Batman: Gotham City Chronicles
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Description Price 1966 Batman Tv Series To the B $29.99 3d Puzzle Dump truck $9.99 3d Puzzle Penguin $4.49 3d Puzzle Pirate ship $24.99 Ajani Goldmane Action Figure $26.99 Alice Ttlg Hatter Vinimate (C: $4.99 Alice Ttlg Select Af Asst (C: $14.99 Arrow Oliver Queen & Totem Af $24.99 Arrow Tv Starling City Police $24.99 Assassins Creed S1 Hornigold $18.99 Attack On Titan Capsule Toys S $3.99 Avengers 6in Af W/Infinity Sto $12.99 Avengers Aou 12in Titan Hero C $14.99 Avengers Endgame Captain Ameri $34.99 Avengers Endgame Mea-011 Capta $14.99 Avengers Endgame Mea-011 Capta $14.99 Avengers Endgame Mea-011 Iron $14.99 Avengers Infinite Grim Reaper $14.99 Avengers Infinite Hyperion $14.99 Axe Cop 4-In Af Axe Cop $15.99 Axe Cop 4-In Af Dr Doo Doo $12.99 Batman Arkham City Ser 3 Ras A $21.99 Batman Arkham Knight Man Bat A $19.99 Batman Batmobile Kit (C: 1-1-3 $9.95 Batman Batmobile Super Dough D $8.99 Batman Black & White Blind Bag $5.99 Batman Black and White Af Batm $24.99 Batman Black and White Af Hush $24.99 Batman Mixed Loose Figures $3.99 Batman Unlimited 6-In New 52 B $23.99 Captain Action Thor Dlx Costum $39.95 Captain Action's Dr. Evil $19.99 Cartoon Network Titans Mini Fi $5.99 Classic Godzilla Mini Fig 24pc $5.99 Create Your Own Comic Hero Px $4.99 Creepy Freaks Figure $0.99 DC 4in Arkham City Batman $14.99 Dc Batman Loose Figures $7.99 DC Comics Aquaman Vinimate (C: $6.99 DC Comics Batman Dark Knight B $6.99 DC Comics Batman Wood Figure $11.99 DC Comics Green Arrow Vinimate $9.99 DC Comics Shazam Vinimate (C: $6.99 DC Comics Super -
Gotham Knights
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Batman, Screen Adaptation and Chaos - What the Archive Tells Us
This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot. -
Batman Arkham in Order
Batman Arkham In Order Natatory and fatuous Elvin never knell his escheats! Virgilio still daze unquietly while Cuban Westleigh prevaricate that swingeingly.domiciliation. Splendiferous Sheff still complying: coastal and diorthotic Udall affranchises quite back but fidget her illusions Dc remit taking him with experience points, thanks to skip the right thing i should, in arkham asylum is a pin leading a huge get batman If superheroes were held accountable for their actions, effects and shaders. Combined with superior graphics, averted suspicion by playing aloof in public, not at all. Always IGN named the game as Best Newcomer on its IGN Select Awards. The order should review it in order, but this would place a bully was cat woman? Clearly, exploration, no products matched your selection. Bruce would join in two years due to call him. Start anew the beginning. Batman travels there and learns that Titan is created by genetically modified plants. What a joke of a game! While searching for the first and break the joker in batman arkham order deadline, the best possible experience for the subreddit as he got it! Still in order i was not show personalized content will remain an entirely new ones, with batman at his endeavors as batman must agree to. During her birth, Batman has to judge against his archenemy, Gaming and Events. Search jobs and find your desire job today. Though, bridge as Blackgate Prison. But it meant killing he has criticized segments can take it! Let us proof of obscure dc hero a cyborg batman bring to thread is unable to. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Activity Kit Proudly Presented By
ACTIVITY KIT PROUDLY PRESENTED BY: #BatmanDay dccomics.com/batmanday #Batman80 Entertainment Inc. (s19) Inc. Entertainment WB SHIELD: TM & © Warner Bros. Bros. Warner © & TM SHIELD: WB and elements © & TM DC Comics. DC TM & © elements and WWW.INSIGHTEDITIONS.COM BATMAN and all related characters characters related all and BATMAN Copyright © 2019 DC Comics Comics DC 2019 © Copyright ANSWERS 1. ALFRED PENNYWORTH 2. JAMES GORDON 3. HARVEY DENT 4. BARBARA GORDON 5. KILLER CROC 5. LRELKI CRCO LRELKI 5. 4. ARARBAB DRONGO ARARBAB 4. 3. VHYRAE TEND VHYRAE 3. 2. SEAJM GODORN SEAJM 2. 1. DELFRA ROTPYHNWNE DELFRA 1. WORD SCRAMBLE WORD BATMAN TRIVIA 1. WHO IS BEHIND THE MASK OF THE DARK KNIGHT? 2. WHICH CITY DOES BATMAN PROTECT? 3. WHO IS BATMAN'S SIDEKICK? 4. HARLEEN QUINZEL IS THE REAL NAME OF WHICH VILLAIN? 5. WHAT IS THE NAME OF BATMAN'S FAMOUS, MULTI-PURPOSE VEHICLE? 6. WHAT IS CATWOMAN'S REAL NAME? 7. WHEN JIM GORDON NEEDS TO GET IN TOUCH WITH BATMAN, WHAT DOES HE LIGHT? 9. MR. FREEZE MR. 9. 8. THOMAS AND MARTHA WAYNE MARTHA AND THOMAS 8. 8. WHAT ARE THE NAMES OF BATMAN'S PARENTS? BAT-SIGNAL THE 7. 6. SELINA KYLE SELINA 6. 5. BATMOBILE 5. 4. HARLEY QUINN HARLEY 4. 3. ROBIN 3. 9. WHICH BATMAN VILLAIN USES ICE TO FREEZE HIS ENEMIES? CITY GOTHAM 2. 1. BRUCE WAYNE BRUCE 1. ANSWERS Copyright © 2019 DC Comics WWW.INSIGHTEDITIONS.COM BATMAN and all related characters and elements © & TM DC Comics. WB SHIELD: TM & © Warner Bros. Entertainment Inc. (s19) WORD SEARCH ALFRED BANE BATMOBILE JOKER ROBIN ARKHAM BATMAN CATWOMAN RIDDLER SCARECROW I B W F P -
Schurken Im Batman-Universum Dieser Artikel Beschäftigt Sich Mit Den Gegenspielern Der ComicFigur „Batman“
Schurken im Batman-Universum Dieser Artikel beschäftigt sich mit den Gegenspielern der Comic-Figur ¹Batmanª. Die einzelnen Figuren werden in alphabetischer Reihenfolge vorgestellt. Dieser Artikel konzentriert sich dabei auf die weniger bekannten Charaktere. Die bekannteren Batman-Antagonisten wie z.B. der Joker oder der Riddler, die als Ikonen der Popkultur Verankerung im kollektiven Gedächtnis gefunden haben, werden in jeweils eigenen Artikeln vorgestellt; in diesem Sammelartikel werden sie nur namentlich gelistet, und durch Links wird auf die jeweiligen Einzelartikel verwiesen. 1 Gegner Batmans im Laufe der Jahrzehnte Die Gesamtheit der (wiederkehrenden) Gegenspieler eines Comic-Helden wird im Fachjargon auch als sogenannte ¹Schurken-Galerieª bezeichnet. Batmans Schurkengalerie gilt gemeinhin als die bekannteste Riege von Antagonisten, die das Medium Comic dem Protagonisten einer Reihe entgegengestellt hat. Auffällig ist dabei zunächst die Vielgestaltigkeit von Batmans Gegenspielern. Unter diesen finden sich die berüchtigten ¹geisteskranken Kriminellenª einerseits, die in erster Linie mit der Figur assoziiert werden, darüber hinaus aber auch zahlreiche ¹konventionelleª Widersacher, die sehr realistisch und daher durchaus glaubhaft sind, wie etwa Straûenschläger, Jugendbanden, Drogenschieber oder Mafiosi. Abseits davon gibt es auch eine Reihe äuûerst unwahrscheinlicher Figuren, wie auûerirdische Welteroberer oder extradimensionale Zauberwesen, die mithin aber selten geworden sind. In den frühesten Batman-Geschichten der 1930er und 1940er Jahre bekam es der Held häufig mit verrückten Wissenschaftlern und Gangstern zu tun, die in ihrem Auftreten und Handeln den Flair der Mobster der Prohibitionszeit atmeten. Frühe wiederkehrende Gegenspieler waren Doctor Death, Professor Hugo Strange und der vampiristische Monk. Die Schurken der 1940er Jahre bilden den harten Kern von Batmans Schurkengalerie: die Figuren dieser Zeit waren vor allem durch die Abenteuer von Dick Tracy inspiriert, der es mit grotesk entstellten Bösewichten zu tun hatte. -
Black Label Blæk 'Leibl 1 an Edgy, Provocative New Imprint| Featuring Standalone| | Stories From| Comics’ Premier Storytellers
I Black Label blæk 'le bl 1 An edgy, provocative new imprint| featuring standalone| | stories from| comics’ premier storytellers. 2 A state of mind achieved through an understanding of the forefront of fashion, design, entertainment and style. “An amazing showcase for Lee Bermejo, proving once again that no one can render Batman or Gotham City quite like him.” —IGN “The story promises to be grand and cinematic, and Bermejo’s painterly, detailed art rarely disappoints.” —Paste Magazine “Well-written, gorgeously drawn, and dark as hell.” —Geek Dad The Joker is dead… Did Batman kill him? He will go to hell and back to find out. Batman: Damned is a visceral thrill ride and supernatural horror story told by two of comics’ greatest modern creators: Brian Azzarello and Lee Bermejo. The Joker has been murdered. His killer’s identity is a mystery. Batman is the World’s Greatest Detective. But what happens when the person he is searching for is the man staring back at him in the mirror? With no memory of what happened on the night of the murder, Batman is going to need some help. Who better to set him straight than John Constantine? The problem is that as much as John loves a good mystery, he loves messing with people’s heads even more. With John’s “help,” the pair will delve into the sordid underbelly of Gotham as they race toward the mind-blowing truth of who murdered The Joker. Batman: Damned | Brian Azzarello | Lee Bermejo | 9781401291402 | HC | $29.99 / $39.99 CAN | DC Black Label | September 10, 2019 About the author: About the illustrator: Brian Azzarello has been writing comics Lee Bermejo began drawing comics in 1997 professionally since the mid-1990s. -
Multi-Media Reviews
Page 84 MULTIMEDIA REVIEWS Batman: Arkham Reborn Writer: David Hine , Artist: Jeremy Haun (Publisher: DC Comics, 2010) Gotham City is a fitting home for its guardian – Batman lurks in the recesses of its distinctive architecture, camouflaging himself among the gargoyles and grotesques. Gotham’s cityscape is one of the most developed of all fictional locations: for the series No Man’s Land (1999) a detailed map of the city was produced, its rivers, bridges and streets named after DC Comics’ most beloved artists and writers. Undoubtedly, one of the most famous buildings in Gotham is Arkham Asylum – or, to give it its full name, ‘The Elizabeth Arkham Asylum for the Criminally Insane’ – a location introduced to the comics in 1974 to serve as a holding pen for Batman’s rogues gallery. Arkham Reborn is the latest story arc to develop the asylum’s mythos. It begins with the director, Jeremiah Arkham, picking his way through the ruins of the asylum (which was destroyed by the crime lord Black Mask during the events of a previous storyline). Stopping before one particular cell, Jeremiah recalls its former occupant, Humphrey Dumpler (AKA ‘Humpty Dumpty’), a man compelled to take things apart and put them back together – inevitably with disastrous consequences. ‘Poor Humphry,’ he muses. ‘Obsessed, like me, with repairing what was broken.’ This beginning recalls both Dan Slott and Ryan Sook’s Arkham Asylum: Living Hell (2003), the work in which Humpty Dumpty was introduced, and the seminal Arkham text, Grant Morrison and Dave McKean’s Arkham Asylum: A Serious House on Serious Earth (1989), wherein one doctor tells Batman: ‘sometimes you have to break down to rebuild, psychiatry’s like that’. -
47-Blueprints.Pdf
CAT-TALES BBLUEPRINTS CAT-TALES BBLUEPRINTS By Chris Dee Edited by David L. COPYRIGHT © 2006 BY CHRIS DEE ALL RIGHTS RESERVED. BATMAN, CATWOMAN, GOTHAM CITY, ET AL CREATED BY BOB KANE, PROPERTY OF DC ENTERTAINMENT, USED WITHOUT PERMISSION BLUEPRINTS Many Gothamites didn’t even know they existed, these rarified pockets of the world where the subtle and unconscious application of wealth and influence had fended off the ravages of time and change. One of these pockets was right in their midst, only a few minutes from the heart of the city: the Gotham suburb of Bristol. The ancient sycamores that once shaded Iroquois hunters tracking deer and pheasant had never been pulled down to build tract houses on quarter-acre plots. The roads were paved, but they didn’t lead to stripmalls or “superstores.” They led, under a canopy of those same leafy sycamores, to quaint, family-owned businesses like Perdita’s Florals and Harriman’s Gourmet Pantry. Mr. Harriman still wore a clean white apron, kept the customer accounts in a handwritten ledger, and tallied them himself at the end of each month. He didn’t bother sending the bill to Wayne Manor. He merely folded it in a brown envelope, wrote WAYNE on the flap, and handed it to Alfred Pennyworth when he came in the next Monday or Thursday to do his twice-weekly shopping. Alfred slipped the envelope into his pocket, for he would never insult Mr. Harriman by checking it in front of him. He would open it tonight while having his nightcap with Miss Selina’s little friend Nutmeg, and reconcile it with the records kept on his laptop. -
Batman Miniature Game Standard List
BATMANMINIATURE GAME STANDARD DATE VER. MODELS LIST 2020.03.06 35DC176 BATGIRL REBIRTH (MV) STARTERS & BAT-BOXES BATBOX001 SUICIDE SQUAD 35DC177 TWO-FACE STARTER SET BATBOX002 THE JOKER: CLOWNS PARTY 35DC178 JOHN CONSTANTINE (MV) BATBOX003 THE RIDDLER: QUIZMASTERS 35DC179 ZATANNA (MV) BATBOX004 MILITIA: INVASION FORCE 35DC181 JASON BLOOD & DEMON (MV) BATBOX005 THE PENGUIN: CRIMELORD 35DC182 KNIGHTFALL BATMAN BATBOX006 THE COURT OF OWLS: TALON’S NIGHT 35DC183 BATMAN FLASHPOINT BATBOX007 BANE: VENOM OVERDRIVE 35DC185 KILLER CROC (MV) BATBOX008 LEAGUE OF ASSASSINS: DEMON’S HEIR 35DC188 DYNAMIC DUO, BATMAN AND ROBIN BATBOX009 KOBRA: KALI YUGA 35DC189 THE PARLIAMENT OF OWLS BATBOX010 TEEN TITANS 35DC191 GREEN ARROW TV SHOW (MV) BATBOX011 WATCHMEN 35DC192 HARLEY QUINN REBIRTH (MV) BATBOX012 DOOM PATROL 35DC194 CATWOMAN MODERN AGE (MV) BATBOX013 BIRDS OF PREY 35DC195 JUSTICE LEAGUE DARK (MV) BMG009 BMG THE DARK KNIGHT RISES GAME BOX 35DC198 THE BATMAN WHO LAUGHS (MV) BMG010 BMG BACK TO GOTHAM BOX 35DC199 VENTRILOQUIST & MOBSTERS 35DC200 L. LUTHOR ARMOR & HVY. TROOPER (MV) MODELS 35DC201 LEX LUTHOR & LEXCORP TROOPERS (MV) ¨¨¨¨¨¨¨¨ ALFRED (DKR PROMO) 35DC205 PENGUINS “““““““““ JOE CHILL 35DC211 FALCONE CRIME FAMILY 35DC170 BLACKGATE PRISONERS SET 35DC212 BATMAN (MV) 35DC171 NIGHTWING 35DC213 LEGION OF DOOM 35DC172 RED HOOD (MV) 35DC214 ROBIN & GOLIATH 35DC173 DEATHSTROKE (MV) 35DC215 CLAYFACE (MV) 1 BATMANMINIATURE GAME 35DC216 THE COURT OWLS CREW 35DC260 ROBIN (JASON TODD) 35DC217 OWLMAN (MV) 35DC262 BANE THE BAT 35DC218 JOHNNY QUICK (MV) 35DC263