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Latin Curse Texts: Mediterranean Tradition and Local Diversity
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library Acta Ant. Hung. 57, 2017, 57–82 DOI: 10.1556/068.2017.57.1.5 DANIELA URBANOVÁ LATIN CURSE TEXTS: MEDITERRANEAN TRADITION AND LOCAL DIVERSITY Summary: There are altogether about six hundred Latin curse texts, most of which are inscribed on lead tablets. The extant Latin defixiones are attested from the 2nd cent. BCE to the end of the 4th and begin- ning of the 5th century. However, the number of extant tablets is certainly not final, which is clear from the new findings in Mainz recently published by Blänsdorf (2012, 34 tablets),1 the evidence found in the fountain dedicated to Anna Perenna in Rome 2012, (26 tablets and other inscribed magical items),2 or the new findings in Pannonia (Barta 2009).3 The curse tablets were addressed exclusively to the supernatural powers, so their authors usually hid them very well to be banished from the eyes of mortals; not to speak of the randomness of the archaeological findings. Thus, it can be assumed that the preserved defixiones are only a fragment of the overall ancient production. Remarkable diversities in cursing practice can be found when comparing the preserved defixiones from particular provinces of the Roman Empire and their specific features, as this contribution wants to show. Key words: Curses with their language, formulas, and content representing a particular Mediterranean tradi- tion documented in Greek, Latin, Egyptian Coptic, as well as Oscan curse tablets, Latin curse tablets, curse tax- onomy, specific features of curse tablets from Italy, Africa, Britannia, northern provinces of the Roman Empire There are about 1600 defixiones known today from the entire ancient world dated from the 5th century BCE up to the 5th century CE, which makes a whole millennium. -
Oracle of Apollo Near Oroviai (Northern Evia Island, Greece) Viewed in Its Geοlogical and Geomorphological Context, Βull
Mariolakos, E., Nicolopoulos, E., Bantekas, I., Palyvos, N., 2010, Oracles on faults: a probable location of a “lost” oracle of Apollo near Oroviai (Northern Evia Island, Greece) viewed in its geοlogical and geomorphological context, Βull. Geol. Soc. of Greece, XLIII (2), 829-844. Δελτίο της Ελληνικής Γεωλογικής Εταιρίας, 2010 Bulletin of the Geological Society of Greece, 2010 Πρακτικά 12ου Διεθνούς Συνεδρίου, Πάτρα, Μάιος 2010 Proceedings of the 12th International Congress, Patras, May, 2010 ORACLES ON FAULTS: A PROBABLE LOCATION OF A “LOST” ORACLE OF APOLLO NEAR OROVIAI (NORTHERN EUBOEA ISLAND, GREECE) VIEWED IN ITS GEOLOGICAL AND GEOMORPHOLOGICAL CONTEXT I. Mariolakos1, V. Nikolopoulos2, I. Bantekas1, N. Palyvos3 1 University of Athens, Faculty of Geology, Dynamic, Tectonic and Applied Geology Department, Panepistimioupolis Zografou, 157 84, Athens, Greece, [email protected], [email protected] 2 Ministry of Culture, 2nd Ephorate of Prehistoric and Classical Antiquities, L. Syggrou 98-100, 117 41 Athens, Greece, [email protected] 3 Harokopio university, Department of Geography, El. Venizelou 70 (part-time) / Freelance Geologist, Navarinou 21, 152 32 Halandri, Athens, Greece, [email protected] Abstract At a newly discovered archaeological site at Aghios Taxiarches in Northern Euboea, two vo- tive inscribed stelae were found in 2001 together with hellenistic pottery next to ancient wall ruins on a steep and high rocky slope. Based on the inscriptions and the geographical location of the site we propose the hypothesis that this is quite probably the spot where the oracle of “Apollo Seli- nountios” (mentioned by Strabo) would stand in antiquity. The wall ruins of the site are found on a very steep bedrock escarpment of an active fault zone, next to a hanging valley, a high waterfall and a cave. -
An Intertextual Approach to Metapoetic Magic in Augustan Love-Elegy and Related Genres
Durham E-Theses Asking for the Moon: An Intertextual Approach to Metapoetic Magic in Augustan Love-Elegy and Related Genres CHADHA, ZARA,KAUR How to cite: CHADHA, ZARA,KAUR (2014) Asking for the Moon: An Intertextual Approach to Metapoetic Magic in Augustan Love-Elegy and Related Genres, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10559/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Abstract Asking for the Moon: An Intertextual Approach to Metapoetic Magic in Augustan Love- Elegy and Related Genres Zara Kaur Chadha This thesis offers a new perspective on the metapoetic use of magic in the love-elegies of Propertius, Tibullus, and Ovid, a theme which, though widely acknowledged in contemporary scholarship, has so far received little comprehensive treatment. The present study approaches the motif through its intertextual dialogues with magic in earlier and contemporary texts — Theocritus’ Idyll 2, Apollonius Rhodius’ Argonautica, Vergil’s Eclogue 8 and Horace’s Epodes — with the aim of investigating the origin and development of love-elegy’s self- construction as magic and of the association of this theme with poetic enchantment, deceit, and failure throughout the genre. -
The Lighting of God's Face During Solar Stands in The
Mediterranean Archaeology and Archaeometry, Vol. 18, No 3, (2018), pp. 225-246 Copyright © 2018 MAA Open Access. Printed in Greece. All rights reserved. DOI: 10.5281/zenodo.2543786 THE LIGHTING OF GOD’S FACE DURING SOLAR STANDS IN THE APOLLO TEMPLE DELPHI Vlachos, A.1, Liritzis, I.1 and Georgopoulos, A.2 1University of the Aegean, Dept of Mediterranean Studies, Lab of Archaeometry, 1 Demokratias Str, Rhodes 85132, Greece 2National Technical University of Athens, School of Rural & Surveying Engineering, Dept of Topography, Iroon Polytechniou 915773 Zografos, Athens, Greece Received: 01/07/2018 Accepted: 25/11/2018 Corresponding author: I. Liritzis ([email protected]) ABSTRACT The direction of solar light and how it relates with the Apollo Temple in Delphi is investigated. Following up earlier investigation of defining the time to delivering an oracle and the historical reported position of a golden Apollo statue in the rear of the main structure (opisthodomos, adyton or Temple‘s sanctum) the sun lighting the statue‘s face during selected solar stands is virtually constructed. Based on both ancient and con- temporary sources, an accurately-oriented 3D model of the Temple was created, which incorporated win- dows in the sanctum area. A light and shadow study followed to establish the movement of shadows and presence of sunlight around and inside the Temple, during the important days for the ancient cult. It is shown that the shining of God‘s golden statue would have been possible, through windows, giving a dis- tinct impression of Apollo‘s presence in Delphi especially during his absence in the three winter months to the hyperborean lands between winter solstice and spring equinox. -
Kynomartyrion)
DOG SACRIFICE IN ANCIENT AND MODERN GREECE: FROM THE SACRIFICE RITUAL TO DOG TORTURE (KYNOMARTYRION) Manolis G. Sergis Abstract: The article presents and discusses the custom of kynomartyrion (dog torture) which took place in the Greek lands until the 1980s. In many areas it stopped in the 1930s because of its cruelty. The author begins his discussion with the presentation of some elements that are related to the dog. More spe- cifically, the dog is an animal that entered the humanized environment long ago and belongs to the creatures whose nature is twofold because it is part of the human and the non-human worlds and it has been treated as twofold by at least the Indo-Europeans. It is also maintained that the liminal Hellenistic period was decisive for the formation of folk worship because of the religious syncre- tism and the invasion of demons that dominated in the Eastern Mediterranean. The author points out its remarkable similarities to ancient Greek and Roman (and Indo-European) fertile, cathartic and other sacrificial practices. Due to industrialization of agriculture and rationalization of the magical way of thought of the “traditional” peasant, performance of the custom was transformed into a folkloric, spectacular one with intensely violent and sadistic behaviour on the part of humans in the places where it still took place after 1960. The writer argues that violence was always an inherent characteristic of the custom. None- theless, the archaic, and later folk thinking ritualized the performance and attributed to it a different facet, devoid of any sacred elements, during the 20th century where its inherent violence was manifested in its raw essence. -
Epigraphic Bulletin for Greek Religion 1996
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 12 | 1999 Varia Epigraphic Bulletin for Greek Religion 1996 Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou Electronic version URL: http://journals.openedition.org/kernos/724 DOI: 10.4000/kernos.724 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 1999 Number of pages: 207-292 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou, « Epigraphic Bulletin for Greek Religion 1996 », Kernos [Online], 12 | 1999, Online since 13 April 2011, connection on 15 September 2020. URL : http://journals.openedition.org/kernos/724 Kernos Kemos, 12 (1999), p. 207-292. Epigtoaphic Bulletin for Greek Religion 1996 (EBGR 1996) The ninth issue of the BEGR contains only part of the epigraphie harvest of 1996; unforeseen circumstances have prevented me and my collaborators from covering all the publications of 1996, but we hope to close the gaps next year. We have also made several additions to previous issues. In the past years the BEGR had often summarized publications which were not primarily of epigraphie nature, thus tending to expand into an unavoidably incomplete bibliography of Greek religion. From this issue on we return to the original scope of this bulletin, whieh is to provide information on new epigraphie finds, new interpretations of inscriptions, epigraphieal corpora, and studies based p;imarily on the epigraphie material. Only if we focus on these types of books and articles, will we be able to present the newpublications without delays and, hopefully, without too many omissions. -
Greece • Crete • Turkey May 28 - June 22, 2021
GREECE • CRETE • TURKEY MAY 28 - JUNE 22, 2021 Tour Hosts: Dr. Scott Moore Dr. Jason Whitlark organized by GREECE - CRETE - TURKEY / May 28 - June 22, 2021 May 31 Mon ATHENS - CORINTH CANAL - CORINTH – ACROCORINTH - NAFPLION At 8:30a.m. depart from Athens and drive along the coastal highway of Saronic Gulf. Arrive at the Corinth Canal for a brief stop and then continue on to the Acropolis of Corinth. Acro-corinth is the citadel of Corinth. It is situated to the southwest of the ancient city and rises to an elevation of 1883 ft. [574 m.]. Today it is surrounded by walls that are about 1.85 mi. [3 km.] long. The foundations of the fortifications are ancient—going back to the Hellenistic Period. The current walls were built and rebuilt by the Byzantines, Franks, Venetians, and Ottoman Turks. Climb up and visit the fortress. Then proceed to the Ancient city of Corinth. It was to this megalopolis where the apostle Paul came and worked, established a thriving church, subsequently sending two of his epistles now part of the New Testament. Here, we see all of the sites associated with his ministry: the Agora, the Temple of Apollo, the Roman Odeon, the Bema and Gallio’s Seat. The small local archaeological museum here is an absolute must! In Romans 16:23 Paul mentions his friend Erastus and • • we will see an inscription to him at the site. In the afternoon we will drive to GREECE CRETE TURKEY Nafplion for check-in at hotel followed by dinner and overnight. (B,D) MAY 28 - JUNE 22, 2021 June 1 Tue EPIDAURAUS - MYCENAE - NAFPLION Morning visit to Mycenae where we see the remains of the prehistoric citadel Parthenon, fortified with the Cyclopean Walls, the Lionesses’ Gate, the remains of the Athens Mycenaean Palace and the Tomb of King Agamemnon in which we will actually enter. -
Magical Practice in the Latin West Religions in the Graeco-Roman World
Magical Practice in the Latin West Religions in the Graeco-Roman World Editors H.S. Versnel D. Frankfurter J. Hahn VOLUME 168 Magical Practice in the Latin West Papers from the International Conference held at the University of Zaragoza 30 Sept.–1 Oct. 2005 Edited by Richard L. Gordon and Francisco Marco Simón LEIDEN • BOSTON 2010 Th is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Magical practice in the Latin West : papers from the international conference held at the University of Zaragoza, 30 Sept.–1 Oct. 2005 / edited by Richard L. Gordon and Francisco Marco Simon. p. cm. — (Religions in the Graeco-Roman world, ISSN 0927-7633 ; v. 168) Includes indexes. ISBN 978-90-04-17904-2 (hardback : alk. paper) 1. Magic—Europe—History— Congresses. I. Gordon, R. L. (Richard Lindsay) II. Marco Simón, Francisco. III. Title. IV. Series. BF1591.M3444 2010 133.4’3094—dc22 2009041611 ISSN 0927-7633 ISBN 978 90 04 17904 2 Copyright 2010 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to Th e Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
Introduction to Bacchae
5 INTRODUCTION TO BACCHAE SI. TRADITION AND STRUCTURE For the Didascaliai report that after Euripides' death his son of the same at and Bacchae at the City name produced the Iphigeneia Aulis, Alkmeon, was one of the last Dionysia' (in Athens). Presumably then Bacchae very plays from Athens to the court of Written by Euripides, perhaps after his departure to ancient he died (in King Archelaos in Macedonia, where, according tradition, 407-6 BC). Exactly when it was posthumously produced we do not know The play shows us Dionysos' arrival, disguised as a mortal and his rites accompanied by a thiasos (sacred band) of Lydian women, to establish Semele had died birth to at Thebes, where Kadmos' daughter giving him, blasted by the thunderbolt of his father Zeus. He has driven all the women of him there with Thebes in a frenzy from their homes to Mt. Kithairon to worship new and can be dance and song. The young king Pentheus resists the cult, dissuaded from this resistance neither by his grandfather Kadmos and Teiresias, who are joining the worship of the new god, nor by Dionysos himself, nor by the escape of the imprisoned Dionysos amid the miraculous collapse of the royal of the house, nor by a herdsman's description of the miraculous powers maenads on Kithairon. But Dionysos does persuade him to go, disguised as a maenad, to spy on the maenads on the mountainside. There he is revealed by Dionysos to the maenads, who tear him apart, with his mother Agaue playing the leading role. She returns triumphantly to the royal house holding Pentheus' head, which she thinks is an animal's, and is brought out of her delusion by her father Kadmos, who has gathered from the mountainside the rest of Pentheus' dismembered body. -
University of Groningen the Sacrifice of Pregnant Animals Bremmer, Jan N
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen The Sacrifice of Pregnant Animals Bremmer, Jan N. Published in: Greek Sacrificial Ritual: Olympian and Chthonian IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2005). The Sacrifice of Pregnant Animals. In B. Alroth, & R. Hägg (Eds.), Greek Sacrificial Ritual: Olympian and Chthonian (pp. 155-165). Gothenburg: Paul Astroms Forlag. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 THE SACRIFICE OF PREGNANT ANIMALS by JAN N. BREMMER There has recently been renewed interest in Olympian sacrifice and its chthonian counterparts, 1 but much less attention has been paid to its more unusual variants. -
Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2017 Voices of Ancient Women: Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College Recommended Citation Rosett, Isabelle George, "Voices of Ancient Women: Stories and Essays on Persephone and Medusa" (2017). Scripps Senior Theses. 1008. http://scholarship.claremont.edu/scripps_theses/1008 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. VOICES OF ANCIENT WOMEN: STORIES AND ESSAYS ON PERSEPHONE AND MEDUSA by ISABELLE GEORGE ROSETT SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR NOVY PROFESSOR BERENFELD APRIL 21, 2017 1 2 Dedicated: To Max, Leo, and Eli, for teaching me about surviving the things that scare me and changing the things that I can’t survive. To three generations of Heuston women and my honorary sisters Krissy and Madly, for teaching me about the ways I can be strong, for valuing me exactly as I am, and for the endless excellent desserts. To my mother, for absolutely everything (but especially for fielding literally dozens of phone calls as I struggled through this thesis). To Sam, for being the voice of reason that I happily ignore, for showing up with Gatorade the day after New Year’s shenanigans, and for the tax breaks. To my father (in spite of how utterly terrible he is at carrying on a phone conversation), for the hikes and the ski days, for quoting Yeats and Blake at the dinner table, and for telling me that every single essay I’ve ever asked him to edit “looks good” even when it was a blatant lie.