Summarit-M 35Mm
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LEICA SUMMARON-M 1:5,6/28Mm Anleitung
LEICA SUMMARON-M 1:5,6/28mm Anleitung Instructions Notice d’utilisation Gebruiksaanwijzing Istruzioni Instrucciones Leica Camera AG I Am Leitz-Park 5 35578 WETZLAR I DEUTSCHLAND 取扱説明書 Telefon +49 (0) 6441-2080-0 I Telefax +49 (0) 6441-2080-333 543 VII/16/LW/D 3 www.leica-camera.com 9 f 5.6 [%] 100 f 5.6 [%] 100 sagittale Strukturen 80 sagittal structures 80 structures sagittales 60 sagittale structuren strutture sagittali 60 estructuras sagitales 40 放射線方向 40 tangentiale Strukturen 20 tangential structures 20 structures tangentielles 0 tangentiale structuren 0 3 6 9 12 15 18 21 strutture tangenziali 0 0 3 6 9 12 15 18Y'[mm]21 estructuras tangenciales 同心円方向 Y'[mm] f 8.0 [%] 100 f 8.0 [%] 100 80 80 60 60 40 40 20 20 0 0 3 6 9 12 15 18 21 0 0 3 6 9 12 15 18Y'[mm]21 Y'[mm] 1 1a 2a 2b 3 5a 5b 4 6 5d 5 5b 4a 4b 5c 1 Bezeichnung der Teile Désignation des pièces 1. Gegenlichtblende mit 1. Parasoleil avec a. Klemmschraube a. vis de serrage 2. Frontfassung mit 2. Monture frontale avec a. Filter-Innengewinde a. filtre de filetage intérieur b. Index für Blendeneinstellung b. repère du réglage du diaphragme 3. Blenden-Einstellring 3. Bague de réglage du diaphragme 4. Entfernungs-Einstellring mit 4. Bague de mise au point avec a. Verstellhebel a. levier de réglage b. Verriegelungsknopf b. bouton de verrouillage 5. Schärfentiefe-Skala mit 5. Échelle de profondeur de champ avec a. Index für Entfernungseinstellung a. index de mise au point b. -
Do Something Important.TM
2.6X zoom in a cool, compact, capsule design with Advanced Photo System convenience. Do somethingwww.minolta.com important.TM www.minolta.com It’s All Within Your Grasp The VECTIS 260 makes picture-taking more fun for the whole family. The Advanced Photo System means easier operation and higher quality pictures, and a powerful 2.6X zoom expands your photo possibilities. Various automatic functions make it simple for everyone to take great pictures. It’s the compact camera that gives you more. ADVANCED PHOTO SYSTEM Get closer with 2.6X zoom! High-quality zoom lens adds variety to your photos. Powerful 2.6X Zoom A zoom lens this powerful gives you much greater versatility in framing your shots. You can take broad shots of the scenery, then zoom in for close-ups of the kids. The zoom range is a wide 25 — 65mm (equivalent to 31— 81mm in 35mm for- mat). For close-ups, you can move in as close as 1.64 ft. to your subject at any focal length, without having to set a special mode. Best of all, 25mm WIDE your photo will be sharp and clear, thanks to the Minolta high quality 4-element, 4-group zoom lens. 65mm TELE Greater ease and convenience Advanced Photo System makes photography more enjoyable — from start to finish! Index Prints for At-a-Glance Selection Drop-In Loading With photos this good, you’ll want to make reprints ... and now and Film Chamber Lock you can easily select the ones you want. With your pictures The ultimate in film loading you’ll receive an Index Print sheet, making it easy ease. -
LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
LEICA Summarit-S 1:2,5/70 Mm ASPH. /CS
LEICA Summarit-S 1:2,5/70 mm ASPH. /CS Technische Daten. Abbildung 1:2 T ECHNISCHE DATEN Bestell-Nummer 11055 (CS: 11051) Bildwinkel ca. 42° / 35° / 24°, entspricht ca. 56 mm bei Kleinbild (diagonal, horizontal, vertikal) Optischer Aufbau Zahl der Linsen / Gruppen 8 / 6 Lage der Eintrittspupille unendlich: 26,66 mm (in Lichteinfallsrichtung vor Bajonett), nah: 43,62 mm (in Lichteinfallsrichtung vor Bajonett) Arbeitsbereich 0,5 m bis unendlich Entfernungseinstellung Skala Kombinierte Meter/feet-Einteilung Kleinstes Objektfeld 142 mm × 212 mm Größter Maßstab 1 : 4,7 Blende Einstellung / Funktionsweise Elektronisch gesteuerte Blende, Einstellung über Dreh-/Drückrad der Kamera, auch halbe Werte einstellbar Kleinster Wert 22 Bajonett Leica S-Bajonett Filterfassung / Gegenlichtblende Außenbajonett für Gegenlichtblende (im Lieferumfang), UV-Filter fest eingebaut, Innengewinde für E72-Filter, Filterfassung rotiert nicht Abmessungen und Gewicht Länge bis Bajonettauflage ca. 93 / 151mm (ohne / mit Gegenlichtblende) Größter Durchmesser ca. 90 / 117mm (ohne / mit Gegenlichtblende) Gewicht ca. 740 / 890g (ohne / mit Zentralverschluss) Seite 1 von 6 / Stand September 2010 / Technische Änderungen vorbehalten Leica Camera AG / Oskar-Barnack-Straße 11 / 35606 SOLMS / DEUTSCHLAND / Telefon +49(0)6442-208-0 / Telefax +49(0)6442-208-333 / www.leica-camera.com LEICA Summarit-S 1:2,5/70 mm ASPH. /CS Technische Zeichnung Linsenschnitt Asphärische Fläche Floating Element Abbildung 1:2 Dem Summarit-S 1:2,5/70 mm ASPH. kommt im Leica S-System die Rolle des Standard-Objektivs zu, dessen Bildwinkel dem eines 56 mm-Objektivs im Kleinbild entspricht. Damit sich dieses Objektiv für universelle Anwendungen empfiehlt, betrieben die Entwickler einen sehr hohen Aufwand, um höchste Abbildungsleistungen bereits bei offener Blende und bei allen Entfernungseinstellungen zu garantieren. -
Digital Vs 35-Mm Photography to Convert Or Not to Convert?
ORIGINAL ARTICLE Digital vs 35-mm Photography To Convert or Not to Convert? Mimi S. Kokoska, MD; John W. Currens, MD; Chris S. Hollenbeak, MA; J. Regan Thomas, MD; Brendan C. Stack, Jr, MD Objectives: To compare the quality of images gener- Results: The null hypothesis that there is no difference ated from a conventional 35-mm camera with those gen- between photographs taken with the various cameras was erated from various digital cameras; and to note the costs rejected (P,.001) for each of the image attributes. The im- of the cameras and ease of use. ages produced by the 35-mm camera (Nikon 6006) had the best overall quality, followed by the Olympus D600L, Design: A prospective, randomized, independent analy- Kodak DCS 315, and Olympus D320L digital cameras. Dif- sis of specific facial images taken with a 35-mm camera ferences in individual attributes between several of the cam- and 3 digital cameras by 3 facial plastic surgeons who eras in each category were statistically significant (P,.05). were blinded to camera type. Conclusions: The 35-mm camera produced the best over- Setting: An academic medical center. all image quality and ranked first for each of the indi- vidual attributes analyzed in this study. The Olympus Subjects: Thirteen volunteer subjects ranging from age D600L digital camera placed second in overall quality, 27 to 58 years. but there was no statistically significant difference in fo- cus, distortion, and resolution compared with the im- Main Outcome Measures: The overall quality, fo- ages generated by the 35-mm camera. The Olympus cus, distortion, trueness of color, resolution, contrast, and D600L digital camera also ranked second in color, con- presence of shadows were evaluated for each image. -
Leica M System
screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 3 Leica M System The fascination of the moment – analog and digital LEICA M8 new // /// LEICA M7 LEICA MP Leica à la carte screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 4 1 “24 x 36” Leica M photography portfolio 9 Leica M System 21 LEICA M8 new 29 Simon Wheatley uses the LEICA M8 35 LEICA M7 41 LEICA MP 45 Leica à la carte 50 LEICA M7 entry set 51 Leica M lenses 56 Accessories 62 Technical Data LEICA M8 64 Technical Data LEICA M7/MP 67 “24 x 36” Leica M photography portfolio screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 1 “24 x 36” Leica M photography portfolio Leica M pictures are unmistakable. They represent a very individual style of photography – they have the power to strike a chord, fascinate and surprise. In 1925 the Leitz company defined the 24 x 36 mm mini- ature format with the camera developed by Oskar Barnack. Since then, reportage photographers have used their discreet and fast Leica M cameras to shape our view of the world. “24 x 36” is the title of an ex- hibition of current work by M photographers. This brochure includes some of the images, representing outstanding examples of how Leica cameras can be used to develop a conscious vision and design, to highlight intensive involvement in a theme and to convey personal messages from the heart of everyday life. The photo galleries on the Internet show you how photography is de- veloping right now with the new digital LEICA M8. -
FAQ LEICA SF 58 April 2009 En
FAQ LEICA SF 58 Status April 2009 System compatibility – Is it possible to use the LEICA SF 58 flash unit with all Leica system cameras? Compatible in TTL flash mode with: • M-System: LEICA M6 TTL, LEICA M7, LEICA M8, LEICA M8.2 • R-System: LEICA R8, LEICA R9 (analog) • S-System: LEICA S2 Compatible in automatic or manual flash mode with all Leica System Cameras with hot shoe and x- contact Why using a secondary reflector? The LEICA SF 58 is ideal for indirect lighting due to its high flash guide number (max. 58 at ISO100/21°). The secondary reflector retains a bright illumination, creates highlights, lightens up shadows, and delivers vivid colors. White balance adjustment The LEICA SF 58 has a color temperature of 5600K. Best photographic results are achieved by a camera white balance setting of “automatic” or “flash”. What kinds of batteries are recommended? Rechargeable batteries: • NiCd (1,2V), NiMH (1,2V) Batteries: • Lithium (1,5V), Alkaline-Manganese (1,5V) Why the battery symbol is not displayed constanty? The battery symbol is meant as a capacity warning and therefore only appears when the battery capacity will end soon. Page 1 of 2 / As at April 2009 Leica Camera AG / Oskar-Barnack-Straße 11 / D-35606 Solms / Phone +49 (0) 6442-208-0 / Telefax +49 (0) 6442-208-333 / www.leica-camera.com Focal length transfer with LEICA M8/M8.2 The focal length transfer takes place only with coded lenses provided the lens detection function is activated. Table: M8/M8.2 – Focal Length Display SF 58 Lens focal length Flash display (in mm) 16-18-21 24 18 24 21 28 24 28 28 35 35 35 50 50 75 90 90 105 135 105 Is it possible to use TTL flash mode with DMR (R8/R9)? When using LEICA R8 / R9 with a DMR, only manual or automatic flash mode is possible. -
Summarit-M 50Mm
LEICA SUMMARIT-M 50 mm f/2.5 1 Powerful, lightweight and designed to be easy to operate, the LEICA SUMMARIT-M 50 mm f/2.5's applications are as varied as life itself. It corresponds closely to the field of vision and viewing patterns of the human eye and offers an impressively neutral and natural perspective. On analog cameras, it is a brilliant standard lens while on the digital LEICA M8, its 67 mm equivalent focal length makes it ideal for portraits or picking out precise details. The 50 mm Summarit-M is tailor-made for everyday photography. Its lens speed is perfectly adapted for all common applications. It is an updated double-Gauss six-element construction based on our tried and tested design. All of this means that this particular Summarit-M makes the Leica M easier to experi ence than ever before, without cutting any corners in terms of optical performan- ce. Lens shape LEICA SUMMARIT-M 50 mm f/2.5 2 Engineering drawing Technical Data Angle of view (diagonal, horizontal, vertical) For 35 mm (24 x 36 mm) : 47°, 40°, 27°, for LEICA M8 (18 x 27 mm) : 36°, 30°, 20°, corresponds to a focal length of approx. 67 mm with 35 mm-format Optical design Number of lenses/groups: 6/4 Focus length: 50.1 mm Position of entrance pupil: 28.0 mm (related to the first lens surface in light direction) Distance setting Focusing range: 0.8 m to endless Scales: Combined meter/feet graduation Smallest object field / Largest reproduction ratio: For 35 mm, approx. -
Does Size Matter.Sanitized-20151026-GGCS
Does Size Matter? What’s New in Small Cameras and Should I Switch? Doug Kaye dougkaye.com [email protected] • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media The Acronyms • DSLR: Digital Single-Lens Reflex • MILC: Mirrorless Interchangeable-Lens Camera • APS-C: ~1.5x Crop-Factor Sensor Size • MFT: Micro Four-Thirds • LCD: Liquid Crystal Display (rear) • OVF: Optical Viewfinder • EVF: Electronic Viewfinder MILCs • Mirrorless • Interchangeable Lens • Autofocus • Electronic Viewfinder Who’s Who • The Old Guard • Nikon & Canon • The Upstarts • Sony & Fujifilm (Full-Frame and APS-C) • Olympus & Panasonic/Lumix (MFT) • Leica? Samsung? iPhone? DSLR vs. Mirrorless MILC History MILC History • 2004: Epson RD-1 (1st Mirrorless) • 2006: Leica M8 (1st Digital Leica) • 2008: Panasonic G1 (1st MFT) • 2009: Leica M9 (1st Full Frame) • 2010: Sony NEX-5 (1st M-APS-C, Hybrid AF) • 2012: Fuji X-Pro1 (Hybrid VF, X-Trans) • 2013: Olympus OM-D E-M1 • 2014: Sony a7S (High ISO), a7R (36MP) • 2015: Sony a7 II, a7R II, a7S II (Full-Frame IBIS) MILC Advantages • Smaller & Lighter • Simpler & Less Expensive • EVF vs. OVF • Always in LiveView Mode (WYSIWYG) • Accurate Autofocus • Quieter & Less Vibration • Simpler Wide-Angle Lens Designs • Compatible w/Other Lens Mounts MILC Disadvantages • EVF vs. OVF? • Continuous Autofocus Speed/Accuracy • Lack of Accessories • Legacy Wide-Angle Lens Issues Sensor Size • Full 35mm Frame (FF): 1x • APS-C: 1.5x • MFT: 2x Pixel Size • Larger Pixels Capture More Light • Higher ISO, Lower Noise • Broader Dynamic Range • 16MP APS-C = 36MP Full Frame • 16MP MFT = 64MP Full Frame Field of View (FoV) • Smaller sensors just crop the image. -
My Edited Leica M Type 240 Manual Here
LEICA M Instructions 129 3 DESIGNATION OF PARTS Top view 9. Microphone Figures in the front and rear cover pages 10. Fixed ring with a. Index for range setting Front view b. Depth of field scale and 1. Lens release button c. Red index button for changing lenses 2. Eyes for carrying strap 11. Aperture setting ring 3. Focusing button 12. White index point for aperture setting 4. Range finder viewing window 13. Lens hood 5. Brightness sensor1 14. Focusing ring with 6. Viewfinder viewing window a. Recessed grip 7. Self-timer LED 15. Main switch with detent positions for 8. Bottom cover locking point – OFF (camera turned off) – S (single pictures) – C (continuous pictures) – (self-timer) 16. Shutter release with a. Thread for cable release 17. Video shutter release 18. Time setting dial with detent positions for – A for automatic shutter speed control 1 – Shutter speeds /4000 - 8s (inc. intermediate values) – B (long-time exposure) 1 – Flash sync speed ( /180s) 19. Flash unit shoe 1 Leica M lenses with viewfinder attachment cover the brightness sensor. Information about functions with these and other lenses can be found in the "Displays / In the viewfinder", p. 238, and "Leica M lenses, p. 147 sections. 136 Rear view 31. INFO button 20. SET button – For displaying picture settings/data – For calling up the picture parameters menu – For displaying picture data during picture review – For calling up sub-menus the menu system – For applying settings – For applying settings/functions selected in sub-menus 32. Speaker 21. MENU button for calling up and exiting the main menu and 33. -
L E N S E S & a C C E S S O R I
P. 4 P. 5 P. 6 P. 7 Scott Grant / Hai Tre / Jeff Carter / Gathot Subroto / Canada Vietnam UK Indonesia P. 8 P. 9 P.10 Matt Hart / Bert Stephani / Max De Martino / UK Belgium Italy P.11 P.12 P.13 P.14 Omar Z Robles / Simone Sbarglia / Pål Laukli / LS Trung / U.S.A. Italy Norway Vietnam P.15 P.16 P.17 Yonghui Wang / Supalerk Fabian De Backer / China Narubetkrausee / Belgium Thailand P.18 P.19 P.20 Taeyoung An / Joe Ng / Chalit Padoongcheep / Korea Canada Thailand P.21 P.21 Torwong Salwala / Giulia Torra / Thailand Italy Cover_P.2-3 Jonas Dyhr Rask / Denmark Specifications are subject to change without notice. LENSES & ACCESSORIES For more information, please visit our website: http://www.http://fujifilm-x.com/en/accessories/ c 2016 FUJIFILM Corporation P2-3/P36 The vision of the X Series, the choice for X Series owners A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. X Mount Lenses _ P.4-21 Accessories _ P.23-29 Technology _ P.30-33 Specifications _ P.34-35 2 3 P4-5/P36 XF14mmF2.8 R XF16mmF1.4 R WR X-T2 : F11 1/4 sec. ISO200 Scott Grant / Canada High resolving power across the frame from the centre to the edges. This ultra-wide-angle lens, which has a diagonal angle of view greater than 90°, produces extraordinary images. Distortion has been kept to a measured value of zero, with sharpness right across the frame, even when the subject is near the edges. -
Leica M Empowering Your Creative Freedom to Capture Decisive Moments
Leica M Empowering your creative freedom to capture decisive moments. CONTENTS EDITORIAL 05 LEICA HISTORY 06 LEICA REPORTAGE 08 LEICA M - SYSTEM 14 NEW: LEICA M9 26 LEICA M7 AND MP 40 LEICA A LA CARTE 48 LEICA M - LENSES 50 LEICA M - ACCESSORIES 66 LEICA M TECHNICAL DATA 72 LEICA CAMERAS AND SPORT OPTICS 80 Dear friends of Leica, Leica Camera shares your passion and love of challenging creative photography. Our factory is dedicated to designing and constructing cameras and lenses of the highest quality and uncompromising performance for people just like you. Leica cameras and lenses are exquisite tools that let you experience a unique view of life – tools that ensure the photographer’s complete creative freedom. At the same time, they maximize the potential for realizing your most cherished visual concepts in the form of perfect pictures – images that capture and possess the power to express the otherwise hidden or unnoticed facets of life. The Leica M stands for precisely this special genre of photography as no other camera can. Since our introduction of the combined viewfinder/rangefinder principle in 1954, countless photojournalists and photographic artists have reshaped and redefined our views of the world with their responsive, silent, and discreet Leica M cameras. This is because rangefinder cameras are ideal for capturing vital and authentic images taken from real life, a fact that holds true to the present day. With their intense concentration solely on essential functions and timelessly purist design, the Leica M7 and MP cameras carry forth the noble heritage of their predecessors. What is more, they represent the crowning glory of classical Leica M photography.