Lady Gaga Biography
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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
Concert Band Performance Music 19
CONCERT BAND PERFORMANCE MUSIC 19 Earthscape El Dorado Episode for Band By David Marlatt Music by Mark Williams Music by John Kinyon (ENP)(2.5) ............................................$55.00 81-CB10165____ (CH) (1.5) .............................................$42.00 00-20678____ (GB) (2) ................................................$55.00 00-2426____ Echo Lake Overture El Niño Escadrille Concert Band Performance Music Music by Sandy Feldstein and John O’Reilly Music by John O’Reilly By Leonard A. Orcino (BB) (1) ................................................$38.00 00-3406____ (YB) (1) ................................................$40.00 00-18219____ (YS) (2) ................................................$52.00 00-36700____ Echoes of Christmas El Relicario Escape! Music by Dave Black By José Padilla / arr. Michael Story By Terry White (YS) (2) ................................................$48.00 00-19532____ (BYB) (2) ..............................................$60.00 00-38335____ ✸ (YS) (2) ...........................................$55.00 00-41947____ Echoes of Egypt El Tango The Escape of the Shadow Men Featuring: The Nile / Building the Pyramids / Sandstorm / By Rob Romeyn By Barry E. Kopetz The Pharaohs (YS) (2) ................................................$52.00 00-33848____ (DS) (1.5) .............................................$42.00 00-26809____ By Nicholas Baratta Elizabethan Dance Eskimo Dance (BCB) (3) ..............................................$70.00 00-29609____ By Mark Williams Traditional / arr. -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
John Stamos Helps Inspire Youngsters on WE
August 10 - 16, 2018 2 x 2" ad 2 x 2" ad John Stamos H K M F E D A J O M I Z A G U 2 x 3" ad W I X I D I M A G G I O I R M helps inspire A N B W S F O I L A R B X O M Y G L E H A D R A N X I L E P 2 x 3.5" ad C Z O S X S D A C D O R K N O youngsters I O C T U T B V K R M E A I V J G V Q A J A X E E Y D E N A B A L U C I L Z J N N A C G X on WE Day R L C D D B L A B A T E L F O U M S O R C S C L E B U C R K P G O Z B E J M D F A K R F A F A X O N S A G G B X N L E M L J Z U Q E O P R I N C E S S John Stamos is O M A F R A K N S D R Z N E O A N R D S O R C E R I O V A H the host of the “Disenchantment” on Netflix yearly WE Day Bargain Box (Words in parentheses not in puzzle) Bean (Abbi) Jacobson Princess special, which Classified Merchandise Specials Solution on page 13 Luci (Eric) Andre Dreamland ABC presents Merchandise High-End 2 x 3" ad Elfo (Nat) Faxon Misadventures King Zog (John) DiMaggio Oddballs 1 x 4" ad Friday. -
The Best Totally-Not-Planned 'Shockers'
Style Blog The best totally-not-planned ‘shockers’ in the history of the VMAs By Lavanya Ramanathan August 30 If you have watched a music video in the past decade, you probably did not watch it on MTV, a network now mostly stuck in a never-ending loop of episodes of “Teen Mom.” This fact does not stop MTV from continuing to hold the annual Video Music Awards, and it does not stop us from tuning in. Whereas this year’s Grammys were kind of depressing, we can count on the VMAs to be a slightly morally objectionable mess of good theater. (MTV has been boasting that it has pretty much handed over the keys to Miley Cyrus, this year’s host, after all.) [VMAs 2015 FAQ: Where to watch the show, who’s performing, red carpet details] Whether it’s “real” or not doesn’t matter. Each year, the VMAs deliver exactly one ugly, cringe-worthy and sometimes actually surprising event that imprints itself in our brains, never to be forgotten. Before Sunday’s show — and before Nicki Minaj probably delivers this year’s teachable moment — here are just a few of those memorable VMA shockers. 1984: Madonna sings about virginity in front of a blacktie audience It was the first VMAs, Bette Midler (who?) was co-hosting and the audience back then was a sea of tux-wearing stiffs. This is all-important scene-setting for a groundbreaking performance by young Madonna, who appeared on the top of an oversize wedding cake in what can only be described as head-to-toe Frederick’s of Hollywood. -
September 11, 2011 Prelude / Preludio Forever Blest We Satisfied Gather by Martha Carson from Many Places We Gather Here
SEPTEMBER 11, 2011 Prelude / Preludio Forever Blest We Satisfied Gather by Martha Carson From many places we gather here. Our Community Gathers / Nuestra Comunidad Se Reúne This is a high point Rev. Elder Lillie Brock of our week. We see our friends. We make new Our Community Remebers / Nuestra Comunidad Recuerda John Layson friends. And we spend time with The Friend -- the Exchange of Peace / Saludo de Paz loving Christ who meets us where + we are, as we are. Welcome Song / Canción de Bienvenida In this Sanctuary Let us build a house where hands will reach beyond the wood and stone, we worship, and through worship To heal and strengthen, serve and teach, and live the word they've known. the courage within Here the outcast and the stranger bears the image of God's face, us is kindled to Let us bring an end to fear and danger: inspire courageous All are welcome, all are welcome, all are welcome in this place. living beyond this place. + Call To Experience Rev. Kristen Klein-Cechettini PROGRAM Call to + OpeningMUSIC ❘Hymn/“WE ARE Himno THE CHURCH de Entrada ALIVE” JACK HOGGATT-ST.JOHN & DAVID PELLETIER ©1980 ❘ MCC SAN FRANCISCO HYMNAL #176 Experience We are the Church Alive One traditional element of worship ❘ is known as the Call To Worship, W a practice that orship Services intentionally invites us to come into the presence of God. For the next 8 weeks we will intentionally call ourselves to experience the presence of God. + Please rise in body or spirit. 2003 MCC World Jubilee & 21st General Conference ❚ LET YOUR LIGHT SHINE ❚ CCLI#599527 -
Special Edition Band Songlist
(revised for January 2021) POP/DANCE 24-Karat Magic Bruno Mars Ain't It Fun Paramore Ain't Nobody Chaka Khan All About The Bass Meghan Trainor Attention Charlie Puth Bad Romance Lady Gaga Bang Bang Ariana Grande/Nicki Minaj Bidi Bidi Bom Bom Selena Gomez Big Time Peter Gabriel Billie Jean Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey California Gurls Katy Perry Can't Stop the Feelin' Justin Timberlake Celebration Kool & The Gang Cheap Thrills Sia Cheerleader Felix Jaehn Chunky Bruno Mars Conga Gloria Estefan and The Miami Sound Machine Crazy In Love Beyoncé Dancing Queen Abba Donna Summer Medley Donna Summer Don't Cha Pussycat Dolls Don't Stop The Music Rhianna Drag Me Down One Direction Ex's and Oh's Elle King Faith George Michael Family Affair Mary J Blige Fancy Iggy Azalea feat. Charli XCX Feel It Still Portugal, The Man Finesse Bruno Mars/Cardi B Footloose Kenny Loggins Funkytown Lipps, Inc. Girls Just Wanna Have Fun Cyndi Lauper Give Me Everything Pitbull Good Kisser Usher Groove is in The Heart Deee-Lite Happy Pharrell Williams Havana Camilla Cabello Hella Good No Doubt I Feel For You Chaka Khan I Gotta Feelin' Black Eyed Peas I Wanna Dance With Somebody Whitney Houston I Will Survive Gloria Gaynor Intentions Justin Bieber I'm Like A Bird Nelly Furtado Jealous Nick Jonas Just Dance Lady Gaga Kiss Prince Lady Marmalade LaBelle/Shakira Last Dance Donna Summer Leave Your Hat On Joe Cocker Let's Go Crazy Prince Let's Groove Tonight Earth, Wind and Fire Locked Out Of Heaven Bruno Mars Love on Top Beyoncé -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Leonard Bernstein's MASS
27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII. -
The Cyclical Influence of Society and Music
Conspectus Borealis Volume 6 Issue 1 Article 15 3-13-2020 The Cyclical Influence of Society and Music Bailey Gomes Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/conspectus_borealis Part of the Music Commons, Politics and Social Change Commons, Social Influence and oliticalP Communication Commons, Social Justice Commons, and the Social Media Commons Recommended Citation Gomes, Bailey (2020) "The Cyclical Influence of Society and Music," Conspectus Borealis: Vol. 6 : Iss. 1 , Article 15. Available at: https://commons.nmu.edu/conspectus_borealis/vol6/iss1/15 This Scholarly Article is brought to you for free and open access by the Journals and Peer-Reviewed Series at NMU Commons. It has been accepted for inclusion in Conspectus Borealis by an authorized administrator of NMU Commons. For more information, please contact Kevin McDonough. The Cyclical Influence of Society and Music Throughout time, there have been discussions over the age-old question: ‘which came first, the chicken or the egg?’ This type of question applies to many other areas of life and it is the basis for this paper. The question that this paper explores is ‘does society change music, or does music change society?’ This paper will show that neither came first, but rather they exist simultaneously in a never-ending cycle. By discussing the influences of two musical icons, Pearl Jam and Lady Gaga, this paper will show the perpetual cycle of how society and music influence each other. Society is constantly changing and there are always movements that gain public attention. Whether that attention is positive or negative does not matter; it is attention nonetheless. -
Bad Habit Song List
BAD HABIT SONG LIST Artist Song 4 Non Blondes Whats Up Alanis Morissette You Oughta Know Alanis Morissette Crazy Alanis Morissette You Learn Alanis Morissette Uninvited Alanis Morissette Thank You Alanis Morissette Ironic Alanis Morissette Hand In My Pocket Alice Merton No Roots Billie Eilish Bad Guy Bobby Brown My Prerogative Britney Spears Baby One More Time Bruno Mars Uptown Funk Bruno Mars 24K Magic Bruno Mars Treasure Bruno Mars Locked Out of Heaven Chris Stapleton Tennessee Whiskey Christina Aguilera Fighter Corey Hart Sunglasses at Night Cyndi Lauper Time After Time David Guetta Titanium Deee-Lite Groove Is In The Heart Dishwalla Counting Blue Cars DNCE Cake By the Ocean Dua Lipa One Kiss Dua Lipa New Rules Dua Lipa Break My Heart Ed Sheeran Blow BAD HABIT SONG LIST Artist Song Elle King Ex’s & Oh’s En Vogue Free Your Mind Eurythmics Sweet Dreams Fall Out Boy Beat It George Michael Faith Guns N’ Roses Sweet Child O’ Mine Hailee Steinfeld Starving Halsey Graveyard Imagine Dragons Whatever It Takes Janet Jackson Rhythm Nation Jessie J Price Tag Jet Are You Gonna Be My Girl Jewel Who Will Save Your Soul Jo Dee Messina Heads Carolina, Tails California Jonas Brothers Sucker Journey Separate Ways Justin Timberlake Can’t Stop The Feeling Justin Timberlake Say Something Katy Perry Teenage Dream Katy Perry Dark Horse Katy Perry I Kissed a Girl Kings Of Leon Sex On Fire Lady Gaga Born This Way Lady Gaga Bad Romance Lady Gaga Just Dance Lady Gaga Poker Face Lady Gaga Yoü and I Lady Gaga Telephone BAD HABIT SONG LIST Artist Song Lady Gaga Shallow Letters to Cleo Here and Now Lizzo Truth Hurts Lorde Royals Madonna Vogue Madonna Into The Groove Madonna Holiday Madonna Border Line Madonna Lucky Star Madonna Ray of Light Meghan Trainor All About That Bass Michael Jackson Dirty Diana Michael Jackson Billie Jean Michael Jackson Human Nature Michael Jackson Black Or White Michael Jackson Bad Michael Jackson Wanna Be Startin’ Something Michael Jackson P.Y.T.