantines. Often mul- However, the company’s “I’m looking forward to has sold out. Berning noted ences and are grateful that tiple dancers are missing directors were committed showing everyone what we that though it will feel the tradition continues this from each rehearsal, which to giving their dancers a have worked so hard on,” different to perform for a year. Senior Emilia Harris has made it difficult for the performance opportunity. said Berning. “I’m also glad much smaller audience, she said that watching dancers company to properly space They implemented pre- we can provide many peo- feels lucky that they are perform The Nutcracker as and rehearse group scenes.