Contextual American Transcendentalism
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The Rise and Fall of American Transcendentalism
Philip F. Gura. American Transcendentalism: A History. New York: Hill & Wang, 2007. 384 pp. $27.50, cloth, ISBN 978-0-8090-3477-2. Reviewed by David Voelker Published on H-SHEAR (October, 2009) Commissioned by Caleb McDaniel (Rice University) The Rise and Fall of American Transcen‐ its gradual decline as a recognizable movement dentalism during the 1850s, and its postbellum afterlife. Al‐ It is perhaps impossible to write a definitive though a couple of the early chapters dealing with history of a movement as amorphous and sprawl‐ the influence of biblical criticism and German ing as Transcendentalism, but Philip F. Gura and French philosophy on Transcendentalism comes close. American Transcendentalism: A His‐ might be challenging for general readers and un‐ tory seriously (if not always explicitly) engages dergraduates, the book is written for a broad au‐ with several persistent questions about Transcen‐ dience rather than for specialists, and it deserves dentalism: Was it primarily a religious move‐ wide readership by students of American history. ment--or something else? Intellectually speaking, Graduate students and scholars may wish that was it an American original or a European off‐ Gura had included a bibliographic essay or addi‐ shoot? Did it support social reform, or was it tional discursive footnotes to situate the book merely a social circle of effete intellectuals? Was it more thoroughly in the secondary literature, but democratic or elitist in spirit? Did the movement they will nevertheless recognize that this impor‐ rapidly disintegrate, or did it continue to have a tant work addresses the key historiographic de‐ post-Civil War impact? Gura rightly declines to bates about American Transcendentalism. -
A History of American Civil War Literature Edited by Coleman Hutchison Frontmatter More Information
Cambridge University Press 978-1-107-10972-8 - A History of American Civil War Literature Edited by Coleman Hutchison Frontmatter More information A HISTORY OF AMERICAN CIVIL WAR LITERATURE Th is book is the fi rst omnibus history of the literature of the American Civil War, the deadliest confl ict in U.S. history. A History of American Civil War Literature examines the way the war has been remembered and rewritten over time. Th is history incorporates new directions in Civil War historiography and cultural studies while giving equal attention to writings from both the northern and the southern states. Written by leading scholars in the fi eld, this book works to redefi ne the boundaries of American Civil War literature while posing a fundamental question: Why does this 150-year-old confl ict continue to capture the American imagination? Coleman Hutchison is an associate professor of English at Th e University of Texas at Austin, where he teaches courses in nineteenth-century U.S. literature and culture, bibliography and tex- tual studies, and poetry and poetics. He is the author of the fi rst literary history of the Civil War South, Apples and Ashes: Literature, Nationalism, and the Confederate States of America (2012) and the coauthor of Writing about American Literature: A Guide for Students (2014). Hutchison’s work has appeared in American Literary History, Common-Place, Comparative American Studies, CR: Th e New Centennial Review, Journal of American Studies, Th e Emily Dickinson Journal, PMLA , and Southern Spaces, among other venues. -
Nature, Spirituality, and the Self in American Transcendentalism and Beat Generation Literature Caitlin Cater University of Pittsburgh Pittsburgh, Pennsylvania
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English Volume 10 | Issue 1 Article 4 2008 In Search of America: Nature, Spirituality, and the Self in American Transcendentalism and Beat Generation Literature Caitlin Cater University of Pittsburgh Pittsburgh, Pennsylvania Follow this and additional works at: https://scholarcommons.sc.edu/tor Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Cater, Caitlin (2008) "In Search of America: Nature, Spirituality, and the Self in American Transcendentalism and Beat Generation Literature," The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English: Vol. 10 : Iss. 1 , Article 4. Available at: https://scholarcommons.sc.edu/tor/vol10/iss1/4 This Article is brought to you by the College of Humanities and Social Sciences at Scholar Commons. It has been accepted for inclusion in The sO wald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English by an authorized editor of Scholar Commons. For more information, please contact [email protected]. In Search of America: Nature, Spirituality, and the Self in American Transcendentalism and Beat Generation Literature Keywords Beat movement, Transcendentalism, American Literature This article is available in The sO wald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English: https://scholarcommons.sc.edu/tor/vol10/iss1/4 13 In Search of America: Nature, Spirituality, and the Self in American Transcendentalism and Beat Generation Literature Caitlin Cater University of Pittsburgh Pittsburgh, Pennsylvania ntroduction IIn their intellectual history of post-war America, Jamison and Eyerman identify the Beat movement as one of several instrumental forces behind the societal transformations of the 1960s. -
Native American Literature: Remembrance, Renewal
U.S. Society and Values, "Contemporary U.S. Literature: Multicultura...partment of State, International Information Programs, February 2000 NATIVE AMERICAN LITERATURE: REMEMBRANCE, RENEWAL By Geary Hobson In 1969, the fiction committee for the prestigious Pulitzer Prizes in literature awarded its annual honor to N. Scott Momaday, a young professor of English at Stanford University in California, for a book entitled House Made of Dawn. The fact that Momaday's novel dealt almost entirely with Native Americans did not escape the attention of the news media or of readers and scholars of contemporary literature. Neither did the author's Kiowa Indian background. As news articles pointed out, not since Oliver LaFarge received the same honor for Laughing Boy, exactly 40 years earlier, had a so-called "Indian" novel been so honored. But whereas LaFarge was a white man writing about Indians, Momaday was an Indian -- the first Native American Pulitzer laureate. That same year, 1969, another young writer, a Sioux attorney named Vine Deloria, Jr., published Custer Died For Your Sins, subtitled "an Indian Manifesto." It examined, incisively, U.S. attitudes at the time towards Native American matters, and appeared almost simultaneously with The American Indian Speaks, an anthology of writings by various promising young American Indians -- among them Simon J. Ortiz, James Welch, Phil George, Janet Campbell and Grey Cohoe, all of whom had been only fitfully published at that point. These developments that spurred renewed -- or new -- interest in contemporary Native American writing were accompanied by the appearance around that time of two works of general scholarship on the subject, Peter Farb's Man's Rise to Civilization (1968) and Dee Brown's Bury My Heart At Wounded Knee (1970). -
Transcendentalism: a Critique of Today's World Through the Eyes Of
Transcendentalism: A Critique of Today’s World Through the Eyes of a Nineteenth Century Transcendentalist Throughout history, human thought has shaped the processes and actions that make up the world we live in today. It has been at the root of every war as well as every treaty and negotiation. Human thought has fueled hatred and acceptance, wrath and peace, and it has endured through history despite each attempt to repress it. There have been intellectual movements throughout history in which human thought has influenced society’s culture and how it approaches its members and problems. Two such time periods were the Enlightenment and the Second Great Awakening, the latter of which being when Transcendentalism first came to the forefront of human thought. Transcendentalism was a spiritual and philosophical movement that developed in the 1820s and 1830s with roots in Kantian philosophy and German Romanticism.1 This philosophy argued for individualism and each person’s ability to make sense of the Universe through their own Spirit and Reason. In today’s world, Transcendentalist thought is often overlooked and is rarely taught or practiced. Regardless, modern society reflects the one in which Transcendentalists lived in the sense that they have both been marked by technological revolutions and the current societal issues are products of those that Transcendentalists once fought against. It is for this reason that we must look at what Transcendentalism is and how Transcendentalists responded to their society and its problems so that we may begin to do the same within our own society. To do this, it is necessary to look at Ralph Waldo Emerson’s 1 History.com Editors, “Transcendentalism,” HISTORY, August 21, 2018, www.history.com/topics/19th-century/transcendentalism. -
Anti-Americanism and Popular Culture
2005 Anti-Americanism and Popular Culture. Budapest: Center for Policy Studies Working Papers. 38 pp. <http://cps.ceu.hu/papers.php>. © Central European University The views in this report are the author's own and do not necessarily reflect those of the Center for Policy Studies, Central European University or the Open Society Institute. CENTER FOR POLICY STUDIES CENTRAL EUROPEAN UNIVERSITY Nádor utca 9 H–1051 Budapest, Hungary [email protected] http://www.ceu.hu/cps Toby Miller Tisch School of the Arts New York University 721 Broadway, 12th Floor, New York, NY 10003 [email protected] 2005 Typesetting • Tamás Dombos ANTI-AMERICANISM AND POPULAR CULTURE ^ CONTENTS 1. Introduction 5 2. Key Terms I: Anti-Americanism 7 3. Key Terms II: Popular Culture 8 4. Cultural Dominance 10 5. Role of the State 15 6. Opposition 20 7. Conclusion and Recommendations 25 7.1 Recommendations 26 3 ANTI-AMERICANISM AND POPULAR CULTURE ^ Here’s the rub: America is at war against people it doesn’t know, because they don’t appear much on TV. Arundhati Roy (2001) “I like taxis. I was never good at geography and I learn things by asking the drivers where they come from.” “They come from horror and despair.” “Yes, exactly. One learns about the countries where unrest is occurring by riding the taxis here.” Don DeLillo (2003: 16) The core of globalization is to achieve economic hegemony of a few rich states, the United States of America in particular, as well as the hegemony of Western consumer culture, threatening the peoples’ cultures, methods of living and spiritual values. -
Self-Actualization: Transcendentalist Discourse in the Work of Stuart Saunders Smith
SELF-ACTUALIZATION: TRANSCENDENTALIST DISCOURSE IN THE WORK OF STUART SAUNDERS SMITH José Augusto Duarte Lacerda A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS December 2015 Committee: Roger Schupp, Advisor Timothy Messer-Kruse Graduate Faculty Representative Marilyn Shrude Robert Wallace Thomas Rosenkranz © 2015 José Augusto Duarte Lacerda All Rights Reserved iii ABSTRACT Roger Schupp, Advisor Born and raised in Maine, composer Stuart Saunders Smith (1948) grew up immersed in a milieu that still echoed the influence of the nineteenth-century literary movement known as Transcendentalism. The work of key Transcendentalist figures, such as Ralph Waldo Emerson and Henry David Thoreau, show the movement’s emphasis on autonomy, intuition, pacifism, and social justice. But Transcendentalism also maintains a spiritual focus: a claim that each person is part of a single universal spirit—“Oneness.” However, this “Oneness” does not equate to homogeneity of ideas and individual voices. Rather, each person’s divine worth grants them autonomy of thought and agency. Both the social and spiritual ideas of Transcendentalism have informed Smith’s music, his writings on music compositional process, and his personal life. Amongst the Transcendentalist notions displayed in Smith’s music, pacifism and anti- technologism appear in his use of intricate rhythms. A Thoreauvian anti-materialism can be found in Smith’s limited use of instrumentation and in his concept of “percussion ecology.” Moreover, the Transcendentalist non-teleological stance is reflected in Smith’s tendency to write evening-length pieces that disregard form, his recurring references to New England imagery, and his use of non-sequiturs. -
Henry David Thoreau Ralph Waldo Emerson Transcendentalism
Transcendentalism Henry David Thoreau Ralph Waldo Emerson Transcendentalism • Early 1800’s movement in 3 areas: • Literature • •HenryPhilosophy David Thoreau • •RalphSpirituality Waldo Emerson • Centers on a belief that we can only reach our truest potential when we “rise above” the limitations that society places on us. Inspiration/BackgroundTranscendentalism • This was part of America’s Romantic Period. Henry David Thoreau ••The Romantics were poets/artists rebelling •AGAINSTRalph Waldo the EmersonEnlightenment (a.k.a.: The Age of Reason). ENLIGHTENMENT vs. ROMANTICISM • 1700’s • 1800’s • Like citiesTranscendentalism• Like nature • Thought • Emotion • Reason• Henry David Thoreau • Imagination Logic Intuition • • Ralph Waldo Emerson • • Complex • Simple • Rational • Mysterious • Experiments/facts • Opinions/Personal truth • Society: norms & systems • Nature: wild & untamed • Change • Tradition • Strength of Society • Spirit of Individual • Standardized religion • Personal religion; supernatural TranscendentalTranscendentalism Beliefs Transcendentalists believe in a balance of both Enlightenment & Romanticism. • Don’tHenry wantDavid toThoreau discredit the genius of •manyRalph EnlightenmentWaldo Emerson thinkers. • But being born out of Romanticism, it has undeniable biases towards it. TranscendentalismCARPE DIEM • Live your life now so that you don’t • Henryregret David or fear Thoreau death. • •RalphDeath Waldo is mysterious, Emerson and that’s the way it should be. INTERCONNECTEDNESSTranscendentalism • Everything in the Universe comes -
Nathaniel Hawthorne's Materialist Response to the Culture of Reform
AN ABSTRACT OF THE THESIS OF Andrew White for the degree of Master of Arts in English presented on May 3, 1999. Title: Counterfeit Arcadias: Nathaniel Hawthorne's Materialist Response to the Culture of Reform. Redacted for Privacy Abstract approved: David M. Robinson Nathaniel Hawthorne lived and wrote in an age of reform efforts, and the progressive movement with which he was most familiar was Transcendentalism. However, he was not sympathetic with Emerson's idealism, a sentiment which comes out in his fiction in way of critique. Throughout Hawthorne's work there is an emphasis on human limitation, in stark contrast to the optimism that characterized his time a "materialist" response to idealism (as defined by Emerson in "The Transcendentalist"). And one important vehicle of this critique of human possibility is his shrewd use of biblical motif particularly the tropes of Eden and the Promised Land, which were adopted by the Transcendentalists. Although these allusions can be traced through much of Hawthorne's work, they are especially apparent in two novels: The Blithedale Romance (1852) and The Scarlet Letter (1850). Hawthorne exposes the irony behind the use of these biblical motifs by the Blithedale community (in their effort to create a utopian society) and the Puritan community, which looked to its religious leaders as the embodiment of its ideals. Copyright by Andrew White May 3, 1999 All Rights Reserved Counterfeit Arcadias: Nathaniel Hawthorne's Materialist Response to the Culture of Reform by Andrew White A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented May 3, 1999 Commencement June 1999 Master of Arts thesis of Andrew White presented on May 3, 1999 APPROVED: Redacted for Privacy Major Professor, representing English Redacted for Privacy Chair of Department of English Redacted for Privacy Dean of Graduat School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. -
Melville's Quarrel with the Transcendentalists
-. MELVILLE'S QUARREL WITH THE TRANSCENDENTALISTS A Monograph Pl:>esented to the Faculty of the Department of English Morehead State University ' . In Partial Fulfillmen~ of the Requirements for the Degree ''I Master-of Al>ts by Ina Marie Lowe August 1970 ' Accepted by the faculty of the School. of ft,,._11114.4 ; f:i~ 5 • Morehead State University, in partial. fulfil.l.ment of the require- ments for the Master of _ _,_A,.l'.._t".._.:i._ ____ degree, TABLE OF CONTENTS CHAPTER PAGE I. Introduction . ••...••..••.•.••..••.•.•........•..•.• , .•.•.•• l II. Melville and Transcendental Idealism ••••••••••••••••••••••• 3 III. Melville and Transcendental Intellectualism •••••••••••••••••• 18 IV. Melville and 'l'X'anscendental Optimism and Innocence ••••••••• 36 v. Summary and Conclusion ••••••••••••••••••••••••••••••••••••• 56 BIBLIOGRAPHY • •••••••••••• , ••••••••••••••••••••••••••• , , •••••• , • , • 59 CHAPTER I INTRODUCTION Melvill.e has usually been considered either as one of the Trans cendental writers or as having been influenced by Transcendental thought. There has been a critical acceptance of the thesis that Melville began as a Transcendentalist; then, as he grew older and presumably less wise in the romantic sense, he eschewed his early idealism and opted for an acceptance of moral expediency and com plicity. The beginning hypothesis of this study will be that Melville, although he could be said to share some of Transcendentalism's secondary ideas and attitudes, objected to many of the Transcend alists' most cherished beliefs. In fact, one can say that, rather than being a Transcendentalist writer, Melville was an anti Transcendentalist writer, constitutionally and intellectuall.y unable to accept the Transcendental view of life. In advancing the argument of this study, the critical works of Melvillean scholars will be considered for the light they may throw upon Transcendental influence on Melville's work. -
Frank O'hara's Oranges : Poetry, Painters and Painting
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2001 Frank O'Hara's oranges : poetry, painters and painting. Karen Ware 1973- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Ware, Karen 1973-, "Frank O'Hara's oranges : poetry, painters and painting." (2001). Electronic Theses and Dissertations. Paper 1531. https://doi.org/10.18297/etd/1531 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. FRANK O'HARA'S ORANGES: Poetry, Painters and Painting By Karen Ware B.A., Spalding University, 1994 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville In Partial Fulfillment of the Requirements For the Degree of Master of Arts Department of English University of Louisville Louisville, Kentucky August 2001 FRANK O'HARA'S ORANGES: Poetry, Painters and Painting By Karen Ware B.A., Spalding University, 1994 A Thesis Approved on by the following Reading Committee: Thesis MrectO'r 11 DEDICATION This thesis is dedicated to Clare Pearce, because I promised, and to Kyle, through all things. III ACKNOWLEDGMENTS Many amazing individuals have taken a seat in the roller coaster construction of this long-awaited project. -
Transcendentalism Transcendental Philosophy Strongly Influenced Henry David Thoreau's Writing and Provided the Context in Which
Transcendentalism Transcendental philosophy strongly influenced Henry David Thoreau's writing and provided the context in which he wrote Walden. Transcend means "to rise above" or "surpass" the normal limits of something. Transcendentalism is a philosophy that draws from religious traditions such as Protestantism, Buddhism, and Hinduism. The concept of Transcendentalism proposes that humans have the ability to transcend the physical world. By relying on personal impressions and trusting one's own authority, a person can understand the world, and his or her place in it, in new ways. Transcendentalism involves the following principles: The divine waits here on Earth for people to perceive it. All natural beings possess a spark of the divine. Nature is inherently good and is humanity's best teacher. People must trust their own intuition, not society's norms, to guide them. Americans should look to their own history and culture for inspiration. Ralph Waldo Emerson, a New England essayist and lecturer, led the Transcendental movement. Emerson's essay, "Nature," published in 1836, sets forth the ideas that base Transcendentalism. The essay deals with the best way to understand God and nature: through direct experience. Society is detrimental to this process; to become one with nature, it is important that solitude becomes central to the experience. Emerson's celebrated 1841 essay "Self-Reliance" proved to be another major Transcendental document. In the essay Emerson stressed that individuals should trust their deepest instincts and that intuition is the main source of wisdom. He says that the truths gained through intuition are shared and recognized by others and are universal.