Seaborn Broughton & Walford Foundation Newsletter
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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
Annual Report 2019–2020
Annual Report 2019–2020 Contents About About 3 President & Chief Executive’s Report 4 Live Performance Australia (LPA) is the peak body for Australia’s live performance COVID-19: LPA’s Leadership & Advocacy 6 industry. Established over 100 years ago in 1917 and registered as an employers’ Workplace Relations 8 organisation under the Fair Work (Registered Organisations) Act 2009, LPA has over 400 Members nationally. Policy & Advocacy 10 Member Services 12 We represent commercial producers, music promoters, major performing arts companies, small to medium companies, independent producers, major performing arts Staff 15 centres, metropolitan and regional venues, commercial theatres, stadiums and arenas, Financial Report 16 arts festivals, music festivals, and service providers such as ticketing companies and technical suppliers. Our membership spans from small to medium and not-for-profit Executive Council 38 organisations to large commercial entities. Members 40 LPA’s strategic direction is driven by our Members. LPA Members are leaders in our Acknowledgments 42 industry and their expertise is crucial to ensuring positive industry reform, whether by Member Resources 44 providing input to submissions or serving as a Member of LPA’s Executive Council. Contact 45 LPA’s membership remains strong and, importantly, reflective of the artistic and commercial diversity of the Australian live performance industry. LPA has a clear mandate to advocate for and support policy decisions that benefit the sustainability and growth of the live performance -
Made in Melbourne! Enjoyed Nationally & Internationally! MAY 2011
Made in Melbourne! Enjoyed Nationally & Internationally! MAY 2011 MAY MAY 2011 Issue 79 q comment: INTERPRIDE and PMV As you may be aware, four years ago Pride March Victoria decided to re-engage with the International Publisher & Editor Brett Hayhoe body - InterPride - and play our part on the world +61 (0) 422 632 690 stage. At that very first AGM and World Conference [email protected] that both myself (as Secretary of Pride March Victoria) and the Treasurer attended with me being elected to Editorial the Board prior to my flight back to Australia. This [email protected] commenced a time in my life where I was having to Sales and Marketing attend two meetings a year in some location around [email protected] the world. At last year’s AGM and World Conference I was elected Secretary of the International body with Design Adam Lowe being elected as the Board Director for Uncle Brett Designs & Graphics Region 20 (the region in which Australia is placed). Contributing Writers Pete Dillon, Evan Davis, Alan Mayberry, Despite those who claim it is simply an excuse to fly Tasman Anderson, Marc J Porter, Barrie overseas, the work of InterPride is very real and does Mahoney, Brett Hayhoe, Ashley Hogan, Brian Mier, Chris Gregoriou, Nathan Miller, make a difference in many many ways. I am personally Amanda Nassif very proud of the work the organisation does - both as an organisation and through our many member Cover picture organisations around the globe. The Production Company Photographic Contributions Our involvement with InterPride however would not be Alan Mayberry (gh & q drag), Wally possible without the support of the wonderful Board of Cowin (gay day), Avril Holderness- Pride March Victoria. -
MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition. -
The Glasshouse, Port Macquarie
` Disability & Seniors Services Supported Holidays & Transport Personalised or Group Always Able is pleased to announce availability of the following shows at The Glasshouse, Port Macquarie 1 Contact Michelle 0467228981 or email if you are interested in enjoying any of these shows with us. Please note the following:- ❖ Cost will depend on amt attending. ❖ Cost is dependent on the needs of the individual and location. ❖ Bookings will need to be made 1 months in advance to allow for ticket purchasing ❖ You will require spending money for meals and souvenirs. ❖ All prices include ticket, transport & support staff (if required), unless otherwise shown. SHOWS CONSTANTLY UPDATED. PLEASE CONTACT MICHELLE TO ENQUIRE OR REQUEST A BROCHURE. Updated: 5/02/2018 2 The Glasshouse, Port Macquarie Giselle 21 Oct 2017 1.30pm & 7.30pm The Australian Ballet Since its premiere in 1841, Giselle has captured the imagination and torn at the heart. The transcendent love story follows an innocent village girl transformed into a tender spirit after dying of a broken heart. With its hauntingly beautiful ensemble of white tutus, classical technique and heartbreaking romance, Giselle is a must-see ballet that’s perfect for the whole family. • Supported Cost: from $155.00 single person, from $90.00 5+ ppl (incl ticket, transport, support staff). TICKET & TRANSPORT ONLY COST (no support) $105.00 single, $85.00 2+ people (incl ticket, transport) ____________________________________________ 3 • • Teddy Tahu Rhodes & Jane Rutter 25 Oct 2017 – 7.30pm Classical Heroes and the Art of Seduction Award-winning bass baritone singer superstar Teddy Tahu Rhodes and internationally acclaimed flautist Jane Rutter (recently knighted by France with Le Chevalier des Arts et Lettres) are both bona fide rock stars of the classical music world. -
The Turquoise Elephant E X T D N F C R T O
GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT STEPHEN CARLETON BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER E Production Sponsor Meet Augusta Macquarie: Her Excellency, patron of the arts, X formidable matriarch, environmental vandal. THE T D TURQUOISE Inside her triple-glazed compound, Augusta shields herself from the catastrophic elements, bathing in THE TURQUOISE ELEPHANT the classics and campaigning for the reinstatement of global reliance on fossil fuels. Outside, the world lurches from one environmental cataclysm to the next. ELEPHANT N Meanwhile, her sister, Olympia, thinks the best way to save endangered species is to eat them. Their niece, Basra, is intent on making a difference – but how? Can you save the world one blog at a time? F C Stephen Carleton’s shockingly black, black, black political farce won the 2015 Griffin Award. R T It’s urgent, contemporary and perilously close to being real. Director Gale Edwards brings her magic and wry insight to the world premiere of this very funny, clever and wicked new work. O S T CURRENCY PRESS GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER Director Gale Edwards Set Designer Brian Thomson Costume Designer Emma Vine Lighting and AV Designer Verity Hampson Sound Designer Jeremy Silver Associate Lighting Designer Daniel Barber Stage Manager Karina McKenzie Videographer Xanon Murphy With Catherine Davies, Maggie Dence, Julian Garner, Belinda Giblin, Olivia Rose, iOTA SBW STABLES THEATRE 14 OCTOBER - 26 NOVEMBER Production Sponsor Government Partners Griffin acknowledges the generosity of the Seaborn, Broughton and Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. -
Retallick Katrina.Pdf
sue barnett & associates KATRINA RETALLICK TRAINING Central School of Speech and Drama, London, 1995 – Advanced Diploma of Creative Theatre Royal Shakespeare Company Masterclass with Cecily Berry and Andrew Wade (voice) Theatre de Complicite – clowning and neutral mask Advanced Diploma in Creative Theatre Bachelor of Arts, Sydney University FILM June Again Becca Ticket to Ride/See Pictures Dir: JJ Winlove Accidents Happen Connie AH Films Pty Ltd Dir: Andrew Lancaster The Eternity Man (Tele-movie) Prostitute RB Films Pty Ltd Dir: Julien Temple The Hairdresser Lead Dir: Michael Liu Crossword Woman Metro TV South Lisa Bennett Sydney University Drama Society Writing Joachim Claire Independent The Cup and the Lip Young Teacher AFTRS TELEVISION Love Child (Series 4) Margaret Fulton Playmaker Media Dir: Shannon Murphy Comedy Inc. (Series 4) Regular cast Crackerjack Productions P/L Comedy Inc. (Series 3) Regular cast Crackerjack Productions P/L Comedy Inc. (Series 2) Regular cast Crackerjack Productions P/L Comedy Inc. (Series 1) Regular cast Crackerjack Productions P/L The Chaser – CNNN Dancer Crackerjack Productions P/L Backburner Crackerjack Productions P/L THEATRE Come From Away (Remount) Dianne Moose Downunder, Rodney Rigby Dir: Christopher Ashley Who’s Your Baghdaddy Or How I Started Woman Hayes Theatre The Iraq Way Dir: Neil Gooding Come From Away Diane Moose Downunder, Rodney Rigby Dir: Christopher Ashley Sleeping Beauty Nanny Tickle Bonnie Lythgoe Productions The Adventures of Peter Pan & Tinker Bell Mrs Darling/ Bonnie Lythgoe Productions -
Online Program
GRIFFIN THEATRE GRIFFIN THEATRE COMPANY PRESENTS COMPANY CREATED AND PERFORMED BY DEBRA OSWALD DIRECTED BY LEE LEWIS 13 – 24 APRIL BIOGRAPHIES Debra Oswald The Nightwatchman. Other directing credits Ben Brockman Company/10 Days on the Island: The Mares; Writer and Performer include: for Griffin and Bell Shakespeare: Lighting Designer as associate composer and sound designer: The Literati, The Misanthrope; for Bell for Belvoir: Counting and Cracking, Random; Debra Oswald is a two- Shakespeare: The School for Wives, Twelfth Ben is an award-winning for Sydney Theatre Company: Wonnangatta; time winner of the NSW Night; for Belvoir: That Face, This Heaven, Half lighting designer who as performing musical director and bassist: Premier’s Literary Award and Half, A Number, 7 Blowjobs, Ladybird; for works both nationally for Belvoir: Barbara and the Camp Dogs (2017 and is creator/head Hayes Theatre Company: Darlinghurst Nights; and internationally. His and 2019 seasons); as bassist: for LWA/Sydney writer of the first five seasons of successful for Melbourne Theatre Company: Gloria, theatre credits include: for Griffin: Family Opera House: SIX: The Musical (LWA/Sydney TV series Offspring. She is the author of the Hay Fever and David Williamson’s Rupert, Values, Diving for Pearls, Replay, Splinter, 2016 Opera House); and as composer’s assistant: for novels Useful and The Whole Bright Year. Her which toured to Washington DC as part of and 2018 Season Launches; for Apocalypse Sydney Theatre Company: Harp in the South new novel The Family Doctor was published by the World Stages International Arts Festival Theatre Company and Red Line Productions Parts I & II. -
BY THORNTON WILDER DIRECTED by LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021
our town BY THORNTON WILDER DIRECTED BY LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021. It is so exciting to be back embarking on a season of theatre, with some much-loved plays and others unknown. Amanda Jolly Executive Director And what better work massive. Like reaching out to return with than this to a neighbour. Taking a great American classic moment for a colleague — directed by our own who’s struggling. Calling Artistic Director, Lee Lewis a distant friend. And and featuring a cast of 16 above all, spending time outstanding Queensland with family. We craved actors. You’ll find some togetherness, and meaning, familiar faces and discover and hope. some rising stars of Our Town celebrates all tomorrow — a village of of this and more. With its artists. simplicity and heart, it When the coronavirus reminds us of the power of pandemic forced us all theatre and how much we indoors last year, we have all been missing this eventually came to realise shared experience. Enjoy. what has been most — Best wishes, important all along. It turned Amanda out to be the little things, the things we had been too busy for, the things so tiny that they’re actually Queensland Theatre would like to acknowledge the Jagera and Turrbal people who are the Traditional Custodians of this land. We pay our respects to their Elders both past and present, and to all Aboriginal and Torres Strait Islander peoples. QUEENSLAND THEATRE IS ASSISTED BY THE AUSTRALIAN GOVERNMENT THROUGH THE AUSTRALIA COUNCIL, ITS ARTS FUNDING AND ADVISORY BODY. -
2019 July PERFORMANCE RESUME Copy 8.20.04 Pm Copy 2
MAUREEN J. ANDREW STATISTICS: Height: 167cm - 5’6” Dress: 10 Hair: (currently) Blonde Eyes: Green Weight: 63kg Bust - 38” - 96cm. Waist 29”- 74 cm Hips – 38” - 97 cm. Shoes - 8/39 Vocal Range. Belt C2-D4. Soprano to E5 Diploma Theatre Arts. Swinburne 2011. Fitness Leaders. Fitness Institute Frankston (Hons). R.A.D. (Intermediate. Hons.) C.S.Th.D. (Teachers diploma.) Honours all grades. Equity/ MEAA Platinum Member. Media Super: 9213456 Email: [email protected] . IMBD. Linkedin. http://www.imdb.com/name/nm0028528/mediaindex au.linkedin.com/pub/dir/ Maureen/Andrew MOBILE 0414511612 2016 www.artsparty.org Political Candidate. The Arts Party. 2018 Ballarat National Theatre Company. Board member. CABARET…WRITER /PRODUCER /PERFORMER 2019 CLUB VOLTAIRE. South Melbourne Liza Minnelli 2017 CHILLOUT. Daylesford ‘I’M WITH DOROTHY’ Judy Garland/Liza Minnelli ‘SMARVELLOUS’ NOEL AND GERTIE. With Peter Hurley Gertrude Lawrence 2016 CHILLOUT. Daylesford. The Grande Hotel Cabaret room Rhinestone Cowgirl 2016 LOL. Comedy music. Lunchtime Cabaret Touring country towns Entertainer 2015 CHILLOUT. Daylesford RHINESTONE COWGIRL Dolly Parton RHINESTONE COWGIRL. Dimboola, Katamatite, Tasmania. Hepburn Springs. Daylesford. BLISS BOMBS. JAZZ BABES. Liza Minnelli Madam MCee BLENDED FRUITS WEEKEND The Grande Hotel Cabaret Tina, Bette, Liza, Barbra ++ SWISS ITALIAN Festival. with Maestro Peter Hurley Classic opera, Noel Coward, and more NEW YORK NEW YORK! The Grande Hotel Cabaret Room Liza Minnelli BLISS BOMBS BURLESQUE - The Grande Hotel Cabaret Room Madam MCee 2014 CHILLOUT. Daylesford MY NAME IS BARBRA - The Grande Hotel Cabaret Barbra Streisand 2014/15 MARLENE - The Life, the Loves, the Legend. The Grande Hotel, Hepburn Marlene Dietrich 1982 WOMEN OF CHARACTER ( Season 2) Real Theatre Productions. -
Rocky Horror Show Is Back
A BRAND SPANKING NEW PRODUCTION iOTA PAUL CAPSIS TAMSIN CARROLL STARRING IN MEDIA KIT www.rockyhorror.com.au PRESSMEDIA RELEASE RELEASE RICHARD O’BRIEN’S THE WORLD’S FAVOURITE ROCK’N’ROLL MUSICAL DON’T DREAM IT … SEE IT THE WORLD’S FAVOURITE ROCK‘N’ROLL MUSICAL OPENS IN FEBRUARY WITH A BRAND SPANKING NEW PRODUCTION. It’s astounding, time is fleeting and The Rocky Horror Show is back. We’re starting another sensation and we’re definitely not under sedation! A new Australian production of the much-loved Rocky Horror Show will open Sydney’s brand new Star Theatre in February 2008 and tickets go on sale on Monday 27 August. Co-Producer Paul Dainty, Chairman of Dainty Consolidated Entertainment says: “It’s a thrill to be bringing The Rocky Horror Show to the Australian stage. It is a timeless piece of theatre that has spanned decades. I know Australian audiences – both new and old fans – will love this show which stars some of our finest talents.” “This fresh production is an exciting new take on the world’s favourite rock ‘n’ roll musical. It brings together the hottest cast I have seen for a long time” commented co-producer Howard Panter, Joint Chief Executive Officer and Creative Director of the UK’s Ambassador Theatre Group. The Rocky Horror Show is an institution and one of theatre’s most endearing and outrageously fun shows. Its well-known and much-loved storyline goes something like this: Squeaky-clean sweethearts Brad and Janet knock on the door of an eerie house to use the phone after their car breaks down in the rain on a dark and stormy night. -
Auslan Stage Left Announces -‐ Todd Mckenney As Patron
AUSLAN STAGE LEFT ANNOUNCES - TODD MCKENNEY AS PATRON Auslan Stage Le- is proud to announce award winning performer Todd McKenney has accepted the role of Patron of our organisaon. Todd is commi?ed to suppor=ng our not for profit organisaon, which specialises in theatre interpre=ng for deaf audiences. Todd’s patronage is testament to the work of Auslan Stage Le- in the areas of theatre interpre=ng and development of the arts in the Deaf community. A household name in musical theatre and as an entertainer, Todd has also studied Auslan, worked alongside renowned deaf actors and with the Deaf community on a number of projects. Todd’s versale career has spanned three decades. Known as Australia’s leading man of song and dance musicals, since 1994 he’s also been the ‘colourful’ and o-en controversial judge on the Channel 7 hit series ‘Dancing With the Stars’. Learning dance at the age of three, Todd has gone on to star in Cats, 42nd Street, West Side Story, Crazy For You, Born Yesterday, Camelot, Pirates of Penzance, Cabaret, Strictly Ballroom, La Cage aux Folles, Singin’ In the Rain, Anything Goes, The Boy From Oz, Priscilla Queen of the Desert, Annie the Musical and more recently Grease is the Word. Landing the prized role of Peter Allen in the Australian hit produc=on The Boy From Oz, Todd performed over 900 shows naonally in one of the longest running and most successful musical produc=ons in Australian history. The cri=cally acclaimed entertainer has won two ‘Mo Awards’, the ‘Variety Club Heart Award’, the ‘Glug Award’, the ‘Green Room Award’, two ‘Australian Dance Awards’ and a ‘Helpmann Award’.