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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
M I K E S a R K I S S I a N Credits
MIKE SARKISSIAN CREDITS _____________________________________________________________________________ EXECUTIVE PRODUCER / PRODUCER FILM The White Stripes Under Great White Northern Lights Emmett Malloy Jack Johnson En Concert Emmett Malloy Jack Johnson A Weekend at the Greek Emmett Malloy Jack White Jack White Kneeling at The Anthem Emmett Malloy TV Paramount Dream: Birth of the Modern Athlete The Malloy Brothers National Geographic Breakthrough Season 2 Series Producer Revolution Studios Pilot – Everyday People Tim Wheeler GSN / Revolution Studios Drew Carey’s Improv-A-ganza 40 eps Liz Zannin The Dead Weather Live at the ROXY Tim Wheeler Jack Johnson Kokua Festival 05-09 Emmett Malloy From The Basement Raconteurs / Kills / Fleet Foxes Nigel Godrich From The Basement Queens of the Stone Age Nigel Godrich Sundance Channel 5 Years of Change – KOKUA Emmett Malloy Selena Gomez Girl Meets World – Disney Channel Tim Wheeler James Blunt Live & SPPP Studios Tim Wheeler Disney Channel Radio Disney Concert Special Tim Wheeler Nickelback Live at Home Nigel Dick Marie Digby Live At Rick Ruben Studios Mike Piscitelli Grace Potter Live In Burlington Tim Wheeler Alpha Rev Live @SPPP Studios Tim Wheeler Kate Vogel Live @SPPP Studios Tim Wheeler ZZ Ward Live @ The Troubadour Tim Wheeler Nick Jonas Live @ Capitol Records Giles Dunning Grace Potter Live @ The Waterfront Tim Wheeler R5 Live @ the O2 London Tim Wheeler COMMERCIALS Honda Happy Honda Days ’19 Campain Jed Hathaway Apple Apple TV+ 2019 March Launch Robin Cosimir Waze Waze Carpool Jeff + Pete Accenture Talent, Resilience, Disruption Jordan Bahat Google Google Cloud Jordan Bahat Amazon Fire TV Twin Peaks Pie Shop, Playlist Jeff + Pete Always Prepared, No Chance Whip It, Whip it Good Sharknado by the Sea Chicken Little Fingers Dove Real Moms Acura Emotion Is In IBM / Watson Not Easy Nicolas Davenel Max Factor Miracle Touch Camilla Akrins Visa Snapchat / Olympics Giles Dunning McDonalds Fans vs Critics Jordan Bahat Navy Federal Credit Union Veterans Bond Jeff + Pete Dr. -
Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Key People Allman
Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Key People Allman Brothers Band: Most important southern rock band of the late 1960s and early 1970s who reconnected the generative power of the blues to the mainstream of rock music. Barry White (1944‒2004): Multitalented African American singer, songwriter, arranger, conductor, and producer who achieved success as an artist in the 1970s with his Love Unlimited Orchestra; perhaps best known for his full, deep voice. Carlos Santana (b. 1947): Mexican-born rock guitarist who combined rock, jazz, and Afro-Latin elements on influential albums like Abraxas. Carole King (b. 1942): Singer-songwriter who recorded influential songs in New York’s Brill Building and later recorded the influential album Tapestry in 1971. Charlie Rich (b. 1932): Country performer known as the “Silver Fox” who won the Country Music Association’s Entertainer of the Year award in 1974 for his song “The Most Beautiful Girl.” Chic: Disco group who recorded the hit “Good Times.” Chicago: Most long-lived and popular jazz rock band of the 1970s, known today for anthemic love songs such as “If You Leave Me Now” (1976), “Hard to Say I’m Sorry” (1982), and “Look Away” (1988). David Bowie (1947‒2016): Glam rock pioneer who recorded the influential album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972. Dolly Parton (b. 1946): Country music star whose flexible soprano voice, songwriting ability, and carefully crafted image as a cheerful sex symbol combined to gain her a loyal following among country fans. -
Maital Sabban Make-Up Artist
6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST DIRECTORS & PHOTOGRAPHERS: Alberto Tolot David La Chapelle Kevin Kerslake Allan Fis David Steinberg Kieran Walsh Anastacia & Ian David Tsay Kinka Usher Andrew McPherson Davis Factor Larson & Talbert Andrew Southam Dick Buckley Lauren Greenfield Andy Morahan Dominique Guillemont Lita Wilson Angela Alvarado Rosa Eika Aoshima Lorenzo Agius Angelina Venturella Emily Shur Mark Anderson Anghel Decca Fatima Mark Seliger Annie Leibovitz Francis Lawrence Martin Scholler Anouk Besson Frank Samuels Mary Ellen Mark Anthea Benton Gavin Bond Matthew Rolston Anthony Mandler Geoff Moore Meirt Avis Arnold Turner Giuliano Bekor Memo del Bosque Art Streiber Graham Michael Martin Blake Little Gustavo Garzon Michael Muller Bob Giraldi Helmut Newton Michel Gondry Brian Bowen Smith Henman Mike Ruiz Cam Archer Herb Ritts Miranda Penn Turin Carl Rinsch Jack Guy Moshe Brakha Charles Jensen James Houston Nancy Bardawil Chris Applebaum Jeff Berlin Nigel Dick Chris Floyd Jeff Katz Noriyuki Tanaka Chris Fortuna Jeff Lipsky Norman Jean Roy Chris McPherson Jeremy Goldberg Omar Cruz Christopher Beyer Jerry Avenaim Pablo Alfaro Christy Bush Jim Gable Patrick Anderson Craid De Cristo Jim Wright Patrick Demarchelier Craig Cutler John Russo Paul Hunter Danny Ducovny Joseph Kahn Randall Mesdon David Hogan Joseph Murray Randee St. Nicholas David Kellogg Joseph Pluchino Rankin 6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST (CONT’D.) DIRECTORS & PHOTOGRAPHERS (CONT’D.): Rent Sidon Stephan Kyndt Tom Gatsoulis Richard McLaren Steve Ramser Tony Duran Robert Ascroft Steve Shaw Traktor Robert Fleischauer Steven Lippman Wayne Isham Robert Rodriguez Steven Ziegler Walter Iooss Roger Erickson Stylewar Willie Maldonado Sheryl Nield The Malloy Bros. -
Never Look Away
NEVER LOOK AWAY An original screenplay by Florian Henckel von Donnersmarck 1. INT. DRESDEN ART MUSEUM – DAY KURT, a small 5-year-old boy with steel grey eyes gazes at the distorted, grimacing faces of soldiers from the hands of Otto Dix, the twisted colors and shapes of Kirchner, Heckel and Schmidt-Rottluff, the bizarre world of Paul Klee. At Kurt's side is his AUNT ELISABETH, an 19 year-old blonde of seductive beauty. They are part of a group of maybe two dozen adults, all ears to a self- confidently eloquent EXHIBITION GUIDE: GUIDE (nodding with regret) Modern art. Yes, ladies and gentlemen. Before the National Socialists took charge, Germany, too, had its share of "modern" art, meaning: something different just about every year - as follows from the word itself. Ironic chuckles from the audience. EXHIBITION GUIDE (CONT'D) But the Germany of National Socialism once again demands a German art which, like the entirety of a nation’s creative values, must be, and shall be, eternal. Bearing no such eternal value for its nation, it can be of no higher value even today. As they stroll past paintings of unconstrained prostitutes, yellow hydrocephalic heads, smirking captains of industry, African-style sculptures… EXHIBITION GUIDE (CONT'D) The German woman is ridiculed and equaled to prostitutes. The paintings appear to confirm this. EXHIBITION GUIDE (CONT'D) The soldier is portrayed either as a murderer or as the victim of senseless slaughter, all this in an attempt to destroy the German people’s deeply rooted respect for a soldier’s bravery. -
AXS TV Schedule for Mon. April 17, 2017 to Sun. April 23, 2017 Monday
AXS TV Schedule for Mon. April 17, 2017 to Sun. April 23, 2017 Monday April 17, 2017 6:30 PM ET / 3:30 PM PT 8:00 AM ET / 5:00 AM PT Rock Legends Rock Legends Foo Fighters - With a career of over two decades and album sales over 11 million, Foo Fighters KISS - Well known for its members’ face paint and stage outfits, KISS rose to prominence in are giants in the world of contemporary rock. Featuring archive material, music videos “Best Of the mid-to-late 1970s with their elaborate live performances. Interviews, news archives and You” and “Monkey Wrench” including exclusive insights from media critics. performances reveal the story of this iconic band. 7:00 PM ET / 4:00 PM PT 8:50 AM ET / 5:50 AM PT Nothing But Trailers Rock Legends Sometimes the best part of the movie is the preview! So AXS TV presents Nothing But Trailers. Santana - Leading music critics tell the story of Santana, the San Francisco-based Latin rock See the best trailers, old and new, in AXS TV’s collection. band that exploded onto the music scene with their breakthrough performance at 1969’s Woodstock music festival. Premiere 9:00 PM ET / 6:00 PM PT 9:20 AM ET / 6:20 AM PT 9 to 5 Nothing But Trailers Three female employees live out their fantasies of getting even with their chauvinistic, egotisti- Sometimes the best part of the movie is the preview! So AXS TV presents Nothing But Trailers. cal male boss. Starring Jane Fonda, Lily Tomlin, and Dolly Parton. -
MARINA TOYBINA Costume Designer/ Fashion Designer/ Stylist
MARINA TOYBINA Costume Designer/ Fashion Designer/ Stylist AWARDS Emmy Award 2015 – Outstanding Costume Design for a Variety Program or Special (Super Bowl XLIX Halftime Show) Emmy Award 2014 – Outstanding Costume Design for a Variety Program or Special (So You Think You Can Dance) Emmy Award 2013 – Outstanding Costume Design for a Variety Program or Special (Taylor Swift/ Grammy’s) Emmy Award 2012 – Outstanding Costume Design for a Variety Program or Special (X-Factor) LIVE PERFORMANCE / TELEVISION Katy Perry – XLIX Super Bowl Halftime Show Costume Designer NBC (Dancers/additional players) Carrie Underwood – CMT Awards Costume Designer/Stylist CMT Carrie Underwood – Stagecoach 2016 Costume Designer/Stylist Carrie Underwood – ACC Awards 2016 Costume Designer/Stylist FOX Carrie Underwood – ACM’s 2016 Costume Designer/Stylist CBS Carrie Underwood – 2016 Grammy Awards Costume Designer/Stylist CBS Carrie Underwood – New Year Rockin’ Eve Costume Designer/Stylist ABC DancePalooza – The Ellen Show Costume Designer NBC Fifth Harmony – Billboard Women in Music Costume Designer/Stylist Carrie Underwood – American Music Awards 2015 Costume Designer/Stylist ABC Fifth Harmony – European Music Awards 2015 Costume Designer/Stylist MTV Carrie Underwood – Country Music Awards 2015 Costume Designer/Stylist ABC Fifth Harmony – Jimmy Kimmel 2015 Costume Designer/Stylist ABC Fifth Harmony – Dancing with the Stars 2015 Costume Designer/Stylist ABC Katy Perry – 2014 Grammy Awards Costume Designer CBS Carrie Underwood – ACC Awards Costume Designer/Stylist FOX -
Christopher Blaine Rhodes P.O
CHRISTOPHER BLAINE RHODES P.O. Box 691901 ! Los Angeles ! CA, 90069 Ph: (310) 358-0710 ! Pager: (888) 200-2383 Affiliations: IATSE 600, IBEW, NABET; 2002 Emmy Winner - Britney Spears Live From Las Vegas; 2000 Emmy Nominee – Who Wants To Be A Millionaire Twenty years experience in all phases of film, television and video production, with particular expertise in camera operation and lighting design. Background includes directing, writing, editing and producing. Experience includes feature film, television, commercial, music video, sports, entertainment and corporate production. FILM & TELEVISION EXPERIENCE ABC ENTERTAINMENT, New York BUENA VISTA TELEVISION, Hollywood TECHNO CAMERA CRANE OPERATOR VALLEY CREST PRODUCTIONS, New York 2001 Academy Awards Pre-Show TECHNO CAMERA CRANE OPERATOR “Countdown To The Emmys” – ’01, ‘02/Dir: Roger Goodman “Who Wants To Be A Millionaire”/Dir: Mark Gentile JIB OPERATOR: Ronald Reagan Funeral 2004 CREAM CHEESE FILMS, Los Angeles VH1 PRODUCTIONS, New York TECHNO CAMERA CRANE OPERATOR TECHNO CAMERA CRANE OPERATOR “Britney Spears Live From Las Vegas” – HBO/Dir: Marty Callner “2001 Grammy Awards Pre-Show”/Dir: Patrick Mendes MTV PRODUCTIONS, New York KEN ERLICH PRODUCTIONS, Encino TECHNO CAMERA CRANE OPERATOR TECHNO CAMERA CRANE OPERATOR “Green Day Drive-In Concert”/Dir: Milton Lage Christina Aguilera ABC Christmas Special Director: Lawrence Jordon ANGOTTI PRODUCTIONS, Los Angeles TECHNO CAMERA CRANE OPERATOR BUENA VISTA TELEVISION, Hollywood 2000 Source Hip Hop Awards/Dir: Lawrence Jordan ANCIENT MODERN PRODUCTIONS -
Reprinted by Permission of Modern Drummer Publications, Inc
Reprinted by permission of Modern Drummer Publications, Inc. Copyright 2006. Reprinted by permission of Modern Drummer Publications, Inc. Copyright 2006. t’s not often in a career as a journalist that Today, it’s difficult sitting with Danny, hear- you feel as though you’ve reached the core ing a story of betrayal and personal agony. But of someone’s being, as though you’ve been he’s the perfect example of how one endures, Igiven an honest look into someone’s soul. self-investigates, points the right fingers (even It’s rare that an artist will be so open and self- at himself), and gets through it. Listening to analytical that he’ll give you a true picture of him tell the story of his recent and reclusive what he’s been through. Well, in the following years was upsetting. But I also had a sense of interview, Danny Seraphine bares his soul. relief knowing that the musician I always Danny Seraphine was my first cover story for admired was speaking from the heart and was Modern Drummer, in the December ’78/January finally emerging from what was obviously a ’79 issue. Like millions of fans around the terrible time in his life. world, I loved Chicago. Their music was an “I went from one lifestyle to another,” innovative fusion of rock and jazz, featuring Seraphine says of his firing. “I was in a great tight horn arrangements in a rock setting and band, and then I wasn’t. It was as if the Lord great songwriting. At the center of it all was a had flicked a switch and said, ‘Guess what? Your drummer with inventive chops and a swing sen- life is changing.’ I went from one extreme to sibility. -
Young Broker Funding America on Youtube Is Controversy One Can't
March/April 2021 THE DEATH OF A THOUSAND FINANCIAL SERVICE COMPANIES By Sean Murray Young Broker Funding America on Youtube is Controversy One Can’t Look Away From Q&A With Jennie Villano StillFunding Funding the the Unbankable Unbankable Send us your DECLINED & high risk deals yellowstonecap.com/iso 855-972-2748 www.fundrycap.com Table of Contents March/April 2021 Featured 2 THE DEATH OF A THOUSAND FINANCIAL SERVICE COMPANIES by: SEAN MURRAY Inside 02 06 12 THE DEATH OF A YOUNG BROKER FUNDING Q&A WITH JENNIE VILLANO THOUSAND FINANCIAL AMERICA ON YOUTUBE IS SERVICE COMPANIES CONTROVERSY ONE CAN’T 14 LOOK AWAY FROM INDUSTRY NEWS 08 GOVERNOR PHIL MURPHY ON FINTECH IN NEW JERSEY March/April 2021 Letter From the Editor PUBLISHER Sean Murray EDITOR-IN-CHIEF Sean Murray ART DIRECTOR Deborah Barlay BY SEAN MURRAY SALES 212.220.9084 deBanked is a publication by: If you’re reading this, then your career in the industry probably survived the pandemic. Congratulations. Raharney Capital, LLC 325 Gold Street, Ste 502 Your competition is already off to the races, scrambling to capitalize on Brooklyn, NY 11201 the damage wrought on the industry in 2020. Word on the street is that 212.220.9084 they’re buying up the domain names of financial service companies that For advertising information or general inquiries, didn’t make it. Could that create an advantage? I had a theory that it email [email protected] or call 212.220.9084. would, but what I learned in practice was something that everyone needs to know. -
Misha-Gabriel-Bloc-Resume.Pdf
bloc, inc . 6100 Wilshire Blvd., Suite 1100 Los Angeles, CA 90048 PHONE: 323-954-7730 FAX: 323-954-7731 Misha Gabriel SAG/AFTRA Height: 5’8’’ Eyes: Brown Hair: Dark Brown FILM: Love and Mercy Dancer Chor: Kenny Wormald The Muppets Dancer Chor: Michael Rooney Footloose Dancer Dir: Craig Brewer Michael Jackson “This Is It” Dancer Dir: Kenny Ortega/Chor: Travis Payne Clerks 2 Dancer Dir: Kevin Smith / Michael Rooney Centerstage 2 Dancer Chor: Aakomon “AJ” Jones Jackass 2 Dancer Michael Rooney w/ Tracy Phillips TELEVISION: Dancing with the Stars- Travis Wall Dancer Chor: Travis Wall KTLA Morning Show- This Is It Dancer Chor: Travis Payne Ellen Degeneres- This Is It Dancer Chor: Travis Payne Michael Jackson Memorial-Jennifer Hudson Dancer Chor: Travis Payne 2009 Grammy’s-Chris Brown Dancer Chor: Rich & Tone Latin VMA- Hilary Duff Dancer Chor: Fatima Ellen Degeneres- Janet Jackson Dancer Chor: Gil Duldulao Ellen Degeneres- Omarion Dancer Chor: Ro Ro TRL Janet Jackson Dancer Chor: Gil Duldulao Oprah- Janet Jackson Dancer Chor: Gil Duldulao BET Awards- Omarion Dancer Chor: Ro Ro Craig Ferguson Show-Kylie Minogue Dancer Chor: Rich & Tone Janet Jackson-Billboard Awards Dancer Gil Duldulao, Poppin Pete, EMo Dancing with the Stars- Kylie Minogue Dancer Chor: Talauega Mariah Carey-Jimmy Kimmel/Teen Choice Dancer Chor: Jeri Slaughter Ne-Yo-Dancing with the Stars Dancer Chor: Jamaica Craft / Amy Allen Pussy Cat Dolls-AMA’s Dancer Chor: Robin Antin / Mikey Minden John Legend-Dancing with the Stars Dancer Chor: Jamaica / Craig Hollamon COMMERCIALS: Old -
The Haunted Continent and Andrew Bird's Apocrypha
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances.