View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Lagos Journals Ihafa: A Journal of African Studies 8: 1 June 2016, 199-217 Vision of Ancestorhood and Apotheosis in Alter- native Yoruba Music dun Bello University of Lagos Abstract The Yoruba world is the totality of the tripartite connection of the worlds of the dead, the living, and the unborn. These three spheres and phases also correspond to the past, the present and the future, respectively. The living are always in awe of the dead and revere them, while the dead are believed to possess the ability to (re)visit the world of the living through reincarnation. The present study is based on the claim that, while aspects of the indigenous Yoruba belief system such as ancestorhood and apotheosis are getting lost on the millennial generation of Yoruba persons, the alter-native Yoruba music genre provides a viable evidence of how elements of Yoruba folk culture are being preserved by culturally and ideologically conscious members of the same generation. Using the Cultural Theory framework, the study demonstrates the possibility of mainstreaming Yoruba cultural studies into the larger corpus of canonical theories in global cultural studies. Keywords: ancestorhood; apotheosis; alter-native music; Yoruba; ideology; millennial; stylistic; culture _________________ Department of Linguistics, African and Asian Studies University of Lagos, Akoka Lagos, Nigeria Phone: +234 703 137 7993; Email:
[email protected] 200 Vision of Ancestorhood and Apotheosis 1. Introduction Alter-native Yoruba music, as conceptualised in this study, refers to Yoruba songs that reflect the nature of external cultural influences that have been brought upon the artistes that produce them, thereby indicating the nature and extent of alteration or alterity identifiable in the Yoruba personality both physically and cognitively.